View allAll Photos Tagged kutil
bigger here: farm3.static.flickr.com/2267/2124695853_fbab06b47f_o.jpg
A month or two ago I was asked to take part in an amazing calendar project that Jennifer Daniel was putting together. It is for sale now! 18x24 sheets of paper! Lots of great illustrators!
httpcolonforwardslashforwardslashwwwdotjenniferdanieldotc...
Ben Kutil + Katie McDonough : benkutil.com/v01/
Sam Weber : www.sampaints.com/
Erin Sparling + Jennifer Daniel : httpcolonforwardslashforwardslashwwwdotjenniferdanieldotc...
Leif Parsons : www.leifparsons.com/
Kevin Sherry: www.squidfire.com/
Kim Bost: www.kimbost.com/
Seth Labenz + Roy Rub: www.toposgraphics.com/
Dave Franzese: www.daveisdrawing.com/
Kate Bingaman-Burt: www.obsessiveconsumption.com
Nolen Strals: www.posttypography.com/
Daniel Arbello: www.babyraptor.com/
Chris Rubino : www.chrisrubino.com/
Joon Mo Kang: www.stepinsidedesign.com/STEPMagazine/Article/28568/0/pag...
CARBON WOUND Lightweight Composites by Megha Chandrasekhar, Christopher Mascari, and Brandon Vieth
Lightness as described in the architectural discipline communicates different narratives. It could represent the mass of a body and its maneuverability through space, the amount of light that permeates or is reflected from a given surface defining its visual density, or reflect the economic and material flows associated with its conception. Lightness as described by Adriaan Beukers is the “trinity of material, concept and process.”
Our research trajectory utilizes a combination of fiber composites and robotic filament winding as a means to explore an essence of lightness. The use of carbon fiber filament and resin creates a medium with which material properties of strength and lightness can be explored. Computational analysis and scripting allow structures to be designed with locally tailored material properties capable of taking into account both the intensive and extensive forces of design. The use of filament as a base material eliminates the dependency on standardized dimensional stock and creates the opportunity for customization with no material waste. The automation process introduces a high level of precision and speed to the mass production of customizable form as an alternative to traditional methods of manufacturing and construction.
In architecture, where the performative is always in question, the role of the composite remains attuned to the "mud and straw" mentality as a standard method for achieving the ultimate material performance. While this age-old method responds to issues of the performative, advances in material and construction processes, should have architects questioning the “spatial” qualities exhibited through structural form. Concrete while strong and heavy is visually opaque, steel while strong is also heavy, however fiber wound composites are both strong and light and deliver both physically and visually. They offer the opportunity to blend attributes of lightness through material strength, formal concept and process with both structural and spatial qualities within a single material matrix providing new experiential possibilities.
- - -
During their final year – known as the thesis year – architecture graduate students research a topic that culminates in a design project. The projects are exhibited just prior to graduation and reviewed by a panel of outside and faculty experts. One project from each studio is identified for Honors; these projects are on view over the summer in the College Gallery.
2013 Thesis Honors Projects by:
Megha Chandrasekhar, Pooja Dalal, Brittany Nicole Gacsy, Emily Kutil, Christopher Mascari, Dan McTavish, Hans Papke, Ariel Poliner, Nick Safley, Anna Schafferkoetter, and Brandon Vieth
Photo by Alex Jacque, Taubman College of Architecture and Urban Planning
Seperti biasa, bulan Desember di penghujung tahun, selalu jadi salah satu bulan yang ditunggu-tunggu bagi para pecinta musik Indonesia. Setidaknya 3 tahun terakhir, grup band Slank selalu menutup akhir tahun di Desember dengan menyelenggarakan konser ulang tahunnya, setelah sebelumnya di ulang tahun ke-29, Slank dengan menggandeng sponsor Djarum Coklat, menggelar konser ulang tahun di Lap. Kridosono, Jogja, pada ulang tahun ke-30 dirayakan di Gelora Bung Karno, Jakarta dengan sponsor Clavo Premio, kali ini pada ulang tahun ke 31, Slank kembali merayakannya di Lanud Husein Sastranegara, Bandung, kali ini dengan menggandeng Supermusic ID dan RTV.
Beda dengan tahun-tahun sebelumnya, HUT Slank yang ke-31 Tahun kali ini dirayakan di Lapangan Udara Husein Sastranegara, yang notabene adalah bandar udara semi komersil. Dengan tagline "Ngeslank Rame-Rame", Slank mengajak sekitar 15.000an lebih slankers yang memadati Lanud Husein Sastranegara untuk menyanyikan lagu-lagu Slank, dari lagu lama, sampai lagu-lagu rbaru yang akan dirilis di album terbarunya. Setidaknya ada sekitar 4 lagu baru yang dibawakan oleh Slank saat konser, salah satunya adalah NgeSlank Rame-Rame, persis seperti tagline konser HUT kali ini. Memang agak disayangkan, beberapa lagu baru berbau kampanye politik. Hal ini kemudian yang membuat Slank mendapatkan input dan kritikan, salah satunya dari Oppie Andaresta yang juga tampil saat konser HUT berlangsung.
Anyway, terlepas dari semua itu, gw cuma mau bilang, semoga Slank selalu bisa mempertahankan karakteristiknya sebagai inspirator banyak orang di Indonesia, tetap bisa independen sebagai musisi, dan tetap memiliki idealisme dalam bermusik, tanpa harus ada muatan isu-isu yang tidak relevan di lagu-lagunya :)
Thanks buat temen-temen yang kemaren udah ikutan ngeRame-in HUT Slank 31 Tahun, dari tim ATAP Promotions, Gio Vitano, Herdina Ka, Kutil, Black, Arief F Rachman, Meity Fitriani yang udah bersedia jadi host dadakan buat wawancara eksklusif bareng Slank & Oppie Andaresta, temen-temen dari Kreasys, Ryan Ridhwan Arief, Hisman, Adit, Dion, yang akhirnya lulus ujian supporting konser Slank :3 temen-temen fotografer DPI, Indra Fakhriansyah, Idham Aries dan Alfi Muhammad Prakoso akhirnya kelar juga hunting foto stage 2014 ini :3 dan makasih juga buat Jimi dari Megapro Comm yang udah bantuin arrange interview ekslusif bareng Slank :D Om Ordinary Man dan Sigma Photo Indonesia yang juga udah minjemin lensa Sigmanya :D
Semua foto diambil menggunakan:
Canon EOS 60D
Sigma APO 50-150mm f/2.8 EX DC OS HSM
Sgma 10-20mm f/4-5.6 EX DC HSM
edited using: Adobe Photoshop CS5
coloring: NIK Software Color Efex Pro
Peringatan:
Seluruh foto dalam album/photoset ini dilindungi oleh Hak Cipta. Kepemilikan Hak Cipta foto-foto pada album/photoset ini dimiliki oleh Adjie Aditya Purwaka dan atau Motomata Photoarts. Segala pelanggaran atas hak cipta, penggunaan tanpa seizin pemilik foto, dan bentuk pelanggaran lain, akan diproses menurut hukum yang berlaku, baik lokal (hukum Indonesia) maupun internasional.
Disclaimer:
The entire picture / album / photoset is protected by Copyright. Copyright ownership of the photos in this album / photoset is owned by Aditya Adjie Purwaka and or Motomata Photoarts. Any infringement of copyright, the use without permission of the owner of the photo, and other forms of abuse, will be processed according to applicable laws, both locally (Indonesian Law) and internationally.
Seperti biasa, bulan Desember di penghujung tahun, selalu jadi salah satu bulan yang ditunggu-tunggu bagi para pecinta musik Indonesia. Setidaknya 3 tahun terakhir, grup band Slank selalu menutup akhir tahun di Desember dengan menyelenggarakan konser ulang tahunnya, setelah sebelumnya di ulang tahun ke-29, Slank dengan menggandeng sponsor Djarum Coklat, menggelar konser ulang tahun di Lap. Kridosono, Jogja, pada ulang tahun ke-30 dirayakan di Gelora Bung Karno, Jakarta dengan sponsor Clavo Premio, kali ini pada ulang tahun ke 31, Slank kembali merayakannya di Lanud Husein Sastranegara, Bandung, kali ini dengan menggandeng Supermusic ID dan RTV.
Beda dengan tahun-tahun sebelumnya, HUT Slank yang ke-31 Tahun kali ini dirayakan di Lapangan Udara Husein Sastranegara, yang notabene adalah bandar udara semi komersil. Dengan tagline "Ngeslank Rame-Rame", Slank mengajak sekitar 15.000an lebih slankers yang memadati Lanud Husein Sastranegara untuk menyanyikan lagu-lagu Slank, dari lagu lama, sampai lagu-lagu rbaru yang akan dirilis di album terbarunya. Setidaknya ada sekitar 4 lagu baru yang dibawakan oleh Slank saat konser, salah satunya adalah NgeSlank Rame-Rame, persis seperti tagline konser HUT kali ini. Memang agak disayangkan, beberapa lagu baru berbau kampanye politik. Hal ini kemudian yang membuat Slank mendapatkan input dan kritikan, salah satunya dari Oppie Andaresta yang juga tampil saat konser HUT berlangsung.
Anyway, terlepas dari semua itu, gw cuma mau bilang, semoga Slank selalu bisa mempertahankan karakteristiknya sebagai inspirator banyak orang di Indonesia, tetap bisa independen sebagai musisi, dan tetap memiliki idealisme dalam bermusik, tanpa harus ada muatan isu-isu yang tidak relevan di lagu-lagunya :)
Thanks buat temen-temen yang kemaren udah ikutan ngeRame-in HUT Slank 31 Tahun, dari tim ATAP Promotions, Gio Vitano, Herdina Ka, Kutil, Black, Arief F Rachman, Meity Fitriani yang udah bersedia jadi host dadakan buat wawancara eksklusif bareng Slank & Oppie Andaresta, temen-temen dari Kreasys, Ryan Ridhwan Arief, Hisman, Adit, Dion, yang akhirnya lulus ujian supporting konser Slank :3 temen-temen fotografer DPI, Indra Fakhriansyah, Idham Aries dan Alfi Muhammad Prakoso akhirnya kelar juga hunting foto stage 2014 ini :3 dan makasih juga buat Jimi dari Megapro Comm yang udah bantuin arrange interview ekslusif bareng Slank :D Om Ordinary Man dan Sigma Photo Indonesia yang juga udah minjemin lensa Sigmanya :D
Semua foto diambil menggunakan:
Canon EOS 60D
Sigma APO 50-150mm f/2.8 EX DC OS HSM
Sgma 10-20mm f/4-5.6 EX DC HSM
edited using: Adobe Photoshop CS5
coloring: NIK Software Color Efex Pro
Peringatan:
Seluruh foto dalam album/photoset ini dilindungi oleh Hak Cipta. Kepemilikan Hak Cipta foto-foto pada album/photoset ini dimiliki oleh Adjie Aditya Purwaka dan atau Motomata Photoarts. Segala pelanggaran atas hak cipta, penggunaan tanpa seizin pemilik foto, dan bentuk pelanggaran lain, akan diproses menurut hukum yang berlaku, baik lokal (hukum Indonesia) maupun internasional.
Disclaimer:
The entire picture / album / photoset is protected by Copyright. Copyright ownership of the photos in this album / photoset is owned by Aditya Adjie Purwaka and or Motomata Photoarts. Any infringement of copyright, the use without permission of the owner of the photo, and other forms of abuse, will be processed according to applicable laws, both locally (Indonesian Law) and internationally.
Convergent Domains by Hans Papke
To engage the national chain grocery store is to engage with the diffuse zones of non-city-space which blanket most of the North American continent. The spatial condition in which these grocery stores thrive is part of a spatial domain which Foucault has argued exists outside of the domain of Architecture. This territory, which began to emerge with the building of the railroads is defined by Speed, Territory and Communication. I have titled this the Logistical Domain.
In The Possibility of an Absolute Architecture, Aureli uses Nolli’s map of Rome to make a distinction between two other spatial domains; the space of the City and the space of the architecture. This thesis attempts to superimpose these three spatial domains.
Upon investigating the specific siting logic of national chain grocery stores, it became clear that chain grocery stores belong very much to the logistic spatial domain. They tend to site themselves along interstates, in the zone 10-30 minutes away from the center of a nearby city. In addition to grocery stores, there are a number of other types of programs which thrive in this zone for example, office parks, movie theatres, shopping malls, marshalling yards, and airports.
However, there is perhaps nothing that exemplifies the spatial logics of Logistic Space better than the landfill. The landfill is the other side of the grocery store coin. The similarities are so great in fact, that in 2002, the largest landfill redevelopment program in the history of the state of Michigan resulted in the construction of 160,000 sq ft Meijer Supercenter on top of the former Ford Motor Company Allen Park Landfill.
This thesis investigates other ways that non-active landfill sites can be redeveloped. What would this re-territorialization look like? How can architecture legitimize itself in the Logistic Spatial Domain? What is an appropriate way to build on top of a mountain of garbage? How would a new settlement change the parameters of a chain grocery store? Finally, can Architecture begin to introduce a new kind of interiority into the extremely externalized world of Logistic Space?
- - -
During their final year – known as the thesis year – architecture graduate students research a topic that culminates in a design project. The projects are exhibited just prior to graduation and reviewed by a panel of outside and faculty experts. One project from each studio is identified for Honors; these projects are on view over the summer in the College Gallery.
2013 Thesis Honors Projects by:
Megha Chandrasekhar, Pooja Dalal, Brittany Nicole Gacsy, Emily Kutil, Christopher Mascari, Dan McTavish, Hans Papke, Ariel Poliner, Nick Safley, Anna Schafferkoetter, and Brandon Vieth
Photo by Alex Jacque, Taubman College of Architecture and Urban Planning
During their final year – known as the thesis year – architecture graduate students research a topic that culminates in a design project. The projects are exhibited just prior to graduation and reviewed by a panel of outside and faculty experts. One project from each studio is identified for Honors; these projects are on view over the summer in the College Gallery.
