This young lady was dressed only in her bikini and cowboy hat at a lookout point in Yosemite National Park. I've been there dozens of times but never seen anyone in just a bikini. She was quite lovely and knew she was everyone's center of attention "posing" as she did on the stone wall while trying to feed a squirrel. She seemed to be a European tourist with an older man and another older young lady fully clothed.

Throughout history, female nudes have been used in cemetery/memorial art. For a deeper examination, visit northstargallery.com/pages/Sensualilty.htm

Many images in this set were taken inside Forest Lawn Memorial Park's (California, USA) Great Mausoleum.

The general public is not allowed to enjoy these and many other works of art in the Great Mausoleum. Entry is granted only to those able to afford the high price of admission and their living family members.

Why?

I turned the door handle of the Great Mausoleum at Forest Lawn in Glendale, California, USA and as the heavy door opened, I entered another world.

The massive, cathedral-like structure houses not only the remains of thousands able to afford the lofty ticket price for admission, it houses beautiful works of art. Sculptures, stained glass windows and ceilings, elegant marble throughout and massive architecture...all are off limits to the general public.

I didn't know at the time I turned that door knob, that Forest Lawn is consumed about keeping this structure and its contents strictly away from public view. I was simply a guy trying to take photos I like who quickly realized the challenges posed in this setting. I was simply on quest that began at the cemetery where my Mom and brother were buried almost twenty years ago.

One can attend a viewing of a stained glass window, The Last Supper, but, I've since returned (hoping to share with my family the splendor within) asking to enter the mausoleum. We were turned away. Forest Lawn's policy strictly prohibits entry to the general public.

Why? One would think that Forest Lawn (and its founder Mr. Eaton and its longtime and current President and CEO, John Llewellyn, would want to share with the wider world, the beauty contained within given the frequent ugliness which hits us in daily life...providing a form of comfort which is their business.

Forest Lawn loves attention but only on their terms. It thrives being known as the Disneyland of death services (and I mean that in the most respectful way ...after all, Walt Disney himself chose Forest Lawn) and hundreds of the famous and infamous call Forest Lawn home.

It is obvious Forest Lawn takes its mission seriously and provides a needed service exhibiting the highest levels of excellence from its impeccable grounds, to fine facilities and attentive staff.

Forest Lawn's theatrical stagings for adults and school children, its public art, museum and grounds filled with celebrities and movers and shakers, convey a seemingly mixed message when it comes to excluding the public from the massive amounts of great art held within the Great Mausoleum.

Why the exclusion? Staffing its maze of halls isn't a concern; staff members are everywhere throughout the park. Security? Sure it's in a bad neighborhood. But, as I wandered unknowingly in this remarkable place from which I was supposed to be excluded, I never saw graffiti...even in the restroom.

In fact, I never saw another soul (sorry, no pun intended). And, that, to me, is sad.

As I wandered, I was challenged by low light, by my impulse to rush my hand held shots since I had a vague gut feeling I was alone, but not; that someone was about to find me taking photos in a place where I was the forbidden invader...the only one...alive...appreciating fine art. Certainly, those entombed can not enjoy it.

Mr. Llewellyn, please open the doors to the Great Mausoleum for the public and the profound and positive impact its will have on us.

Mr. Llewellyn, I extend this offer:

if you have looked at my photos and they have spoken to you, please contact me. I will offer my photographic services to Forest Lawn to use in ways upon which we can agree.

The possibilities are limitless:

I can photographically catalog all of Forest Lawn's art at all its properties; the images could be published in many forms...books, dvd sets, and more; guided tours; respectful events built around the art and the images; museum exhibits.

Again, the possibilities are limitless and all can be accomplished in good taste equal to your mission statement and still be respectful of your residents and their families and, serve to educate and benefit the larger public.

Thank you,

Casual Clicks

A BIT OF BACKGROUND:

Many years ago after burying my mother and brother within days of the other, I was wandering their cemetery pondering and was intrigued by the statues I saw.

I was taken by the artist's talent in being able to capture the female form (since that was all the cemetery had). The sculptor's manipulation of the viewer's perceptions...cloth and how it draped, creating muscle tone, emotions displayed in facial expressions, all created from stone, piqued my interest.

I began an informal quest to research and find as many sculptures and to photograph them which overwhelmingly depicted the female nude (or partially so) in the cemetery/memorial setting.

As my cemetery visits grew, I began to realize that many of the sculptures seemingly evoked a sensuality in this form of memorial art.

Here, then, is my photos...a project in evolution...the female form as portrayed in an often sensual manner in memorial art.

Throughout history, female nudes have been used in cemetery/memorial art. For a deeper examination, visit northstargallery.com/pages/Sensualilty.htm

Many images in this set were taken inside Forest Lawn Memorial Park's (California, USA) Great Mausoleum.

The general public is not allowed to enjoy these and many other works of art in the Great Mausoleum. Entry is granted only to those able to afford the high price of admission and their living family members.

Why?

I turned the door handle of the Great Mausoleum at Forest Lawn in Glendale, California, USA and as the heavy door opened, I entered another world.

The massive, cathedral-like structure houses not only the remains of thousands able to afford the lofty ticket price for admission, it houses beautiful works of art. Sculptures, stained glass windows and ceilings, elegant marble throughout and massive architecture...all are off limits to the general public.

I didn't know at the time I turned that door knob, that Forest Lawn is consumed about keeping this structure and its contents strictly away from public view. I was simply a guy trying to take photos I like who quickly realized the challenges posed in this setting. I was simply on quest that began at the cemetery where my Mom and brother were buried almost twenty years ago.

One can attend a viewing of a stained glass window, The Last Supper, but, I've since returned (hoping to share with my family the splendor within) asking to enter the mausoleum. We were turned away. Forest Lawn's policy strictly prohibits entry to the general public.

Why? One would think that Forest Lawn (and its founder Mr. Eaton and its longtime and current President and CEO, John Llewellyn, would want to share with the wider world, the beauty contained within given the frequent ugliness which hits us in daily life...providing a form of comfort which is their business.

Forest Lawn loves attention but only on their terms. It thrives being known as the Disneyland of death services (and I mean that in the most respectful way ...after all, Walt Disney himself chose Forest Lawn) and hundreds of the famous and infamous call Forest Lawn home.

It is obvious Forest Lawn takes its mission seriously and provides a needed service exhibiting the highest levels of excellence from its impeccable grounds, to fine facilities and attentive staff.

Forest Lawn's theatrical stagings for adults and school children, its public art, museum and grounds filled with celebrities and movers and shakers, convey a seemingly mixed message when it comes to excluding the public from the massive amounts of great art held within the Great Mausoleum.

Why the exclusion? Staffing its maze of halls isn't a concern; staff members are everywhere throughout the park. Security? Sure it's in a bad neighborhood. But, as I wandered unknowingly in this remarkable place from which I was supposed to be excluded, I never saw graffiti...even in the restroom.

In fact, I never saw another soul (sorry, no pun intended). And, that, to me, is sad.

As I wandered, I was challenged by low light, by my impulse to rush my hand held shots since I had a vague gut feeling I was alone, but not; that someone was about to find me taking photos in a place where I was the forbidden invader...the only one...alive...appreciating fine art. Certainly, those entombed can not enjoy it.

Mr. Llewellyn, please open the doors to the Great Mausoleum for the public and the profound and positive impact its will have on us.

Mr. Llewellyn, I extend this offer:

if you have looked at my photos and they have spoken to you, please contact me. I will offer my photographic services to Forest Lawn to use in ways upon which we can agree.

The possibilities are limitless:

I can photographically catalog all of Forest Lawn's art at all its properties; the images could be published in many forms...books, dvd sets, and more; guided tours; respectful events built around the art and the images; museum exhibits.

Again, the possibilities are limitless and all can be accomplished in good taste equal to your mission statement and still be respectful of your residents and their families and, serve to educate and benefit the larger public.

Thank you,

Casual Clicks

A BIT OF BACKGROUND:

Many years ago after burying my mother and brother within days of the other, I was wandering their cemetery pondering and was intrigued by the statues I saw.

I was taken by the artist's talent in being able to capture the female form (since that was all the cemetery had). The sculptor's manipulation of the viewer's perceptions...cloth and how it draped, creating muscle tone, emotions displayed in facial expressions, all created from stone, piqued my interest.

I began an informal quest to research and find as many sculptures and to photograph them which overwhelmingly depicted the female nude (or partially so) in the cemetery/memorial setting.

As my cemetery visits grew, I began to realize that many of the sculptures seemingly evoked a sensuality in this form of memorial art.

Here, then, is my photos...a project in evolution...the female form as portrayed in an often sensual manner in memorial art.

Waited for these two cups to spin into view and got lucky with the little girl looking at the preteen girl being goofy with her two girlfriends. Disneyland, Anahemi, CA USA

This young girl got a few minutes away from taking care of her brother to be able to play on her own by discovering the texture of wet sand.

Pirates of the Carribean (starring Johnny Depp) filming off the Palos Verdes Peninsula today (8/27/06). Hundreds of people with cameras and binoculars (and their cars) lined every open bluff. It was quite a spectacle.

Only the tall shadow he casts gives him away.

Throughout history, female nudes have been used in cemetery/memorial art. For a deeper examination, visit northstargallery.com/pages/Sensualilty.htm

Many images in this set were taken inside Forest Lawn Memorial Park's (California, USA) Great Mausoleum.

The general public is not allowed to enjoy these and many other works of art in the Great Mausoleum. Entry is granted only to those able to afford the high price of admission and their living family members.

Why?

I turned the door handle of the Great Mausoleum at Forest Lawn in Glendale, California, USA and as the heavy door opened, I entered another world.

The massive, cathedral-like structure houses not only the remains of thousands able to afford the lofty ticket price for admission, it houses beautiful works of art. Sculptures, stained glass windows and ceilings, elegant marble throughout and massive architecture...all are off limits to the general public.

I didn't know at the time I turned that door knob, that Forest Lawn is consumed about keeping this structure and its contents strictly away from public view. I was simply a guy trying to take photos I like who quickly realized the challenges posed in this setting. I was simply on quest that began at the cemetery where my Mom and brother were buried almost twenty years ago.

One can attend a viewing of a stained glass window, The Last Supper, but, I've since returned (hoping to share with my family the splendor within) asking to enter the mausoleum. We were turned away. Forest Lawn's policy strictly prohibits entry to the general public.

Why? One would think that Forest Lawn (and its founder Mr. Eaton and its longtime and current President and CEO, John Llewellyn, would want to share with the wider world, the beauty contained within given the frequent ugliness which hits us in daily life...providing a form of comfort which is their business.

Forest Lawn loves attention but only on their terms. It thrives being known as the Disneyland of death services (and I mean that in the most respectful way ...after all, Walt Disney himself chose Forest Lawn) and hundreds of the famous and infamous call Forest Lawn home.

