View allAll Photos Tagged introspective
He doesn’t pose. He just stands there—quiet, unflinching, as if the world around him doesn’t need to know what he’s thinking.
There’s a storm somewhere behind those eyes, or maybe just the stillness of a summer afternoon, the kind where time slows down and a boy becomes something more than a boy—a story waiting to be told.
In Havana's classroom, a girl's introspective moment is interrupted as she turns, meeting the camera's gaze with a curious and contemplative expression
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Chilling to this beautiful (and sad) ballad from the 1972 album 'Piledriver'
A bit different for me, but I hope you relax and enjoy xx
The young man's introspective expression suggests he is deeply immersed in self-reflection, pondering personal matters or engaging in internal dialogue. The color grading scheme and dramatic lighting further emphasize the pensive and serious mood, inviting the viewer to wonder about the complex inner world and unspoken feelings behind his thoughtful eyes.
All these things and more go into being a woman, which is one reason I believe my mind is more female-oriented than male
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“I have the choice of being constantly active and happy or introspectively passive and sad. Or I can go mad by ricocheting in between.”
― Sylvia Plath, The Unabridged Journals of Sylvia Plath
All Saints, Holbrook, Suffolk
The Shotley Peninsula is a pastoral scattering of gentle hamlets along high hedged lanes which thread over hills and through woodlands. Other settlements line the Orwell estuary, the full drama of the wide water and forests beyond constantly on show. The road along the northern shore is a busy one, as is the Ipswich to Manningtree road which cuts the Peninsula off from the rest of Suffolk, but otherwise this is an introspective, secretive landscape, especially on the southern side. No wonder people long to live there.
The Peninsula has only two places of any real size; broad functional Shotley itself, at the eastern tip, and Holbrook to the west, a rather more prosperous proposition. Holbrook is home to the famous Royal Hospital School, a vast 1930s neo-classical confection designed for the sons and daughters of the Navy. Its campanile tower is a landmark for miles around; you can see it from tower blocks in the centre of Ipswich. The school inhabits a large campus to the south of the village, and injects lifeblood into the local economy.
So here we still have jobs, and shops, a high school and a couple of pubs. Oh, and a pretty village church, behind a high hedge. The village is rather a suburban one; such an economy generates and thrives on traffic, and all the peninsula comes here to stock up.
At first sight, the arrangement of the church is a bit odd. This is one of the 14th Century south-east towers commonly found in the Ipswich area, and the nave to the north of it was probably contemporary with it. But a small, low south aisle was built a century later, running eastwards of it, and the effect now is of a tiny church with a huge north aisle. In fact, there is a 19th century north aisle beyond the nave, the work of Diocesan architect Richard Phipson; it has a rather awkward juxtaposition with the nave at the west end, with an angled doorway. The nave west window appears to be made of terracotta. The best feature of the exterior is the clerestory, somewhat hidden by the south aisle, but picked out beautifully in red brick.
The interior is almost entirely Victorian, again the work of Richard Phipson. Although it now has a fairly rustic and simple Low Church feel to it, which is very pleasant, a glance at the chancel shows that Phipson fitted it out for the kind of mystical, incense-led 19th Century High Church worship which he loved, and for which his St Mary le Tower in Ipswich is the crowning moment in Suffolk. Most of the fittings are now gone, but the sense of the past remains.
Holbrook church contains one major pre-Victorian survival. This is the monument to one of the arch-villains of the English Reformation. It is a huge memorial at the east end of the south aisle. Sir John Clenche is the figure above his daughter-in-law on the huge memorial in the south aisle. Clenche was High Sheriff of Suffolk, but is more famous, and more notorious, for being the judge who sentenced Saint Margaret Clitherow to death.
In 1586, Margaret Clitherow, the middle-class wife of a York butcher, was accused of treason against the state. This was a catch-all charge designed to root out Catholicism; she was told, as all martyrs of the time were, that the charges would be dropped if she renounced Catholicism, and conformed to the Anglican church. This she refused to do, and also refused to enter a plea, saying that "having made no offence, I need no trial". Failure to make a plea was a capital crime in itself, of course, and Clenche's sentence was that you shall return to the place from whence you came, and in the lower part of the prison be stripped naked, laid down upon the ground, and so much weight laid upon you as you are able to bear, and thus you shall continue for three days; the third day you shall have a sharp stone laid under your back, and your hands and feet shall be tied to posts that, more weight being laid upon you, you may be pressed to death.
