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Composers, representatives of music ensembles and members of the Gaudeamus staff at the selection of scores to be performed in the Gaudeamus Music Week 2014;
Gaudeamus HQ, Utrecht,
October 18th, 2013;
© co broerse
Lucia Ronchetti
Der Sonne entgegen
Music theatre for 14 voices, brass-ensemble end live electronics (rev. 2009)
Text by Steffi Hensel
Dramaturgy by Michael v. zur Mühlen, Steffi Hensel, Lucia Ronchetti
First performance new version:
20/21-3 -2010, Maerzmusik, Sophiensaelen, Berlin
Publisher: Rai Trade
Duration: 1h30 ca
Michael v. zur Mühlen (direction)
Elisabetta Benassi (video)
Lothar Baumgarte (setdesign/lights)
Svenja Gassen (costumes)
Thomas Seelig (live electronic)
Kammerensemble Neue Musik Berlin
Timo Kreuser (musical director)
Daniel Gloger (voices instructor)
Katia Guedes, Andrea Chudak, Ruth Rosenfeld, Estelle Lefort (Soprano)
Anna Charim, Regina Jakobi (Mezzosoprano)
Kyoung-Ran Won, Claudia von Hasselt (Contralto)
Volker Nietzke, Eloi Prat i Morgades, Florian Just (Tenor)
Andreas Fischer, Martin Gerke, Simon Robinson (Bass)
Barbara Gstaltmayr (producer)
Prize Fonds Experimentelles Musiktheater NRW 2006
Prize “Music Theater Now” ITI Berlin 2008.
Supported by:
Kunst Stifftung NRW
Haupt Stadt Kultur Fonds Berlin
Deutscher Musikrat
Initiative Neue Musik Berlin
Italienisches Kulturinstitut Berlin
Deutscher Akademischer Austauschdienst Berlin
Galerie Mario Mazzoli, Berlin
Der Sonne entgegen is a dramatic meditation for 14 solo vocal performers, brass ensemble and live electronics. New and old frontiers of our hyper-communicative world are the main subjects, the point of departure of the project.
The dramaturgy follows the multiple transformations of the 14 performers in fragmented, associatively connected and dramatic situations. They appear as Europeans enjoying a seemingly wonderful holiday on an exotic island-bubble, as refugees facing an insurmountable barrier in desert-like surroundings, as stateless people or [...]
Lucia Ronchetti
Der Sonne entgegen
Music theatre for 14 voices, brass-ensemble end live electronics (rev. 2009)
Text by Steffi Hensel
Dramaturgy by Michael v. zur Mühlen, Steffi Hensel, Lucia Ronchetti
First performance new version:
20/21-3 -2010, Maerzmusik, Sophiensaelen, Berlin
Publisher: Rai Trade
Duration: 1h30 ca
Michael v. zur Mühlen (direction)
Elisabetta Benassi (video)
Lothar Baumgarte (setdesign/lights)
Svenja Gassen (costumes)
Thomas Seelig (live electronic)
Kammerensemble Neue Musik Berlin
Timo Kreuser (musical director)
Daniel Gloger (voices instructor)
Katia Guedes, Andrea Chudak, Ruth Rosenfeld, Estelle Lefort (Soprano)
Anna Charim, Regina Jakobi (Mezzosoprano)
Kyoung-Ran Won, Claudia von Hasselt (Contralto)
Volker Nietzke, Eloi Prat i Morgades, Florian Just (Tenor)
Andreas Fischer, Martin Gerke, Simon Robinson (Bass)
Barbara Gstaltmayr (producer)
Prize Fonds Experimentelles Musiktheater NRW 2006
Prize “Music Theater Now” ITI Berlin 2008.
Supported by:
Kunst Stifftung NRW
Haupt Stadt Kultur Fonds Berlin
Deutscher Musikrat
Initiative Neue Musik Berlin
Italienisches Kulturinstitut Berlin
Deutscher Akademischer Austauschdienst Berlin
Galerie Mario Mazzoli, Berlin
Der Sonne entgegen is a dramatic meditation for 14 solo vocal performers, brass ensemble and live electronics. New and old frontiers of our hyper-communicative world are the main subjects, the point of departure of the project.
The dramaturgy follows the multiple transformations of the 14 performers in fragmented, associatively connected and dramatic situations. They appear as Europeans enjoying a seemingly wonderful holiday on an exotic island-bubble, as refugees facing an insurmountable barrier in desert-like surroundings, as stateless people or [...]
