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"Out of many ONE people" - Jamaican National Motto.
♫ Welcome to JAMROCK! ♫ - Damian Marley
Sponsored by:
♠ ERSCH
♠ Press the letter "L" on your keyboard to view this pic in HD!
For FULL credits...
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"Out of many ONE people" - Jamaican National Motto.
♫ Welcome to JAMROCK! ♫ - Damian Marley
Sponsored by:
♠ ERSCH
♠ Press the letter "L" on your keyboard to view this pic in HD!
For FULL credits...
♠ FOLLOW ♠ LIKE ♠ COMMENT ♠ SHARE
"Out of many ONE people" - Jamaican National Motto.
♫ Welcome to JAMROCK! ♫ - Damian Marley
Sponsored by:
♠ ERSCH
♠ Press the letter "L" on your keyboard to view this pic in HD!
For FULL credits...
♠ FOLLOW ♠ LIKE ♠ COMMENT ♠ SHARE
Aprendendo a usar flash remoto, compor cena e dirigir os "atores".
Learning to use remote flash, compose the scene and direct the "actors".
BITH'S JUKEBOX #7
THE MARLEY BROTHERS "WELCOME TO JAMROCK"
Woo!Hoo! It's Glastonbury weekend. BBC tv's coverage just gets bigger and bigger, BBC2, BBC3, BBC4, BBCiPlayer and more. Every year it's time to line up the wine, sofa down and see who steals the show. Names from the past read like the soundtrack to my life, Orbital, Manu Chao (who quite correctly refused to come on stage until he had finished watching the World Cup Final), Moloko, The Chemical Brothers, Massive Attack. Last year it was The Marley Brothers who flew me to the sky. Several Marleys came together on stage to heal differences, tribute their father and celebrate Robert Nesta as one of the greatest influences on world music there has ever been. And it was just brilliant to see Bob's young grandson jumping around stage waving his rasta flag!
Drop a coin in the slot :
Flick from our crew jam taken by the photo wiz and all-around good dude over at
Cheers to Ironlak for the paint.
(Sorry I've been off Flickr later! Exploring a bit of Instagram @missmariannaf ) Typically, you think surf and you think Hawaii, California, Australia... but not quite Jamaica, right? However, I've been intrigued by the surf culture ever since I met some in Port Antonio last year. But who is surfing in Jamaica? It's not so mainstream and my research often leads me to one name: Wilmot. The Wilmots are a surfing legacy and the sport runs through their DNA. So driving in all directions, we stop at a couple of beaches.. not a surfer in sight. We ask around until we are finally told of a spot where we could find some. Of caution though we're warned "just beware of the dogs". We identify the place (our hint is the surf board lying on the ground outside), park and think for a few minutes before stepping out... where are the dogs and should we be concerned? After a few minutes I think f**k it, let's get out of this car and start walking towards the location. That's where we spot Ishack Wilmot from a distance- most of the other siblings are out or travelling. And so very generously,Ishack shares some of his time with me as we discuss surf culture in Jamaica.
"Surfing here is very different. There is no white sand, no girls on the beach, but its a bit more friendly, open and organic then other places." In comparison to other surf meccas such as California, Jamaica is less aggressive. "No one will chase you out of the water here- even if surfing becomes bigger and more popular, because the culture started between friends. For us, surfing is essentially about having fun".
Ishack, like the other Wilmots, are all born in St Thomas, by the beach. It's a fisherman's beach really, and most will credit their father, Billy Wilmot, for expanding the popularity of the sport. Today considered by many a Jamaican surf legend, Billy got into surfing in '74 after meeting Terence Muschett, who often returned to Jamaica to ride waves. Ever since, Ishack tells me that "the surf scene is growing, but very slowly". Foreigners come to visit- just not on a mass scale. They come in search of waves, but possibly more. Maybe some values that make surfing so Jamaican in character: "we always surf together, we are happy and positive, and we are welcoming" Ishack underlines with an authentic smile.
We talk about international exposure, and Ishack explains, as with his brothers, he has traveled everywhere on tournaments. But the Polynesian birth place of surf, Hawaii, is still on his to do list. He goes on to reveal that whenever he is travelling and representing Jamaica, foreigners have been extremely friendly. Ishack suspects that it has something to do with people knowing that "we are from Jamaica" and that there is something positively cool about that. He also explains that there is some truth to those who say "black people don't surf". There are not as many black surfers around the world and "Jamaica has the blackest team. We represent black people. Even the South African team will often have just one black person on their end". There is a black surfer's association in the US, but still not a common sport.