Popular Catholic martyrology has it that Clitherow's only problem with her sentence was the bit about being stripped naked; the night before she was crushed, she supposedly made a shift to wear. This was not allowed her, but it was placed over the lower part of her body to preserve her modesty from the paying spectators. The final sentence was carried out on the 25th of March 1586. Brennan's Martyrs of the English Reformation recalls that a stone the size of a man's fist was placed under her back, her arms were stretched out and tied with cords provided; a door was placed upon her, and stones piled upon it by some beggars hired for the purpose. Her last words were 'Jesu have mercy upon me!' and when her chest was crushed her ribs protruded, and she was left in this postion for six hours.
The body was thrown on a dunghill on the outskirts of the city, but was rescued after six weeks by local Catholics, who found it 'free of putrefaction'. In May 1970 she was canonised as one of the martyrs of England and Wales by Pope Paul VI. There are images of her at Holy Family church in Kesgrave, a few miles off, and at Our Lady Star of the Sea in Wells in Norfolk, and the story of her martyrdom can be seen in stained glass just across the border at the church of Our Lady and the English Martyrs in Cambridge.
I'm feeling more introspective today getting my bearings with the end result hopefully as usual feeling how lucky I am. Here is and old photo in a little black string bikini from 2015 and it is a bit depressing as I know we can't go back in time but I was obviously in tip top shape then.
I am not sad these days, but when I took this things were a bit different. Frankly, my skin drives me crazy on this shot, but I decided to stop editing and post as is. I almost entitled this "Imperfect Girl" or "Sad Imperfect Girl", but decided against it, as sometimes less is more.
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Part of the Sophie Ryder exhibition at Salisbury Cathedral
An introspective sculture - the vulnerability of the pose is highlighted as the wire structure allows the viewer to look through and glimpse the small hare within
I know I have an 'easy' job relative to most people, but It's been a tough week working on my own. I'm tired and in need of some rest, company and hugs. I haven't had time to take photos all week, or do much for myself, but I haven't stopped 'seeing' and the fact that I couldn't capture any of it has frustrated me. Still a busy day, even on a Sunday, but I have found some camera time with some beautiful raindrops on a hosta.
My emotional state has been a little like these raindrops lately - tentatively hanging on in there, trying not to get knocked into the void.
Inspired by Sugimoto and the search for beauty in its most simple form, a world free from clutter, free from any distinct visual suggestions. I find the beauty in this style of work is that one can gaze into such an image and find their own meaning.
West-German postcard by Ufa/Film-Foto, Berlin-Tempelhof, no. FK 4491. Photo: Marszalek / Kurt Ulrich-Film Deutschen Film Hansa. Erik Schumann in So angelt man keinen Mann/That's No Way to Land a Man (Hans Deppe, 1959).
Erik Schumann (1925-2007) was an intense, dark-haired leading actor of post-war German cinema, who often specialised in playing introspective or psychologically damaged characters. He appeared regularly on stage in Berlin, Frankfurt, Stuttgart and Munich from 1943. He was at the peak of his popularity, both in films and on television, during the 1950s and 1960s. A prolific voice-over artist, Schumann also provided the German voice for stars like Peter O'Toole, Marcello Mastroianni, Christopher Lee and Roger Moore.