Lucia Ronchetti
Der Sonne entgegen
Music theatre for 14 voices, brass-ensemble end live electronics (rev. 2009)
Text by Steffi Hensel
Dramaturgy by Michael v. zur Mühlen, Steffi Hensel, Lucia Ronchetti
First performance new version:
20/21-3 -2010, Maerzmusik, Sophiensaelen, Berlin
Publisher: Rai Trade
Duration: 1h30 ca
Michael v. zur Mühlen (direction)
Elisabetta Benassi (video)
Lothar Baumgarte (setdesign/lights)
Svenja Gassen (costumes)
Thomas Seelig (live electronic)
Kammerensemble Neue Musik Berlin
Timo Kreuser (musical director)
Daniel Gloger (voices instructor)
Katia Guedes, Andrea Chudak, Ruth Rosenfeld, Estelle Lefort (Soprano)
Anna Charim, Regina Jakobi (Mezzosoprano)
Kyoung-Ran Won, Claudia von Hasselt (Contralto)
Volker Nietzke, Eloi Prat i Morgades, Florian Just (Tenor)
Andreas Fischer, Martin Gerke, Simon Robinson (Bass)
Barbara Gstaltmayr (producer)
Prize Fonds Experimentelles Musiktheater NRW 2006
Prize “Music Theater Now” ITI Berlin 2008.
Supported by:
Kunst Stifftung NRW
Haupt Stadt Kultur Fonds Berlin
Deutscher Musikrat
Initiative Neue Musik Berlin
Italienisches Kulturinstitut Berlin
Deutscher Akademischer Austauschdienst Berlin
Galerie Mario Mazzoli, Berlin
Der Sonne entgegen is a dramatic meditation for 14 solo vocal performers, brass ensemble and live electronics. New and old frontiers of our hyper-communicative world are the main subjects, the point of departure of the project.
The dramaturgy follows the multiple transformations of the 14 performers in fragmented, associatively connected and dramatic situations. They appear as Europeans enjoying a seemingly wonderful holiday on an exotic island-bubble, as refugees facing an insurmountable barrier in desert-like surroundings, as stateless people or [...]
Lucia Ronchetti
Der Sonne entgegen
Music theatre for 14 voices, brass-ensemble end live electronics (rev. 2009)
Text by Steffi Hensel
Dramaturgy by Michael v. zur Mühlen, Steffi Hensel, Lucia Ronchetti
First performance new version:
20/21-3 -2010, Maerzmusik, Sophiensaelen, Berlin
Publisher: Rai Trade
Duration: 1h30 ca
Michael v. zur Mühlen (direction)
Elisabetta Benassi (video)
Lothar Baumgarte (setdesign/lights)
Svenja Gassen (costumes)
Thomas Seelig (live electronic)
Kammerensemble Neue Musik Berlin
Timo Kreuser (musical director)
Daniel Gloger (voices instructor)
Katia Guedes, Andrea Chudak, Ruth Rosenfeld, Estelle Lefort (Soprano)
Anna Charim, Regina Jakobi (Mezzosoprano)
Kyoung-Ran Won, Claudia von Hasselt (Contralto)
Volker Nietzke, Eloi Prat i Morgades, Florian Just (Tenor)
Andreas Fischer, Martin Gerke, Simon Robinson (Bass)
Barbara Gstaltmayr (producer)
Prize Fonds Experimentelles Musiktheater NRW 2006
Prize “Music Theater Now” ITI Berlin 2008.
Supported by:
Kunst Stifftung NRW
Haupt Stadt Kultur Fonds Berlin
Deutscher Musikrat
Initiative Neue Musik Berlin
Italienisches Kulturinstitut Berlin
Deutscher Akademischer Austauschdienst Berlin
Galerie Mario Mazzoli, Berlin
Der Sonne entgegen is a dramatic meditation for 14 solo vocal performers, brass ensemble and live electronics. New and old frontiers of our hyper-communicative world are the main subjects, the point of departure of the project.
The dramaturgy follows the multiple transformations of the 14 performers in fragmented, associatively connected and dramatic situations. They appear as Europeans enjoying a seemingly wonderful holiday on an exotic island-bubble, as refugees facing an insurmountable barrier in desert-like surroundings, as stateless people or [...]
Lucia Ronchetti
Der Sonne entgegen
Music theatre for 14 voices, brass-ensemble end live electronics (rev. 2009)
Text by Steffi Hensel
Dramaturgy by Michael v. zur Mühlen, Steffi Hensel, Lucia Ronchetti
First performance new version:
20/21-3 -2010, Maerzmusik, Sophiensaelen, Berlin
Publisher: Rai Trade
Duration: 1h30 ca
Michael v. zur Mühlen (direction)
Elisabetta Benassi (video)
Lothar Baumgarte (setdesign/lights)
Svenja Gassen (costumes)
Thomas Seelig (live electronic)
Kammerensemble Neue Musik Berlin
Timo Kreuser (musical director)
Daniel Gloger (voices instructor)
Katia Guedes, Andrea Chudak, Ruth Rosenfeld, Estelle Lefort (Soprano)
Anna Charim, Regina Jakobi (Mezzosoprano)
Kyoung-Ran Won, Claudia von Hasselt (Contralto)
Volker Nietzke, Eloi Prat i Morgades, Florian Just (Tenor)
Andreas Fischer, Martin Gerke, Simon Robinson (Bass)
Barbara Gstaltmayr (producer)
Prize Fonds Experimentelles Musiktheater NRW 2006
Prize “Music Theater Now” ITI Berlin 2008.