I start to look around the space that we're sitting in and notice a surf board with "Jamnesia" painted on it. The name definitely sounds familiar- its a venue for musical events. "I grew up on music and surf" Ishack lets me know. Both universes make up the Wilmot clan- Ishack himself plays the keyboards. "I grew up with a father who had a huge music collection, and given the vast selection, I can't say I was inspired by a particular artist, but rather by particular songs". What is the Wilmot musical style though? Ishack's reply is wonderful and day dreamy "People tell us that when they listen to our music, it sounds like the beach". Sigh....
Suddenly, I see three young children running towards him. They are happy, joyful and full of life, and Ishack goes on to say "there is no doubt about it, they will also grow to surf". The more we talk, the more I am feeling a certain blissful serenity in this space. As our conversation comes to an end, I ask Ishack one last question- what makes this surf camp so symbolic? In less then a split second, he replies: "The people and my dad".
If you are ever travelling to Jamaica and curious about surf, check out The Jamnesia Surf Club situated at Eight Miles Bull Bay, St.Thomas, Jamaica.
A small section of the capital of Jamaica, Kingston.
Largest English speaking city in the Western Hemisphere south of Miami.
To understand it is to understand contradictions
Grateful Death / Skeletons from the Closet: The Best of Grateful Dead
(compilation album)
Track listing:
- "The Golden Road (To Unlimited Devotion)" 2:07
- "Truckin'" 5:09
- "Rosemary" 1:58
- "Sugar Magnolia" 3:15
- "St. Stephen" 4:26
- "Uncle John's Band" 4:42
- "Casey Jones" 4:24
- "Mexicali Blues" 3:24
- "Turn On Your Love Light" (live, January 26, 1969 at Avalon Ballroom) 6:30
-"One More Saturday Night" (live, May 26, 1972 at Lyceum Theatre, London) 4:45
- "Friend of the Devil" 3:20
Jerry Garcia – lead guitar, vocals; pedal steel guitar
Bob Weir – rhythm guitar, vocals
Ron "Pigpen" McKernan – organ, harmonica
Phil Lesh – bass guitar
Bill Kreutzmann – drums, percussion
Mickey Hart – drums, percussion
Tom Constanten – keyboards
Keith Godchaux – piano
Donna Jean Godchaux – backing vocals
David Grisman – mandolin
Howard Wales – organ
Snooky Flowers, Luis Gasca – horns
Label / Warner Bros. 1988
cover: John Van Hamersveld
ex CD-Collection MTP
en.wikipedia.org/wiki/Skeletons_from_the_Closet:_The_Best...
The Allman Brothers Band / Eat a Peach
Side one:
- "Ain't Wastin' Time No More" (Gregg Allman) - 3:40
- "Les Brers in A Minor" (Dickey Betts)- 9:03
- "Melissa" (Gregg Allman) - 3:54
Side two:
- "Mountain Jam" (live) [Donovan Leitch, Duane Allman, Gregg Allman, Betts, Berry Oakley, Butch Trucks, Jai Johanny Johanson] - 19:37
Side tree:
- "One Way Out" (live) [Elmore James, Marshall Sehorn, Sonny Boy Williamson II] - 4:58
- "Trouble No More" (live) [Muddy Waters] - 3:43
- "Stand Back" (Gregg Allman, Oakley) - 3:24
- "Blue Sky" (Betts) - 5:09
- "Little Martha" (Duane Allman) - 2:07
Side four:
- "Mountain Jam" (continued; live) [Donovan Leitch, Duane Allman, Gregg Allman, Betts, Berry Oakley, Butch Trucks, Jai Johanny Johanson] - 15:06
Duane Allman – slide guitar, lead guitar, acoustic guitar on all tracks except "Ain't Wastin' Time No More", "Les Brers in A Minor" and "Melissa"
Dickey Betts – lead guitar, lead vocals on "Blue Sky"
Gregg Allman – lead vocals, Hammond organ, piano, Fender Rhodes electric piano, acoustic guitar
Berry Oakley – bass guitar
Jai Johanny Johanson – drums, congas
Butch Trucks – drums, percussion, timpani, gong, vibes, tambourine
Recorded: Live material (March 12–13, June 27, 1971
Fillmore East / New York City)
Studio material: Criteria Studios / Miami (September–December 1971)
sleeve design: W. David Powell (cover), W. David Powell and J. F. Holmes (gatefold)
Label / Capricorn Records 1972
ex Vinyl-Collection MTP
Taken up the road a little from my father's house in St Andrew. This was one of those atmospheric nights with a slight breeze, a nip in the air, rolling clouds, and Jamaica's wonderful nightlife chirruping and echoing away through the hills. Several valleys over a party was in progress, now on its second night, and I took my brother for a camerawalk.