Erich Heinz Schumann was born in 1925 in Grechwitz (now Grimma-Grechwitz), Germany. In addition to his musical training in piano and trombone, he took acting lessons at the Dresden Conservatory. Afterwards, he got his first engagements at the Staatstheater Dresden, at the Berlin Schloßparktheater as well as in Frankfurt am Main, in Stuttgart and in Munich from 1943. As a youth, he appeared in the Nazi Propaganda film Himmelhunde/Sky dogs (Roger von Norman, 1942) about young Germans at a Hitler Youth camp who engage in a program to learn how to build and fly gliders. His first film role as an adult was as a corps student in the DEFA film Semmelweis - Retter der Mütter/Dr. Semmelweis (Georg C. Klaren, 1950) starring Karl Paryla. In 1954 he played his first role in a Federal Republic film, in Konsul Strotthoff/Melody Beyond Love (Erich Engel, 1954). opposite Willy Birgel and Inge Egger. His breakthrough came with the East-West love drama Himmel ohne Sterne/Sky Without Stars (Helmut Käutner, 1955). From then on he appeared in various roles alongside Heinz Erhardt, Bernhard Wicki, Hansjörg Felmy, Ulla Jacobsson, Sonja Ziemann and Gunnar Möller among others. In 1960 he appeared in Fabrik der Offiziere/Operation Terror (Frank Wisbar, 1960) alongside Helmut Griem and Horst Frank.
Erik Schumann began dubbing in 1949 and till 2004 he lent his voice to 600 films and TV productions. He dubbed actors such as Tony Curtis in Manche mögen's heiß/Some Like it Hot (Billy Wilder, 1959), Cary Grant in Leopards Don't Kiss/Bringing Up Baby (Howard Hawks, 1938), and Jack Nicholson in Die Ehre der Prizzis/Prizzi's Honor (John Huston, 1985). His distinctive voice was also in great demand for radio drama productions, and in 1968 he voiced Dr. Watson in six Sherlock Holmes stories for Bayerischer Rundfunk. Erik Schumann was also heard in roles in numerous television series, such as for Martin Landau in the first dubbing phase of Kobra, übernehmen Sie/Mission: Impossible (1967-1973), for Pernell Roberts in Hawkins (1973-1974). or for Jack Klugman in Du schon wieder/You again? (1986). On the series Eine schrecklich nette Familie/Married... with Children (1987-1997), he dubbed and was heard as the voice of Buck the dog. In the Brazilian telenovela Sinhá Moça - Die Tochter des Sklavenhalters/Sinha Moça (1986-1987), he lent his voice to the Latin-American star Rubens de Falco as Colonel Ferreira. In 1987, he was the first Jedermann (Everyman) at the Berlin Jedermann Festival. In 2000, Schumann dubbed the role of the gold digger Stinky Pete, originally voiced by Kelsey Grammer, in the computer-animated film Toy Story 2 (John Lasseter, 1999) produced by Pixar. He also appeared in numerous television productions and made guest appearances in the popular Krimi series Der Kommissar/The Commissioner (1969-1975) and Derrick (1983). His work as an investigator in the television series Tatort/Crime Scene was limited to one episode in 1981. In the 1980s he appeared in the cinema in two Fassbinder classics, Lili Marleen (Rainer Werner Fassbinder, 1981) with Hanna Schygulla and Die Sehnsucht der Veronika Voss/Veronika Voss (Rainer Werner Fassbinder, 1982) with Rosel Zech. He also appeared in the Italian film L'inchiesta /The Inquiry (Damiano Damiani, 1987) starring Keith Carradine and Harvey Keitel. His last role was in the crime film Mörderischer Plan/Murderous Plan (Raoul W. Heimrich, 2003). Erik Schumann was married twice (in his first marriage to the actress Erika Dannhoff) and had two children. He last lived in Straßlach near Munich, where he succumbed to cancer in 2007 at the age of 82 and was buried there.
Sources: Deutsche Synchron-kartei (German), Wikipedia (German and English) and IMDb.
And, please check out our blog European Film Star Postcards.
West-German postcard by Ufa/Film-Foto, no. FK 1918. Photo: Gabriele / NDF / Europa-Film.
Erik Schumann (1925-2007) was an intense, dark-haired leading actor of post-war German cinema, who often specialised in playing introspective or psychologically damaged characters. He appeared regularly on stage in Berlin, Frankfurt, Stuttgart and Munich from 1943. He was at the peak of his popularity, both in films and on television, during the 1950s and 1960s. A prolific voice-over artist, Schumann also provided the German voice for stars like Peter O'Toole, Marcello Mastroianni, Christopher Lee and Roger Moore.