Supported by:
Kunst Stifftung NRW
Haupt Stadt Kultur Fonds Berlin
Deutscher Musikrat
Initiative Neue Musik Berlin
Italienisches Kulturinstitut Berlin
Deutscher Akademischer Austauschdienst Berlin
Galerie Mario Mazzoli, Berlin
Der Sonne entgegen is a dramatic meditation for 14 solo vocal performers, brass ensemble and live electronics. New and old frontiers of our hyper-communicative world are the main subjects, the point of departure of the project.
The dramaturgy follows the multiple transformations of the 14 performers in fragmented, associatively connected and dramatic situations. They appear as Europeans enjoying a seemingly wonderful holiday on an exotic island-bubble, as refugees facing an insurmountable barrier in desert-like surroundings, as stateless people or [...]
Lucia Ronchetti
Der Sonne entgegen
Music theatre for 14 voices, brass-ensemble end live electronics (rev. 2009)
Text by Steffi Hensel
Dramaturgy by Michael v. zur Mühlen, Steffi Hensel, Lucia Ronchetti
First performance new version:
20/21-3 -2010, Maerzmusik, Sophiensaelen, Berlin
Publisher: Rai Trade
Duration: 1h30 ca
Michael v. zur Mühlen (direction)
Elisabetta Benassi (video)
Lothar Baumgarte (setdesign/lights)
Svenja Gassen (costumes)
Thomas Seelig (live electronic)
Kammerensemble Neue Musik Berlin
Timo Kreuser (musical director)
Daniel Gloger (voices instructor)
Katia Guedes, Andrea Chudak, Ruth Rosenfeld, Estelle Lefort (Soprano)
Anna Charim, Regina Jakobi (Mezzosoprano)
Kyoung-Ran Won, Claudia von Hasselt (Contralto)
Volker Nietzke, Eloi Prat i Morgades, Florian Just (Tenor)
Andreas Fischer, Martin Gerke, Simon Robinson (Bass)
Barbara Gstaltmayr (producer)
Prize Fonds Experimentelles Musiktheater NRW 2006
Prize “Music Theater Now” ITI Berlin 2008.
Supported by:
Kunst Stifftung NRW
Haupt Stadt Kultur Fonds Berlin
Deutscher Musikrat
Initiative Neue Musik Berlin
Italienisches Kulturinstitut Berlin
Deutscher Akademischer Austauschdienst Berlin
Galerie Mario Mazzoli, Berlin
Der Sonne entgegen is a dramatic meditation for 14 solo vocal performers, brass ensemble and live electronics. New and old frontiers of our hyper-communicative world are the main subjects, the point of departure of the project.
The dramaturgy follows the multiple transformations of the 14 performers in fragmented, associatively connected and dramatic situations. They appear as Europeans enjoying a seemingly wonderful holiday on an exotic island-bubble, as refugees facing an insurmountable barrier in desert-like surroundings, as stateless people or [...]
Lucia Ronchetti
Der Sonne entgegen
Music theatre for 14 voices, brass-ensemble end live electronics (rev. 2009)
Text by Steffi Hensel
Dramaturgy by Michael v. zur Mühlen, Steffi Hensel, Lucia Ronchetti
First performance new version:
20/21-3 -2010, Maerzmusik, Sophiensaelen, Berlin
Publisher: Rai Trade
Duration: 1h30 ca
Michael v. zur Mühlen (direction)
Elisabetta Benassi (video)
Lothar Baumgarte (setdesign/lights)
Svenja Gassen (costumes)
Thomas Seelig (live electronic)
Kammerensemble Neue Musik Berlin
Timo Kreuser (musical director)
Daniel Gloger (voices instructor)
Katia Guedes, Andrea Chudak, Ruth Rosenfeld, Estelle Lefort (Soprano)
Anna Charim, Regina Jakobi (Mezzosoprano)
Kyoung-Ran Won, Claudia von Hasselt (Contralto)
Volker Nietzke, Eloi Prat i Morgades, Florian Just (Tenor)
Andreas Fischer, Martin Gerke, Simon Robinson (Bass)
Barbara Gstaltmayr (producer)
Prize Fonds Experimentelles Musiktheater NRW 2006
Prize “Music Theater Now” ITI Berlin 2008.
Supported by:
Kunst Stifftung NRW
Haupt Stadt Kultur Fonds Berlin
Deutscher Musikrat
Initiative Neue Musik Berlin
Italienisches Kulturinstitut Berlin
Deutscher Akademischer Austauschdienst Berlin
Galerie Mario Mazzoli, Berlin
Der Sonne entgegen is a dramatic meditation for 14 solo vocal performers, brass ensemble and live electronics. New and old frontiers of our hyper-communicative world are the main subjects, the point of departure of the project.