A lot of post-processing on this one from the original RAW;
In Lightroom;
Increased Fill Light , Clipped Blacks (this brought out the green)
Healed out my shadow from the foreground
Increased Clarity
Saturated Blue tones
Reduced Noise
Exported as JPeg
"Life is one big road with lots of signs. So when you riding through the ruts, don't complicate your mind. Flee from hate, mischief and jealousy. Don't bury your thoughts, put your vision to reality. Wake Up and Live!" ~Bob Marley
Went to a Reggae club with friends tonight to welcome back Kath from her European sojourn and Mary's birthday (same as Alex's), it was crazy!!! The club was packed, the music blared and reverberated through the floor. The music was so potent, that the cops decided to do their rounds...
Welcome to Jamrock! :o)
Happy weekend flickr...
The Allman Brothers Band / Eat a Peach
Side one:
- "Ain't Wastin' Time No More" (Gregg Allman) - 3:40
- "Les Brers in A Minor" (Dickey Betts)- 9:03
- "Melissa" (Gregg Allman) - 3:54
Side two:
- "Mountain Jam" (live) [Donovan Leitch, Duane Allman, Gregg Allman, Betts, Berry Oakley, Butch Trucks, Jai Johanny Johanson] - 19:37
Side tree:
- "One Way Out" (live) [Elmore James, Marshall Sehorn, Sonny Boy Williamson II] - 4:58
- "Trouble No More" (live) [Muddy Waters] - 3:43
- "Stand Back" (Gregg Allman, Oakley) - 3:24
- "Blue Sky" (Betts) - 5:09
- "Little Martha" (Duane Allman) - 2:07
Side four:
- "Mountain Jam" (continued; live) [Donovan Leitch, Duane Allman, Gregg Allman, Betts, Berry Oakley, Butch Trucks, Jai Johanny Johanson] - 15:06
Duane Allman – slide guitar, lead guitar, acoustic guitar on all tracks except "Ain't Wastin' Time No More", "Les Brers in A Minor" and "Melissa"
Dickey Betts – lead guitar, lead vocals on "Blue Sky"
Gregg Allman – lead vocals, Hammond organ, piano, Fender Rhodes electric piano, acoustic guitar
Berry Oakley – bass guitar
Jai Johanny Johanson – drums, congas
Butch Trucks – drums, percussion, timpani, gong, vibes, tambourine
Recorded: Live material (March 12–13, June 27, 1971
Fillmore East / New York City)
Studio material: Criteria Studios / Miami (September–December 1971)
sleeve design: W. David Powell (cover), W. David Powell and J. F. Holmes (gatefold)
Label / Capricorn Records 1972
ex Vinyl-Collection MTP
Bienvenido a Jamrock.
Acampa donde lo hacen los matones.
Dos libras por hierba de la mala
en la guantera de la furgoneta.
En tu bolso, en tu mochila, en tu maleta.
El olor os pondrá a tono a ti y a tu novia.
Algunos chicos no lo notan.
Tan sólo pasan por aquí como turistas,
por la playa, con sus bebidas.
Cuentos para ir a la cama,
y poses a lo Chuck Norris,
pero no conocen el verdadero dolor,
con sus sandalias.
Los matones harán
lo que tienen que hacer,
y no se lo pensarán dos veces
a la hora de dispararte.
No les dejes que te apunten,
a no ser que tú también lleves armas.
Tendrás serios problemas contigo.
Cuando el hombre de Trenchtown deja de reír
y para a todo el mundo,
se dan la vuelta y echan a correr.
Pero luego le aplauden.