Erich Heinz Schumann was born in 1925 in Grechwitz (now Grimma-Grechwitz), Germany. In addition to his musical training in piano and trombone, he took acting lessons at the Dresden Conservatory. Afterwards, he got his first engagements at the Staatstheater Dresden, at the Berlin Schloßparktheater as well as in Frankfurt am Main, in Stuttgart and in Munich from 1943. As a youth, he appeared in the Nazi Propaganda film Himmelhunde/Sky dogs (Roger von Norman, 1942) about young Germans at a Hitler Youth camp who engage in a program to learn how to build and fly gliders. His first film role as an adult was as a corps student in the DEFA film Semmelweis - Retter der Mütter/Dr. Semmelweis (Georg C. Klaren, 1950) starring Karl Paryla. In 1954 he played his first role in a Federal Republic film, in Konsul Strotthoff/Melody Beyond Love (Erich Engel, 1954). opposite Willy Birgel and Inge Egger. His breakthrough came with the East-West love drama Himmel ohne Sterne/Sky Without Stars (Helmut Käutner, 1955). From then on he appeared in various roles alongside Heinz Erhardt, Bernhard Wicki, Hansjörg Felmy, Ulla Jacobsson, Sonja Ziemann and Gunnar Möller among others. In 1960 he appeared in Fabrik der Offiziere/Operation Terror (Frank Wisbar, 1960) alongside Helmut Griem and Horst Frank.
Erik Schumann began dubbing in 1949 and till 2004 he lent his voice to 600 films and TV productions. He dubbed actors such as Tony Curtis in Manche mögen's heiß/Some Like it Hot (Billy Wilder, 1959), Cary Grant in Leopards Don't Kiss/Bringing Up Baby (Howard Hawks, 1938), and Jack Nicholson in Die Ehre der Prizzis/Prizzi's Honor (John Huston, 1985). His distinctive voice was also in great demand for radio drama productions, and in 1968 he voiced Dr. Watson in six Sherlock Holmes stories for Bayerischer Rundfunk. Erik Schumann was also heard in roles in numerous television series, such as for Martin Landau in the first dubbing phase of Kobra, übernehmen Sie/Mission: Impossible (1967-1973), for Pernell Roberts in Hawkins (1973-1974). or for Jack Klugman in Du schon wieder/You again? (1986). On the series Eine schrecklich nette Familie/Married... with Children (1987-1997), he dubbed and was heard as the voice of Buck the dog. In the Brazilian telenovela Sinhá Moça - Die Tochter des Sklavenhalters/Sinha Moça (1986-1987), he lent his voice to the Latin-American star Rubens de Falco as Colonel Ferreira. In 1987, he was the first Jedermann (Everyman) at the Berlin Jedermann Festival. In 2000, Schumann dubbed the role of the gold digger Stinky Pete, originally voiced by Kelsey Grammer, in the computer-animated film Toy Story 2 (John Lasseter, 1999) produced by Pixar. He also appeared in numerous television productions and made guest appearances in the popular Krimi series Der Kommissar/The Commissioner (1969-1975) and Derrick (1983). His work as an investigator in the television series Tatort/Crime Scene was limited to one episode in 1981. In the 1980s he appeared in the cinema in two Fassbinder classics, Lili Marleen (Rainer Werner Fassbinder, 1981) with Hanna Schygulla and Die Sehnsucht der Veronika Voss/Veronika Voss (Rainer Werner Fassbinder, 1982) with Rosel Zech. He also appeared in the Italian film L'inchiesta /The Inquiry (Damiano Damiani, 1987) starring Keith Carradine and Harvey Keitel. His last role was in the crime film Mörderischer Plan/Murderous Plan (Raoul W. Heimrich, 2003). Erik Schumann was married twice (in his first marriage to the actress Erika Dannhoff) and had two children. He last lived in Straßlach near Munich, where he succumbed to cancer in 2007 at the age of 82 and was buried there.
Sources: Deutsche Synchron-kartei (German), Wikipedia (German and English) and IMDb.