The dramaturgy follows the multiple transformations of the 14 performers in fragmented, associatively connected and dramatic situations. They appear as Europeans enjoying a seemingly wonderful holiday on an exotic island-bubble, as refugees facing an insurmountable barrier in desert-like surroundings, as stateless people or [...]
Lucia Ronchetti
Der Sonne entgegen
Music theatre for 14 voices, brass-ensemble end live electronics (rev. 2009)
Text by Steffi Hensel
Dramaturgy by Michael v. zur Mühlen, Steffi Hensel, Lucia Ronchetti
First performance new version:
20/21-3 -2010, Maerzmusik, Sophiensaelen, Berlin
Publisher: Rai Trade
Duration: 1h30 ca
Michael v. zur Mühlen (direction)
Elisabetta Benassi (video)
Lothar Baumgarte (setdesign/lights)
Svenja Gassen (costumes)
Thomas Seelig (live electronic)
Kammerensemble Neue Musik Berlin
Timo Kreuser (musical director)
Daniel Gloger (voices instructor)
Katia Guedes, Andrea Chudak, Ruth Rosenfeld, Estelle Lefort (Soprano)
Anna Charim, Regina Jakobi (Mezzosoprano)
Kyoung-Ran Won, Claudia von Hasselt (Contralto)
Volker Nietzke, Eloi Prat i Morgades, Florian Just (Tenor)
Andreas Fischer, Martin Gerke, Simon Robinson (Bass)
Barbara Gstaltmayr (producer)
Prize Fonds Experimentelles Musiktheater NRW 2006
Prize “Music Theater Now” ITI Berlin 2008.
Supported by:
Kunst Stifftung NRW
Haupt Stadt Kultur Fonds Berlin
Deutscher Musikrat
Initiative Neue Musik Berlin
Italienisches Kulturinstitut Berlin
Deutscher Akademischer Austauschdienst Berlin
Galerie Mario Mazzoli, Berlin
Der Sonne entgegen is a dramatic meditation for 14 solo vocal performers, brass ensemble and live electronics. New and old frontiers of our hyper-communicative world are the main subjects, the point of departure of the project.
The dramaturgy follows the multiple transformations of the 14 performers in fragmented, associatively connected and dramatic situations. They appear as Europeans enjoying a seemingly wonderful holiday on an exotic island-bubble, as refugees facing an insurmountable barrier in desert-like surroundings, as stateless people or [...]
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Lucia Ronchetti
Der Sonne entgegen
Music theatre for 14 voices, brass-ensemble end live electronics (rev. 2009)
Text by Steffi Hensel
Dramaturgy by Michael v. zur Mühlen, Steffi Hensel, Lucia Ronchetti
First performance new version:
20/21-3 -2010, Maerzmusik, Sophiensaelen, Berlin
Publisher: Rai Trade
Duration: 1h30 ca
Michael v. zur Mühlen (direction)
Elisabetta Benassi (video)
Lothar Baumgarte (setdesign/lights)
Svenja Gassen (costumes)
Thomas Seelig (live electronic)
Kammerensemble Neue Musik Berlin
Timo Kreuser (musical director)
Daniel Gloger (voices instructor)
Katia Guedes, Andrea Chudak, Ruth Rosenfeld, Estelle Lefort (Soprano)
Anna Charim, Regina Jakobi (Mezzosoprano)
Kyoung-Ran Won, Claudia von Hasselt (Contralto)
Volker Nietzke, Eloi Prat i Morgades, Florian Just (Tenor)
Andreas Fischer, Martin Gerke, Simon Robinson (Bass)
Barbara Gstaltmayr (producer)
Prize Fonds Experimentelles Musiktheater NRW 2006
Prize “Music Theater Now” ITI Berlin 2008.
Supported by:
Kunst Stifftung NRW
Haupt Stadt Kultur Fonds Berlin
Deutscher Musikrat
Initiative Neue Musik Berlin
Italienisches Kulturinstitut Berlin
Deutscher Akademischer Austauschdienst Berlin
Galerie Mario Mazzoli, Berlin
Der Sonne entgegen is a dramatic meditation for 14 solo vocal performers, brass ensemble and live electronics. New and old frontiers of our hyper-communicative world are the main subjects, the point of departure of the project.
The dramaturgy follows the multiple transformations of the 14 performers in fragmented, associatively connected and dramatic situations. They appear as Europeans enjoying a seemingly wonderful holiday on an exotic island-bubble, as refugees facing an insurmountable barrier in desert-like surroundings, as stateless people or [...]