It is obvious Forest Lawn takes its mission seriously and provides a needed service exhibiting the highest levels of excellence from its impeccable grounds, to fine facilities and attentive staff.

Forest Lawn's theatrical stagings for adults and school children, its public art, museum and grounds filled with celebrities and movers and shakers, convey a seemingly mixed message when it comes to excluding the public from the massive amounts of great art held within the Great Mausoleum.

Why the exclusion? Staffing its maze of halls isn't a concern; staff members are everywhere throughout the park. Security? Sure it's in a bad neighborhood. But, as I wandered unknowingly in this remarkable place from which I was supposed to be excluded, I never saw graffiti...even in the restroom.

In fact, I never saw another soul (sorry, no pun intended). And, that, to me, is sad.

As I wandered, I was challenged by low light, by my impulse to rush my hand held shots since I had a vague gut feeling I was alone, but not; that someone was about to find me taking photos in a place where I was the forbidden invader...the only one...alive...appreciating fine art. Certainly, those entombed can not enjoy it.

Mr. Llewellyn, please open the doors to the Great Mausoleum for the public and the profound and positive impact its will have on us.

Mr. Llewellyn, I extend this offer:

if you have looked at my photos and they have spoken to you, please contact me. I will offer my photographic services to Forest Lawn to use in ways upon which we can agree.

The possibilities are limitless:

I can photographically catalog all of Forest Lawn's art at all its properties; the images could be published in many forms...books, dvd sets, and more; guided tours; respectful events built around the art and the images; museum exhibits.

Again, the possibilities are limitless and all can be accomplished in good taste equal to your mission statement and still be respectful of your residents and their families and, serve to educate and benefit the larger public.

Thank you,

Casual Clicks

A BIT OF BACKGROUND:

Many years ago after burying my mother and brother within days of the other, I was wandering their cemetery pondering and was intrigued by the statues I saw.

I was taken by the artist's talent in being able to capture the female form (since that was all the cemetery had). The sculptor's manipulation of the viewer's perceptions...cloth and how it draped, creating muscle tone, emotions displayed in facial expressions, all created from stone, piqued my interest.

I began an informal quest to research and find as many sculptures and to photograph them which overwhelmingly depicted the female nude (or partially so) in the cemetery/memorial setting.

As my cemetery visits grew, I began to realize that many of the sculptures seemingly evoked a sensuality in this form of memorial art.

Here, then, is my photos...a project in evolution...the female form as portrayed in an often sensual manner in memorial art.

Throughout history, female nudes have been used in cemetery/memorial art. For a deeper examination, visit northstargallery.com/pages/Sensualilty.htm

Many images in this set were taken inside Forest Lawn Memorial Park's (California, USA) Great Mausoleum.

The general public is not allowed to enjoy these and many other works of art in the Great Mausoleum. Entry is granted only to those able to afford the high price of admission and their living family members.

Why?

I turned the door handle of the Great Mausoleum at Forest Lawn in Glendale, California, USA and as the heavy door opened, I entered another world.

The massive, cathedral-like structure houses not only the remains of thousands able to afford the lofty ticket price for admission, it houses beautiful works of art. Sculptures, stained glass windows and ceilings, elegant marble throughout and massive architecture...all are off limits to the general public.

I didn't know at the time I turned that door knob, that Forest Lawn is consumed about keeping this structure and its contents strictly away from public view. I was simply a guy trying to take photos I like who quickly realized the challenges posed in this setting. I was simply on quest that began at the cemetery where my Mom and brother were buried almost twenty years ago.

One can attend a viewing of a stained glass window, The Last Supper, but, I've since returned (hoping to share with my family the splendor within) asking to enter the mausoleum. We were turned away. Forest Lawn's policy strictly prohibits entry to the general public.

Why? One would think that Forest Lawn (and its founder Mr. Eaton and its longtime and current President and CEO, John Llewellyn, would want to share with the wider world, the beauty contained within given the frequent ugliness which hits us in daily life...providing a form of comfort which is their business.

Forest Lawn loves attention but only on their terms. It thrives being known as the Disneyland of death services (and I mean that in the most respectful way ...after all, Walt Disney himself chose Forest Lawn) and hundreds of the famous and infamous call Forest Lawn home.

It is obvious Forest Lawn takes its mission seriously and provides a needed service exhibiting the highest levels of excellence from its impeccable grounds, to fine facilities and attentive staff.

Forest Lawn's theatrical stagings for adults and school children, its public art, museum and grounds filled with celebrities and movers and shakers, convey a seemingly mixed message when it comes to excluding the public from the massive amounts of great art held within the Great Mausoleum.

Why the exclusion? Staffing its maze of halls isn't a concern; staff members are everywhere throughout the park. Security? Sure it's in a bad neighborhood. But, as I wandered unknowingly in this remarkable place from which I was supposed to be excluded, I never saw graffiti...even in the restroom.

In fact, I never saw another soul (sorry, no pun intended). And, that, to me, is sad.

As I wandered, I was challenged by low light, by my impulse to rush my hand held shots since I had a vague gut feeling I was alone, but not; that someone was about to find me taking photos in a place where I was the forbidden invader...the only one...alive...appreciating fine art. Certainly, those entombed can not enjoy it.

Mr. Llewellyn, please open the doors to the Great Mausoleum for the public and the profound and positive impact its will have on us.

Mr. Llewellyn, I extend this offer:

if you have looked at my photos and they have spoken to you, please contact me. I will offer my photographic services to Forest Lawn to use in ways upon which we can agree.

The possibilities are limitless:

I can photographically catalog all of Forest Lawn's art at all its properties; the images could be published in many forms...books, dvd sets, and more; guided tours; respectful events built around the art and the images; museum exhibits.

Again, the possibilities are limitless and all can be accomplished in good taste equal to your mission statement and still be respectful of your residents and their families and, serve to educate and benefit the larger public.

Thank you,

Casual Clicks

A BIT OF BACKGROUND:

Many years ago after burying my mother and brother within days of the other, I was wandering their cemetery pondering and was intrigued by the statues I saw.

I was taken by the artist's talent in being able to capture the female form (since that was all the cemetery had). The sculptor's manipulation of the viewer's perceptions...cloth and how it draped, creating muscle tone, emotions displayed in facial expressions, all created from stone, piqued my interest.

I began an informal quest to research and find as many sculptures and to photograph them which overwhelmingly depicted the female nude (or partially so) in the cemetery/memorial setting.

As my cemetery visits grew, I began to realize that many of the sculptures seemingly evoked a sensuality in this form of memorial art.

Here, then, is my photos...a project in evolution...the female form as portrayed in an often sensual manner in memorial art.

Taken at a large sculpture, "The Meaning of Life", depicting life through its various stages from infancy to death. Note details of finger creases and nails

Crashing storm surf soars above the pier in December 2007.

A favorite because Sydney obviously knew what "sexy" was and surprisingly knew how to communicate it to the camera. This pose was part of a group shot with a few other girls on the playground. Sydney was the only one who showed the "it!" factor. Wow, look at those penetrating eyes.and the position of her head and body. Cropped the other girls out to get this one-time only image.

I asked a group of girls on the playground to pose any way they wanted and they all went into silliness or other poses they'd seen in magazines, etc. This bright, eight year old beauty called this her "sexy" pose. A lovely, sweet girl. Taken several years ago.

A few hours spent at the Orange County Fair in Costa Mesa, California, USA.

I try to place technology and almost any subject into a human context. The Airbus A380 arriving at LAX (Los Angeles International Airport) at 9:23 a.m. on March 19, 2007 on Runway 24R.

Back to the Caves, Clearwell Caves, Forrest of Dean

World War II era flying boat, Hawaii Mars, is one of two aircraft remaining world wide. It was flown in to fight fires raging in Southern California. Landing at Lake Elsinore in the city of the same name, it underwent a brief flying test of about six passes and three water drops over the lake because it had collided with a waterfowl while arriving.

I arrived before sunrise to plan this shoot of this very rare aircraft which will not likely be seen in this area again.

Glenn Martin was the designer and the aircraft are now owned and operated by the Coulson family of companies and based in British Columbia, Canada.

The following was taken from the Coulson Company's website.

THE MIGHTY MARTIN MARS

Firefighting certainly wasn't what Glenn L. Martin had in mind for the design of the Martin Mars. Originally conceived as a bomber for long range missions and patrols, the production aircraft were redesigned and classified for long-range general transport because of the demonstrated heavy-lift capability of the prototype.

The "Big Four", as they were affectionately known, established airlift and endurance records which remain valid today and they logged some 87,000 accident-free hours before being retired by the USN and sold to Flying Tankers. Mr. Martin would be very pleased to know his original intention of the Mars in a bomber role came to pass in their second career as waterbombers!

HAWAIIAN MARS - Red Tail - bottom drop system - Canadian Registration C-FLYL S/N 76823

During the fire season, the aircraft are kept in a state of readiness to meet the existing fire hazard conditions. They can be in the air in ten minutes and, based on historical data, each can make a drop every fifteen minutes. Working in tandem, this equates to 7,200 US gallons (27,276 litres) every seven minutes and each drop can cover an area of up to 4 acres (1.6 hectares).

It has often been said that the Mars, with a 60,000 pound (27,216 kilogram) payload of foam, is like ""a huge wet blanket". The highly experienced Mars pilots, working closely with the Incident Commander, deliver the water or foam right where it is needed.

Each Mars carries 600 US gallons (2,270 litres) of foam concentrate - enough for 21 drops of a 0.4% solution which is the standard used although it may be decided to use more or less foam as dictated by the Incident Commander.

The Mars are also equipped to deliver Thermo-Gel which when mixed with water forms a light gel by encapsulating the water droplets. This product provides a more even coating of the fuels as well as lasting longer on the ground.

Flying Tankers completed test and evaluation of Class A foam in 1986 and began using it with the Mars as a matter of routine in 1987. It has been estimated that the foam capability of the aircraft increases the efficiency of the Mars by at least 30%. The ability of the machines to drop massive amounts of foam lends itself particularly well to the suppression of urban/rural interface fires and the Mars have excelled in this function.

The Mars carries a crew of four; Captain, First Officer and two Flight Engineers, all of whom work together as a team to get the job done - efficiently and safely. Since the loss of the prototype waterbomber in 1961, the Mars operation has been accident-free for both those flying the machines and those working on the ground. The strict flight procedures the crews adhere to ensure every effort is made to continue this enviable safety record. The Mars are maintained to the highest standards and undergo intensive repair and overhaul each year. The people who maintain them also fly in them - added incentive to do their work well!

The most frequently asked question regarding the Mars is "How do they pick up their water?". This part of the flying operation is, perhaps, the most demanding in terms of teamwork among the crew. The Captain executes a normal landing, keeps the the aircraft "on the step" and allows the speed to decrease to 70 knots. He then passes engine power to the Flight Engineer and selects the scoops to the "down" position. The ram pressure for injecting the water into the tanks is such that the aircraft is taking on water at a rate in excess of a ton per second. To account for this added weight, the Flight Engineer must advance the throttles to maintain a skimming speed of 60-70 knots to ensure the aircraft remains on the step. Pickup time is, on average, 25 seconds. When the tanks are full, the Captain will have the scoops raised, call for takeoff power from the Flight Engineer and carry out a normal loaded takeoff.