2013 Thesis Honors Projects by:
Megha Chandrasekhar, Pooja Dalal, Brittany Nicole Gacsy, Emily Kutil, Christopher Mascari, Dan McTavish, Hans Papke, Ariel Poliner, Nick Safley, Anna Schafferkoetter, and Brandon Vieth
Photo by Alex Jacque, Taubman College of Architecture and Urban Planning
Herr Mautz, Sibylle Berg
Regie: Margit Mezgolich
Ausstattung: Andrea Költringer
Gernot Plass, Klaus Beyer, Christina Schäfer, Georg Schubert, John F. Kutil, Leila Müller
FOTO – copyright: Anna Stöche
Convergent Domains by Hans Papke
To engage the national chain grocery store is to engage with the diffuse zones of non-city-space which blanket most of the North American continent. The spatial condition in which these grocery stores thrive is part of a spatial domain which Foucault has argued exists outside of the domain of Architecture. This territory, which began to emerge with the building of the railroads is defined by Speed, Territory and Communication. I have titled this the Logistical Domain.
In The Possibility of an Absolute Architecture, Aureli uses Nolli’s map of Rome to make a distinction between two other spatial domains; the space of the City and the space of the architecture. This thesis attempts to superimpose these three spatial domains.
Upon investigating the specific siting logic of national chain grocery stores, it became clear that chain grocery stores belong very much to the logistic spatial domain. They tend to site themselves along interstates, in the zone 10-30 minutes away from the center of a nearby city. In addition to grocery stores, there are a number of other types of programs which thrive in this zone for example, office parks, movie theatres, shopping malls, marshalling yards, and airports.
However, there is perhaps nothing that exemplifies the spatial logics of Logistic Space better than the landfill. The landfill is the other side of the grocery store coin. The similarities are so great in fact, that in 2002, the largest landfill redevelopment program in the history of the state of Michigan resulted in the construction of 160,000 sq ft Meijer Supercenter on top of the former Ford Motor Company Allen Park Landfill.
This thesis investigates other ways that non-active landfill sites can be redeveloped. What would this re-territorialization look like? How can architecture legitimize itself in the Logistic Spatial Domain? What is an appropriate way to build on top of a mountain of garbage? How would a new settlement change the parameters of a chain grocery store? Finally, can Architecture begin to introduce a new kind of interiority into the extremely externalized world of Logistic Space?
- - -
During their final year – known as the thesis year – architecture graduate students research a topic that culminates in a design project. The projects are exhibited just prior to graduation and reviewed by a panel of outside and faculty experts. One project from each studio is identified for Honors; these projects are on view over the summer in the College Gallery.
2013 Thesis Honors Projects by:
Megha Chandrasekhar, Pooja Dalal, Brittany Nicole Gacsy, Emily Kutil, Christopher Mascari, Dan McTavish, Hans Papke, Ariel Poliner, Nick Safley, Anna Schafferkoetter, and Brandon Vieth
Photo by Alex Jacque, Taubman College of Architecture and Urban Planning
Convergent Domains by Hans Papke
To engage the national chain grocery store is to engage with the diffuse zones of non-city-space which blanket most of the North American continent. The spatial condition in which these grocery stores thrive is part of a spatial domain which Foucault has argued exists outside of the domain of Architecture. This territory, which began to emerge with the building of the railroads is defined by Speed, Territory and Communication. I have titled this the Logistical Domain.
In The Possibility of an Absolute Architecture, Aureli uses Nolli’s map of Rome to make a distinction between two other spatial domains; the space of the City and the space of the architecture. This thesis attempts to superimpose these three spatial domains.
Upon investigating the specific siting logic of national chain grocery stores, it became clear that chain grocery stores belong very much to the logistic spatial domain. They tend to site themselves along interstates, in the zone 10-30 minutes away from the center of a nearby city. In addition to grocery stores, there are a number of other types of programs which thrive in this zone for example, office parks, movie theatres, shopping malls, marshalling yards, and airports.
However, there is perhaps nothing that exemplifies the spatial logics of Logistic Space better than the landfill. The landfill is the other side of the grocery store coin. The similarities are so great in fact, that in 2002, the largest landfill redevelopment program in the history of the state of Michigan resulted in the construction of 160,000 sq ft Meijer Supercenter on top of the former Ford Motor Company Allen Park Landfill.
This thesis investigates other ways that non-active landfill sites can be redeveloped. What would this re-territorialization look like? How can architecture legitimize itself in the Logistic Spatial Domain? What is an appropriate way to build on top of a mountain of garbage? How would a new settlement change the parameters of a chain grocery store? Finally, can Architecture begin to introduce a new kind of interiority into the extremely externalized world of Logistic Space?
- - -
During their final year – known as the thesis year – architecture graduate students research a topic that culminates in a design project. The projects are exhibited just prior to graduation and reviewed by a panel of outside and faculty experts. One project from each studio is identified for Honors; these projects are on view over the summer in the College Gallery.
2013 Thesis Honors Projects by:
Megha Chandrasekhar, Pooja Dalal, Brittany Nicole Gacsy, Emily Kutil, Christopher Mascari, Dan McTavish, Hans Papke, Ariel Poliner, Nick Safley, Anna Schafferkoetter, and Brandon Vieth
Photo by Alex Jacque, Taubman College of Architecture and Urban Planning
Convergent Domains by Hans Papke
To engage the national chain grocery store is to engage with the diffuse zones of non-city-space which blanket most of the North American continent. The spatial condition in which these grocery stores thrive is part of a spatial domain which Foucault has argued exists outside of the domain of Architecture. This territory, which began to emerge with the building of the railroads is defined by Speed, Territory and Communication. I have titled this the Logistical Domain.
In The Possibility of an Absolute Architecture, Aureli uses Nolli’s map of Rome to make a distinction between two other spatial domains; the space of the City and the space of the architecture. This thesis attempts to superimpose these three spatial domains.
Upon investigating the specific siting logic of national chain grocery stores, it became clear that chain grocery stores belong very much to the logistic spatial domain. They tend to site themselves along interstates, in the zone 10-30 minutes away from the center of a nearby city. In addition to grocery stores, there are a number of other types of programs which thrive in this zone for example, office parks, movie theatres, shopping malls, marshalling yards, and airports.
However, there is perhaps nothing that exemplifies the spatial logics of Logistic Space better than the landfill. The landfill is the other side of the grocery store coin. The similarities are so great in fact, that in 2002, the largest landfill redevelopment program in the history of the state of Michigan resulted in the construction of 160,000 sq ft Meijer Supercenter on top of the former Ford Motor Company Allen Park Landfill.
This thesis investigates other ways that non-active landfill sites can be redeveloped. What would this re-territorialization look like? How can architecture legitimize itself in the Logistic Spatial Domain? What is an appropriate way to build on top of a mountain of garbage? How would a new settlement change the parameters of a chain grocery store? Finally, can Architecture begin to introduce a new kind of interiority into the extremely externalized world of Logistic Space?
- - -
During their final year – known as the thesis year – architecture graduate students research a topic that culminates in a design project. The projects are exhibited just prior to graduation and reviewed by a panel of outside and faculty experts. One project from each studio is identified for Honors; these projects are on view over the summer in the College Gallery.
2013 Thesis Honors Projects by:
Megha Chandrasekhar, Pooja Dalal, Brittany Nicole Gacsy, Emily Kutil, Christopher Mascari, Dan McTavish, Hans Papke, Ariel Poliner, Nick Safley, Anna Schafferkoetter, and Brandon Vieth
Photo by Alex Jacque, Taubman College of Architecture and Urban Planning
Creatures of Fierce and Ordinary Reality: a Zoo for Belle Isle by Emily Kutil
“In every case, the figures are at the same time creatures of imagined possibility and creatures of fierce and ordinary reality; the dimensions tangle and require response.”
—Donna Harroway
Concealed behind fences and isolated from their surroundings by freeways, golf courses, and parks, zoos make spaces in cities for humans to explore their fascinations with other animals in peculiar and fantastical ways. Zoos use architecture to help them act as spatial mediators, dealing simultaneously in the space of collective fantasy and in the particularities of contact between human and nonhuman life. Architecture shapes the images of the natural world that zoos are able to create, both as a frame for organizing relationships and as a container for the production of microcosms.
For nearly twenty years, the Belle Isle Zoo passed through a difficult period in which its spaces of contact seemed fixed, inevitable, and tremendously boring. Humans and animals were made to stare at each other across long distances, never allowed to stray from their respective enclosures. Attendance to the Zoo dwindled. Then, in a stroke of brilliance, the idea of captivity was abandoned altogether. The captive animals were sent away, and the Zoo experienced a renaissance. Visitors poured through the open gates and holes in the fences, eager to see the Zoo’s enclosures—which had become all the more enticing for their emptiness. The Zoo was suddenly able to foster a thrilling, uneasy relationship between humans and the life forms they encountered there.
Renovations to the Zoo since its reinvention have taken this unease into account, building into each exhibit degrees of ambiguity that had been previously unimaginable. A new architecture of oscillating representations has taken the place of the old, static panoramas: as soon as one illusion is staged, another undermines it or takes its place. Real and imagined spaces are allowed to coexist, to blur and conflict. The unresolved fantasies help visitors to wonder about the things they do and don’t understand about humans and other living things.
- - -
During their final year – known as the thesis year – architecture graduate students research a topic that culminates in a design project. The projects are exhibited just prior to graduation and reviewed by a panel of outside and faculty experts. One project from each studio is identified for Honors; these projects are on view over the summer in the College Gallery.
2013 Thesis Honors Projects by:
Megha Chandrasekhar, Pooja Dalal, Brittany Nicole Gacsy, Emily Kutil, Christopher Mascari, Dan McTavish, Hans Papke, Ariel Poliner, Nick Safley, Anna Schafferkoetter, and Brandon Vieth
Photo by Alex Jacque, Taubman College of Architecture and Urban Planning
Constructing the Other Space Federal University of Manaus by Pooja Dalal
The Federal University of Manaus is a formative exception of the city of Manaus. The campus lies hidden, in the center of the city, within a forest reservation of 600,000 sq feet. The forest geographically disconnects the campus from the city, in the same way Manaus is disconnected from its surroundings by the Amazon rainforest. The University , even though dictinct from the city, is dependant on the city’s processes. There is always a reflection of the economic situation of the City on the University. Today, the University is expanding in its forest reservation in the same manner the city is expanding in the Amazon rainforest. The same components (industry, housing and research) are enabling this expansion.
The thesis examines this condition of 'a city within a city' and leverages this campus enclave of the Federal University of Manaus to reimagine its exterior - by using the same exact components of the city. The thesis will push the rules and regulations of the form of the city to its limit, such that the campus starts to become something ‘other’ - like a space in a heterotopic mirror, which will help re-contruct our imagination of the city. In this ‘other’ space, everything will be altered using the same rules of city building - of built and open space, of public and private space, of glass and of concrete, of justice, of religion, of everything archietctural and of everything sensory. This new other space, uncannily familiar, but completely heterotopic will reimagine the very basis of the neoliberal city.
- - -
During their final year – known as the thesis year – architecture graduate students research a topic that culminates in a design project. The projects are exhibited just prior to graduation and reviewed by a panel of outside and faculty experts. One project from each studio is identified for Honors; these projects are on view over the summer in the College Gallery.
2013 Thesis Honors Projects by:
Megha Chandrasekhar, Pooja Dalal, Brittany Nicole Gacsy, Emily Kutil, Christopher Mascari, Dan McTavish, Hans Papke, Ariel Poliner, Nick Safley, Anna Schafferkoetter, and Brandon Vieth
Photo by Alex Jacque, Taubman College of Architecture and Urban Planning
CARBON WOUND Lightweight Composites by Megha Chandrasekhar, Christopher Mascari, and Brandon Vieth
Lightness as described in the architectural discipline communicates different narratives. It could represent the mass of a body and its maneuverability through space, the amount of light that permeates or is reflected from a given surface defining its visual density, or reflect the economic and material flows associated with its conception. Lightness as described by Adriaan Beukers is the “trinity of material, concept and process.”
Our research trajectory utilizes a combination of fiber composites and robotic filament winding as a means to explore an essence of lightness. The use of carbon fiber filament and resin creates a medium with which material properties of strength and lightness can be explored. Computational analysis and scripting allow structures to be designed with locally tailored material properties capable of taking into account both the intensive and extensive forces of design. The use of filament as a base material eliminates the dependency on standardized dimensional stock and creates the opportunity for customization with no material waste. The automation process introduces a high level of precision and speed to the mass production of customizable form as an alternative to traditional methods of manufacturing and construction.
In architecture, where the performative is always in question, the role of the composite remains attuned to the "mud and straw" mentality as a standard method for achieving the ultimate material performance. While this age-old method responds to issues of the performative, advances in material and construction processes, should have architects questioning the “spatial” qualities exhibited through structural form. Concrete while strong and heavy is visually opaque, steel while strong is also heavy, however fiber wound composites are both strong and light and deliver both physically and visually. They offer the opportunity to blend attributes of lightness through material strength, formal concept and process with both structural and spatial qualities within a single material matrix providing new experiential possibilities.
- - -
During their final year – known as the thesis year – architecture graduate students research a topic that culminates in a design project. The projects are exhibited just prior to graduation and reviewed by a panel of outside and faculty experts. One project from each studio is identified for Honors; these projects are on view over the summer in the College Gallery.