Lucia Ronchetti
Der Sonne entgegen
Music theatre for 14 voices, brass-ensemble end live electronics (rev. 2009)
Text by Steffi Hensel
Dramaturgy by Michael v. zur Mühlen, Steffi Hensel, Lucia Ronchetti
First performance new version:
20/21-3 -2010, Maerzmusik, Sophiensaelen, Berlin
Publisher: Rai Trade
Duration: 1h30 ca
Michael v. zur Mühlen (direction)
Elisabetta Benassi (video)
Lothar Baumgarte (setdesign/lights)
Svenja Gassen (costumes)
Thomas Seelig (live electronic)
Kammerensemble Neue Musik Berlin
Timo Kreuser (musical director)
Daniel Gloger (voices instructor)
Katia Guedes, Andrea Chudak, Ruth Rosenfeld, Estelle Lefort (Soprano)
Anna Charim, Regina Jakobi (Mezzosoprano)
Kyoung-Ran Won, Claudia von Hasselt (Contralto)
Volker Nietzke, Eloi Prat i Morgades, Florian Just (Tenor)
Andreas Fischer, Martin Gerke, Simon Robinson (Bass)
Barbara Gstaltmayr (producer)
Prize Fonds Experimentelles Musiktheater NRW 2006
Prize “Music Theater Now” ITI Berlin 2008.
Supported by:
Kunst Stifftung NRW
Haupt Stadt Kultur Fonds Berlin
Deutscher Musikrat
Initiative Neue Musik Berlin
Italienisches Kulturinstitut Berlin
Deutscher Akademischer Austauschdienst Berlin
Galerie Mario Mazzoli, Berlin
Der Sonne entgegen is a dramatic meditation for 14 solo vocal performers, brass ensemble and live electronics. New and old frontiers of our hyper-communicative world are the main subjects, the point of departure of the project.
The dramaturgy follows the multiple transformations of the 14 performers in fragmented, associatively connected and dramatic situations. They appear as Europeans enjoying a seemingly wonderful holiday on an exotic island-bubble, as refugees facing an insurmountable barrier in desert-like surroundings, as stateless people or [...]
Lucia Ronchetti
Der Sonne entgegen
Music theatre for 14 voices, brass-ensemble end live electronics (rev. 2009)
Text by Steffi Hensel
Dramaturgy by Michael v. zur Mühlen, Steffi Hensel, Lucia Ronchetti
First performance new version:
20/21-3 -2010, Maerzmusik, Sophiensaelen, Berlin
Publisher: Rai Trade
Duration: 1h30 ca
Michael v. zur Mühlen (direction)
Elisabetta Benassi (video)
Lothar Baumgarte (setdesign/lights)
Svenja Gassen (costumes)
Thomas Seelig (live electronic)
Kammerensemble Neue Musik Berlin
Timo Kreuser (musical director)
Daniel Gloger (voices instructor)
Katia Guedes, Andrea Chudak, Ruth Rosenfeld, Estelle Lefort (Soprano)
Anna Charim, Regina Jakobi (Mezzosoprano)
Kyoung-Ran Won, Claudia von Hasselt (Contralto)
Volker Nietzke, Eloi Prat i Morgades, Florian Just (Tenor)
Andreas Fischer, Martin Gerke, Simon Robinson (Bass)
Barbara Gstaltmayr (producer)
Prize Fonds Experimentelles Musiktheater NRW 2006
Prize “Music Theater Now” ITI Berlin 2008.
Supported by:
Kunst Stifftung NRW
Haupt Stadt Kultur Fonds Berlin
Deutscher Musikrat
Initiative Neue Musik Berlin
Italienisches Kulturinstitut Berlin
Deutscher Akademischer Austauschdienst Berlin
Galerie Mario Mazzoli, Berlin
Der Sonne entgegen is a dramatic meditation for 14 solo vocal performers, brass ensemble and live electronics. New and old frontiers of our hyper-communicative world are the main subjects, the point of departure of the project.
The dramaturgy follows the multiple transformations of the 14 performers in fragmented, associatively connected and dramatic situations. They appear as Europeans enjoying a seemingly wonderful holiday on an exotic island-bubble, as refugees facing an insurmountable barrier in desert-like surroundings, as stateless people or [...]
Lucia Ronchetti
Der Sonne entgegen
Music theatre for 14 voices, brass-ensemble end live electronics (rev. 2009)
Text by Steffi Hensel
Dramaturgy by Michael v. zur Mühlen, Steffi Hensel, Lucia Ronchetti
First performance new version:
20/21-3 -2010, Maerzmusik, Sophiensaelen, Berlin
Publisher: Rai Trade
Duration: 1h30 ca
Michael v. zur Mühlen (direction)
Elisabetta Benassi (video)
Lothar Baumgarte (setdesign/lights)
Svenja Gassen (costumes)
Thomas Seelig (live electronic)
Kammerensemble Neue Musik Berlin
Timo Kreuser (musical director)
Daniel Gloger (voices instructor)
Katia Guedes, Andrea Chudak, Ruth Rosenfeld, Estelle Lefort (Soprano)
Anna Charim, Regina Jakobi (Mezzosoprano)
Kyoung-Ran Won, Claudia von Hasselt (Contralto)
Volker Nietzke, Eloi Prat i Morgades, Florian Just (Tenor)
Andreas Fischer, Martin Gerke, Simon Robinson (Bass)
Barbara Gstaltmayr (producer)
Prize Fonds Experimentelles Musiktheater NRW 2006
Prize “Music Theater Now” ITI Berlin 2008.