And, please check out our blog European Film Star Postcards.
she was playing with her other friends by the beach,
the were happy and didn't have a care in the world,
she noticed i was taking their picture,
she became introspective if only for a minute,
but immediately returned to her gleeful and care free self,
she deserves better, like her little friends,
and reminded me to do my share,
I gave them candies, i knew it was not enough.
It was my turn to be introspective.
Ivy looks out over the lake. I like her cautious, somewhat introspective pose, as it seems very grown-up to me, but I find it contrasts amusingly with her pink denim jacket and flamboyant socks.
Her movement at the edge of the crowd
Was quiet and introspective
While the world around her was loud
Her self love was her breath of life.
- a fragment
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Introspective #2. ©Copyright 2017 Karlton Huber Photography - all rights reserved.
Night Photography. Introspective Art Gallery on Pacific Coast Highway in Laguna Beach, CA.
I noticed this gallery last time I was in town, but I had other plans with a stronger pull so I made a mental note to return.
Now in the wee hours of a damp, breezy and cool morning I found myself standing in front of this location taking it all in and trying to identify the potential photographs. I made several images here and now that I am processing and studying my efforts I see the potential for even more photographs here.
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British postcard, no. MM373.
Keanu Reeves (1964) is a Canadian actor, producer, director and musician. Though Reeves often faced criticism for his deadpan delivery and perceived limited range as an actor, he nonetheless took on roles in a variety of genres, doing everything from introspective art-house fare to action-packed thrillers. His films include My Own Private Idaho (1991), the European drama Little Buddha (1993), Speed (1994), The Matrix (1999) and John Wick (2014).
Keanu Charles Reeves was born in 1964, in Beirut, Lebanon. His first name means ‘cool breeze over the mountains’ in Hawaiian. His father, Samuel Nowlin Reeves, Jr., was a geologist of Chinese-Hawaiian heritage, and his mother, Patricia Bond (née Taylor), was a British showgirl and later a costume designer for rock stars such as Alice Cooper. Reeves's mother was working in Beirut when she met his father. Upon his parents’ split in 1966, Keanu moved with his mother and younger sister Kim Reeves to Sydney, to New York and then to Toronto. As a child, he lived with various stepfathers, including stage and film director Paul Aaron. Keanu developed an ardor for hockey, though he would eventually turn to acting. At 15, he played Mercutio in a stage production of Romeo and Juliet at the Leah Posluns Theatre. Reeves dropped out of high school when he was 17. His film debut was the Canadian feature One Step Away (Robert Fortier, 1985). After a part in the teen movie Youngblood (Peter Markle, 1986), starring Rob Lowe, he obtained a green card through stepfather Paul Aaron and moved to Los Angeles. After a few minor roles, he gained attention for his performance in the dark drama River's Edge (Tim Hunter, 1986), which depicted how a murder affected a group of adolescents. Reeves landed a supporting role in the Oscar-nominated period drama Dangerous Liaisons (Stephen Frears, 1988), starring Glenn Close and John Malkovich. Reeves joined the casts of Ron Howard's comedy Parenthood (1989), and Lawrence Kasdan's I Love You to Death (1990). Unexpectedly successful was the wacky comedy Bill & Ted's Excellent Adventure (Stephen Herek, 1989) which followed two high school students (Reeves and Alex Winter) and their time-traveling high jinks. The success lead to a TV series and a sequel, Bill & Ted's Bogus Journey (Pete Hewitt, 1991). From then on, audiences often confused Reeves's real-life persona with that of his doofy on-screen counterpart.