2013 Thesis Honors Projects by:
Megha Chandrasekhar, Pooja Dalal, Brittany Nicole Gacsy, Emily Kutil, Christopher Mascari, Dan McTavish, Hans Papke, Ariel Poliner, Nick Safley, Anna Schafferkoetter, and Brandon Vieth
Photo by Alex Jacque, Taubman College of Architecture and Urban Planning
Creatures of Fierce and Ordinary Reality: a Zoo for Belle Isle by Emily Kutil
“In every case, the figures are at the same time creatures of imagined possibility and creatures of fierce and ordinary reality; the dimensions tangle and require response.”
—Donna Harroway
Concealed behind fences and isolated from their surroundings by freeways, golf courses, and parks, zoos make spaces in cities for humans to explore their fascinations with other animals in peculiar and fantastical ways. Zoos use architecture to help them act as spatial mediators, dealing simultaneously in the space of collective fantasy and in the particularities of contact between human and nonhuman life. Architecture shapes the images of the natural world that zoos are able to create, both as a frame for organizing relationships and as a container for the production of microcosms.
For nearly twenty years, the Belle Isle Zoo passed through a difficult period in which its spaces of contact seemed fixed, inevitable, and tremendously boring. Humans and animals were made to stare at each other across long distances, never allowed to stray from their respective enclosures. Attendance to the Zoo dwindled. Then, in a stroke of brilliance, the idea of captivity was abandoned altogether. The captive animals were sent away, and the Zoo experienced a renaissance. Visitors poured through the open gates and holes in the fences, eager to see the Zoo’s enclosures—which had become all the more enticing for their emptiness. The Zoo was suddenly able to foster a thrilling, uneasy relationship between humans and the life forms they encountered there.
Renovations to the Zoo since its reinvention have taken this unease into account, building into each exhibit degrees of ambiguity that had been previously unimaginable. A new architecture of oscillating representations has taken the place of the old, static panoramas: as soon as one illusion is staged, another undermines it or takes its place. Real and imagined spaces are allowed to coexist, to blur and conflict. The unresolved fantasies help visitors to wonder about the things they do and don’t understand about humans and other living things.
- - -
During their final year – known as the thesis year – architecture graduate students research a topic that culminates in a design project. The projects are exhibited just prior to graduation and reviewed by a panel of outside and faculty experts. One project from each studio is identified for Honors; these projects are on view over the summer in the College Gallery.
2013 Thesis Honors Projects by:
Megha Chandrasekhar, Pooja Dalal, Brittany Nicole Gacsy, Emily Kutil, Christopher Mascari, Dan McTavish, Hans Papke, Ariel Poliner, Nick Safley, Anna Schafferkoetter, and Brandon Vieth
Photo by Alex Jacque, Taubman College of Architecture and Urban Planning
CARBON WOUND Lightweight Composites by Megha Chandrasekhar, Christopher Mascari, and Brandon Vieth
Lightness as described in the architectural discipline communicates different narratives. It could represent the mass of a body and its maneuverability through space, the amount of light that permeates or is reflected from a given surface defining its visual density, or reflect the economic and material flows associated with its conception. Lightness as described by Adriaan Beukers is the “trinity of material, concept and process.”
Our research trajectory utilizes a combination of fiber composites and robotic filament winding as a means to explore an essence of lightness. The use of carbon fiber filament and resin creates a medium with which material properties of strength and lightness can be explored. Computational analysis and scripting allow structures to be designed with locally tailored material properties capable of taking into account both the intensive and extensive forces of design. The use of filament as a base material eliminates the dependency on standardized dimensional stock and creates the opportunity for customization with no material waste. The automation process introduces a high level of precision and speed to the mass production of customizable form as an alternative to traditional methods of manufacturing and construction.
In architecture, where the performative is always in question, the role of the composite remains attuned to the "mud and straw" mentality as a standard method for achieving the ultimate material performance. While this age-old method responds to issues of the performative, advances in material and construction processes, should have architects questioning the “spatial” qualities exhibited through structural form. Concrete while strong and heavy is visually opaque, steel while strong is also heavy, however fiber wound composites are both strong and light and deliver both physically and visually. They offer the opportunity to blend attributes of lightness through material strength, formal concept and process with both structural and spatial qualities within a single material matrix providing new experiential possibilities.
- - -
During their final year – known as the thesis year – architecture graduate students research a topic that culminates in a design project. The projects are exhibited just prior to graduation and reviewed by a panel of outside and faculty experts. One project from each studio is identified for Honors; these projects are on view over the summer in the College Gallery.
2013 Thesis Honors Projects by:
Megha Chandrasekhar, Pooja Dalal, Brittany Nicole Gacsy, Emily Kutil, Christopher Mascari, Dan McTavish, Hans Papke, Ariel Poliner, Nick Safley, Anna Schafferkoetter, and Brandon Vieth
Photo by Alex Jacque, Taubman College of Architecture and Urban Planning
Seperti biasa, bulan Desember di penghujung tahun, selalu jadi salah satu bulan yang ditunggu-tunggu bagi para pecinta musik Indonesia. Setidaknya 3 tahun terakhir, grup band Slank selalu menutup akhir tahun di Desember dengan menyelenggarakan konser ulang tahunnya, setelah sebelumnya di ulang tahun ke-29, Slank dengan menggandeng sponsor Djarum Coklat, menggelar konser ulang tahun di Lap. Kridosono, Jogja, pada ulang tahun ke-30 dirayakan di Gelora Bung Karno, Jakarta dengan sponsor Clavo Premio, kali ini pada ulang tahun ke 31, Slank kembali merayakannya di Lanud Husein Sastranegara, Bandung, kali ini dengan menggandeng Supermusic ID dan RTV.
Beda dengan tahun-tahun sebelumnya, HUT Slank yang ke-31 Tahun kali ini dirayakan di Lapangan Udara Husein Sastranegara, yang notabene adalah bandar udara semi komersil. Dengan tagline "Ngeslank Rame-Rame", Slank mengajak sekitar 15.000an lebih slankers yang memadati Lanud Husein Sastranegara untuk menyanyikan lagu-lagu Slank, dari lagu lama, sampai lagu-lagu rbaru yang akan dirilis di album terbarunya. Setidaknya ada sekitar 4 lagu baru yang dibawakan oleh Slank saat konser, salah satunya adalah NgeSlank Rame-Rame, persis seperti tagline konser HUT kali ini. Memang agak disayangkan, beberapa lagu baru berbau kampanye politik. Hal ini kemudian yang membuat Slank mendapatkan input dan kritikan, salah satunya dari Oppie Andaresta yang juga tampil saat konser HUT berlangsung.
Anyway, terlepas dari semua itu, gw cuma mau bilang, semoga Slank selalu bisa mempertahankan karakteristiknya sebagai inspirator banyak orang di Indonesia, tetap bisa independen sebagai musisi, dan tetap memiliki idealisme dalam bermusik, tanpa harus ada muatan isu-isu yang tidak relevan di lagu-lagunya :)
Thanks buat temen-temen yang kemaren udah ikutan ngeRame-in HUT Slank 31 Tahun, dari tim ATAP Promotions, Gio Vitano, Herdina Ka, Kutil, Black, Arief F Rachman, Meity Fitriani yang udah bersedia jadi host dadakan buat wawancara eksklusif bareng Slank & Oppie Andaresta, temen-temen dari Kreasys, Ryan Ridhwan Arief, Hisman, Adit, Dion, yang akhirnya lulus ujian supporting konser Slank :3 temen-temen fotografer DPI, Indra Fakhriansyah, Idham Aries dan Alfi Muhammad Prakoso akhirnya kelar juga hunting foto stage 2014 ini :3 dan makasih juga buat Jimi dari Megapro Comm yang udah bantuin arrange interview ekslusif bareng Slank :D Om Ordinary Man dan Sigma Photo Indonesia yang juga udah minjemin lensa Sigmanya :D
Semua foto diambil menggunakan:
Canon EOS 60D
Sigma APO 50-150mm f/2.8 EX DC OS HSM
Sgma 10-20mm f/4-5.6 EX DC HSM
edited using: Adobe Photoshop CS5
coloring: NIK Software Color Efex Pro
Peringatan:
Seluruh foto dalam album/photoset ini dilindungi oleh Hak Cipta. Kepemilikan Hak Cipta foto-foto pada album/photoset ini dimiliki oleh Adjie Aditya Purwaka dan atau Motomata Photoarts. Segala pelanggaran atas hak cipta, penggunaan tanpa seizin pemilik foto, dan bentuk pelanggaran lain, akan diproses menurut hukum yang berlaku, baik lokal (hukum Indonesia) maupun internasional.
Disclaimer:
The entire picture / album / photoset is protected by Copyright. Copyright ownership of the photos in this album / photoset is owned by Aditya Adjie Purwaka and or Motomata Photoarts. Any infringement of copyright, the use without permission of the owner of the photo, and other forms of abuse, will be processed according to applicable laws, both locally (Indonesian Law) and internationally.
During their final year – known as the thesis year – architecture graduate students research a topic that culminates in a design project. The projects are exhibited just prior to graduation and reviewed by a panel of outside and faculty experts. One project from each studio is identified for Honors; these projects are on view over the summer in the College Gallery.
2013 Thesis Honors Projects by:
Megha Chandrasekhar, Pooja Dalal, Brittany Nicole Gacsy, Emily Kutil, Christopher Mascari, Dan McTavish, Hans Papke, Ariel Poliner, Nick Safley, Anna Schafferkoetter, and Brandon Vieth
Photo by Alex Jacque, Taubman College of Architecture and Urban Planning
Seperti biasa, bulan Desember di penghujung tahun, selalu jadi salah satu bulan yang ditunggu-tunggu bagi para pecinta musik Indonesia. Setidaknya 3 tahun terakhir, grup band Slank selalu menutup akhir tahun di Desember dengan menyelenggarakan konser ulang tahunnya, setelah sebelumnya di ulang tahun ke-29, Slank dengan menggandeng sponsor Djarum Coklat, menggelar konser ulang tahun di Lap. Kridosono, Jogja, pada ulang tahun ke-30 dirayakan di Gelora Bung Karno, Jakarta dengan sponsor Clavo Premio, kali ini pada ulang tahun ke 31, Slank kembali merayakannya di Lanud Husein Sastranegara, Bandung, kali ini dengan menggandeng Supermusic ID dan RTV.
Beda dengan tahun-tahun sebelumnya, HUT Slank yang ke-31 Tahun kali ini dirayakan di Lapangan Udara Husein Sastranegara, yang notabene adalah bandar udara semi komersil. Dengan tagline "Ngeslank Rame-Rame", Slank mengajak sekitar 15.000an lebih slankers yang memadati Lanud Husein Sastranegara untuk menyanyikan lagu-lagu Slank, dari lagu lama, sampai lagu-lagu rbaru yang akan dirilis di album terbarunya. Setidaknya ada sekitar 4 lagu baru yang dibawakan oleh Slank saat konser, salah satunya adalah NgeSlank Rame-Rame, persis seperti tagline konser HUT kali ini. Memang agak disayangkan, beberapa lagu baru berbau kampanye politik. Hal ini kemudian yang membuat Slank mendapatkan input dan kritikan, salah satunya dari Oppie Andaresta yang juga tampil saat konser HUT berlangsung.
Anyway, terlepas dari semua itu, gw cuma mau bilang, semoga Slank selalu bisa mempertahankan karakteristiknya sebagai inspirator banyak orang di Indonesia, tetap bisa independen sebagai musisi, dan tetap memiliki idealisme dalam bermusik, tanpa harus ada muatan isu-isu yang tidak relevan di lagu-lagunya :)
Thanks buat temen-temen yang kemaren udah ikutan ngeRame-in HUT Slank 31 Tahun, dari tim ATAP Promotions, Gio Vitano, Herdina Ka, Kutil, Black, Arief F Rachman, Meity Fitriani yang udah bersedia jadi host dadakan buat wawancara eksklusif bareng Slank & Oppie Andaresta, temen-temen dari Kreasys, Ryan Ridhwan Arief, Hisman, Adit, Dion, yang akhirnya lulus ujian supporting konser Slank :3 temen-temen fotografer DPI, Indra Fakhriansyah, Idham Aries dan Alfi Muhammad Prakoso akhirnya kelar juga hunting foto stage 2014 ini :3 dan makasih juga buat Jimi dari Megapro Comm yang udah bantuin arrange interview ekslusif bareng Slank :D Om Ordinary Man dan Sigma Photo Indonesia yang juga udah minjemin lensa Sigmanya :D
Semua foto diambil menggunakan:
Canon EOS 60D
Sigma APO 50-150mm f/2.8 EX DC OS HSM
Sgma 10-20mm f/4-5.6 EX DC HSM
edited using: Adobe Photoshop CS5
coloring: NIK Software Color Efex Pro
Peringatan:
Seluruh foto dalam album/photoset ini dilindungi oleh Hak Cipta. Kepemilikan Hak Cipta foto-foto pada album/photoset ini dimiliki oleh Adjie Aditya Purwaka dan atau Motomata Photoarts. Segala pelanggaran atas hak cipta, penggunaan tanpa seizin pemilik foto, dan bentuk pelanggaran lain, akan diproses menurut hukum yang berlaku, baik lokal (hukum Indonesia) maupun internasional.
Disclaimer:
The entire picture / album / photoset is protected by Copyright. Copyright ownership of the photos in this album / photoset is owned by Aditya Adjie Purwaka and or Motomata Photoarts. Any infringement of copyright, the use without permission of the owner of the photo, and other forms of abuse, will be processed according to applicable laws, both locally (Indonesian Law) and internationally.
Animal House by Nick Safley
What is the core of architecture today, where there is no unifying discourse, and instead a diffuse proliferation of architectures?