Supported by:
Kunst Stifftung NRW
Haupt Stadt Kultur Fonds Berlin
Deutscher Musikrat
Initiative Neue Musik Berlin
Italienisches Kulturinstitut Berlin
Deutscher Akademischer Austauschdienst Berlin
Galerie Mario Mazzoli, Berlin
Der Sonne entgegen is a dramatic meditation for 14 solo vocal performers, brass ensemble and live electronics. New and old frontiers of our hyper-communicative world are the main subjects, the point of departure of the project.
The dramaturgy follows the multiple transformations of the 14 performers in fragmented, associatively connected and dramatic situations. They appear as Europeans enjoying a seemingly wonderful holiday on an exotic island-bubble, as refugees facing an insurmountable barrier in desert-like surroundings, as stateless people or [...]
Lucia Ronchetti
Der Sonne entgegen
Music theatre for 14 voices, brass-ensemble end live electronics (rev. 2009)
Text by Steffi Hensel
Dramaturgy by Michael v. zur Mühlen, Steffi Hensel, Lucia Ronchetti
First performance new version:
20/21-3 -2010, Maerzmusik, Sophiensaelen, Berlin
Publisher: Rai Trade
Duration: 1h30 ca
Michael v. zur Mühlen (direction)
Elisabetta Benassi (video)
Lothar Baumgarte (setdesign/lights)
Svenja Gassen (costumes)
Thomas Seelig (live electronic)
Kammerensemble Neue Musik Berlin
Timo Kreuser (musical director)
Daniel Gloger (voices instructor)
Katia Guedes, Andrea Chudak, Ruth Rosenfeld, Estelle Lefort (Soprano)
Anna Charim, Regina Jakobi (Mezzosoprano)
Kyoung-Ran Won, Claudia von Hasselt (Contralto)
Volker Nietzke, Eloi Prat i Morgades, Florian Just (Tenor)
Andreas Fischer, Martin Gerke, Simon Robinson (Bass)
Barbara Gstaltmayr (producer)
Prize Fonds Experimentelles Musiktheater NRW 2006
Prize “Music Theater Now” ITI Berlin 2008.
Supported by:
Kunst Stifftung NRW
Haupt Stadt Kultur Fonds Berlin
Deutscher Musikrat
Initiative Neue Musik Berlin
Italienisches Kulturinstitut Berlin
Deutscher Akademischer Austauschdienst Berlin
Galerie Mario Mazzoli, Berlin
Der Sonne entgegen is a dramatic meditation for 14 solo vocal performers, brass ensemble and live electronics. New and old frontiers of our hyper-communicative world are the main subjects, the point of departure of the project.
The dramaturgy follows the multiple transformations of the 14 performers in fragmented, associatively connected and dramatic situations. They appear as Europeans enjoying a seemingly wonderful holiday on an exotic island-bubble, as refugees facing an insurmountable barrier in desert-like surroundings, as stateless people or [...]
Lucia Ronchetti
Der Sonne entgegen
Music theatre for 14 voices, brass-ensemble end live electronics (rev. 2009)
Text by Steffi Hensel
Dramaturgy by Michael v. zur Mühlen, Steffi Hensel, Lucia Ronchetti
First performance new version:
20/21-3 -2010, Maerzmusik, Sophiensaelen, Berlin
Publisher: Rai Trade
Duration: 1h30 ca
Michael v. zur Mühlen (direction)
Elisabetta Benassi (video)
Lothar Baumgarte (setdesign/lights)
Svenja Gassen (costumes)
Thomas Seelig (live electronic)
Kammerensemble Neue Musik Berlin
Timo Kreuser (musical director)
Daniel Gloger (voices instructor)
Katia Guedes, Andrea Chudak, Ruth Rosenfeld, Estelle Lefort (Soprano)
Anna Charim, Regina Jakobi (Mezzosoprano)
Kyoung-Ran Won, Claudia von Hasselt (Contralto)
Volker Nietzke, Eloi Prat i Morgades, Florian Just (Tenor)
Andreas Fischer, Martin Gerke, Simon Robinson (Bass)
Barbara Gstaltmayr (producer)
Prize Fonds Experimentelles Musiktheater NRW 2006
Prize “Music Theater Now” ITI Berlin 2008.
Supported by:
Kunst Stifftung NRW
Haupt Stadt Kultur Fonds Berlin
Deutscher Musikrat
Initiative Neue Musik Berlin
Italienisches Kulturinstitut Berlin
Deutscher Akademischer Austauschdienst Berlin
Galerie Mario Mazzoli, Berlin
Der Sonne entgegen is a dramatic meditation for 14 solo vocal performers, brass ensemble and live electronics. New and old frontiers of our hyper-communicative world are the main subjects, the point of departure of the project.