Once airborne, the foam concentrate is injected into the water load (normally, 30 US gallons of concentrate into the 7,200 US gallon water load) where it is dispersed and remains inert until the load is dropped. Once dropped, the tumbling action causes expansion which converts the water load into a foam load. This process is repeated for each drop. In other words, this vital team work is carried out, on average, every 15 minutes per aircraft. For a Gel drop , the concentrate is injected during the scooping process to allow even mixing.

Throughout history, female nudes have been used in cemetery/memorial art. For a deeper examination, visit northstargallery.com/pages/Sensualilty.htm

Many images in this set were taken inside Forest Lawn Memorial Park's (California, USA) Great Mausoleum.

The general public is not allowed to enjoy these and many other works of art in the Great Mausoleum. Entry is granted only to those able to afford the high price of admission and their living family members.

Why?

I turned the door handle of the Great Mausoleum at Forest Lawn in Glendale, California, USA and as the heavy door opened, I entered another world.

The massive, cathedral-like structure houses not only the remains of thousands able to afford the lofty ticket price for admission, it houses beautiful works of art. Sculptures, stained glass windows and ceilings, elegant marble throughout and massive architecture...all are off limits to the general public.

I didn't know at the time I turned that door knob, that Forest Lawn is consumed about keeping this structure and its contents strictly away from public view. I was simply a guy trying to take photos I like who quickly realized the challenges posed in this setting. I was simply on quest that began at the cemetery where my Mom and brother were buried almost twenty years ago.

One can attend a viewing of a stained glass window, The Last Supper, but, I've since returned (hoping to share with my family the splendor within) asking to enter the mausoleum. We were turned away. Forest Lawn's policy strictly prohibits entry to the general public.

Why? One would think that Forest Lawn (and its founder Mr. Eaton and its longtime and current President and CEO, John Llewellyn, would want to share with the wider world, the beauty contained within given the frequent ugliness which hits us in daily life...providing a form of comfort which is their business.

Forest Lawn loves attention but only on their terms. It thrives being known as the Disneyland of death services (and I mean that in the most respectful way ...after all, Walt Disney himself chose Forest Lawn) and hundreds of the famous and infamous call Forest Lawn home.

It is obvious Forest Lawn takes its mission seriously and provides a needed service exhibiting the highest levels of excellence from its impeccable grounds, to fine facilities and attentive staff.

Forest Lawn's theatrical stagings for adults and school children, its public art, museum and grounds filled with celebrities and movers and shakers, convey a seemingly mixed message when it comes to excluding the public from the massive amounts of great art held within the Great Mausoleum.

Why the exclusion? Staffing its maze of halls isn't a concern; staff members are everywhere throughout the park. Security? Sure it's in a bad neighborhood. But, as I wandered unknowingly in this remarkable place from which I was supposed to be excluded, I never saw graffiti...even in the restroom.

In fact, I never saw another soul (sorry, no pun intended). And, that, to me, is sad.

As I wandered, I was challenged by low light, by my impulse to rush my hand held shots since I had a vague gut feeling I was alone, but not; that someone was about to find me taking photos in a place where I was the forbidden invader...the only one...alive...appreciating fine art. Certainly, those entombed can not enjoy it.

Mr. Llewellyn, please open the doors to the Great Mausoleum for the public and the profound and positive impact its will have on us.

Mr. Llewellyn, I extend this offer:

if you have looked at my photos and they have spoken to you, please contact me. I will offer my photographic services to Forest Lawn to use in ways upon which we can agree.

The possibilities are limitless:

I can photographically catalog all of Forest Lawn's art at all its properties; the images could be published in many forms...books, dvd sets, and more; guided tours; respectful events built around the art and the images; museum exhibits.

Again, the possibilities are limitless and all can be accomplished in good taste equal to your mission statement and still be respectful of your residents and their families and, serve to educate and benefit the larger public.

Thank you,

Casual Clicks

A BIT OF BACKGROUND:

Many years ago after burying my mother and brother within days of the other, I was wandering their cemetery pondering and was intrigued by the statues I saw.

I was taken by the artist's talent in being able to capture the female form (since that was all the cemetery had). The sculptor's manipulation of the viewer's perceptions...cloth and how it draped, creating muscle tone, emotions displayed in facial expressions, all created from stone, piqued my interest.

I began an informal quest to research and find as many sculptures and to photograph them which overwhelmingly depicted the female nude (or partially so) in the cemetery/memorial setting.

As my cemetery visits grew, I began to realize that many of the sculptures seemingly evoked a sensuality in this form of memorial art.

Here, then, is my photos...a project in evolution...the female form as portrayed in an often sensual manner in memorial art.

The San Gabriel Mountains got a nice coating of snow with the last storm.

Throughout history, female nudes have been used in cemetery/memorial art. For a deeper examination, visit northstargallery.com/pages/Sensualilty.htm

Many images in this set were taken inside Forest Lawn Memorial Park's (California, USA) Great Mausoleum.

The general public is not allowed to enjoy these and many other works of art in the Great Mausoleum. Entry is granted only to those able to afford the high price of admission and their living family members.

Why?

I turned the door handle of the Great Mausoleum at Forest Lawn in Glendale, California, USA and as the heavy door opened, I entered another world.

The massive, cathedral-like structure houses not only the remains of thousands able to afford the lofty ticket price for admission, it houses beautiful works of art. Sculptures, stained glass windows and ceilings, elegant marble throughout and massive architecture...all are off limits to the general public.

I didn't know at the time I turned that door knob, that Forest Lawn is consumed about keeping this structure and its contents strictly away from public view. I was simply a guy trying to take photos I like who quickly realized the challenges posed in this setting. I was simply on quest that began at the cemetery where my Mom and brother were buried almost twenty years ago.

One can attend a viewing of a stained glass window, The Last Supper, but, I've since returned (hoping to share with my family the splendor within) asking to enter the mausoleum. We were turned away. Forest Lawn's policy strictly prohibits entry to the general public.

Why? One would think that Forest Lawn (and its founder Mr. Eaton and its longtime and current President and CEO, John Llewellyn, would want to share with the wider world, the beauty contained within given the frequent ugliness which hits us in daily life...providing a form of comfort which is their business.

Forest Lawn loves attention but only on their terms. It thrives being known as the Disneyland of death services (and I mean that in the most respectful way ...after all, Walt Disney himself chose Forest Lawn) and hundreds of the famous and infamous call Forest Lawn home.

It is obvious Forest Lawn takes its mission seriously and provides a needed service exhibiting the highest levels of excellence from its impeccable grounds, to fine facilities and attentive staff.

Forest Lawn's theatrical stagings for adults and school children, its public art, museum and grounds filled with celebrities and movers and shakers, convey a seemingly mixed message when it comes to excluding the public from the massive amounts of great art held within the Great Mausoleum.

Why the exclusion? Staffing its maze of halls isn't a concern; staff members are everywhere throughout the park. Security? Sure it's in a bad neighborhood. But, as I wandered unknowingly in this remarkable place from which I was supposed to be excluded, I never saw graffiti...even in the restroom.

In fact, I never saw another soul (sorry, no pun intended). And, that, to me, is sad.

As I wandered, I was challenged by low light, by my impulse to rush my hand held shots since I had a vague gut feeling I was alone, but not; that someone was about to find me taking photos in a place where I was the forbidden invader...the only one...alive...appreciating fine art. Certainly, those entombed can not enjoy it.

Mr. Llewellyn, please open the doors to the Great Mausoleum for the public and the profound and positive impact its will have on us.

Mr. Llewellyn, I extend this offer:

if you have looked at my photos and they have spoken to you, please contact me. I will offer my photographic services to Forest Lawn to use in ways upon which we can agree.

The possibilities are limitless:

I can photographically catalog all of Forest Lawn's art at all its properties; the images could be published in many forms...books, dvd sets, and more; guided tours; respectful events built around the art and the images; museum exhibits.

Again, the possibilities are limitless and all can be accomplished in good taste equal to your mission statement and still be respectful of your residents and their families and, serve to educate and benefit the larger public.

Thank you,

Casual Clicks

A BIT OF BACKGROUND:

Many years ago after burying my mother and brother within days of the other, I was wandering their cemetery pondering and was intrigued by the statues I saw.

I was taken by the artist's talent in being able to capture the female form (since that was all the cemetery had). The sculptor's manipulation of the viewer's perceptions...cloth and how it draped, creating muscle tone, emotions displayed in facial expressions, all created from stone, piqued my interest.

I began an informal quest to research and find as many sculptures and to photograph them which overwhelmingly depicted the female nude (or partially so) in the cemetery/memorial setting.

As my cemetery visits grew, I began to realize that many of the sculptures seemingly evoked a sensuality in this form of memorial art.

Here, then, is my photos...a project in evolution...the female form as portrayed in an often sensual manner in memorial art.

A couple of young teen girl beauty queens were bored and were sitting out the show in the hanger. I guess most people would have shot their pretty faces. I liked the lines of her ankle and and the neutral colors of the floor, denim and ankle/foot.

A couple of young teen girl beauty queens were bored and were sitting out the show in the hanger. I guess most people would have shot their pretty faces. I liked the lines of their ankles and toes touching and the neutral colors of the floor, denim and ankle/foot.

Clearwell Caves

Back to the Caves, Clearwell Caves, Forest of Dean

Hair themed art on wall.

Manhattan Beach Pier - Christmas morning light, 2006. Look closely and you can see the Christmas tree light strings on the roundhouse and strings between the light poles. Manhattan Beach, California, USA - post processed to achieve a Maxfield Parrish feel.

Brought to the front on request.

Close-up of a mermaid. I've read that some folks view these mermaids with the squirting teats as erotic.

Throughout history, female nudes have been used in cemetery/memorial art. For a deeper examination, visit northstargallery.com/pages/Sensualilty.htm

Many images in this set were taken inside Forest Lawn Memorial Park's (California, USA) Great Mausoleum.

The general public is not allowed to enjoy these and many other works of art in the Great Mausoleum. Entry is granted only to those able to afford the high price of admission and their living family members.

Why?

I turned the door handle of the Great Mausoleum at Forest Lawn in Glendale, California, USA and as the heavy door opened, I entered another world.

The massive, cathedral-like structure houses not only the remains of thousands able to afford the lofty ticket price for admission, it houses beautiful works of art. Sculptures, stained glass windows and ceilings, elegant marble throughout and massive architecture...all are off limits to the general public.

I didn't know at the time I turned that door knob, that Forest Lawn is consumed about keeping this structure and its contents strictly away from public view. I was simply a guy trying to take photos I like who quickly realized the challenges posed in this setting. I was simply on quest that began at the cemetery where my Mom and brother were buried almost twenty years ago.