This thesis proposes to remake architecture from the inside through the revival of the notion of character. Character has historically been defined as a quality that a building possesses (or lacks) and referred to an expression of an inner subject within the material and form of the architectural object. The practitioners of architectural modernism willfully suppressed this quality of the subject in an effort to solidify the architectural object evacuated of all vitality. Once willingly objectified architecture easily became commodified and this led to a continued condition of placelessness and alienation in the built environment. This condition exists today in proliferating suburbs, office parks, the willfully generic, and a strong belief in architecture as a money-making investment, without consideration for the durability of this system. As a model, this belief system is inherently weak and reliant upon a market of violent volatility; it calls again for a durable disciplinary core.
Animal House proposes a series of tornado shelters placed within suburban homes and figured as architectural characters, possessing extreme material durability to resist the entropy of the exterior world. Taking the suburban single- family house as site these hyper-durable character/cores disrupt, reorganize, and enrich the interior with implied subjectivity and vitality. Through their various postures they reorient the existing object framework of their containers while also containing a protected interior of their own, one only large enough to protect that which is most precious during a storm. The durable core characters affect the existing fragile framework of the architecture without destroying it entirely from within.
- - -
During their final year – known as the thesis year – architecture graduate students research a topic that culminates in a design project. The projects are exhibited just prior to graduation and reviewed by a panel of outside and faculty experts. One project from each studio is identified for Honors; these projects are on view over the summer in the College Gallery.
2013 Thesis Honors Projects by:
Megha Chandrasekhar, Pooja Dalal, Brittany Nicole Gacsy, Emily Kutil, Christopher Mascari, Dan McTavish, Hans Papke, Ariel Poliner, Nick Safley, Anna Schafferkoetter, and Brandon Vieth
Photo by Alex Jacque, Taubman College of Architecture and Urban Planning
Creatures of Fierce and Ordinary Reality: a Zoo for Belle Isle by Emily Kutil
“In every case, the figures are at the same time creatures of imagined possibility and creatures of fierce and ordinary reality; the dimensions tangle and require response.”
—Donna Harroway
Concealed behind fences and isolated from their surroundings by freeways, golf courses, and parks, zoos make spaces in cities for humans to explore their fascinations with other animals in peculiar and fantastical ways. Zoos use architecture to help them act as spatial mediators, dealing simultaneously in the space of collective fantasy and in the particularities of contact between human and nonhuman life. Architecture shapes the images of the natural world that zoos are able to create, both as a frame for organizing relationships and as a container for the production of microcosms.
For nearly twenty years, the Belle Isle Zoo passed through a difficult period in which its spaces of contact seemed fixed, inevitable, and tremendously boring. Humans and animals were made to stare at each other across long distances, never allowed to stray from their respective enclosures. Attendance to the Zoo dwindled. Then, in a stroke of brilliance, the idea of captivity was abandoned altogether. The captive animals were sent away, and the Zoo experienced a renaissance. Visitors poured through the open gates and holes in the fences, eager to see the Zoo’s enclosures—which had become all the more enticing for their emptiness. The Zoo was suddenly able to foster a thrilling, uneasy relationship between humans and the life forms they encountered there.
Renovations to the Zoo since its reinvention have taken this unease into account, building into each exhibit degrees of ambiguity that had been previously unimaginable. A new architecture of oscillating representations has taken the place of the old, static panoramas: as soon as one illusion is staged, another undermines it or takes its place. Real and imagined spaces are allowed to coexist, to blur and conflict. The unresolved fantasies help visitors to wonder about the things they do and don’t understand about humans and other living things.
- - -
During their final year – known as the thesis year – architecture graduate students research a topic that culminates in a design project. The projects are exhibited just prior to graduation and reviewed by a panel of outside and faculty experts. One project from each studio is identified for Honors; these projects are on view over the summer in the College Gallery.
2013 Thesis Honors Projects by:
Megha Chandrasekhar, Pooja Dalal, Brittany Nicole Gacsy, Emily Kutil, Christopher Mascari, Dan McTavish, Hans Papke, Ariel Poliner, Nick Safley, Anna Schafferkoetter, and Brandon Vieth
Photo by Alex Jacque, Taubman College of Architecture and Urban Planning
Figural Gambits by Ariel Poliner
A simple space can be made by leaning three walls into each other. To get inside this space, an opening would need to be inscribed into the walls—in this case, an arch. Also imagine that each of these three walls is constructed from a different material. The first is heavy and rigid, the second, light and rigid, and the third, heavy and flexible. The three walls are identical in form but dissimilar in behavior. When these walls lean into each other, they react and adjust position. Their reactions can be further exaggerated: the walls are given rounded feet to promote sliding, heavy tops to promote leaning, and slender “waists” to promote bending. They appear as figures; somewhere between walls and arches, their exaggerated tops and feet, and slender waists engender anthropomorphic associations. The whole—the architectural form created in combination—is now especially unpredictable. The walls slump, or relax, into a self-organized state of equilibrium—an awkward and tenuous entropic state. The conditions for their relaxation are defined by manipulations made earlier, but the resulting form is a product of chance.
The above describes a method of design with loose authorial ambitions. It combines seemingly contradictory compositional logics in unexpected or non-ideal ways to produce an aesthetic that enfolds legibility with experience, or thought and feeling into, over, and around each other. Its products are ambiguous in form yet discrete in their primitive particulate makeup. Gravity is proposed as a creative ally, and its contribution of instability elicits a visceral response. Such an architecture purports to mean something through its systematic use of vaguely familiar forms, but resists comprehension as these forms are misused and the systems defy normative logics. At best, this project employs all of our sensibilities simultaneously while challenging us to reimagine both our understanding and use of the spaces it produces.
- - -
During their final year – known as the thesis year – architecture graduate students research a topic that culminates in a design project. The projects are exhibited just prior to graduation and reviewed by a panel of outside and faculty experts. One project from each studio is identified for Honors; these projects are on view over the summer in the College Gallery.
2013 Thesis Honors Projects by:
Megha Chandrasekhar, Pooja Dalal, Brittany Nicole Gacsy, Emily Kutil, Christopher Mascari, Dan McTavish, Hans Papke, Ariel Poliner, Nick Safley, Anna Schafferkoetter, and Brandon Vieth
Photo by Alex Jacque, Taubman College of Architecture and Urban Planning
Animal House by Nick Safley
What is the core of architecture today, where there is no unifying discourse, and instead a diffuse proliferation of architectures?
This thesis proposes to remake architecture from the inside through the revival of the notion of character. Character has historically been defined as a quality that a building possesses (or lacks) and referred to an expression of an inner subject within the material and form of the architectural object. The practitioners of architectural modernism willfully suppressed this quality of the subject in an effort to solidify the architectural object evacuated of all vitality. Once willingly objectified architecture easily became commodified and this led to a continued condition of placelessness and alienation in the built environment. This condition exists today in proliferating suburbs, office parks, the willfully generic, and a strong belief in architecture as a money-making investment, without consideration for the durability of this system. As a model, this belief system is inherently weak and reliant upon a market of violent volatility; it calls again for a durable disciplinary core.
Animal House proposes a series of tornado shelters placed within suburban homes and figured as architectural characters, possessing extreme material durability to resist the entropy of the exterior world. Taking the suburban single- family house as site these hyper-durable character/cores disrupt, reorganize, and enrich the interior with implied subjectivity and vitality. Through their various postures they reorient the existing object framework of their containers while also containing a protected interior of their own, one only large enough to protect that which is most precious during a storm. The durable core characters affect the existing fragile framework of the architecture without destroying it entirely from within.
- - -
During their final year – known as the thesis year – architecture graduate students research a topic that culminates in a design project. The projects are exhibited just prior to graduation and reviewed by a panel of outside and faculty experts. One project from each studio is identified for Honors; these projects are on view over the summer in the College Gallery.
2013 Thesis Honors Projects by:
Megha Chandrasekhar, Pooja Dalal, Brittany Nicole Gacsy, Emily Kutil, Christopher Mascari, Dan McTavish, Hans Papke, Ariel Poliner, Nick Safley, Anna Schafferkoetter, and Brandon Vieth
Photo by Alex Jacque, Taubman College of Architecture and Urban Planning
CARBON WOUND Lightweight Composites by Megha Chandrasekhar, Christopher Mascari, and Brandon Vieth
Lightness as described in the architectural discipline communicates different narratives. It could represent the mass of a body and its maneuverability through space, the amount of light that permeates or is reflected from a given surface defining its visual density, or reflect the economic and material flows associated with its conception. Lightness as described by Adriaan Beukers is the “trinity of material, concept and process.”
Our research trajectory utilizes a combination of fiber composites and robotic filament winding as a means to explore an essence of lightness. The use of carbon fiber filament and resin creates a medium with which material properties of strength and lightness can be explored. Computational analysis and scripting allow structures to be designed with locally tailored material properties capable of taking into account both the intensive and extensive forces of design. The use of filament as a base material eliminates the dependency on standardized dimensional stock and creates the opportunity for customization with no material waste. The automation process introduces a high level of precision and speed to the mass production of customizable form as an alternative to traditional methods of manufacturing and construction.
In architecture, where the performative is always in question, the role of the composite remains attuned to the "mud and straw" mentality as a standard method for achieving the ultimate material performance. While this age-old method responds to issues of the performative, advances in material and construction processes, should have architects questioning the “spatial” qualities exhibited through structural form. Concrete while strong and heavy is visually opaque, steel while strong is also heavy, however fiber wound composites are both strong and light and deliver both physically and visually. They offer the opportunity to blend attributes of lightness through material strength, formal concept and process with both structural and spatial qualities within a single material matrix providing new experiential possibilities.
- - -
During their final year – known as the thesis year – architecture graduate students research a topic that culminates in a design project. The projects are exhibited just prior to graduation and reviewed by a panel of outside and faculty experts. One project from each studio is identified for Honors; these projects are on view over the summer in the College Gallery.
2013 Thesis Honors Projects by:
Megha Chandrasekhar, Pooja Dalal, Brittany Nicole Gacsy, Emily Kutil, Christopher Mascari, Dan McTavish, Hans Papke, Ariel Poliner, Nick Safley, Anna Schafferkoetter, and Brandon Vieth
Photo by Alex Jacque, Taubman College of Architecture and Urban Planning
Figural Gambits by Ariel Poliner
A simple space can be made by leaning three walls into each other. To get inside this space, an opening would need to be inscribed into the walls—in this case, an arch. Also imagine that each of these three walls is constructed from a different material. The first is heavy and rigid, the second, light and rigid, and the third, heavy and flexible. The three walls are identical in form but dissimilar in behavior. When these walls lean into each other, they react and adjust position. Their reactions can be further exaggerated: the walls are given rounded feet to promote sliding, heavy tops to promote leaning, and slender “waists” to promote bending. They appear as figures; somewhere between walls and arches, their exaggerated tops and feet, and slender waists engender anthropomorphic associations. The whole—the architectural form created in combination—is now especially unpredictable. The walls slump, or relax, into a self-organized state of equilibrium—an awkward and tenuous entropic state. The conditions for their relaxation are defined by manipulations made earlier, but the resulting form is a product of chance.
The above describes a method of design with loose authorial ambitions. It combines seemingly contradictory compositional logics in unexpected or non-ideal ways to produce an aesthetic that enfolds legibility with experience, or thought and feeling into, over, and around each other. Its products are ambiguous in form yet discrete in their primitive particulate makeup. Gravity is proposed as a creative ally, and its contribution of instability elicits a visceral response. Such an architecture purports to mean something through its systematic use of vaguely familiar forms, but resists comprehension as these forms are misused and the systems defy normative logics. At best, this project employs all of our sensibilities simultaneously while challenging us to reimagine both our understanding and use of the spaces it produces.
- - -
During their final year – known as the thesis year – architecture graduate students research a topic that culminates in a design project. The projects are exhibited just prior to graduation and reviewed by a panel of outside and faculty experts. One project from each studio is identified for Honors; these projects are on view over the summer in the College Gallery.
2013 Thesis Honors Projects by:
Megha Chandrasekhar, Pooja Dalal, Brittany Nicole Gacsy, Emily Kutil, Christopher Mascari, Dan McTavish, Hans Papke, Ariel Poliner, Nick Safley, Anna Schafferkoetter, and Brandon Vieth
Photo by Alex Jacque, Taubman College of Architecture and Urban Planning
Figural Gambits by Ariel Poliner
A simple space can be made by leaning three walls into each other. To get inside this space, an opening would need to be inscribed into the walls—in this case, an arch. Also imagine that each of these three walls is constructed from a different material. The first is heavy and rigid, the second, light and rigid, and the third, heavy and flexible. The three walls are identical in form but dissimilar in behavior. When these walls lean into each other, they react and adjust position. Their reactions can be further exaggerated: the walls are given rounded feet to promote sliding, heavy tops to promote leaning, and slender “waists” to promote bending. They appear as figures; somewhere between walls and arches, their exaggerated tops and feet, and slender waists engender anthropomorphic associations. The whole—the architectural form created in combination—is now especially unpredictable. The walls slump, or relax, into a self-organized state of equilibrium—an awkward and tenuous entropic state. The conditions for their relaxation are defined by manipulations made earlier, but the resulting form is a product of chance.
The above describes a method of design with loose authorial ambitions. It combines seemingly contradictory compositional logics in unexpected or non-ideal ways to produce an aesthetic that enfolds legibility with experience, or thought and feeling into, over, and around each other. Its products are ambiguous in form yet discrete in their primitive particulate makeup. Gravity is proposed as a creative ally, and its contribution of instability elicits a visceral response. Such an architecture purports to mean something through its systematic use of vaguely familiar forms, but resists comprehension as these forms are misused and the systems defy normative logics. At best, this project employs all of our sensibilities simultaneously while challenging us to reimagine both our understanding and use of the spaces it produces.
- - -
During their final year – known as the thesis year – architecture graduate students research a topic that culminates in a design project. The projects are exhibited just prior to graduation and reviewed by a panel of outside and faculty experts. One project from each studio is identified for Honors; these projects are on view over the summer in the College Gallery.