The dramaturgy follows the multiple transformations of the 14 performers in fragmented, associatively connected and dramatic situations. They appear as Europeans enjoying a seemingly wonderful holiday on an exotic island-bubble, as refugees facing an insurmountable barrier in desert-like surroundings, as stateless people or [...]
Lucia Ronchetti
Der Sonne entgegen
Music theatre for 14 voices, brass-ensemble end live electronics (rev. 2009)
Text by Steffi Hensel
Dramaturgy by Michael v. zur Mühlen, Steffi Hensel, Lucia Ronchetti
First performance new version:
20/21-3 -2010, Maerzmusik, Sophiensaelen, Berlin
Publisher: Rai Trade
Duration: 1h30 ca
Michael v. zur Mühlen (direction)
Elisabetta Benassi (video)
Lothar Baumgarte (setdesign/lights)
Svenja Gassen (costumes)
Thomas Seelig (live electronic)
Kammerensemble Neue Musik Berlin
Timo Kreuser (musical director)
Daniel Gloger (voices instructor)
Katia Guedes, Andrea Chudak, Ruth Rosenfeld, Estelle Lefort (Soprano)
Anna Charim, Regina Jakobi (Mezzosoprano)
Kyoung-Ran Won, Claudia von Hasselt (Contralto)
Volker Nietzke, Eloi Prat i Morgades, Florian Just (Tenor)
Andreas Fischer, Martin Gerke, Simon Robinson (Bass)
Barbara Gstaltmayr (producer)
Prize Fonds Experimentelles Musiktheater NRW 2006
Prize “Music Theater Now” ITI Berlin 2008.
Supported by:
Kunst Stifftung NRW
Haupt Stadt Kultur Fonds Berlin
Deutscher Musikrat
Initiative Neue Musik Berlin
Italienisches Kulturinstitut Berlin
Deutscher Akademischer Austauschdienst Berlin
Galerie Mario Mazzoli, Berlin
Der Sonne entgegen is a dramatic meditation for 14 solo vocal performers, brass ensemble and live electronics. New and old frontiers of our hyper-communicative world are the main subjects, the point of departure of the project.
The dramaturgy follows the multiple transformations of the 14 performers in fragmented, associatively connected and dramatic situations. They appear as Europeans enjoying a seemingly wonderful holiday on an exotic island-bubble, as refugees facing an insurmountable barrier in desert-like surroundings, as stateless people or [...]
Muziekgebouw aan 't IJ, Amsterdam,
September 7th, 2008;
International Gaudeamus Music Week;
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Heading out of the walled town of Lucca. Back to the coach at Piazzale Boccherini. to head onto Pisa. It had rained during our time in Lucca (at lunchtime) so was bit wet as we left (was dry by the time we got to Pisa).
Lucca is a city and comune in Tuscany, Central Italy, on the Serchio, in a fertile plain near the Tyrrhenian Sea. It is the capital of the Province of Lucca. It is famous for its intact Renaissance-era city walls.
The walls encircling the old town remain intact, even as the city expanded and modernized, unusual for cities in the region. Initially built as a defensive rampart, once the walls lost their military importance they became a pedestrian promenade, the Passeggiata delle Mure Urbane, a street atop the walls linking the bastions. It passes through the Bastions of Santa Croce, San Frediano, San Martino, San Pietro/Battisti, San Salvatore, La Libertà/Cairoli, San Regolo, San Colombano, Santa Maria, San Paolino/Catalani, and San Donato; and over the gates (Porte): San Donato, Santa Maria, San Jocopo, Elisa, San Pietro, and Sant'Anna. Each of the four principal sides of the structure is lined with a different tree species than the others.
The San Paolino rampart stands at the south-western end of the circle of walls, between the San Donato and Santa Maria bastions. The construction has uneven measuring faces and round sides; originally on the sides there were some squares of maneuver that were later dismantled while the original hanging barracks, dated 1570, is still located in the gorge, providing a cover to the tunnel that leads to the basement.
The rampart was built in two phases, incorporating a pre-existing semicircular tower. The northern portion was raised at two different times (1594-1597 and 1600-1602) based on a design by Ginese Bresciani. The rest of the rampart was completed only many years later, between 1640 and 1642, on the project of Maurizio Oddi, when the alignment provided by the medieval walls was definitively abandoned.
Lucca 1854 - Milan 1893
Italian composer
Bronze monument with six human figures: allegories of music and arts.
Inscription:
in the centenary of birth
of
ALFREDO CATALANI
1854 1954
the scythe - dejanice - edmea - loreley - wally
VocaalLAB Nederland: Francine Vis, mezzo-soprano and Bauwien van der Meer, soprano;
Nieuw Ensemble: Margreet Niks, Helenus de Rijke, Joël Bons, Jasper Berben
Muziekgebouw aan 't IJ, Amsterdam,
September 8th, 2009;
International Gaudeamus Music Week;
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Composer/member of the Gaudeamus Muziekweek 2019 selection jury;
Gaudeamus HQ, Muziekhuis Utrecht, Utrecht,
October 19th, 2018;
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Saxophone, voice, live electronics;
International Gaudeamus Music Week 2007;
The European Live Electronics Competition;
Felix Meritis, Amsterdam,
September 8th, 2007;
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Composer Gian Carlo Menotti, as photographed by Carl Van Vechten in 1944.