One can attend a viewing of a stained glass window, The Last Supper, but, I've since returned (hoping to share with my family the splendor within) asking to enter the mausoleum. We were turned away. Forest Lawn's policy strictly prohibits entry to the general public.

Why? One would think that Forest Lawn (and its founder Mr. Eaton and its longtime and current President and CEO, John Llewellyn, would want to share with the wider world, the beauty contained within given the frequent ugliness which hits us in daily life...providing a form of comfort which is their business.

Forest Lawn loves attention but only on their terms. It thrives being known as the Disneyland of death services (and I mean that in the most respectful way ...after all, Walt Disney himself chose Forest Lawn) and hundreds of the famous and infamous call Forest Lawn home.

It is obvious Forest Lawn takes its mission seriously and provides a needed service exhibiting the highest levels of excellence from its impeccable grounds, to fine facilities and attentive staff.

Forest Lawn's theatrical stagings for adults and school children, its public art, museum and grounds filled with celebrities and movers and shakers, convey a seemingly mixed message when it comes to excluding the public from the massive amounts of great art held within the Great Mausoleum.

Why the exclusion? Staffing its maze of halls isn't a concern; staff members are everywhere throughout the park. Security? Sure it's in a bad neighborhood. But, as I wandered unknowingly in this remarkable place from which I was supposed to be excluded, I never saw graffiti...even in the restroom.

In fact, I never saw another soul (sorry, no pun intended). And, that, to me, is sad.

As I wandered, I was challenged by low light, by my impulse to rush my hand held shots since I had a vague gut feeling I was alone, but not; that someone was about to find me taking photos in a place where I was the forbidden invader...the only one...alive...appreciating fine art. Certainly, those entombed can not enjoy it.

Mr. Llewellyn, please open the doors to the Great Mausoleum for the public and the profound and positive impact its will have on us.

Mr. Llewellyn, I extend this offer:

if you have looked at my photos and they have spoken to you, please contact me. I will offer my photographic services to Forest Lawn to use in ways upon which we can agree.

The possibilities are limitless:

I can photographically catalog all of Forest Lawn's art at all its properties; the images could be published in many forms...books, dvd sets, and more; guided tours; respectful events built around the art and the images; museum exhibits.

Again, the possibilities are limitless and all can be accomplished in good taste equal to your mission statement and still be respectful of your residents and their families and, serve to educate and benefit the larger public.

Thank you,

Casual Clicks

A BIT OF BACKGROUND:

Many years ago after burying my mother and brother within days of the other, I was wandering their cemetery pondering and was intrigued by the statues I saw.

I was taken by the artist's talent in being able to capture the female form (since that was all the cemetery had). The sculptor's manipulation of the viewer's perceptions...cloth and how it draped, creating muscle tone, emotions displayed in facial expressions, all created from stone, piqued my interest.

I began an informal quest to research and find as many sculptures and to photograph them which overwhelmingly depicted the female nude (or partially so) in the cemetery/memorial setting.

As my cemetery visits grew, I began to realize that many of the sculptures seemingly evoked a sensuality in this form of memorial art.

Here, then, is my photos...a project in evolution...the female form as portrayed in an often sensual manner in memorial art.

Throughout history, female nudes have been used in cemetery/memorial art. For a deeper examination, visit northstargallery.com/pages/Sensualilty.htm

Many images in this set were taken inside Forest Lawn Memorial Park's (California, USA) Great Mausoleum.

The general public is not allowed to enjoy these and many other works of art in the Great Mausoleum. Entry is granted only to those able to afford the high price of admission and their living family members.

Why?

I turned the door handle of the Great Mausoleum at Forest Lawn in Glendale, California, USA and as the heavy door opened, I entered another world.

The massive, cathedral-like structure houses not only the remains of thousands able to afford the lofty ticket price for admission, it houses beautiful works of art. Sculptures, stained glass windows and ceilings, elegant marble throughout and massive architecture...all are off limits to the general public.

I didn't know at the time I turned that door knob, that Forest Lawn is consumed about keeping this structure and its contents strictly away from public view. I was simply a guy trying to take photos I like who quickly realized the challenges posed in this setting. I was simply on quest that began at the cemetery where my Mom and brother were buried almost twenty years ago.

One can attend a viewing of a stained glass window, The Last Supper, but, I've since returned (hoping to share with my family the splendor within) asking to enter the mausoleum. We were turned away. Forest Lawn's policy strictly prohibits entry to the general public.

Why? One would think that Forest Lawn (and its founder Mr. Eaton and its longtime and current President and CEO, John Llewellyn, would want to share with the wider world, the beauty contained within given the frequent ugliness which hits us in daily life...providing a form of comfort which is their business.

Forest Lawn loves attention but only on their terms. It thrives being known as the Disneyland of death services (and I mean that in the most respectful way ...after all, Walt Disney himself chose Forest Lawn) and hundreds of the famous and infamous call Forest Lawn home.

It is obvious Forest Lawn takes its mission seriously and provides a needed service exhibiting the highest levels of excellence from its impeccable grounds, to fine facilities and attentive staff.

Forest Lawn's theatrical stagings for adults and school children, its public art, museum and grounds filled with celebrities and movers and shakers, convey a seemingly mixed message when it comes to excluding the public from the massive amounts of great art held within the Great Mausoleum.

Why the exclusion? Staffing its maze of halls isn't a concern; staff members are everywhere throughout the park. Security? Sure it's in a bad neighborhood. But, as I wandered unknowingly in this remarkable place from which I was supposed to be excluded, I never saw graffiti...even in the restroom.

In fact, I never saw another soul (sorry, no pun intended). And, that, to me, is sad.

As I wandered, I was challenged by low light, by my impulse to rush my hand held shots since I had a vague gut feeling I was alone, but not; that someone was about to find me taking photos in a place where I was the forbidden invader...the only one...alive...appreciating fine art. Certainly, those entombed can not enjoy it.

Mr. Llewellyn, please open the doors to the Great Mausoleum for the public and the profound and positive impact its will have on us.

Mr. Llewellyn, I extend this offer:

if you have looked at my photos and they have spoken to you, please contact me. I will offer my photographic services to Forest Lawn to use in ways upon which we can agree.

The possibilities are limitless:

I can photographically catalog all of Forest Lawn's art at all its properties; the images could be published in many forms...books, dvd sets, and more; guided tours; respectful events built around the art and the images; museum exhibits.

Again, the possibilities are limitless and all can be accomplished in good taste equal to your mission statement and still be respectful of your residents and their families and, serve to educate and benefit the larger public.

Thank you,

Casual Clicks

A BIT OF BACKGROUND:

Many years ago after burying my mother and brother within days of the other, I was wandering their cemetery pondering and was intrigued by the statues I saw.

I was taken by the artist's talent in being able to capture the female form (since that was all the cemetery had). The sculptor's manipulation of the viewer's perceptions...cloth and how it draped, creating muscle tone, emotions displayed in facial expressions, all created from stone, piqued my interest.

I began an informal quest to research and find as many sculptures and to photograph them which overwhelmingly depicted the female nude (or partially so) in the cemetery/memorial setting.

As my cemetery visits grew, I began to realize that many of the sculptures seemingly evoked a sensuality in this form of memorial art.

Here, then, is my photos...a project in evolution...the female form as portrayed in an often sensual manner in memorial art.

Stopped into Dodger Stadium since parking and admission were free and there were no crowds.

This shot shows how far my little camera with the big zoom did with the Dodger Stadium Club which is 715 feet away. It is the past the yellow foul pole just under the greenish seats.

Panasonic Lumix FZ20- 12X optical Zoom with 4X Digi zoom...this was shot at the total 48X for fun.

Throughout history, female nudes have been used in cemetery/memorial art. For a deeper examination, visit northstargallery.com/pages/Sensualilty.htm

Many images in this set were taken inside Forest Lawn Memorial Park's (California, USA) Great Mausoleum.

The general public is not allowed to enjoy these and many other works of art in the Great Mausoleum. Entry is granted only to those able to afford the high price of admission and their living family members.

Why?

I turned the door handle of the Great Mausoleum at Forest Lawn in Glendale, California, USA and as the heavy door opened, I entered another world.

The massive, cathedral-like structure houses not only the remains of thousands able to afford the lofty ticket price for admission, it houses beautiful works of art. Sculptures, stained glass windows and ceilings, elegant marble throughout and massive architecture...all are off limits to the general public.

I didn't know at the time I turned that door knob, that Forest Lawn is consumed about keeping this structure and its contents strictly away from public view. I was simply a guy trying to take photos I like who quickly realized the challenges posed in this setting. I was simply on quest that began at the cemetery where my Mom and brother were buried almost twenty years ago.

One can attend a viewing of a stained glass window, The Last Supper, but, I've since returned (hoping to share with my family the splendor within) asking to enter the mausoleum. We were turned away. Forest Lawn's policy strictly prohibits entry to the general public.

Why? One would think that Forest Lawn (and its founder Mr. Eaton and its longtime and current President and CEO, John Llewellyn, would want to share with the wider world, the beauty contained within given the frequent ugliness which hits us in daily life...providing a form of comfort which is their business.

Forest Lawn loves attention but only on their terms. It thrives being known as the Disneyland of death services (and I mean that in the most respectful way ...after all, Walt Disney himself chose Forest Lawn) and hundreds of the famous and infamous call Forest Lawn home.

It is obvious Forest Lawn takes its mission seriously and provides a needed service exhibiting the highest levels of excellence from its impeccable grounds, to fine facilities and attentive staff.

Forest Lawn's theatrical stagings for adults and school children, its public art, museum and grounds filled with celebrities and movers and shakers, convey a seemingly mixed message when it comes to excluding the public from the massive amounts of great art held within the Great Mausoleum.

Why the exclusion? Staffing its maze of halls isn't a concern; staff members are everywhere throughout the park. Security? Sure it's in a bad neighborhood. But, as I wandered unknowingly in this remarkable place from which I was supposed to be excluded, I never saw graffiti...even in the restroom.

In fact, I never saw another soul (sorry, no pun intended). And, that, to me, is sad.

As I wandered, I was challenged by low light, by my impulse to rush my hand held shots since I had a vague gut feeling I was alone, but not; that someone was about to find me taking photos in a place where I was the forbidden invader...the only one...alive...appreciating fine art. Certainly, those entombed can not enjoy it.

Mr. Llewellyn, please open the doors to the Great Mausoleum for the public and the profound and positive impact its will have on us.

Mr. Llewellyn, I extend this offer:

if you have looked at my photos and they have spoken to you, please contact me. I will offer my photographic services to Forest Lawn to use in ways upon which we can agree.

The possibilities are limitless:

I can photographically catalog all of Forest Lawn's art at all its properties; the images could be published in many forms...books, dvd sets, and more; guided tours; respectful events built around the art and the images; museum exhibits.