2013 Thesis Honors Projects by:
Megha Chandrasekhar, Pooja Dalal, Brittany Nicole Gacsy, Emily Kutil, Christopher Mascari, Dan McTavish, Hans Papke, Ariel Poliner, Nick Safley, Anna Schafferkoetter, and Brandon Vieth
Photo by Alex Jacque, Taubman College of Architecture and Urban Planning
Constructing the Other Space Federal University of Manaus by Pooja Dalal
The Federal University of Manaus is a formative exception of the city of Manaus. The campus lies hidden, in the center of the city, within a forest reservation of 600,000 sq feet. The forest geographically disconnects the campus from the city, in the same way Manaus is disconnected from its surroundings by the Amazon rainforest. The University , even though dictinct from the city, is dependant on the city’s processes. There is always a reflection of the economic situation of the City on the University. Today, the University is expanding in its forest reservation in the same manner the city is expanding in the Amazon rainforest. The same components (industry, housing and research) are enabling this expansion.
The thesis examines this condition of 'a city within a city' and leverages this campus enclave of the Federal University of Manaus to reimagine its exterior - by using the same exact components of the city. The thesis will push the rules and regulations of the form of the city to its limit, such that the campus starts to become something ‘other’ - like a space in a heterotopic mirror, which will help re-contruct our imagination of the city. In this ‘other’ space, everything will be altered using the same rules of city building - of built and open space, of public and private space, of glass and of concrete, of justice, of religion, of everything archietctural and of everything sensory. This new other space, uncannily familiar, but completely heterotopic will reimagine the very basis of the neoliberal city.
- - -
During their final year – known as the thesis year – architecture graduate students research a topic that culminates in a design project. The projects are exhibited just prior to graduation and reviewed by a panel of outside and faculty experts. One project from each studio is identified for Honors; these projects are on view over the summer in the College Gallery.
2013 Thesis Honors Projects by:
Megha Chandrasekhar, Pooja Dalal, Brittany Nicole Gacsy, Emily Kutil, Christopher Mascari, Dan McTavish, Hans Papke, Ariel Poliner, Nick Safley, Anna Schafferkoetter, and Brandon Vieth
Photo by Alex Jacque, Taubman College of Architecture and Urban Planning
Seperti biasa, bulan Desember di penghujung tahun, selalu jadi salah satu bulan yang ditunggu-tunggu bagi para pecinta musik Indonesia. Setidaknya 3 tahun terakhir, grup band Slank selalu menutup akhir tahun di Desember dengan menyelenggarakan konser ulang tahunnya, setelah sebelumnya di ulang tahun ke-29, Slank dengan menggandeng sponsor Djarum Coklat, menggelar konser ulang tahun di Lap. Kridosono, Jogja, pada ulang tahun ke-30 dirayakan di Gelora Bung Karno, Jakarta dengan sponsor Clavo Premio, kali ini pada ulang tahun ke 31, Slank kembali merayakannya di Lanud Husein Sastranegara, Bandung, kali ini dengan menggandeng Supermusic ID dan RTV.
Beda dengan tahun-tahun sebelumnya, HUT Slank yang ke-31 Tahun kali ini dirayakan di Lapangan Udara Husein Sastranegara, yang notabene adalah bandar udara semi komersil. Dengan tagline "Ngeslank Rame-Rame", Slank mengajak sekitar 15.000an lebih slankers yang memadati Lanud Husein Sastranegara untuk menyanyikan lagu-lagu Slank, dari lagu lama, sampai lagu-lagu rbaru yang akan dirilis di album terbarunya. Setidaknya ada sekitar 4 lagu baru yang dibawakan oleh Slank saat konser, salah satunya adalah NgeSlank Rame-Rame, persis seperti tagline konser HUT kali ini. Memang agak disayangkan, beberapa lagu baru berbau kampanye politik. Hal ini kemudian yang membuat Slank mendapatkan input dan kritikan, salah satunya dari Oppie Andaresta yang juga tampil saat konser HUT berlangsung.
Anyway, terlepas dari semua itu, gw cuma mau bilang, semoga Slank selalu bisa mempertahankan karakteristiknya sebagai inspirator banyak orang di Indonesia, tetap bisa independen sebagai musisi, dan tetap memiliki idealisme dalam bermusik, tanpa harus ada muatan isu-isu yang tidak relevan di lagu-lagunya :)
Thanks buat temen-temen yang kemaren udah ikutan ngeRame-in HUT Slank 31 Tahun, dari tim ATAP Promotions, Gio Vitano, Herdina Ka, Kutil, Black, Arief F Rachman, Meity Fitriani yang udah bersedia jadi host dadakan buat wawancara eksklusif bareng Slank & Oppie Andaresta, temen-temen dari Kreasys, Ryan Ridhwan Arief, Hisman, Adit, Dion, yang akhirnya lulus ujian supporting konser Slank :3 temen-temen fotografer DPI, Indra Fakhriansyah, Idham Aries dan Alfi Muhammad Prakoso akhirnya kelar juga hunting foto stage 2014 ini :3 dan makasih juga buat Jimi dari Megapro Comm yang udah bantuin arrange interview ekslusif bareng Slank :D Om Ordinary Man dan Sigma Photo Indonesia yang juga udah minjemin lensa Sigmanya :D
Semua foto diambil menggunakan:
Canon EOS 60D
Sigma APO 50-150mm f/2.8 EX DC OS HSM
Sgma 10-20mm f/4-5.6 EX DC HSM
edited using: Adobe Photoshop CS5
coloring: NIK Software Color Efex Pro
Peringatan:
Seluruh foto dalam album/photoset ini dilindungi oleh Hak Cipta. Kepemilikan Hak Cipta foto-foto pada album/photoset ini dimiliki oleh Adjie Aditya Purwaka dan atau Motomata Photoarts. Segala pelanggaran atas hak cipta, penggunaan tanpa seizin pemilik foto, dan bentuk pelanggaran lain, akan diproses menurut hukum yang berlaku, baik lokal (hukum Indonesia) maupun internasional.
Disclaimer:
The entire picture / album / photoset is protected by Copyright. Copyright ownership of the photos in this album / photoset is owned by Aditya Adjie Purwaka and or Motomata Photoarts. Any infringement of copyright, the use without permission of the owner of the photo, and other forms of abuse, will be processed according to applicable laws, both locally (Indonesian Law) and internationally.
Vasemmalla on entinen Kutilan Liikenne 3/LCS-493, Volvo B57-60 (2318)/Wiima M68Lux (3631), 1/1974, tullut 3/1980, 52 paikkaa+kuski, aiemmin Velj. Laitinen KCK-592 < P. Sillanpää 2/UJO-364 < Onni Lahti 2/UBJ-769.
Vihreä auto on entinen Aki Koivula LBL-121, Volvo B57-60 (3978)/Wiima M68Lux (4073), 1975, tullut 6/1977, 46 paikkaa+kuski, alkujaan Liikenne Oy Kuusela.
Renault Master (VF1FDCCL521733223), 4/2000, tullut 2013, 12 paikkaa+kuski, entinen Kutilan Liikenne 22.
Kuvassa auto on Salmelan korjaamolla Simossa, linjakilpitekstin mukaan sillä on ajettu pohjoispuolen Simo - Alaniemi -linjaa, jossa reissupäivänäni oli täysikokoinen kasikutteri.
Greetings from Nebraska: The Form of the Territory by Dan McTavish
The United States Land Ordinance organized the land into a system of square townships and 160-acre tracts of privately owned and cultivated land with the intention of organizing social and political utility. The figure of the yeoman farmer embodied the values of agrarian Jeffersonianism, combining the right to property, individualism, and republican values. Today, high-yield mechanized agriculture is synonymous with farm consolidation, depopulating towns, and the reframing of subjectivities from farmer to farm-operator and urban dweller. In 1971, Secretary of Agriculture Earl Butz infamously urged farmers to plant commodity crops “from fencerow to fencerow.” The “Get Big or Get Out” agenda of land consolidation further equates the space of mid-America with a productive landscape, fixed in our spatial imaginaries—a homogenizing space that is simultaneously totalizing and fragmented.
Through the case of Nebraska, the state most heavily settled by the 1862 Homestead Act, the thesis proposes differential forms of imagining and settling the territory. Against hegemonic views of space as abstract—empty, quantitative, innocent, or in some way fixed—“Greetings from Nebraska” hypothesizes that the form of the United States territory is in constant reformation, whether consciously or not, whether in the public’s best interest or not, and that architecture as a representational practice, has a role, as Cedric Price affirms, in projecting “desirable conditions and opportunities hitherto thought impossible.”
The contradictions between the abstract space of Nebraska and the differential, historical, and everyday spaces in the state are hightened. New multivalent readings of the territory emerge through the juxtaposition of specific past, present, and future spatial conditions within the territory, including historical postcards, quantitative cartography, personal travel documentation, and discrete architectural projects. These projects are characterized by three discrete spatial strategies, Figure, Frame, and Form, which reference existing conditions within the state while challenging the status quo and projecting different desires.
- - -
During their final year – known as the thesis year – architecture graduate students research a topic that culminates in a design project. The projects are exhibited just prior to graduation and reviewed by a panel of outside and faculty experts. One project from each studio is identified for Honors; these projects are on view over the summer in the College Gallery.
2013 Thesis Honors Projects by:
Megha Chandrasekhar, Pooja Dalal, Brittany Nicole Gacsy, Emily Kutil, Christopher Mascari, Dan McTavish, Hans Papke, Ariel Poliner, Nick Safley, Anna Schafferkoetter, and Brandon Vieth
Photo by Alex Jacque, Taubman College of Architecture and Urban Planning
Herr Mautz, Sibylle Berg
Regie: Margit Mezgolich
Ausstattung: Andrea Költringer
Gernot Plass, Klaus Beyer, Christina Schäfer,John F. Kutil
FOTO – copyright: Anna Stöcher
Toinen Salmelan Kutila-taustaisista pikkurelluista tupsahti Simon varikolle ajettuaan Viantiejokivarren (Pömiön) koulukyytejä.
Renault Master 2.8DTI/4100 (VF1FDCCL521733228), 5/2000, tullut 2013, 12 paikkaa+kuski, entinen Kutilan Liikenne 21.
Seperti biasa, bulan Desember di penghujung tahun, selalu jadi salah satu bulan yang ditunggu-tunggu bagi para pecinta musik Indonesia. Setidaknya 3 tahun terakhir, grup band Slank selalu menutup akhir tahun di Desember dengan menyelenggarakan konser ulang tahunnya, setelah sebelumnya di ulang tahun ke-29, Slank dengan menggandeng sponsor Djarum Coklat, menggelar konser ulang tahun di Lap. Kridosono, Jogja, pada ulang tahun ke-30 dirayakan di Gelora Bung Karno, Jakarta dengan sponsor Clavo Premio, kali ini pada ulang tahun ke 31, Slank kembali merayakannya di Lanud Husein Sastranegara, Bandung, kali ini dengan menggandeng Supermusic ID dan RTV.
Beda dengan tahun-tahun sebelumnya, HUT Slank yang ke-31 Tahun kali ini dirayakan di Lapangan Udara Husein Sastranegara, yang notabene adalah bandar udara semi komersil. Dengan tagline "Ngeslank Rame-Rame", Slank mengajak sekitar 15.000an lebih slankers yang memadati Lanud Husein Sastranegara untuk menyanyikan lagu-lagu Slank, dari lagu lama, sampai lagu-lagu rbaru yang akan dirilis di album terbarunya. Setidaknya ada sekitar 4 lagu baru yang dibawakan oleh Slank saat konser, salah satunya adalah NgeSlank Rame-Rame, persis seperti tagline konser HUT kali ini. Memang agak disayangkan, beberapa lagu baru berbau kampanye politik. Hal ini kemudian yang membuat Slank mendapatkan input dan kritikan, salah satunya dari Oppie Andaresta yang juga tampil saat konser HUT berlangsung.
Anyway, terlepas dari semua itu, gw cuma mau bilang, semoga Slank selalu bisa mempertahankan karakteristiknya sebagai inspirator banyak orang di Indonesia, tetap bisa independen sebagai musisi, dan tetap memiliki idealisme dalam bermusik, tanpa harus ada muatan isu-isu yang tidak relevan di lagu-lagunya :)
Thanks buat temen-temen yang kemaren udah ikutan ngeRame-in HUT Slank 31 Tahun, dari tim ATAP Promotions, Gio Vitano, Herdina Ka, Kutil, Black, Arief F Rachman, Meity Fitriani yang udah bersedia jadi host dadakan buat wawancara eksklusif bareng Slank & Oppie Andaresta, temen-temen dari Kreasys, Ryan Ridhwan Arief, Hisman, Adit, Dion, yang akhirnya lulus ujian supporting konser Slank :3 temen-temen fotografer DPI, Indra Fakhriansyah, Idham Aries dan Alfi Muhammad Prakoso akhirnya kelar juga hunting foto stage 2014 ini :3 dan makasih juga buat Jimi dari Megapro Comm yang udah bantuin arrange interview ekslusif bareng Slank :D Om Ordinary Man dan Sigma Photo Indonesia yang juga udah minjemin lensa Sigmanya :D
Semua foto diambil menggunakan:
Canon EOS 60D
Sigma APO 50-150mm f/2.8 EX DC OS HSM
Sgma 10-20mm f/4-5.6 EX DC HSM
edited using: Adobe Photoshop CS5
coloring: NIK Software Color Efex Pro
Peringatan:
Seluruh foto dalam album/photoset ini dilindungi oleh Hak Cipta. Kepemilikan Hak Cipta foto-foto pada album/photoset ini dimiliki oleh Adjie Aditya Purwaka dan atau Motomata Photoarts. Segala pelanggaran atas hak cipta, penggunaan tanpa seizin pemilik foto, dan bentuk pelanggaran lain, akan diproses menurut hukum yang berlaku, baik lokal (hukum Indonesia) maupun internasional.