Con la sirena y a toda leche,
la policía aparece en su Jeep,
sin poder detenerlo.
Algunos dicen que es un playboy,
un conejito de playboy.
Un tipo divertido con la mala costumbre
de colarse a los demás.
Que nadie se haga el duro,
si realmente no lo es.
¡Los rastafaris se las arreglan solos!
Bienvenido a Jamrock, bienvenido a Jamrock.
Afuera, en las calles, a eso lo llaman asesinato.
Bienvenido a Jamdown.
La gente pobre muere indiscriminadamente.
Violencia política. Auténticos fantasmas.
La juventud cegada por alcanzar la gloria.
El Rey de Reyes llama.
Un padre para los jóvenes.
Levanta tu mano si estás conmigo.
Verás el sufrimiento volviéndome loco.
No quepo en mi propio traje,
para ganar las elecciones hago trampas.
Y después de ello, no cumplo las promesas.
Venga, afrontémoslo.
La educación para los guetos es básica.
La mayoría de los jóvenes no la tienen,
y la sustituyen por pistolas.
Después no tienen oportunidad ninguna.
Y es con lo que la pequeña juventud engorda.
Con revistas de dudosa credibilidad en sus bolsos.
Con sus fiestas nocturnas
con sus chaquetas negras.
Los que no tienen una Glock, tienen un cohete.
Te meterán corriente como a un circuito eléctrico.
Luego una carrera escapando,
con la policía cortándoles el paso.
Y desde ese momento hasta que amanece, sin parar.
Bienvenido a Jamrock (Al norte y al sur)
Bienvenido a Jamrock (Al este, al oeste, oh)
Bienvenido a Jamrock (Cornwall, Middlesex y Surrey)
Bienvenido a Jamrock
Afuera, en las calles, a eso lo llaman asesinato.
this painting is just off bricklane on heneage street east london...its part of the nice up the walls in london series...its the first of many to arrive in the next few months...and will eventually result in the east end exhibition reggae dance...more news to come keep, a check on my blog for dates etc...
o yeah and it was sunny....what a lush london spring weekend...one love
ift.tt/1lvhH8Y #sonicboom 💥💥🔥🔥 WAT A TUNE TO BLOODCLART @officialchip DROP A FIRE!!!!! FREESTLYE WILL THIS NIGGA EVER RUN OUT OF BARS 💭💭😂😂 #linkuptv #spifftv #sbtv #uktalent #bolierroom #kickout #farrout #fixtings #2000fixtings #worldstarhiphop #jamrock #madaroad #kushmusic #canhebestop #amtheukblog
SHOW PRE FINAL REGIONAL
Para realizar este outfit he decidido hacer una mezcla, he puesto una camisa blue jeans con un gran v-cuello, con flores de color azul, amarillo y rojo de la disenadora Poulet Koenkamp
de la marca Purple moon, una falda a cigarro amarilla con gala colorada con flores que llaman esos de la camisa de la estilista Warm clarity de la marca Ghee, una bandana azul con dibujos blancos de la estilista Christopherjamesjorgensen de la marca VIP.
Accessorios son pendientes del aro con piedras de muchos colores de la disenadora Belle Roussel de la marca Chop Zuey, los zapatos son sandalias azule con dibujos y dos bandas que se cruzan al tobillo hechos para la estilista Pety Galaxy de la marca Pure poison.
Para larealizacion de este outfit mi inspiracion ha estada la estilista Stella Jean que realiza vestidos muy colorados y vivaces que llaman los colores de la nacion que elije representar.
Bikini :: PM :: Latina Bikini
:: PM :: Etnia Jacket -Mexican Blue
Ghee: Yellow Pattern Trim Aloha Ruffle Skirt
VIP- : Gangster Hat Yellow w/Gray Band
Pure Poison: - Sandra Sandals
Earring: Chop Zuey Jamrock
Typically, you think surf and you think Hawaii, California, Australia... but not quite Jamaica, right? However, I've been intrigued by the surf culture ever since I met some in Port Antonio last year. But who is surfing in Jamaica? It's not so mainstream and my research often leads me to one name: Wilmot. The Wilmots are a surfing legacy and the sport runs through their DNA. So driving in all directions, we stop at a couple of beaches.. not a surfer in sight. We ask around until we are finally told of a spot where we could find some. Of caution though we're warned "just beware of the dogs". We identify the place (our hint is the surf board lying on the ground outside), park and think for a few minutes before stepping out... where are the dogs and should we be concerned? After a few minutes I think f**k it, let's get out of this car and start walking towards the location. That's where we spot Ishack Wilmot from a distance- most of the other siblings are out or travelling. And so very generously,Ishack shares some of his time with me as we discuss surf culture in Jamaica.