Image courtesy of Marquette University Archives. Image No.: MUA_KJP_01132front
Related images at
Composers; Finalists Henriëtte Bosmans Prijs;
Muziekgebouw aan 't IJ, Amsterdam,
October 11th, 2009;
Nederlandse Muziekdagen;
Muziek & Poëzie;
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Composers;
Nieuw Ensemble + Looptail: An evening of today;
Donderdagavondserie; Proms; Serie Nieuw Ensemble;
Muziekgebouw aan 't IJ, Amsterdam,
February 28th, 2013;
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Italian pianist and composer Ludovico Einaudi (OMRI) performs at the iTunes Festival 2013 at The Roundhouse, London, England, UK on 17th September 2013. Einaudi is the first classical artist to headline an iTunes show.
Italian pianist and composer Ludovico Einaudi (OMRI) performs at the iTunes Festival 2013 at The Roundhouse, London, England, UK on 17th September 2013. Einaudi is the first classical artist to headline an iTunes show.
Composer, cavaliere di Micky Mause;
"Cathy Berberian. International congress";
Universiteitstheater, Amsterdam, April 28th, 2006;
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Composer;
International Gaudeamus Music Week 2007;
Muziekgebouw aan 't IJ, Amsterdam,
September 7th, 2007;
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Composer;
With Alvin Curran and Ryan Carter;
International Gaudeamus Music Week 2005;
Muziekgebouw aan 't IJ, Amsterdam,
September 9th, 2005;
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Pere Lachaise is approximately 44 hectares and was opened as a cemetery in 1804. It holds over 70,000 plots and receives over two million visitors a year from all over the world.
Composer;
Atlas Academy 2010;
Conservatorium van Amsterdam, Amsterdam,
August 27th, 2010;
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Composer/Member of the Gaudeamus Muziekweek 2018 Jury;
Muziekhuis Utrecht, Utrecht,
October 14th, 2017;
© co broerse
Conservatorium van Amsterdam, Amsterdam,
August 28th, 2009;
Atlas Academy: Atlas Ensemble;
all rights reserved: co broerse
Italian pianist and composer Ludovico Einaudi (OMRI) performs at the iTunes Festival 2013 at The Roundhouse, London, England, UK on 17th September 2013. Einaudi is the first classical artist to headline an iTunes show.
Violinplayer, mezzosoprano/composer and composer;
25 Jaar Fonds voor de Scheppende Toonkunst/60 Jaar Donemus;
Muziekgebouw aan 't IJ, Amsterdam,
October 7th, 2007;
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Muziekgebouw aan 't IJ, Amsterdam,
September 7th, 2008;
International Gaudeamus Music Week;
all rights reserved: co broerse
Mr. Messieri flew in from San Marino for this debut performance of his work, Fantasia for Xiao Dong Wei.
Composer and bass saxophone [viz. a 1927 CONN] player;
ICMC: International Computer Music Conference;
Koninklijk Conservatorium, The Hague,
October 21st, 1986;
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Composer;
At the performance of his ICONICA by the Nieuw Ensemble;
International Gaudeamus Music Week 2007;
Muziekgebouw aan 't IJ, Amsterdam,
September 7th, 2007;
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Nominees and some of the musicians involved:
Kees Hilhorst, violin, Zacharias S. Falkenberg, Sara Zamboni, Celia Swart, Tom Sanderman, saxophone, Rianne Wilbers, soprano, Remy Alexander, Davide Baldo, flute, James Alexandropoulos-McEwan, Orestes Willemen, electric guitar, Stefania Pigozzo, piano, Alfian Adytia, cello, Femke van den Bergh, clarinet and Tom Goff, conductor;
Lunchpauzeconcert: Tera de Marez Oyens Prijs 2018;
Gaudeamus Muziekweek 2018;
TivoliVredenburg [Herz], Utrecht,
September 7th, 2018;
© co broerse
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Victoria Lerche, harpsichord [1st Prize Performer], Margareta Ferek-Petric, composer [2nd Prize Composers & Audience Prize], Franjo Bilic, harpsichord [2nd Prize Performers], Aart Strootman, composer [1st Prize Composers] Alfred Momotenko, composer [Black Pencil Prize] and Cinzia Nistico, composer [Black Pencil Honorable Mention for Composers];
Prix Annelie de Man 2018;
Orgelpark, Amsterdam,
May 26th, 2018;
© co broerse
After the première of Berio's Formazioni;
Concertgebouw, Amsterdam,
January 15th, 1987.
all rights reserved: co broerse