Disclaimer:
The entire picture / album / photoset is protected by Copyright. Copyright ownership of the photos in this album / photoset is owned by Aditya Adjie Purwaka and or Motomata Photoarts. Any infringement of copyright, the use without permission of the owner of the photo, and other forms of abuse, will be processed according to applicable laws, both locally (Indonesian Law) and internationally.
Animal House by Nick Safley
What is the core of architecture today, where there is no unifying discourse, and instead a diffuse proliferation of architectures?
This thesis proposes to remake architecture from the inside through the revival of the notion of character. Character has historically been defined as a quality that a building possesses (or lacks) and referred to an expression of an inner subject within the material and form of the architectural object. The practitioners of architectural modernism willfully suppressed this quality of the subject in an effort to solidify the architectural object evacuated of all vitality. Once willingly objectified architecture easily became commodified and this led to a continued condition of placelessness and alienation in the built environment. This condition exists today in proliferating suburbs, office parks, the willfully generic, and a strong belief in architecture as a money-making investment, without consideration for the durability of this system. As a model, this belief system is inherently weak and reliant upon a market of violent volatility; it calls again for a durable disciplinary core.
Animal House proposes a series of tornado shelters placed within suburban homes and figured as architectural characters, possessing extreme material durability to resist the entropy of the exterior world. Taking the suburban single- family house as site these hyper-durable character/cores disrupt, reorganize, and enrich the interior with implied subjectivity and vitality. Through their various postures they reorient the existing object framework of their containers while also containing a protected interior of their own, one only large enough to protect that which is most precious during a storm. The durable core characters affect the existing fragile framework of the architecture without destroying it entirely from within.
- - -
During their final year – known as the thesis year – architecture graduate students research a topic that culminates in a design project. The projects are exhibited just prior to graduation and reviewed by a panel of outside and faculty experts. One project from each studio is identified for Honors; these projects are on view over the summer in the College Gallery.
2013 Thesis Honors Projects by:
Megha Chandrasekhar, Pooja Dalal, Brittany Nicole Gacsy, Emily Kutil, Christopher Mascari, Dan McTavish, Hans Papke, Ariel Poliner, Nick Safley, Anna Schafferkoetter, and Brandon Vieth
Photo by Alex Jacque, Taubman College of Architecture and Urban Planning
Greetings from Nebraska: The Form of the Territory by Dan McTavish
The United States Land Ordinance organized the land into a system of square townships and 160-acre tracts of privately owned and cultivated land with the intention of organizing social and political utility. The figure of the yeoman farmer embodied the values of agrarian Jeffersonianism, combining the right to property, individualism, and republican values. Today, high-yield mechanized agriculture is synonymous with farm consolidation, depopulating towns, and the reframing of subjectivities from farmer to farm-operator and urban dweller. In 1971, Secretary of Agriculture Earl Butz infamously urged farmers to plant commodity crops “from fencerow to fencerow.” The “Get Big or Get Out” agenda of land consolidation further equates the space of mid-America with a productive landscape, fixed in our spatial imaginaries—a homogenizing space that is simultaneously totalizing and fragmented.
Through the case of Nebraska, the state most heavily settled by the 1862 Homestead Act, the thesis proposes differential forms of imagining and settling the territory. Against hegemonic views of space as abstract—empty, quantitative, innocent, or in some way fixed—“Greetings from Nebraska” hypothesizes that the form of the United States territory is in constant reformation, whether consciously or not, whether in the public’s best interest or not, and that architecture as a representational practice, has a role, as Cedric Price affirms, in projecting “desirable conditions and opportunities hitherto thought impossible.”
The contradictions between the abstract space of Nebraska and the differential, historical, and everyday spaces in the state are hightened. New multivalent readings of the territory emerge through the juxtaposition of specific past, present, and future spatial conditions within the territory, including historical postcards, quantitative cartography, personal travel documentation, and discrete architectural projects. These projects are characterized by three discrete spatial strategies, Figure, Frame, and Form, which reference existing conditions within the state while challenging the status quo and projecting different desires.
- - -
During their final year – known as the thesis year – architecture graduate students research a topic that culminates in a design project. The projects are exhibited just prior to graduation and reviewed by a panel of outside and faculty experts. One project from each studio is identified for Honors; these projects are on view over the summer in the College Gallery.
2013 Thesis Honors Projects by:
Megha Chandrasekhar, Pooja Dalal, Brittany Nicole Gacsy, Emily Kutil, Christopher Mascari, Dan McTavish, Hans Papke, Ariel Poliner, Nick Safley, Anna Schafferkoetter, and Brandon Vieth
Photo by Alex Jacque, Taubman College of Architecture and Urban Planning
Seperti biasa, bulan Desember di penghujung tahun, selalu jadi salah satu bulan yang ditunggu-tunggu bagi para pecinta musik Indonesia. Setidaknya 3 tahun terakhir, grup band Slank selalu menutup akhir tahun di Desember dengan menyelenggarakan konser ulang tahunnya, setelah sebelumnya di ulang tahun ke-29, Slank dengan menggandeng sponsor Djarum Coklat, menggelar konser ulang tahun di Lap. Kridosono, Jogja, pada ulang tahun ke-30 dirayakan di Gelora Bung Karno, Jakarta dengan sponsor Clavo Premio, kali ini pada ulang tahun ke 31, Slank kembali merayakannya di Lanud Husein Sastranegara, Bandung, kali ini dengan menggandeng Supermusic ID dan RTV.
Beda dengan tahun-tahun sebelumnya, HUT Slank yang ke-31 Tahun kali ini dirayakan di Lapangan Udara Husein Sastranegara, yang notabene adalah bandar udara semi komersil. Dengan tagline "Ngeslank Rame-Rame", Slank mengajak sekitar 15.000an lebih slankers yang memadati Lanud Husein Sastranegara untuk menyanyikan lagu-lagu Slank, dari lagu lama, sampai lagu-lagu rbaru yang akan dirilis di album terbarunya. Setidaknya ada sekitar 4 lagu baru yang dibawakan oleh Slank saat konser, salah satunya adalah NgeSlank Rame-Rame, persis seperti tagline konser HUT kali ini. Memang agak disayangkan, beberapa lagu baru berbau kampanye politik. Hal ini kemudian yang membuat Slank mendapatkan input dan kritikan, salah satunya dari Oppie Andaresta yang juga tampil saat konser HUT berlangsung.
Anyway, terlepas dari semua itu, gw cuma mau bilang, semoga Slank selalu bisa mempertahankan karakteristiknya sebagai inspirator banyak orang di Indonesia, tetap bisa independen sebagai musisi, dan tetap memiliki idealisme dalam bermusik, tanpa harus ada muatan isu-isu yang tidak relevan di lagu-lagunya :)
Thanks buat temen-temen yang kemaren udah ikutan ngeRame-in HUT Slank 31 Tahun, dari tim ATAP Promotions, Gio Vitano, Herdina Ka, Kutil, Black, Arief F Rachman, Meity Fitriani yang udah bersedia jadi host dadakan buat wawancara eksklusif bareng Slank & Oppie Andaresta, temen-temen dari Kreasys, Ryan Ridhwan Arief, Hisman, Adit, Dion, yang akhirnya lulus ujian supporting konser Slank :3 temen-temen fotografer DPI, Indra Fakhriansyah, Idham Aries dan Alfi Muhammad Prakoso akhirnya kelar juga hunting foto stage 2014 ini :3 dan makasih juga buat Jimi dari Megapro Comm yang udah bantuin arrange interview ekslusif bareng Slank :D Om Ordinary Man dan Sigma Photo Indonesia yang juga udah minjemin lensa Sigmanya :D
Semua foto diambil menggunakan:
Canon EOS 60D
Sigma APO 50-150mm f/2.8 EX DC OS HSM
Sgma 10-20mm f/4-5.6 EX DC HSM
edited using: Adobe Photoshop CS5
coloring: NIK Software Color Efex Pro
Peringatan:
Seluruh foto dalam album/photoset ini dilindungi oleh Hak Cipta. Kepemilikan Hak Cipta foto-foto pada album/photoset ini dimiliki oleh Adjie Aditya Purwaka dan atau Motomata Photoarts. Segala pelanggaran atas hak cipta, penggunaan tanpa seizin pemilik foto, dan bentuk pelanggaran lain, akan diproses menurut hukum yang berlaku, baik lokal (hukum Indonesia) maupun internasional.
Disclaimer:
The entire picture / album / photoset is protected by Copyright. Copyright ownership of the photos in this album / photoset is owned by Aditya Adjie Purwaka and or Motomata Photoarts. Any infringement of copyright, the use without permission of the owner of the photo, and other forms of abuse, will be processed according to applicable laws, both locally (Indonesian Law) and internationally.
Seperti biasa, bulan Desember di penghujung tahun, selalu jadi salah satu bulan yang ditunggu-tunggu bagi para pecinta musik Indonesia. Setidaknya 3 tahun terakhir, grup band Slank selalu menutup akhir tahun di Desember dengan menyelenggarakan konser ulang tahunnya, setelah sebelumnya di ulang tahun ke-29, Slank dengan menggandeng sponsor Djarum Coklat, menggelar konser ulang tahun di Lap. Kridosono, Jogja, pada ulang tahun ke-30 dirayakan di Gelora Bung Karno, Jakarta dengan sponsor Clavo Premio, kali ini pada ulang tahun ke 31, Slank kembali merayakannya di Lanud Husein Sastranegara, Bandung, kali ini dengan menggandeng Supermusic ID dan RTV.
Beda dengan tahun-tahun sebelumnya, HUT Slank yang ke-31 Tahun kali ini dirayakan di Lapangan Udara Husein Sastranegara, yang notabene adalah bandar udara semi komersil. Dengan tagline "Ngeslank Rame-Rame", Slank mengajak sekitar 15.000an lebih slankers yang memadati Lanud Husein Sastranegara untuk menyanyikan lagu-lagu Slank, dari lagu lama, sampai lagu-lagu rbaru yang akan dirilis di album terbarunya. Setidaknya ada sekitar 4 lagu baru yang dibawakan oleh Slank saat konser, salah satunya adalah NgeSlank Rame-Rame, persis seperti tagline konser HUT kali ini. Memang agak disayangkan, beberapa lagu baru berbau kampanye politik. Hal ini kemudian yang membuat Slank mendapatkan input dan kritikan, salah satunya dari Oppie Andaresta yang juga tampil saat konser HUT berlangsung.
Anyway, terlepas dari semua itu, gw cuma mau bilang, semoga Slank selalu bisa mempertahankan karakteristiknya sebagai inspirator banyak orang di Indonesia, tetap bisa independen sebagai musisi, dan tetap memiliki idealisme dalam bermusik, tanpa harus ada muatan isu-isu yang tidak relevan di lagu-lagunya :)
Thanks buat temen-temen yang kemaren udah ikutan ngeRame-in HUT Slank 31 Tahun, dari tim ATAP Promotions, Gio Vitano, Herdina Ka, Kutil, Black, Arief F Rachman, Meity Fitriani yang udah bersedia jadi host dadakan buat wawancara eksklusif bareng Slank & Oppie Andaresta, temen-temen dari Kreasys, Ryan Ridhwan Arief, Hisman, Adit, Dion, yang akhirnya lulus ujian supporting konser Slank :3 temen-temen fotografer DPI, Indra Fakhriansyah, Idham Aries dan Alfi Muhammad Prakoso akhirnya kelar juga hunting foto stage 2014 ini :3 dan makasih juga buat Jimi dari Megapro Comm yang udah bantuin arrange interview ekslusif bareng Slank :D Om Ordinary Man dan Sigma Photo Indonesia yang juga udah minjemin lensa Sigmanya :D
Semua foto diambil menggunakan:
Canon EOS 60D
Sigma APO 50-150mm f/2.8 EX DC OS HSM
Sgma 10-20mm f/4-5.6 EX DC HSM
edited using: Adobe Photoshop CS5
coloring: NIK Software Color Efex Pro
Peringatan:
Seluruh foto dalam album/photoset ini dilindungi oleh Hak Cipta. Kepemilikan Hak Cipta foto-foto pada album/photoset ini dimiliki oleh Adjie Aditya Purwaka dan atau Motomata Photoarts. Segala pelanggaran atas hak cipta, penggunaan tanpa seizin pemilik foto, dan bentuk pelanggaran lain, akan diproses menurut hukum yang berlaku, baik lokal (hukum Indonesia) maupun internasional.
Disclaimer:
The entire picture / album / photoset is protected by Copyright. Copyright ownership of the photos in this album / photoset is owned by Aditya Adjie Purwaka and or Motomata Photoarts. Any infringement of copyright, the use without permission of the owner of the photo, and other forms of abuse, will be processed according to applicable laws, both locally (Indonesian Law) and internationally.
Seperti biasa, bulan Desember di penghujung tahun, selalu jadi salah satu bulan yang ditunggu-tunggu bagi para pecinta musik Indonesia. Setidaknya 3 tahun terakhir, grup band Slank selalu menutup akhir tahun di Desember dengan menyelenggarakan konser ulang tahunnya, setelah sebelumnya di ulang tahun ke-29, Slank dengan menggandeng sponsor Djarum Coklat, menggelar konser ulang tahun di Lap. Kridosono, Jogja, pada ulang tahun ke-30 dirayakan di Gelora Bung Karno, Jakarta dengan sponsor Clavo Premio, kali ini pada ulang tahun ke 31, Slank kembali merayakannya di Lanud Husein Sastranegara, Bandung, kali ini dengan menggandeng Supermusic ID dan RTV.
