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It's the latest in paper airplane technology. :-)
Crazy Tuesday: "Creased Paper" theme
Our Daily Challenge: "Primary Subject"
HCT
No post-processing done to photo, only cropped. Nikon NEF (RAW) files available. NPP Straight Photography at noPhotoShopping.com
Picture/Collaboration with my dear Anuska
Thank you so much ♥♥
More photos of the details on the blog, facebook and instagram
XOXO ♥
Any Moonwall
D-LAB for FIFTY LINDEN FRIDAY May 18th
[SHISYAMO]JET SKI-NEW
gyazo.com/fc2c8f2261a76c644da0722ace942529
coming soon @ D-LAB mainstore
Unfortunately Yesterday's air show was totally washed out,
Saturday with better day, I always go on Sunday.
Happy Memorial Day!
Douces figures poignardées chères lèvres fleuries
Mya Mareye
Yette et Lorie
Annie et toi Marie
Où êtes-vous ô jeunes filles
Mais près d'un jet d'eau qui pleure et qui prie
Cette colombe s'extasie
Tous les souvenirs de naguère
O mes amis partis en guerre
Jaillissent vers le firmament
Et vos regards en l'eau dormant
Meurent mélancoliquement
Où sont-ils Braque et Max Jacob
Derain aux yeux gris comme l'aube
Où sont Raynal Billy Dalize
Dont les noms se mélancolisent
Comme des pas dans une église
Où est Cremnitz qui s'engagea
Peut-être sont-ils morts déjà
De souvenirs mon âme est pleine
Le jet d'eau pleure sur ma peine.
Ceux qui sont partis à la guerre
au Nord se battent maintenant
Le soir tombe Ô sanglante mer
Jardins où saignent abondamment
le laurier rose fleur guerrière.
Guillaume APPOLINAIRE
The Jet d'Eau is a large fountain in Geneva, Switzerland, and is one of the city's most famous landmarks.
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At about 25,000 feet overhead
Shot with LUMIX DC-G9 Camera, with LUMIX Leica DG VARIO 100-400mm Lens. Hand-held
Coming in to land at our airport this afternoon. I had only been there a few minutes and someone drove up to check what I was doing. Once he saw the camera he smiled and drove off. I guess if I was holding a drone or a laser the reaction would have been different?
Canon T90 : 35-80mm Tamron SP Adaptall II f/2.8-3.8 CF Macro (Model 01a) : Ilford FP4 Plus : PMK Pyro.
I've come to a better understanding of wind over the past few months. Think it began last autumn as I observed fallen leaves being lifted off the ground in whirling eddys like mini tornadoes. Amidst this were leaves being pushed along like overland rivers. Fast moving but in relatively narrow corridors. I could see them all around me at times but not feel any wind on my face. I used to think of wind as a sort of monolith...a generic force that pushed equally on all things in its path. But I realize now there is much more subtlety to it. Even in the face of extreme wind storms (and we've experienced many over the recent months), there is much variation. I began to notice the heaviest winds seems to be well overhead, perhaps 100 feet or more off the ground. These are the winds that create the incessant roar as they pass through tall trees and over ridge lines. But at ground level, the winds tend to wax and wane. The higher winds sometimes pushing down to the ground, then spreading out. This is what causes the selective movement I noticed in autumn leaves and later in driven snow and blizzards. That effect was on full display on the day I captured this scene. I was focused on the long shadows, taken with the way they followed the contours of the snow, especially the valleys that formed around the gravestones. Suddenly the wind kicked up some already fallen snow and began to recirculate it. The air was filled with this fine diamond-like dust that conveyed much energy and motion, but left the foreground in sharp focus. Light, shadow, texture, movement, clarity, mistiness, contrast, all in a single frame. Plus the undeniable visual metaphor of winter in a cemetery, death upon death.