Again, the possibilities are limitless and all can be accomplished in good taste equal to your mission statement and still be respectful of your residents and their families and, serve to educate and benefit the larger public.

Thank you,

Casual Clicks

A BIT OF BACKGROUND:

Many years ago after burying my mother and brother within days of the other, I was wandering their cemetery pondering and was intrigued by the statues I saw.

I was taken by the artist's talent in being able to capture the female form (since that was all the cemetery had). The sculptor's manipulation of the viewer's perceptions...cloth and how it draped, creating muscle tone, emotions displayed in facial expressions, all created from stone, piqued my interest.

I began an informal quest to research and find as many sculptures and to photograph them which overwhelmingly depicted the female nude (or partially so) in the cemetery/memorial setting.

As my cemetery visits grew, I began to realize that many of the sculptures seemingly evoked a sensuality in this form of memorial art.

Here, then, is my photos...a project in evolution...the female form as portrayed in an often sensual manner in memorial art.

Throughout history, female nudes have been used in cemetery/memorial art. For a deeper examination, visit northstargallery.com/pages/Sensualilty.htm

Many images in this set were taken inside Forest Lawn Memorial Park's (California, USA) Great Mausoleum.

The general public is not allowed to enjoy these and many other works of art in the Great Mausoleum. Entry is granted only to those able to afford the high price of admission and their living family members.

Why?

I turned the door handle of the Great Mausoleum at Forest Lawn in Glendale, California, USA and as the heavy door opened, I entered another world.

The massive, cathedral-like structure houses not only the remains of thousands able to afford the lofty ticket price for admission, it houses beautiful works of art. Sculptures, stained glass windows and ceilings, elegant marble throughout and massive architecture...all are off limits to the general public.

I didn't know at the time I turned that door knob, that Forest Lawn is consumed about keeping this structure and its contents strictly away from public view. I was simply a guy trying to take photos I like who quickly realized the challenges posed in this setting. I was simply on quest that began at the cemetery where my Mom and brother were buried almost twenty years ago.

One can attend a viewing of a stained glass window, The Last Supper, but, I've since returned (hoping to share with my family the splendor within) asking to enter the mausoleum. We were turned away. Forest Lawn's policy strictly prohibits entry to the general public.

Why? One would think that Forest Lawn (and its founder Mr. Eaton and its longtime and current President and CEO, John Llewellyn, would want to share with the wider world, the beauty contained within given the frequent ugliness which hits us in daily life...providing a form of comfort which is their business.

Forest Lawn loves attention but only on their terms. It thrives being known as the Disneyland of death services (and I mean that in the most respectful way ...after all, Walt Disney himself chose Forest Lawn) and hundreds of the famous and infamous call Forest Lawn home.

It is obvious Forest Lawn takes its mission seriously and provides a needed service exhibiting the highest levels of excellence from its impeccable grounds, to fine facilities and attentive staff.

Forest Lawn's theatrical stagings for adults and school children, its public art, museum and grounds filled with celebrities and movers and shakers, convey a seemingly mixed message when it comes to excluding the public from the massive amounts of great art held within the Great Mausoleum.

Why the exclusion? Staffing its maze of halls isn't a concern; staff members are everywhere throughout the park. Security? Sure it's in a bad neighborhood. But, as I wandered unknowingly in this remarkable place from which I was supposed to be excluded, I never saw graffiti...even in the restroom.

In fact, I never saw another soul (sorry, no pun intended). And, that, to me, is sad.

As I wandered, I was challenged by low light, by my impulse to rush my hand held shots since I had a vague gut feeling I was alone, but not; that someone was about to find me taking photos in a place where I was the forbidden invader...the only one...alive...appreciating fine art. Certainly, those entombed can not enjoy it.

Mr. Llewellyn, please open the doors to the Great Mausoleum for the public and the profound and positive impact its will have on us.

Mr. Llewellyn, I extend this offer:

if you have looked at my photos and they have spoken to you, please contact me. I will offer my photographic services to Forest Lawn to use in ways upon which we can agree.

The possibilities are limitless:

I can photographically catalog all of Forest Lawn's art at all its properties; the images could be published in many forms...books, dvd sets, and more; guided tours; respectful events built around the art and the images; museum exhibits.

Again, the possibilities are limitless and all can be accomplished in good taste equal to your mission statement and still be respectful of your residents and their families and, serve to educate and benefit the larger public.

Thank you,

Casual Clicks

A BIT OF BACKGROUND:

Many years ago after burying my mother and brother within days of the other, I was wandering their cemetery pondering and was intrigued by the statues I saw.

I was taken by the artist's talent in being able to capture the female form (since that was all the cemetery had). The sculptor's manipulation of the viewer's perceptions...cloth and how it draped, creating muscle tone, emotions displayed in facial expressions, all created from stone, piqued my interest.

I began an informal quest to research and find as many sculptures and to photograph them which overwhelmingly depicted the female nude (or partially so) in the cemetery/memorial setting.

As my cemetery visits grew, I began to realize that many of the sculptures seemingly evoked a sensuality in this form of memorial art.

Here, then, is my photos...a project in evolution...the female form as portrayed in an often sensual manner in memorial art.

Throughout history, female nudes have been used in cemetery/memorial art. For a deeper examination, visit northstargallery.com/pages/Sensualilty.htm

Many images in this set were taken inside Forest Lawn Memorial Park's (California, USA) Great Mausoleum.

The general public is not allowed to enjoy these and many other works of art in the Great Mausoleum. Entry is granted only to those able to afford the high price of admission and their living family members.

Why?

I turned the door handle of the Great Mausoleum at Forest Lawn in Glendale, California, USA and as the heavy door opened, I entered another world.

The massive, cathedral-like structure houses not only the remains of thousands able to afford the lofty ticket price for admission, it houses beautiful works of art. Sculptures, stained glass windows and ceilings, elegant marble throughout and massive architecture...all are off limits to the general public.

I didn't know at the time I turned that door knob, that Forest Lawn is consumed about keeping this structure and its contents strictly away from public view. I was simply a guy trying to take photos I like who quickly realized the challenges posed in this setting. I was simply on quest that began at the cemetery where my Mom and brother were buried almost twenty years ago.

One can attend a viewing of a stained glass window, The Last Supper, but, I've since returned (hoping to share with my family the splendor within) asking to enter the mausoleum. We were turned away. Forest Lawn's policy strictly prohibits entry to the general public.

Why? One would think that Forest Lawn (and its founder Mr. Eaton and its longtime and current President and CEO, John Llewellyn, would want to share with the wider world, the beauty contained within given the frequent ugliness which hits us in daily life...providing a form of comfort which is their business.

Forest Lawn loves attention but only on their terms. It thrives being known as the Disneyland of death services (and I mean that in the most respectful way ...after all, Walt Disney himself chose Forest Lawn) and hundreds of the famous and infamous call Forest Lawn home.

It is obvious Forest Lawn takes its mission seriously and provides a needed service exhibiting the highest levels of excellence from its impeccable grounds, to fine facilities and attentive staff.

Forest Lawn's theatrical stagings for adults and school children, its public art, museum and grounds filled with celebrities and movers and shakers, convey a seemingly mixed message when it comes to excluding the public from the massive amounts of great art held within the Great Mausoleum.

Why the exclusion? Staffing its maze of halls isn't a concern; staff members are everywhere throughout the park. Security? Sure it's in a bad neighborhood. But, as I wandered unknowingly in this remarkable place from which I was supposed to be excluded, I never saw graffiti...even in the restroom.

In fact, I never saw another soul (sorry, no pun intended). And, that, to me, is sad.

As I wandered, I was challenged by low light, by my impulse to rush my hand held shots since I had a vague gut feeling I was alone, but not; that someone was about to find me taking photos in a place where I was the forbidden invader...the only one...alive...appreciating fine art. Certainly, those entombed can not enjoy it.

Mr. Llewellyn, please open the doors to the Great Mausoleum for the public and the profound and positive impact its will have on us.

Mr. Llewellyn, I extend this offer:

if you have looked at my photos and they have spoken to you, please contact me. I will offer my photographic services to Forest Lawn to use in ways upon which we can agree.

The possibilities are limitless:

I can photographically catalog all of Forest Lawn's art at all its properties; the images could be published in many forms...books, dvd sets, and more; guided tours; respectful events built around the art and the images; museum exhibits.

Again, the possibilities are limitless and all can be accomplished in good taste equal to your mission statement and still be respectful of your residents and their families and, serve to educate and benefit the larger public.

Thank you,

Casual Clicks

A BIT OF BACKGROUND:

Many years ago after burying my mother and brother within days of the other, I was wandering their cemetery pondering and was intrigued by the statues I saw.

I was taken by the artist's talent in being able to capture the female form (since that was all the cemetery had). The sculptor's manipulation of the viewer's perceptions...cloth and how it draped, creating muscle tone, emotions displayed in facial expressions, all created from stone, piqued my interest.

I began an informal quest to research and find as many sculptures and to photograph them which overwhelmingly depicted the female nude (or partially so) in the cemetery/memorial setting.

As my cemetery visits grew, I began to realize that many of the sculptures seemingly evoked a sensuality in this form of memorial art.

Here, then, is my photos...a project in evolution...the female form as portrayed in an often sensual manner in memorial art.

Throughout history, female nudes have been used in cemetery/memorial art. For a deeper examination, visit northstargallery.com/pages/Sensualilty.htm

Many images in this set were taken inside Forest Lawn Memorial Park's (California, USA) Great Mausoleum.

The general public is not allowed to enjoy these and many other works of art in the Great Mausoleum. Entry is granted only to those able to afford the high price of admission and their living family members.

Why?

I turned the door handle of the Great Mausoleum at Forest Lawn in Glendale, California, USA and as the heavy door opened, I entered another world.

The massive, cathedral-like structure houses not only the remains of thousands able to afford the lofty ticket price for admission, it houses beautiful works of art. Sculptures, stained glass windows and ceilings, elegant marble throughout and massive architecture...all are off limits to the general public.

I didn't know at the time I turned that door knob, that Forest Lawn is consumed about keeping this structure and its contents strictly away from public view. I was simply a guy trying to take photos I like who quickly realized the challenges posed in this setting. I was simply on quest that began at the cemetery where my Mom and brother were buried almost twenty years ago.

One can attend a viewing of a stained glass window, The Last Supper, but, I've since returned (hoping to share with my family the splendor within) asking to enter the mausoleum. We were turned away. Forest Lawn's policy strictly prohibits entry to the general public.

Why? One would think that Forest Lawn (and its founder Mr. Eaton and its longtime and current President and CEO, John Llewellyn, would want to share with the wider world, the beauty contained within given the frequent ugliness which hits us in daily life...providing a form of comfort which is their business.

Forest Lawn loves attention but only on their terms. It thrives being known as the Disneyland of death services (and I mean that in the most respectful way ...after all, Walt Disney himself chose Forest Lawn) and hundreds of the famous and infamous call Forest Lawn home.