Beda dengan tahun-tahun sebelumnya, HUT Slank yang ke-31 Tahun kali ini dirayakan di Lapangan Udara Husein Sastranegara, yang notabene adalah bandar udara semi komersil. Dengan tagline "Ngeslank Rame-Rame", Slank mengajak sekitar 15.000an lebih slankers yang memadati Lanud Husein Sastranegara untuk menyanyikan lagu-lagu Slank, dari lagu lama, sampai lagu-lagu rbaru yang akan dirilis di album terbarunya. Setidaknya ada sekitar 4 lagu baru yang dibawakan oleh Slank saat konser, salah satunya adalah NgeSlank Rame-Rame, persis seperti tagline konser HUT kali ini. Memang agak disayangkan, beberapa lagu baru berbau kampanye politik. Hal ini kemudian yang membuat Slank mendapatkan input dan kritikan, salah satunya dari Oppie Andaresta yang juga tampil saat konser HUT berlangsung.
Anyway, terlepas dari semua itu, gw cuma mau bilang, semoga Slank selalu bisa mempertahankan karakteristiknya sebagai inspirator banyak orang di Indonesia, tetap bisa independen sebagai musisi, dan tetap memiliki idealisme dalam bermusik, tanpa harus ada muatan isu-isu yang tidak relevan di lagu-lagunya :)
Thanks buat temen-temen yang kemaren udah ikutan ngeRame-in HUT Slank 31 Tahun, dari tim ATAP Promotions, Gio Vitano, Herdina Ka, Kutil, Black, Arief F Rachman, Meity Fitriani yang udah bersedia jadi host dadakan buat wawancara eksklusif bareng Slank & Oppie Andaresta, temen-temen dari Kreasys, Ryan Ridhwan Arief, Hisman, Adit, Dion, yang akhirnya lulus ujian supporting konser Slank :3 temen-temen fotografer DPI, Indra Fakhriansyah, Idham Aries dan Alfi Muhammad Prakoso akhirnya kelar juga hunting foto stage 2014 ini :3 dan makasih juga buat Jimi dari Megapro Comm yang udah bantuin arrange interview ekslusif bareng Slank :D Om Ordinary Man dan Sigma Photo Indonesia yang juga udah minjemin lensa Sigmanya :D
Semua foto diambil menggunakan:
Canon EOS 60D
Sigma APO 50-150mm f/2.8 EX DC OS HSM
Sgma 10-20mm f/4-5.6 EX DC HSM
edited using: Adobe Photoshop CS5
coloring: NIK Software Color Efex Pro
Peringatan:
Seluruh foto dalam album/photoset ini dilindungi oleh Hak Cipta. Kepemilikan Hak Cipta foto-foto pada album/photoset ini dimiliki oleh Adjie Aditya Purwaka dan atau Motomata Photoarts. Segala pelanggaran atas hak cipta, penggunaan tanpa seizin pemilik foto, dan bentuk pelanggaran lain, akan diproses menurut hukum yang berlaku, baik lokal (hukum Indonesia) maupun internasional.
Disclaimer:
The entire picture / album / photoset is protected by Copyright. Copyright ownership of the photos in this album / photoset is owned by Aditya Adjie Purwaka and or Motomata Photoarts. Any infringement of copyright, the use without permission of the owner of the photo, and other forms of abuse, will be processed according to applicable laws, both locally (Indonesian Law) and internationally.
Seperti biasa, bulan Desember di penghujung tahun, selalu jadi salah satu bulan yang ditunggu-tunggu bagi para pecinta musik Indonesia. Setidaknya 3 tahun terakhir, grup band Slank selalu menutup akhir tahun di Desember dengan menyelenggarakan konser ulang tahunnya, setelah sebelumnya di ulang tahun ke-29, Slank dengan menggandeng sponsor Djarum Coklat, menggelar konser ulang tahun di Lap. Kridosono, Jogja, pada ulang tahun ke-30 dirayakan di Gelora Bung Karno, Jakarta dengan sponsor Clavo Premio, kali ini pada ulang tahun ke 31, Slank kembali merayakannya di Lanud Husein Sastranegara, Bandung, kali ini dengan menggandeng Supermusic ID dan RTV.
Beda dengan tahun-tahun sebelumnya, HUT Slank yang ke-31 Tahun kali ini dirayakan di Lapangan Udara Husein Sastranegara, yang notabene adalah bandar udara semi komersil. Dengan tagline "Ngeslank Rame-Rame", Slank mengajak sekitar 15.000an lebih slankers yang memadati Lanud Husein Sastranegara untuk menyanyikan lagu-lagu Slank, dari lagu lama, sampai lagu-lagu rbaru yang akan dirilis di album terbarunya. Setidaknya ada sekitar 4 lagu baru yang dibawakan oleh Slank saat konser, salah satunya adalah NgeSlank Rame-Rame, persis seperti tagline konser HUT kali ini. Memang agak disayangkan, beberapa lagu baru berbau kampanye politik. Hal ini kemudian yang membuat Slank mendapatkan input dan kritikan, salah satunya dari Oppie Andaresta yang juga tampil saat konser HUT berlangsung.
Anyway, terlepas dari semua itu, gw cuma mau bilang, semoga Slank selalu bisa mempertahankan karakteristiknya sebagai inspirator banyak orang di Indonesia, tetap bisa independen sebagai musisi, dan tetap memiliki idealisme dalam bermusik, tanpa harus ada muatan isu-isu yang tidak relevan di lagu-lagunya :)
Thanks buat temen-temen yang kemaren udah ikutan ngeRame-in HUT Slank 31 Tahun, dari tim ATAP Promotions, Gio Vitano, Herdina Ka, Kutil, Black, Arief F Rachman, Meity Fitriani yang udah bersedia jadi host dadakan buat wawancara eksklusif bareng Slank & Oppie Andaresta, temen-temen dari Kreasys, Ryan Ridhwan Arief, Hisman, Adit, Dion, yang akhirnya lulus ujian supporting konser Slank :3 temen-temen fotografer DPI, Indra Fakhriansyah, Idham Aries dan Alfi Muhammad Prakoso akhirnya kelar juga hunting foto stage 2014 ini :3 dan makasih juga buat Jimi dari Megapro Comm yang udah bantuin arrange interview ekslusif bareng Slank :D Om Ordinary Man dan Sigma Photo Indonesia yang juga udah minjemin lensa Sigmanya :D
Semua foto diambil menggunakan:
Canon EOS 60D
Sigma APO 50-150mm f/2.8 EX DC OS HSM
Sgma 10-20mm f/4-5.6 EX DC HSM
edited using: Adobe Photoshop CS5
coloring: NIK Software Color Efex Pro
Peringatan:
Seluruh foto dalam album/photoset ini dilindungi oleh Hak Cipta. Kepemilikan Hak Cipta foto-foto pada album/photoset ini dimiliki oleh Adjie Aditya Purwaka dan atau Motomata Photoarts. Segala pelanggaran atas hak cipta, penggunaan tanpa seizin pemilik foto, dan bentuk pelanggaran lain, akan diproses menurut hukum yang berlaku, baik lokal (hukum Indonesia) maupun internasional.
Disclaimer:
The entire picture / album / photoset is protected by Copyright. Copyright ownership of the photos in this album / photoset is owned by Aditya Adjie Purwaka and or Motomata Photoarts. Any infringement of copyright, the use without permission of the owner of the photo, and other forms of abuse, will be processed according to applicable laws, both locally (Indonesian Law) and internationally.
Seperti biasa, bulan Desember di penghujung tahun, selalu jadi salah satu bulan yang ditunggu-tunggu bagi para pecinta musik Indonesia. Setidaknya 3 tahun terakhir, grup band Slank selalu menutup akhir tahun di Desember dengan menyelenggarakan konser ulang tahunnya, setelah sebelumnya di ulang tahun ke-29, Slank dengan menggandeng sponsor Djarum Coklat, menggelar konser ulang tahun di Lap. Kridosono, Jogja, pada ulang tahun ke-30 dirayakan di Gelora Bung Karno, Jakarta dengan sponsor Clavo Premio, kali ini pada ulang tahun ke 31, Slank kembali merayakannya di Lanud Husein Sastranegara, Bandung, kali ini dengan menggandeng Supermusic ID dan RTV.
Beda dengan tahun-tahun sebelumnya, HUT Slank yang ke-31 Tahun kali ini dirayakan di Lapangan Udara Husein Sastranegara, yang notabene adalah bandar udara semi komersil. Dengan tagline "Ngeslank Rame-Rame", Slank mengajak sekitar 15.000an lebih slankers yang memadati Lanud Husein Sastranegara untuk menyanyikan lagu-lagu Slank, dari lagu lama, sampai lagu-lagu rbaru yang akan dirilis di album terbarunya. Setidaknya ada sekitar 4 lagu baru yang dibawakan oleh Slank saat konser, salah satunya adalah NgeSlank Rame-Rame, persis seperti tagline konser HUT kali ini. Memang agak disayangkan, beberapa lagu baru berbau kampanye politik. Hal ini kemudian yang membuat Slank mendapatkan input dan kritikan, salah satunya dari Oppie Andaresta yang juga tampil saat konser HUT berlangsung.
Anyway, terlepas dari semua itu, gw cuma mau bilang, semoga Slank selalu bisa mempertahankan karakteristiknya sebagai inspirator banyak orang di Indonesia, tetap bisa independen sebagai musisi, dan tetap memiliki idealisme dalam bermusik, tanpa harus ada muatan isu-isu yang tidak relevan di lagu-lagunya :)
Thanks buat temen-temen yang kemaren udah ikutan ngeRame-in HUT Slank 31 Tahun, dari tim ATAP Promotions, Gio Vitano, Herdina Ka, Kutil, Black, Arief F Rachman, Meity Fitriani yang udah bersedia jadi host dadakan buat wawancara eksklusif bareng Slank & Oppie Andaresta, temen-temen dari Kreasys, Ryan Ridhwan Arief, Hisman, Adit, Dion, yang akhirnya lulus ujian supporting konser Slank :3 temen-temen fotografer DPI, Indra Fakhriansyah, Idham Aries dan Alfi Muhammad Prakoso akhirnya kelar juga hunting foto stage 2014 ini :3 dan makasih juga buat Jimi dari Megapro Comm yang udah bantuin arrange interview ekslusif bareng Slank :D Om Ordinary Man dan Sigma Photo Indonesia yang juga udah minjemin lensa Sigmanya :D
Semua foto diambil menggunakan:
Canon EOS 60D
Sigma APO 50-150mm f/2.8 EX DC OS HSM
Sgma 10-20mm f/4-5.6 EX DC HSM
edited using: Adobe Photoshop CS5
coloring: NIK Software Color Efex Pro
Peringatan:
Seluruh foto dalam album/photoset ini dilindungi oleh Hak Cipta. Kepemilikan Hak Cipta foto-foto pada album/photoset ini dimiliki oleh Adjie Aditya Purwaka dan atau Motomata Photoarts. Segala pelanggaran atas hak cipta, penggunaan tanpa seizin pemilik foto, dan bentuk pelanggaran lain, akan diproses menurut hukum yang berlaku, baik lokal (hukum Indonesia) maupun internasional.
Disclaimer:
The entire picture / album / photoset is protected by Copyright. Copyright ownership of the photos in this album / photoset is owned by Aditya Adjie Purwaka and or Motomata Photoarts. Any infringement of copyright, the use without permission of the owner of the photo, and other forms of abuse, will be processed according to applicable laws, both locally (Indonesian Law) and internationally.
Seperti biasa, bulan Desember di penghujung tahun, selalu jadi salah satu bulan yang ditunggu-tunggu bagi para pecinta musik Indonesia. Setidaknya 3 tahun terakhir, grup band Slank selalu menutup akhir tahun di Desember dengan menyelenggarakan konser ulang tahunnya, setelah sebelumnya di ulang tahun ke-29, Slank dengan menggandeng sponsor Djarum Coklat, menggelar konser ulang tahun di Lap. Kridosono, Jogja, pada ulang tahun ke-30 dirayakan di Gelora Bung Karno, Jakarta dengan sponsor Clavo Premio, kali ini pada ulang tahun ke 31, Slank kembali merayakannya di Lanud Husein Sastranegara, Bandung, kali ini dengan menggandeng Supermusic ID dan RTV.
Beda dengan tahun-tahun sebelumnya, HUT Slank yang ke-31 Tahun kali ini dirayakan di Lapangan Udara Husein Sastranegara, yang notabene adalah bandar udara semi komersil. Dengan tagline "Ngeslank Rame-Rame", Slank mengajak sekitar 15.000an lebih slankers yang memadati Lanud Husein Sastranegara untuk menyanyikan lagu-lagu Slank, dari lagu lama, sampai lagu-lagu rbaru yang akan dirilis di album terbarunya. Setidaknya ada sekitar 4 lagu baru yang dibawakan oleh Slank saat konser, salah satunya adalah NgeSlank Rame-Rame, persis seperti tagline konser HUT kali ini. Memang agak disayangkan, beberapa lagu baru berbau kampanye politik. Hal ini kemudian yang membuat Slank mendapatkan input dan kritikan, salah satunya dari Oppie Andaresta yang juga tampil saat konser HUT berlangsung.
