View allAll Photos Tagged isamu
Akari work exhibited in a small, silent gallery at Moerenuma Park.
I'm particularly fond of the one with three black circles that looks as if he is a man!
Isamu Noguchi's fountain in Detroit's Hart Plaza. Shot with Ricoh XR-2s. Kodak TX 400 black & white 35mm film.
NAGOYA, JAPAN - OCTOBER 10:Hiroshi Amano and Isamu Akasaki shake hands in the press conference at Nagoya University on October 10, 2014 in Nagoya, Japan. Professor Amano invented the efficient blue light-emitting diodes, which enabled bright and energy-saving white light sources with Shuji Nakamura of University of California, Santa Barbara, and Isamu Akasaki of Meijyo University (Photo by Kaz Photography/Getty Images)
Noguchi
(September 2021 — January 2022)
An exhibition celebrating Japanese American sculptor Isamu Noguchi (1904-1988), one of the most experimental and pioneering artists of the 20th century.
Noguchi explores the kaleidoscopic career of a true artistic polymath. This exhibition, which is his first touring retrospective in Europe for 20 years, focuses on Noguchi as a global citizen and his risk-taking approach to sculpture as a living environment.
‘Everything is sculpture. Any material, any idea without hindrance born into space, I consider sculpture.'
Over 150 works are presented, including an extraordinary range of sculptures – made in stone, ceramics, wood and aluminium – as well as theatre set designs, playground models, furniture and lighting.
Embracing social, environmental and spiritual consciousness, Noguchi believed sculpture could 'be a vital force in our everyday life' and saw art 'as something which teaches human beings how to become more human.'
[Barbican Centre]
Noguchi
(September 2021 — January 2022)
An exhibition celebrating Japanese American sculptor Isamu Noguchi (1904-1988), one of the most experimental and pioneering artists of the 20th century.
Noguchi explores the kaleidoscopic career of a true artistic polymath. This exhibition, which is his first touring retrospective in Europe for 20 years, focuses on Noguchi as a global citizen and his risk-taking approach to sculpture as a living environment.
‘Everything is sculpture. Any material, any idea without hindrance born into space, I consider sculpture.'
Over 150 works are presented, including an extraordinary range of sculptures – made in stone, ceramics, wood and aluminium – as well as theatre set designs, playground models, furniture and lighting.
Embracing social, environmental and spiritual consciousness, Noguchi believed sculpture could 'be a vital force in our everyday life' and saw art 'as something which teaches human beings how to become more human.'
[Barbican Centre]
"Skyviewing Sculpture" 1969
by Isamu Noguchi
Interacting with Sculptures
WWU's Outdoor Sculpture Collection
Cathy's Visit to B'ham
May 30, 2009
NAGOYA, JAPAN - OCTOBER 08: Isamu Akasaki answers phone call celebrating his noble prize at Meijo University on October 8, 2014 in Nagoya, Japan. Professor Akasaki invented the efficient blue light-emitting diodes, which enabled brigh and energy-saving white light sources with Shuji Nakamura of University of California, Santa Barbara, and Hiroshi Amano of Nagoya University. (Photo by Kaz Photography/Getty Images)
Isamu Noguchi exhibit at Barbican -- the frame for a costume used in a dance production by Martha Graham
Noguchi
(September 2021 — January 2022)
An exhibition celebrating Japanese American sculptor Isamu Noguchi (1904-1988), one of the most experimental and pioneering artists of the 20th century.
Noguchi explores the kaleidoscopic career of a true artistic polymath. This exhibition, which is his first touring retrospective in Europe for 20 years, focuses on Noguchi as a global citizen and his risk-taking approach to sculpture as a living environment.
‘Everything is sculpture. Any material, any idea without hindrance born into space, I consider sculpture.'
Over 150 works are presented, including an extraordinary range of sculptures – made in stone, ceramics, wood and aluminium – as well as theatre set designs, playground models, furniture and lighting.
Embracing social, environmental and spiritual consciousness, Noguchi believed sculpture could 'be a vital force in our everyday life' and saw art 'as something which teaches human beings how to become more human.'
[Barbican Centre]