It is obvious Forest Lawn takes its mission seriously and provides a needed service exhibiting the highest levels of excellence from its impeccable grounds, to fine facilities and attentive staff.

Forest Lawn's theatrical stagings for adults and school children, its public art, museum and grounds filled with celebrities and movers and shakers, convey a seemingly mixed message when it comes to excluding the public from the massive amounts of great art held within the Great Mausoleum.

Why the exclusion? Staffing its maze of halls isn't a concern; staff members are everywhere throughout the park. Security? Sure it's in a bad neighborhood. But, as I wandered unknowingly in this remarkable place from which I was supposed to be excluded, I never saw graffiti...even in the restroom.

In fact, I never saw another soul (sorry, no pun intended). And, that, to me, is sad.

As I wandered, I was challenged by low light, by my impulse to rush my hand held shots since I had a vague gut feeling I was alone, but not; that someone was about to find me taking photos in a place where I was the forbidden invader...the only one...alive...appreciating fine art. Certainly, those entombed can not enjoy it.

Mr. Llewellyn, please open the doors to the Great Mausoleum for the public and the profound and positive impact its will have on us.

Mr. Llewellyn, I extend this offer:

if you have looked at my photos and they have spoken to you, please contact me. I will offer my photographic services to Forest Lawn to use in ways upon which we can agree.

The possibilities are limitless:

I can photographically catalog all of Forest Lawn's art at all its properties; the images could be published in many forms...books, dvd sets, and more; guided tours; respectful events built around the art and the images; museum exhibits.

Again, the possibilities are limitless and all can be accomplished in good taste equal to your mission statement and still be respectful of your residents and their families and, serve to educate and benefit the larger public.

Thank you,

Casual Clicks

A BIT OF BACKGROUND:

Many years ago after burying my mother and brother within days of the other, I was wandering their cemetery pondering and was intrigued by the statues I saw.

I was taken by the artist's talent in being able to capture the female form (since that was all the cemetery had). The sculptor's manipulation of the viewer's perceptions...cloth and how it draped, creating muscle tone, emotions displayed in facial expressions, all created from stone, piqued my interest.

I began an informal quest to research and find as many sculptures and to photograph them which overwhelmingly depicted the female nude (or partially so) in the cemetery/memorial setting.

As my cemetery visits grew, I began to realize that many of the sculptures seemingly evoked a sensuality in this form of memorial art.

Here, then, is my photos...a project in evolution...the female form as portrayed in an often sensual manner in memorial art.

Throughout history, female nudes have been used in cemetery/memorial art. For a deeper examination, visit northstargallery.com/pages/Sensualilty.htm

Many images in this set were taken inside Forest Lawn Memorial Park's (California, USA) Great Mausoleum.

The general public is not allowed to enjoy these and many other works of art in the Great Mausoleum. Entry is granted only to those able to afford the high price of admission and their living family members.

Why?

I turned the door handle of the Great Mausoleum at Forest Lawn in Glendale, California, USA and as the heavy door opened, I entered another world.

The massive, cathedral-like structure houses not only the remains of thousands able to afford the lofty ticket price for admission, it houses beautiful works of art. Sculptures, stained glass windows and ceilings, elegant marble throughout and massive architecture...all are off limits to the general public.

I didn't know at the time I turned that door knob, that Forest Lawn is consumed about keeping this structure and its contents strictly away from public view. I was simply a guy trying to take photos I like who quickly realized the challenges posed in this setting. I was simply on quest that began at the cemetery where my Mom and brother were buried almost twenty years ago.

One can attend a viewing of a stained glass window, The Last Supper, but, I've since returned (hoping to share with my family the splendor within) asking to enter the mausoleum. We were turned away. Forest Lawn's policy strictly prohibits entry to the general public.

Why? One would think that Forest Lawn (and its founder Mr. Eaton and its longtime and current President and CEO, John Llewellyn, would want to share with the wider world, the beauty contained within given the frequent ugliness which hits us in daily life...providing a form of comfort which is their business.

Forest Lawn loves attention but only on their terms. It thrives being known as the Disneyland of death services (and I mean that in the most respectful way ...after all, Walt Disney himself chose Forest Lawn) and hundreds of the famous and infamous call Forest Lawn home.

It is obvious Forest Lawn takes its mission seriously and provides a needed service exhibiting the highest levels of excellence from its impeccable grounds, to fine facilities and attentive staff.

Forest Lawn's theatrical stagings for adults and school children, its public art, museum and grounds filled with celebrities and movers and shakers, convey a seemingly mixed message when it comes to excluding the public from the massive amounts of great art held within the Great Mausoleum.

Why the exclusion? Staffing its maze of halls isn't a concern; staff members are everywhere throughout the park. Security? Sure it's in a bad neighborhood. But, as I wandered unknowingly in this remarkable place from which I was supposed to be excluded, I never saw graffiti...even in the restroom.

In fact, I never saw another soul (sorry, no pun intended). And, that, to me, is sad.

As I wandered, I was challenged by low light, by my impulse to rush my hand held shots since I had a vague gut feeling I was alone, but not; that someone was about to find me taking photos in a place where I was the forbidden invader...the only one...alive...appreciating fine art. Certainly, those entombed can not enjoy it.

Mr. Llewellyn, please open the doors to the Great Mausoleum for the public and the profound and positive impact its will have on us.

Mr. Llewellyn, I extend this offer:

if you have looked at my photos and they have spoken to you, please contact me. I will offer my photographic services to Forest Lawn to use in ways upon which we can agree.

The possibilities are limitless:

I can photographically catalog all of Forest Lawn's art at all its properties; the images could be published in many forms...books, dvd sets, and more; guided tours; respectful events built around the art and the images; museum exhibits.

Again, the possibilities are limitless and all can be accomplished in good taste equal to your mission statement and still be respectful of your residents and their families and, serve to educate and benefit the larger public.

Thank you,

Casual Clicks

A BIT OF BACKGROUND:

Many years ago after burying my mother and brother within days of the other, I was wandering their cemetery pondering and was intrigued by the statues I saw.

I was taken by the artist's talent in being able to capture the female form (since that was all the cemetery had). The sculptor's manipulation of the viewer's perceptions...cloth and how it draped, creating muscle tone, emotions displayed in facial expressions, all created from stone, piqued my interest.

I began an informal quest to research and find as many sculptures and to photograph them which overwhelmingly depicted the female nude (or partially so) in the cemetery/memorial setting.

As my cemetery visits grew, I began to realize that many of the sculptures seemingly evoked a sensuality in this form of memorial art.

Here, then, is my photos...a project in evolution...the female form as portrayed in an often sensual manner in memorial art.

Throughout history, female nudes have been used in cemetery/memorial art. For a deeper examination, visit northstargallery.com/pages/Sensualilty.htm

Many images in this set were taken inside Forest Lawn Memorial Park's (California, USA) Great Mausoleum.

The general public is not allowed to enjoy these and many other works of art in the Great Mausoleum. Entry is granted only to those able to afford the high price of admission and their living family members.

Why?

I turned the door handle of the Great Mausoleum at Forest Lawn in Glendale, California, USA and as the heavy door opened, I entered another world.

The massive, cathedral-like structure houses not only the remains of thousands able to afford the lofty ticket price for admission, it houses beautiful works of art. Sculptures, stained glass windows and ceilings, elegant marble throughout and massive architecture...all are off limits to the general public.

I didn't know at the time I turned that door knob, that Forest Lawn is consumed about keeping this structure and its contents strictly away from public view. I was simply a guy trying to take photos I like who quickly realized the challenges posed in this setting. I was simply on quest that began at the cemetery where my Mom and brother were buried almost twenty years ago.

One can attend a viewing of a stained glass window, The Last Supper, but, I've since returned (hoping to share with my family the splendor within) asking to enter the mausoleum. We were turned away. Forest Lawn's policy strictly prohibits entry to the general public.

Why? One would think that Forest Lawn (and its founder Mr. Eaton and its longtime and current President and CEO, John Llewellyn, would want to share with the wider world, the beauty contained within given the frequent ugliness which hits us in daily life...providing a form of comfort which is their business.

Forest Lawn loves attention but only on their terms. It thrives being known as the Disneyland of death services (and I mean that in the most respectful way ...after all, Walt Disney himself chose Forest Lawn) and hundreds of the famous and infamous call Forest Lawn home.

It is obvious Forest Lawn takes its mission seriously and provides a needed service exhibiting the highest levels of excellence from its impeccable grounds, to fine facilities and attentive staff.

Forest Lawn's theatrical stagings for adults and school children, its public art, museum and grounds filled with celebrities and movers and shakers, convey a seemingly mixed message when it comes to excluding the public from the massive amounts of great art held within the Great Mausoleum.

Why the exclusion? Staffing its maze of halls isn't a concern; staff members are everywhere throughout the park. Security? Sure it's in a bad neighborhood. But, as I wandered unknowingly in this remarkable place from which I was supposed to be excluded, I never saw graffiti...even in the restroom.

In fact, I never saw another soul (sorry, no pun intended). And, that, to me, is sad.

As I wandered, I was challenged by low light, by my impulse to rush my hand held shots since I had a vague gut feeling I was alone, but not; that someone was about to find me taking photos in a place where I was the forbidden invader...the only one...alive...appreciating fine art. Certainly, those entombed can not enjoy it.

Mr. Llewellyn, please open the doors to the Great Mausoleum for the public and the profound and positive impact its will have on us.

Mr. Llewellyn, I extend this offer:

if you have looked at my photos and they have spoken to you, please contact me. I will offer my photographic services to Forest Lawn to use in ways upon which we can agree.

The possibilities are limitless:

I can photographically catalog all of Forest Lawn's art at all its properties; the images could be published in many forms...books, dvd sets, and more; guided tours; respectful events built around the art and the images; museum exhibits.

Again, the possibilities are limitless and all can be accomplished in good taste equal to your mission statement and still be respectful of your residents and their families and, serve to educate and benefit the larger public.

Thank you,

Casual Clicks

A BIT OF BACKGROUND:

Many years ago after burying my mother and brother within days of the other, I was wandering their cemetery pondering and was intrigued by the statues I saw.

I was taken by the artist's talent in being able to capture the female form (since that was all the cemetery had). The sculptor's manipulation of the viewer's perceptions...cloth and how it draped, creating muscle tone, emotions displayed in facial expressions, all created from stone, piqued my interest.

I began an informal quest to research and find as many sculptures and to photograph them which overwhelmingly depicted the female nude (or partially so) in the cemetery/memorial setting.

As my cemetery visits grew, I began to realize that many of the sculptures seemingly evoked a sensuality in this form of memorial art.

Here, then, is my photos...a project in evolution...the female form as portrayed in an often sensual manner in memorial art.

