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The Armoy Armada were Mervyn Robinson, Joey Dunlop Frank Kennedy & Jim Dunlop. These men demonstrated acts of commitment, dedication, camaraderie and talent proving that the Armoy Armada really were legends in the sport of Road Racing.
Cry Baby: The Pedal That Rocks The World tells the story of the wah wah effect pedal, from its invention in 1966 to the present day. Musicians, engineers, and historians discuss the impact of the pedal on popular music and demonstrate the various ways it has been used, as well as how its evolution has improved the ability of artists to express themselves musically. The film features interviews with Brad Plunkett, the inventor of the pedal, plus many other musical luminaries such as Ben Fong-Torres, Eddie Van Halen, Slash, Buddy Guy, Art Thompson, Eddie Kramer, Kirk Hammett, Dweezil Zappa, and Jim Dunlop. These professionals explain how a musical novelty transcended convention and has become timelessly woven into the fabric of modern pop-culture.
Watch this video on Vimeo. Video created by Joey Tosi.
Found a great new hobby that's both hugely satisfying and is also a good business opportunity. Making handmade pedal boards for guitar pedals started off as a project of necessity, when I couldn't afford to buy a commercially made board but I needed a way to organize and transport my pedals. I've since refined my design and process and the results are fantastic.
If anyone needs a Jim Dunlop .73mm guitar pick, ask me. I keep a couple in my wallet for emergencies, but I think they've been breeding.
Tirando foto, filmando, pogando ainda fiquei com a Palheta ou "Picks" de Tony Sly - No Use For A Name @ Opera1 - Curitiba
PS: Bad picture!
Product: Jim Dunlop
# 11/04/2009
Cam: N95 8GB
My finished personal pedalboard. I added a dark mahogany stain and two layers of polyurethane for durability.
Pick Mouth
My band had a gig at Murphy's Upstairs tonight. I put my Jim Dunlop John Petrucci signature pick in my teeth because I'm silly like that.
We hadn't played there in a while...or had that much Jack Daniels Tennessee Honey in a while...
Here's the signal flow in order:
distortions and pre:
1. Bass signal first runs through the Big Muff for optional, over-the-top, distortion.
2. Then into the MXR M80 for fatness, tone and more-pleasing, tasteful distortion.
modulation section:
3. MXR Bass Auto Q M-188 for underwater funk and resonant weirdness.
4. Octave pedal for low frequency bombs.
5. MXR Phase 90 for soaring
signal split
6. I use the Boss Tuner's two outputs to split my signal
7a. The normal output goes straight to the DOD mixer at the end of the chain.
7b. The bypass (always-on) output goes to the volume pedal
8. The Ernie Ball volume is used to carefully feed signal to one or both of the next two pedals.
9. Boss digital delay for space exporation.
10. Finally I turn on the Line6 Tap Tremolo to give the audience nightmares.
11. Both the delay/tremolo signal and the straight signal meet at the DOD mixer and then to the amp.
With the tuner engaged (muted) this allows for volume-swelling through the delay/tremolo chain to create ambient cues.
Leider hatte ich keinen eckigen 22uF Kondensator, Aber der tut's ja auch, und der Wah-Effekt ist weiterhin Jimi-mäßig genial.