In the following years, Keanu Reeves tried to shake the Ted stigma. He developed an eclectic film roster that included high-budget action films like the surf thriller Point Break (Kathryn Bigelow, 1991) for which he won MTV's ‘Most Desirable Male’ award in 1992, but also lower-budget art-house films. My Own Private Idaho (1991), directed by Gus Van Sant and co-starring River Phoenix, chronicled the lives of two young hustlers living on the streets. In Francis Ford Coppola’s adaptation of Bram Stoker’s Dracula (1992), Reeves embodied the calm resolute lawyer Jonathan Harker who stumbles into the lair of Gary Oldman’s Count Dracula. In Europe, he played prince Siddharta who becomes the Buddha in Bernardo Bertolucci’s Italian-French-British drama Little Buddha (1993). His career reached a new high when he starred opposite Sandra Bullock in the hit action film Speed (Jan de Bont, 1994). It was followed by the romantic drama A Walk in the Clouds (Alfonso Arau, 1995) and the supernatural thriller Devil’s Advocate (Taylor Hackford, 1997), co-starring Al Pacino and Charlize Theron. At the close of the decade, Reeves starred in a Sci-fi film that would become a genre game changer, The Matrix (Andy and Lana Wachowski, 1999). Reeves played the prophetic figure Neo, slated to lead humanity to freedom from an all-consuming simulated world. Known for its innovative fight sequences, avant-garde special effects and gorgeous fashion, The Matrix was an international hit. Two sequels, The Matrix Reloaded (Andy and Lana Wachowski, 1999) and The Matrix Revolutions (Andy and Lana Wachowski, 1999) followed and The Matrix Reloaded was even a bigger financial blockbuster than its predecessor.
Now a major, bonafide box office star, Keanu Reeves continued to work in different genres and both in bid-budget as in small independent films. He played an abusive man in the supernatural thriller The Gift (Sam Raimi, 2000), starring Cate Blanchett, a smitten doctor in the romantic comedy Something’s Gotta Give (Nancy Meyers, 2003) opposite Diane Keaton, and a Brit demon hunter in American-German occult detective action film Constantine (Francis Lawrence, 2005). His appearance in the animated science fiction thriller A Scanner Darkly (Richard Linklater, 2006), based on the novel by Philip K. Dick, received favourable reviews, and The Lake House (Alejandro Agresti, 2006) , his romantic outing with Sandra Bullock, was a success at the box office. Reeves returned to Sci-fi as alien Klaatu in The Day the Earth Stood Still (Scott Derrickson, 2008), the remake of the 1951 classic. Then he played a supporting part in Rebecca Miller's The Private Life of Pippa Lee (2009), which starred Robin Wright and premiered at the 59th Berlin International Film Festival. Reeves co-founded a production company, Company Films. The company helped produce Henry's Crime (Malcolm Venville, 2010), in which Reeves also starred. The actor made his directorial debut with the Chinese-American Martial arts film Man of Tai Chi (2013), partly inspired by the life of Reeves' friend, stuntman Tiger Chen. Martial arts–based themes continued in Reeves's next feature, 47 Ronin (Carl Rinsch, 2013), about a real-life group of masterless samurai in 18th-century Japan who avenged the death of their lord. Variety magazine listed 47 Ronin as one of "Hollywood's biggest box office bombs of 2013". Reeves returned as a retired hitman in the neo-noir action thriller John Wick (Chad Stahelski, David Leitch, 2014). The film opened to positive reviews and performed well at the box office. A sequel, titled John Wick: Chapter Two, is currently in production and is scheduled to be released in 2017. This year, he could be seen in the psychological horror film The Neon Demon is (Nicolas Winding Refn, 2016) and the romantic horror-thriller Bad Batch (Ana Lily Amirpour, 2016). Reeves’ artistic aspirations are not limited to film. In the early 1990s, he co-founded the grunge band Dogstar, which released two albums. He later played bass for a band called Becky. Reeves is also a longtime motorcycle enthusiast. After asking designer Gard Hollinger to create a custom-built bike for him, the two went into business together with the formation of Arch Motorcycle Company LLC in 2011. Reported to be one of the more generous actors in Hollywood, Reeves helped care for his sister during her lengthy battle with leukemia, and has supported such organizations as Stand Up To Cancer and PETA. In January 2000, Reeves's girlfriend, Jennifer Syme, gave birth eight months into her pregnancy to Ava Archer Syme-Reeves, who was stillborn. The strain put on their relationship by their grief resulted in Reeves and Syme's breakup several weeks later. In 2001, Syme died after a car accident.
Sources: Biography.com, Wikipedia and IMDb.