Boeing 747-400s kiss as the Air China passes the Air New Zealand being loaded with provisions. Los Angeles International Airport/LAX/LAWA CA USA. I have a shot below of the A380 as it lifts off the runway it was taken from about two miles away and has a lot of stuff in the view but included it to tell a bit more of the story. Please view the comments in the set to the right if you want a little more background on how I got these shots.

Throughout history, female nudes have been used in cemetery/memorial art. For a deeper examination, visit northstargallery.com/pages/Sensualilty.htm

Many images in this set were taken inside Forest Lawn Memorial Park's (California, USA) Great Mausoleum.

The general public is not allowed to enjoy these and many other works of art in the Great Mausoleum. Entry is granted only to those able to afford the high price of admission and their living family members.

Why?

I turned the door handle of the Great Mausoleum at Forest Lawn in Glendale, California, USA and as the heavy door opened, I entered another world.

The massive, cathedral-like structure houses not only the remains of thousands able to afford the lofty ticket price for admission, it houses beautiful works of art. Sculptures, stained glass windows and ceilings, elegant marble throughout and massive architecture...all are off limits to the general public.

I didn't know at the time I turned that door knob, that Forest Lawn is consumed about keeping this structure and its contents strictly away from public view. I was simply a guy trying to take photos I like who quickly realized the challenges posed in this setting. I was simply on quest that began at the cemetery where my Mom and brother were buried almost twenty years ago.

One can attend a viewing of a stained glass window, The Last Supper, but, I've since returned (hoping to share with my family the splendor within) asking to enter the mausoleum. We were turned away. Forest Lawn's policy strictly prohibits entry to the general public.

Why? One would think that Forest Lawn (and its founder Mr. Eaton and its longtime and current President and CEO, John Llewellyn, would want to share with the wider world, the beauty contained within given the frequent ugliness which hits us in daily life...providing a form of comfort which is their business.

Forest Lawn loves attention but only on their terms. It thrives being known as the Disneyland of death services (and I mean that in the most respectful way ...after all, Walt Disney himself chose Forest Lawn) and hundreds of the famous and infamous call Forest Lawn home.

It is obvious Forest Lawn takes its mission seriously and provides a needed service exhibiting the highest levels of excellence from its impeccable grounds, to fine facilities and attentive staff.

Forest Lawn's theatrical stagings for adults and school children, its public art, museum and grounds filled with celebrities and movers and shakers, convey a seemingly mixed message when it comes to excluding the public from the massive amounts of great art held within the Great Mausoleum.

Why the exclusion? Staffing its maze of halls isn't a concern; staff members are everywhere throughout the park. Security? Sure it's in a bad neighborhood. But, as I wandered unknowingly in this remarkable place from which I was supposed to be excluded, I never saw graffiti...even in the restroom.

In fact, I never saw another soul (sorry, no pun intended). And, that, to me, is sad.

As I wandered, I was challenged by low light, by my impulse to rush my hand held shots since I had a vague gut feeling I was alone, but not; that someone was about to find me taking photos in a place where I was the forbidden invader...the only one...alive...appreciating fine art. Certainly, those entombed can not enjoy it.

Mr. Llewellyn, please open the doors to the Great Mausoleum for the public and the profound and positive impact its will have on us.

Mr. Llewellyn, I extend this offer:

if you have looked at my photos and they have spoken to you, please contact me. I will offer my photographic services to Forest Lawn to use in ways upon which we can agree.

The possibilities are limitless:

I can photographically catalog all of Forest Lawn's art at all its properties; the images could be published in many forms...books, dvd sets, and more; guided tours; respectful events built around the art and the images; museum exhibits.

Again, the possibilities are limitless and all can be accomplished in good taste equal to your mission statement and still be respectful of your residents and their families and, serve to educate and benefit the larger public.

Thank you,

Casual Clicks

A BIT OF BACKGROUND:

Many years ago after burying my mother and brother within days of the other, I was wandering their cemetery pondering and was intrigued by the statues I saw.

I was taken by the artist's talent in being able to capture the female form (since that was all the cemetery had). The sculptor's manipulation of the viewer's perceptions...cloth and how it draped, creating muscle tone, emotions displayed in facial expressions, all created from stone, piqued my interest.

I began an informal quest to research and find as many sculptures and to photograph them which overwhelmingly depicted the female nude (or partially so) in the cemetery/memorial setting.

As my cemetery visits grew, I began to realize that many of the sculptures seemingly evoked a sensuality in this form of memorial art.

Here, then, is my photos...a project in evolution...the female form as portrayed in an often sensual manner in memorial art.

Throughout history, female nudes have been used in cemetery/memorial art. For a deeper examination, visit northstargallery.com/pages/Sensualilty.htm

Many images in this set were taken inside Forest Lawn Memorial Park's (California, USA) Great Mausoleum.

The general public is not allowed to enjoy these and many other works of art in the Great Mausoleum. Entry is granted only to those able to afford the high price of admission and their living family members.

Why?

I turned the door handle of the Great Mausoleum at Forest Lawn in Glendale, California, USA and as the heavy door opened, I entered another world.

The massive, cathedral-like structure houses not only the remains of thousands able to afford the lofty ticket price for admission, it houses beautiful works of art. Sculptures, stained glass windows and ceilings, elegant marble throughout and massive architecture...all are off limits to the general public.

I didn't know at the time I turned that door knob, that Forest Lawn is consumed about keeping this structure and its contents strictly away from public view. I was simply a guy trying to take photos I like who quickly realized the challenges posed in this setting. I was simply on quest that began at the cemetery where my Mom and brother were buried almost twenty years ago.

One can attend a viewing of a stained glass window, The Last Supper, but, I've since returned (hoping to share with my family the splendor within) asking to enter the mausoleum. We were turned away. Forest Lawn's policy strictly prohibits entry to the general public.

Why? One would think that Forest Lawn (and its founder Mr. Eaton and its longtime and current President and CEO, John Llewellyn, would want to share with the wider world, the beauty contained within given the frequent ugliness which hits us in daily life...providing a form of comfort which is their business.

Forest Lawn loves attention but only on their terms. It thrives being known as the Disneyland of death services (and I mean that in the most respectful way ...after all, Walt Disney himself chose Forest Lawn) and hundreds of the famous and infamous call Forest Lawn home.

It is obvious Forest Lawn takes its mission seriously and provides a needed service exhibiting the highest levels of excellence from its impeccable grounds, to fine facilities and attentive staff.

Forest Lawn's theatrical stagings for adults and school children, its public art, museum and grounds filled with celebrities and movers and shakers, convey a seemingly mixed message when it comes to excluding the public from the massive amounts of great art held within the Great Mausoleum.

Why the exclusion? Staffing its maze of halls isn't a concern; staff members are everywhere throughout the park. Security? Sure it's in a bad neighborhood. But, as I wandered unknowingly in this remarkable place from which I was supposed to be excluded, I never saw graffiti...even in the restroom.

In fact, I never saw another soul (sorry, no pun intended). And, that, to me, is sad.

As I wandered, I was challenged by low light, by my impulse to rush my hand held shots since I had a vague gut feeling I was alone, but not; that someone was about to find me taking photos in a place where I was the forbidden invader...the only one...alive...appreciating fine art. Certainly, those entombed can not enjoy it.

Mr. Llewellyn, please open the doors to the Great Mausoleum for the public and the profound and positive impact its will have on us.

Mr. Llewellyn, I extend this offer:

if you have looked at my photos and they have spoken to you, please contact me. I will offer my photographic services to Forest Lawn to use in ways upon which we can agree.

The possibilities are limitless:

I can photographically catalog all of Forest Lawn's art at all its properties; the images could be published in many forms...books, dvd sets, and more; guided tours; respectful events built around the art and the images; museum exhibits.

Again, the possibilities are limitless and all can be accomplished in good taste equal to your mission statement and still be respectful of your residents and their families and, serve to educate and benefit the larger public.

Thank you,

Casual Clicks

A BIT OF BACKGROUND:

Many years ago after burying my mother and brother within days of the other, I was wandering their cemetery pondering and was intrigued by the statues I saw.

I was taken by the artist's talent in being able to capture the female form (since that was all the cemetery had). The sculptor's manipulation of the viewer's perceptions...cloth and how it draped, creating muscle tone, emotions displayed in facial expressions, all created from stone, piqued my interest.

I began an informal quest to research and find as many sculptures and to photograph them which overwhelmingly depicted the female nude (or partially so) in the cemetery/memorial setting.

As my cemetery visits grew, I began to realize that many of the sculptures seemingly evoked a sensuality in this form of memorial art.

Here, then, is my photos...a project in evolution...the female form as portrayed in an often sensual manner in memorial art.

A favorite because Wendy was the second person I ever asked to shoot. I had an idea in my head but didn't really know anything technically. We learned together. She was a darling...not only beautiful, but happy, sweet and expressive in sharing her moods for the camera.

Taken in 1982, Wendy wanted to try a shot that communicated something different than her wonderful smiles did.. Her face is heavenly, her legs and arms creating lines protecting her in the restful tucked position in soft focus. Taken with my Olympus OM10-manual/film/natural light.

Throughout history, female nudes have been used in cemetery/memorial art. For a deeper examination, visit northstargallery.com/pages/Sensualilty.htm

Many images in this set were taken inside Forest Lawn Memorial Park's (California, USA) Great Mausoleum.

The general public is not allowed to enjoy these and many other works of art in the Great Mausoleum. Entry is granted only to those able to afford the high price of admission and their living family members.

Why?

I turned the door handle of the Great Mausoleum at Forest Lawn in Glendale, California, USA and as the heavy door opened, I entered another world.

The massive, cathedral-like structure houses not only the remains of thousands able to afford the lofty ticket price for admission, it houses beautiful works of art. Sculptures, stained glass windows and ceilings, elegant marble throughout and massive architecture...all are off limits to the general public.

I didn't know at the time I turned that door knob, that Forest Lawn is consumed about keeping this structure and its contents strictly away from public view. I was simply a guy trying to take photos I like who quickly realized the challenges posed in this setting. I was simply on a quest that began at the cemetery where my Mom and brother were buried almost twenty years ago.

One can attend a viewing of a stained glass window, The Last Supper, but, I've since returned (hoping to share with my family the splendor within) asking to enter the mausoleum. We were turned away. Forest Lawn's policy strictly prohibits entry to the general public.

Why? One would think that Forest Lawn (and its founder Mr. Eaton and its longtime and current President and CEO, John Llewellyn, would want to share with the wider world, the beauty contained within given the frequent ugliness which hits us in daily life...providing a form of comfort which is their business.

Forest Lawn loves attention but only on their terms. It thrives being known as the Disneyland of death services (and I mean that in the most respectful way ...after all, Walt Disney himself chose Forest Lawn) and hundreds of the famous and infamous call Forest Lawn home.

It is obvious Forest Lawn takes its mission seriously and provides a needed service exhibiting the highest levels of excellence from its impeccable grounds, to fine facilities and attentive staff.