"Surfing here is very different. There is no white sand, no girls on the beach, but its a bit more friendly, open and organic then other places." In comparison to other surf meccas such as California, Jamaica is less aggressive. "No one will chase you out of the water here- even if surfing becomes bigger and more popular, because the culture started between friends. For us, surfing is essentially about having fun".
Ishack, like the other Wilmots, are all born in St Thomas, by the beach. It's a fisherman's beach really, and most will credit their father, Billy Wilmot, for expanding the popularity of the sport. Today considered by many a Jamaican surf legend, Billy got into surfing in '74 after meeting Terence Muschett, who often returned to Jamaica to ride waves. Ever since, Ishack tells me that "the surf scene is growing, but very slowly". Foreigners come to visit- just not on a mass scale. They come in search of waves, but possibly more. Maybe some values that make surfing so Jamaican in character: "we always surf together, we are happy and positive, and we are welcoming" Ishack underlines with an authentic smile.
We talk about international exposure, and Ishack explains, as with his brothers, he has traveled everywhere on tournaments. But the Polynesian birth place of surf, Hawaii, is still on his to do list. He goes on to reveal that whenever he is travelling and representing Jamaica, foreigners have been extremely friendly. Ishack suspects that it has something to do with people knowing that "we are from Jamaica" and that there is something positively cool about that. He also explains that there is some truth to those who say "black people don't surf". There are not as many black surfers around the world and "Jamaica has the blackest team. We represent black people. Even the South African team will often have just one black person on their end". There is a black surfer's association in the US, but still not a common sport.
I start to look around the space that we're sitting in and notice a surf board with "Jamnesia" painted on it. The name definitely sounds familiar- its a venue for musical events. "I grew up on music and surf" Ishack lets me know. Both universes make up the Wilmot clan- Ishack himself plays the keyboards. "I grew up with a father who had a huge music collection, and given the vast selection, I can't say I was inspired by a particular artist, but rather by particular songs". What is the Wilmot musical style though? Ishack's reply is wonderful and day dreamy "People tell us that when they listen to our music, it sounds like the beach". Sigh....
Suddenly, I see three young children running towards him. They are happy, joyful and full of life, and Ishack goes on to say "there is no doubt about it, they will also grow to surf". The more we talk, the more I am feeling a certain blissful serenity in this space. As our conversation comes to an end, I ask Ishack one last question- what makes this surf camp so symbolic? In less then a split second, he replies: "The people and my dad".
If you are ever travelling to Jamaica and curious about surf, check out The Jamnesia Surf Club situated at Eight Miles Bull Bay, St.Thomas, Jamaica.
Carlos Santana and Buddy Miles / Carlos Santana & Buddy Miles! Live!
Track listing:
- "Marbles" (John McLaughlin) - 4:18
- "Lava" (Buddy Miles) - 2:10
- "Evil Ways" (Clarence "Sonny" Henry) - 6:36
- "Faith Interlude" (Buddy Miles, Carlos Santana) - 2:13
- "Them Changes" (Buddy Miles) - 5:50
- "Free form Funkafide Filth" (Greg Errico, Ron Johnson, Buddy Miles, Carlos Santana) - 24:54
Buddy Miles – vocals, drums, percussion, congas
Carlos Santana – guitar, vocals
Neal Schon – guitar
Bob Hogins – organ, electric piano
Ron Johnson – bass guitar
Greg Errico – drums
Richard Clark – drums, percussion, congas
Coke Escovedo – drums, percussion, timbales
Mike Carabello – percussion, congas
Mingo Lewis – percussion
Victor Pantoja – percussion, congas
Hadley Caliman – flute, saxophone
Luis Gasca – trumpet
Recorded: January 1, 1972, at the "Sunshine '72" Festival, inside Diamond Head, Honolulu, Hawaii
sleeve design: photo
Label: Columbia Records / 1972
ex Vinyl-Collection MTP