Anyway, terlepas dari semua itu, gw cuma mau bilang, semoga Slank selalu bisa mempertahankan karakteristiknya sebagai inspirator banyak orang di Indonesia, tetap bisa independen sebagai musisi, dan tetap memiliki idealisme dalam bermusik, tanpa harus ada muatan isu-isu yang tidak relevan di lagu-lagunya :)
Thanks buat temen-temen yang kemaren udah ikutan ngeRame-in HUT Slank 31 Tahun, dari tim ATAP Promotions, Gio Vitano, Herdina Ka, Kutil, Black, Arief F Rachman, Meity Fitriani yang udah bersedia jadi host dadakan buat wawancara eksklusif bareng Slank & Oppie Andaresta, temen-temen dari Kreasys, Ryan Ridhwan Arief, Hisman, Adit, Dion, yang akhirnya lulus ujian supporting konser Slank :3 temen-temen fotografer DPI, Indra Fakhriansyah, Idham Aries dan Alfi Muhammad Prakoso akhirnya kelar juga hunting foto stage 2014 ini :3 dan makasih juga buat Jimi dari Megapro Comm yang udah bantuin arrange interview ekslusif bareng Slank :D Om Ordinary Man dan Sigma Photo Indonesia yang juga udah minjemin lensa Sigmanya :D
Semua foto diambil menggunakan:
Canon EOS 60D
Sigma APO 50-150mm f/2.8 EX DC OS HSM
Sgma 10-20mm f/4-5.6 EX DC HSM
edited using: Adobe Photoshop CS5
coloring: NIK Software Color Efex Pro
Peringatan:
Seluruh foto dalam album/photoset ini dilindungi oleh Hak Cipta. Kepemilikan Hak Cipta foto-foto pada album/photoset ini dimiliki oleh Adjie Aditya Purwaka dan atau Motomata Photoarts. Segala pelanggaran atas hak cipta, penggunaan tanpa seizin pemilik foto, dan bentuk pelanggaran lain, akan diproses menurut hukum yang berlaku, baik lokal (hukum Indonesia) maupun internasional.
Disclaimer:
The entire picture / album / photoset is protected by Copyright. Copyright ownership of the photos in this album / photoset is owned by Aditya Adjie Purwaka and or Motomata Photoarts. Any infringement of copyright, the use without permission of the owner of the photo, and other forms of abuse, will be processed according to applicable laws, both locally (Indonesian Law) and internationally.
Seperti biasa, bulan Desember di penghujung tahun, selalu jadi salah satu bulan yang ditunggu-tunggu bagi para pecinta musik Indonesia. Setidaknya 3 tahun terakhir, grup band Slank selalu menutup akhir tahun di Desember dengan menyelenggarakan konser ulang tahunnya, setelah sebelumnya di ulang tahun ke-29, Slank dengan menggandeng sponsor Djarum Coklat, menggelar konser ulang tahun di Lap. Kridosono, Jogja, pada ulang tahun ke-30 dirayakan di Gelora Bung Karno, Jakarta dengan sponsor Clavo Premio, kali ini pada ulang tahun ke 31, Slank kembali merayakannya di Lanud Husein Sastranegara, Bandung, kali ini dengan menggandeng Supermusic ID dan RTV.
Beda dengan tahun-tahun sebelumnya, HUT Slank yang ke-31 Tahun kali ini dirayakan di Lapangan Udara Husein Sastranegara, yang notabene adalah bandar udara semi komersil. Dengan tagline "Ngeslank Rame-Rame", Slank mengajak sekitar 15.000an lebih slankers yang memadati Lanud Husein Sastranegara untuk menyanyikan lagu-lagu Slank, dari lagu lama, sampai lagu-lagu rbaru yang akan dirilis di album terbarunya. Setidaknya ada sekitar 4 lagu baru yang dibawakan oleh Slank saat konser, salah satunya adalah NgeSlank Rame-Rame, persis seperti tagline konser HUT kali ini. Memang agak disayangkan, beberapa lagu baru berbau kampanye politik. Hal ini kemudian yang membuat Slank mendapatkan input dan kritikan, salah satunya dari Oppie Andaresta yang juga tampil saat konser HUT berlangsung.
Anyway, terlepas dari semua itu, gw cuma mau bilang, semoga Slank selalu bisa mempertahankan karakteristiknya sebagai inspirator banyak orang di Indonesia, tetap bisa independen sebagai musisi, dan tetap memiliki idealisme dalam bermusik, tanpa harus ada muatan isu-isu yang tidak relevan di lagu-lagunya :)
Thanks buat temen-temen yang kemaren udah ikutan ngeRame-in HUT Slank 31 Tahun, dari tim ATAP Promotions, Gio Vitano, Herdina Ka, Kutil, Black, Arief F Rachman, Meity Fitriani yang udah bersedia jadi host dadakan buat wawancara eksklusif bareng Slank & Oppie Andaresta, temen-temen dari Kreasys, Ryan Ridhwan Arief, Hisman, Adit, Dion, yang akhirnya lulus ujian supporting konser Slank :3 temen-temen fotografer DPI, Indra Fakhriansyah, Idham Aries dan Alfi Muhammad Prakoso akhirnya kelar juga hunting foto stage 2014 ini :3 dan makasih juga buat Jimi dari Megapro Comm yang udah bantuin arrange interview ekslusif bareng Slank :D Om Ordinary Man dan Sigma Photo Indonesia yang juga udah minjemin lensa Sigmanya :D
Semua foto diambil menggunakan:
Canon EOS 60D
Sigma APO 50-150mm f/2.8 EX DC OS HSM
Sgma 10-20mm f/4-5.6 EX DC HSM
edited using: Adobe Photoshop CS5
coloring: NIK Software Color Efex Pro
Peringatan:
Seluruh foto dalam album/photoset ini dilindungi oleh Hak Cipta. Kepemilikan Hak Cipta foto-foto pada album/photoset ini dimiliki oleh Adjie Aditya Purwaka dan atau Motomata Photoarts. Segala pelanggaran atas hak cipta, penggunaan tanpa seizin pemilik foto, dan bentuk pelanggaran lain, akan diproses menurut hukum yang berlaku, baik lokal (hukum Indonesia) maupun internasional.
Disclaimer:
The entire picture / album / photoset is protected by Copyright. Copyright ownership of the photos in this album / photoset is owned by Aditya Adjie Purwaka and or Motomata Photoarts. Any infringement of copyright, the use without permission of the owner of the photo, and other forms of abuse, will be processed according to applicable laws, both locally (Indonesian Law) and internationally.
Seperti biasa, bulan Desember di penghujung tahun, selalu jadi salah satu bulan yang ditunggu-tunggu bagi para pecinta musik Indonesia. Setidaknya 3 tahun terakhir, grup band Slank selalu menutup akhir tahun di Desember dengan menyelenggarakan konser ulang tahunnya, setelah sebelumnya di ulang tahun ke-29, Slank dengan menggandeng sponsor Djarum Coklat, menggelar konser ulang tahun di Lap. Kridosono, Jogja, pada ulang tahun ke-30 dirayakan di Gelora Bung Karno, Jakarta dengan sponsor Clavo Premio, kali ini pada ulang tahun ke 31, Slank kembali merayakannya di Lanud Husein Sastranegara, Bandung, kali ini dengan menggandeng Supermusic ID dan RTV.
Beda dengan tahun-tahun sebelumnya, HUT Slank yang ke-31 Tahun kali ini dirayakan di Lapangan Udara Husein Sastranegara, yang notabene adalah bandar udara semi komersil. Dengan tagline "Ngeslank Rame-Rame", Slank mengajak sekitar 15.000an lebih slankers yang memadati Lanud Husein Sastranegara untuk menyanyikan lagu-lagu Slank, dari lagu lama, sampai lagu-lagu rbaru yang akan dirilis di album terbarunya. Setidaknya ada sekitar 4 lagu baru yang dibawakan oleh Slank saat konser, salah satunya adalah NgeSlank Rame-Rame, persis seperti tagline konser HUT kali ini. Memang agak disayangkan, beberapa lagu baru berbau kampanye politik. Hal ini kemudian yang membuat Slank mendapatkan input dan kritikan, salah satunya dari Oppie Andaresta yang juga tampil saat konser HUT berlangsung.
Anyway, terlepas dari semua itu, gw cuma mau bilang, semoga Slank selalu bisa mempertahankan karakteristiknya sebagai inspirator banyak orang di Indonesia, tetap bisa independen sebagai musisi, dan tetap memiliki idealisme dalam bermusik, tanpa harus ada muatan isu-isu yang tidak relevan di lagu-lagunya :)
Thanks buat temen-temen yang kemaren udah ikutan ngeRame-in HUT Slank 31 Tahun, dari tim ATAP Promotions, Gio Vitano, Herdina Ka, Kutil, Black, Arief F Rachman, Meity Fitriani yang udah bersedia jadi host dadakan buat wawancara eksklusif bareng Slank & Oppie Andaresta, temen-temen dari Kreasys, Ryan Ridhwan Arief, Hisman, Adit, Dion, yang akhirnya lulus ujian supporting konser Slank :3 temen-temen fotografer DPI, Indra Fakhriansyah, Idham Aries dan Alfi Muhammad Prakoso akhirnya kelar juga hunting foto stage 2014 ini :3 dan makasih juga buat Jimi dari Megapro Comm yang udah bantuin arrange interview ekslusif bareng Slank :D Om Ordinary Man dan Sigma Photo Indonesia yang juga udah minjemin lensa Sigmanya :D
Semua foto diambil menggunakan:
Canon EOS 60D
Sigma APO 50-150mm f/2.8 EX DC OS HSM
Sgma 10-20mm f/4-5.6 EX DC HSM
edited using: Adobe Photoshop CS5
coloring: NIK Software Color Efex Pro
Peringatan:
Seluruh foto dalam album/photoset ini dilindungi oleh Hak Cipta. Kepemilikan Hak Cipta foto-foto pada album/photoset ini dimiliki oleh Adjie Aditya Purwaka dan atau Motomata Photoarts. Segala pelanggaran atas hak cipta, penggunaan tanpa seizin pemilik foto, dan bentuk pelanggaran lain, akan diproses menurut hukum yang berlaku, baik lokal (hukum Indonesia) maupun internasional.
Disclaimer:
The entire picture / album / photoset is protected by Copyright. Copyright ownership of the photos in this album / photoset is owned by Aditya Adjie Purwaka and or Motomata Photoarts. Any infringement of copyright, the use without permission of the owner of the photo, and other forms of abuse, will be processed according to applicable laws, both locally (Indonesian Law) and internationally.
Seperti biasa, bulan Desember di penghujung tahun, selalu jadi salah satu bulan yang ditunggu-tunggu bagi para pecinta musik Indonesia. Setidaknya 3 tahun terakhir, grup band Slank selalu menutup akhir tahun di Desember dengan menyelenggarakan konser ulang tahunnya, setelah sebelumnya di ulang tahun ke-29, Slank dengan menggandeng sponsor Djarum Coklat, menggelar konser ulang tahun di Lap. Kridosono, Jogja, pada ulang tahun ke-30 dirayakan di Gelora Bung Karno, Jakarta dengan sponsor Clavo Premio, kali ini pada ulang tahun ke 31, Slank kembali merayakannya di Lanud Husein Sastranegara, Bandung, kali ini dengan menggandeng Supermusic ID dan RTV.
Beda dengan tahun-tahun sebelumnya, HUT Slank yang ke-31 Tahun kali ini dirayakan di Lapangan Udara Husein Sastranegara, yang notabene adalah bandar udara semi komersil. Dengan tagline "Ngeslank Rame-Rame", Slank mengajak sekitar 15.000an lebih slankers yang memadati Lanud Husein Sastranegara untuk menyanyikan lagu-lagu Slank, dari lagu lama, sampai lagu-lagu rbaru yang akan dirilis di album terbarunya. Setidaknya ada sekitar 4 lagu baru yang dibawakan oleh Slank saat konser, salah satunya adalah NgeSlank Rame-Rame, persis seperti tagline konser HUT kali ini. Memang agak disayangkan, beberapa lagu baru berbau kampanye politik. Hal ini kemudian yang membuat Slank mendapatkan input dan kritikan, salah satunya dari Oppie Andaresta yang juga tampil saat konser HUT berlangsung.
Anyway, terlepas dari semua itu, gw cuma mau bilang, semoga Slank selalu bisa mempertahankan karakteristiknya sebagai inspirator banyak orang di Indonesia, tetap bisa independen sebagai musisi, dan tetap memiliki idealisme dalam bermusik, tanpa harus ada muatan isu-isu yang tidak relevan di lagu-lagunya :)
Thanks buat temen-temen yang kemaren udah ikutan ngeRame-in HUT Slank 31 Tahun, dari tim ATAP Promotions, Gio Vitano, Herdina Ka, Kutil, Black, Arief F Rachman, Meity Fitriani yang udah bersedia jadi host dadakan buat wawancara eksklusif bareng Slank & Oppie Andaresta, temen-temen dari Kreasys, Ryan Ridhwan Arief, Hisman, Adit, Dion, yang akhirnya lulus ujian supporting konser Slank :3 temen-temen fotografer DPI, Indra Fakhriansyah, Idham Aries dan Alfi Muhammad Prakoso akhirnya kelar juga hunting foto stage 2014 ini :3 dan makasih juga buat Jimi dari Megapro Comm yang udah bantuin arrange interview ekslusif bareng Slank :D Om Ordinary Man dan Sigma Photo Indonesia yang juga udah minjemin lensa Sigmanya :D
Semua foto diambil menggunakan:
Canon EOS 60D
Sigma APO 50-150mm f/2.8 EX DC OS HSM
Sgma 10-20mm f/4-5.6 EX DC HSM
edited using: Adobe Photoshop CS5
coloring: NIK Software Color Efex Pro
Peringatan:
Seluruh foto dalam album/photoset ini dilindungi oleh Hak Cipta. Kepemilikan Hak Cipta foto-foto pada album/photoset ini dimiliki oleh Adjie Aditya Purwaka dan atau Motomata Photoarts. Segala pelanggaran atas hak cipta, penggunaan tanpa seizin pemilik foto, dan bentuk pelanggaran lain, akan diproses menurut hukum yang berlaku, baik lokal (hukum Indonesia) maupun internasional.
Disclaimer:
The entire picture / album / photoset is protected by Copyright. Copyright ownership of the photos in this album / photoset is owned by Aditya Adjie Purwaka and or Motomata Photoarts. Any infringement of copyright, the use without permission of the owner of the photo, and other forms of abuse, will be processed according to applicable laws, both locally (Indonesian Law) and internationally.