Forest Lawn's theatrical stagings for adults and school children, its public art, museum and grounds filled with celebrities and movers and shakers, convey a seemingly mixed message when it comes to excluding the public from the massive amounts of great art held within the Great Mausoleum.

Why the exclusion? Staffing its maze of halls isn't a concern; staff members are everywhere throughout the park. Security? Sure it's in a bad neighborhood. But, as I wandered unknowingly in this remarkable place from which I was supposed to be excluded, I never saw graffiti...even in the restroom.

In fact, I never saw another soul (sorry, no pun intended). And, that, to me, is sad.

As I wandered, I was challenged by low light, by my impulse to rush my hand held shots since I had a vague gut feeling I was alone, but not; that someone was about to find me taking photos in a place where I was the forbidden invader...the only one...alive...appreciating fine art. Certainly, those entombed can not enjoy it.

Mr. Llewellyn, please open the doors to the Great Mausoleum for the public and the profound and positive impact its will have on us.

Mr. Llewellyn, I extend this offer:

if you have looked at my photos and they have spoken to you, please contact me. I will offer my photographic services to Forest Lawn to use in ways upon which we can agree.

The possibilities are limitless:

I can photographically catalog all of Forest Lawn's art at all its properties; the images could be published in many forms...books, dvd sets, and more; guided tours; respectful events built around the art and the images; museum exhibits.

Again, the possibilities are limitless and all can be accomplished in good taste equal to your mission statement and still be respectful of your residents and their families and, serve to educate and benefit the larger public.

Thank you,

Casual Clicks

A BIT OF BACKGROUND:

Many years ago after burying my mother and brother within days of the other, I was wandering their cemetery pondering and was intrigued by the statues I saw.

I was taken by the artist's talent in being able to capture the female form (since that was all the cemetery had). The sculptor's manipulation of the viewer's perceptions...cloth and how it draped, creating muscle tone, emotions displayed in facial expressions, all created from stone, piqued my interest.

I began an informal quest to research and find as many sculptures and to photograph them which overwhelmingly depicted the female nude (or partially so) in the cemetery/memorial setting.

As my cemetery visits grew, I began to realize that many of the sculptures seemingly evoked a sensuality in this form of memorial art.

Here, then, is my photos...a project in evolution...the female form as portrayed in an often sensual manner in memorial art.

Throughout history, female nudes have been used in cemetery/memorial art. For a deeper examination, visit northstargallery.com/pages/Sensualilty.htm

Many images in this set were taken inside Forest Lawn Memorial Park's (California, USA) Great Mausoleum.

The general public is not allowed to enjoy these and many other works of art in the Great Mausoleum. Entry is granted only to those able to afford the high price of admission and their living family members.

Why?

I turned the door handle of the Great Mausoleum at Forest Lawn in Glendale, California, USA and as the heavy door opened, I entered another world.

The massive, cathedral-like structure houses not only the remains of thousands able to afford the lofty ticket price for admission, it houses beautiful works of art. Sculptures, stained glass windows and ceilings, elegant marble throughout and massive architecture...all are off limits to the general public.

I didn't know at the time I turned that door knob, that Forest Lawn is consumed about keeping this structure and its contents strictly away from public view. I was simply a guy trying to take photos I like who quickly realized the challenges posed in this setting. I was simply on quest that began at the cemetery where my Mom and brother were buried almost twenty years ago.

One can attend a viewing of a stained glass window, The Last Supper, but, I've since returned (hoping to share with my family the splendor within) asking to enter the mausoleum. We were turned away. Forest Lawn's policy strictly prohibits entry to the general public.

Why? One would think that Forest Lawn (and its founder Mr. Eaton and its longtime and current President and CEO, John Llewellyn, would want to share with the wider world, the beauty contained within given the frequent ugliness which hits us in daily life...providing a form of comfort which is their business.

Forest Lawn loves attention but only on their terms. It thrives being known as the Disneyland of death services (and I mean that in the most respectful way ...after all, Walt Disney himself chose Forest Lawn) and hundreds of the famous and infamous call Forest Lawn home.

It is obvious Forest Lawn takes its mission seriously and provides a needed service exhibiting the highest levels of excellence from its impeccable grounds, to fine facilities and attentive staff.

Forest Lawn's theatrical stagings for adults and school children, its public art, museum and grounds filled with celebrities and movers and shakers, convey a seemingly mixed message when it comes to excluding the public from the massive amounts of great art held within the Great Mausoleum.

Why the exclusion? Staffing its maze of halls isn't a concern; staff members are everywhere throughout the park. Security? Sure it's in a bad neighborhood. But, as I wandered unknowingly in this remarkable place from which I was supposed to be excluded, I never saw graffiti...even in the restroom.

In fact, I never saw another soul (sorry, no pun intended). And, that, to me, is sad.

As I wandered, I was challenged by low light, by my impulse to rush my hand held shots since I had a vague gut feeling I was alone, but not; that someone was about to find me taking photos in a place where I was the forbidden invader...the only one...alive...appreciating fine art. Certainly, those entombed can not enjoy it.

Mr. Llewellyn, please open the doors to the Great Mausoleum for the public and the profound and positive impact its will have on us.

Mr. Llewellyn, I extend this offer:

if you have looked at my photos and they have spoken to you, please contact me. I will offer my photographic services to Forest Lawn to use in ways upon which we can agree.

The possibilities are limitless:

I can photographically catalog all of Forest Lawn's art at all its properties; the images could be published in many forms...books, dvd sets, and more; guided tours; respectful events built around the art and the images; museum exhibits.

Again, the possibilities are limitless and all can be accomplished in good taste equal to your mission statement and still be respectful of your residents and their families and, serve to educate and benefit the larger public.

Thank you,

Casual Clicks

A BIT OF BACKGROUND:

Many years ago after burying my mother and brother within days of the other, I was wandering their cemetery pondering and was intrigued by the statues I saw.

I was taken by the artist's talent in being able to capture the female form (since that was all the cemetery had). The sculptor's manipulation of the viewer's perceptions...cloth and how it draped, creating muscle tone, emotions displayed in facial expressions, all created from stone, piqued my interest.

I began an informal quest to research and find as many sculptures and to photograph them which overwhelmingly depicted the female nude (or partially so) in the cemetery/memorial setting.

As my cemetery visits grew, I began to realize that many of the sculptures seemingly evoked a sensuality in this form of memorial art.

Here, then, is my photos...a project in evolution...the female form as portrayed in an often sensual manner in memorial art.

Intimacy. Each touching the others. One caressing another's breast. "The Three Graces" is a reproduction of "The Three Graces" by Antonio Canova who was born in 1757 and died in 1822. The original is located at the Victoria and Albert Museum in South Kensington, England.

The day after our overwhelming 1/4" of rain.

Strong offshore Santa Anas provided the dramatic effect of these windswept waves. Christmas morning 2006

Throughout history, female nudes have been used in cemetery/memorial art. For a deeper examination, visit northstargallery.com/pages/Sensualilty.htm

Many images in this set were taken inside Forest Lawn Memorial Park's (California, USA) Great Mausoleum.

The general public is not allowed to enjoy these and many other works of art in the Great Mausoleum. Entry is granted only to those able to afford the high price of admission and their living family members.

Why?

I turned the door handle of the Great Mausoleum at Forest Lawn in Glendale, California, USA and as the heavy door opened, I entered another world.

The massive, cathedral-like structure houses not only the remains of thousands able to afford the lofty ticket price for admission, it houses beautiful works of art. Sculptures, stained glass windows and ceilings, elegant marble throughout and massive architecture...all are off limits to the general public.

I didn't know at the time I turned that door knob, that Forest Lawn is consumed about keeping this structure and its contents strictly away from public view. I was simply a guy trying to take photos I like who quickly realized the challenges posed in this setting. I was simply on quest that began at the cemetery where my Mom and brother were buried almost twenty years ago.

One can attend a viewing of a stained glass window, The Last Supper, but, I've since returned (hoping to share with my family the splendor within) asking to enter the mausoleum. We were turned away. Forest Lawn's policy strictly prohibits entry to the general public.

Why? One would think that Forest Lawn (and its founder Mr. Eaton and its longtime and current President and CEO, John Llewellyn, would want to share with the wider world, the beauty contained within given the frequent ugliness which hits us in daily life...providing a form of comfort which is their business.

Forest Lawn loves attention but only on their terms. It thrives being known as the Disneyland of death services (and I mean that in the most respectful way ...after all, Walt Disney himself chose Forest Lawn) and hundreds of the famous and infamous call Forest Lawn home.

It is obvious Forest Lawn takes its mission seriously and provides a needed service exhibiting the highest levels of excellence from its impeccable grounds, to fine facilities and attentive staff.

Forest Lawn's theatrical stagings for adults and school children, its public art, museum and grounds filled with celebrities and movers and shakers, convey a seemingly mixed message when it comes to excluding the public from the massive amounts of great art held within the Great Mausoleum.

Why the exclusion? Staffing its maze of halls isn't a concern; staff members are everywhere throughout the park. Security? Sure it's in a bad neighborhood. But, as I wandered unknowingly in this remarkable place from which I was supposed to be excluded, I never saw graffiti...even in the restroom.

In fact, I never saw another soul (sorry, no pun intended). And, that, to me, is sad.

As I wandered, I was challenged by low light, by my impulse to rush my hand held shots since I had a vague gut feeling I was alone, but not; that someone was about to find me taking photos in a place where I was the forbidden invader...the only one...alive...appreciating fine art. Certainly, those entombed can not enjoy it.

Mr. Llewellyn, please open the doors to the Great Mausoleum for the public and the profound and positive impact its will have on us.

Mr. Llewellyn, I extend this offer:

if you have looked at my photos and they have spoken to you, please contact me. I will offer my photographic services to Forest Lawn to use in ways upon which we can agree.

The possibilities are limitless:

I can photographically catalog all of Forest Lawn's art at all its properties; the images could be published in many forms...books, dvd sets, and more; guided tours; respectful events built around the art and the images; museum exhibits.

Again, the possibilities are limitless and all can be accomplished in good taste equal to your mission statement and still be respectful of your residents and their families and, serve to educate and benefit the larger public.

Thank you,

Casual Clicks

A BIT OF BACKGROUND:

Many years ago after burying my mother and brother within days of the other, I was wandering their cemetery pondering and was intrigued by the statues I saw.

I was taken by the artist's talent in being able to capture the female form (since that was all the cemetery had). The sculptor's manipulation of the viewer's perceptions...cloth and how it draped, creating muscle tone, emotions displayed in facial expressions, all created from stone, piqued my interest.

I began an informal quest to research and find as many sculptures and to photograph them which overwhelmingly depicted the female nude (or partially so) in the cemetery/memorial setting.

As my cemetery visits grew, I began to realize that many of the sculptures seemingly evoked a sensuality in this form of memorial art.

Here, then, is my photos...a project in evolution...the female form as portrayed in an often sensual manner in memorial art.