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Interviewer: why you left second life for a while?
Me: next question!
Interviewer: did it changed your life?
Me: next question!
Interviewer: would you say that the reason was a bad one?
Me: next question!
Interviewer: would you change anything in your life?
Me: everything!
Full set (so far) here - www.flickr.com/photos/timster1973/sets/72157643948151514/
Euromaidan (Yevromaidan, literally "Eurosquare") is a wave of demonstrations and civil unrest in Ukraine, which began on the night of 21 November 2013 with public protests demanding closer European integration and culminated in a coup d'etat of the reigning Ukrainian government. The scope of the protests expanded, with many calls for the resignation of President Viktor Yanukovych and his government. Many protesters joined because of the violent dispersal of protesters on 30 November and "a will to change life in Ukraine". By 25 January 2014, the protests had been fueled by the perception of "widespread government corruption", "abuse of power", and "violation of human rights in Ukraine".
The demonstrations began on the night of 21 November 2013, when protests erupted in the capital, Kiev, after the Ukrainian government suspended preparations for signing an Association Agreement and a Free Trade Agreement with the European Union, in order to seek closer economic relations with Russia. Prime Minister Mykola Azarov had asked for 20 Billion Euros (US$27) billion in loans and aid. The EU and Russia both offered Ukraine the possibility of substantial loans. Russia also offered Ukraine cheaper gas prices. On 24 November 2013, first clashes between protesters and police began. Protesters strived to break cordon. Police used tear gas and batons, protesters also used tear gas and some fire crackers (according to the police, protesters were the first to use them). After a few days of demonstrations an increasing number of university students joined the protests. The Euromaidan has been repeatedly characterised as an event of major political symbolism for the European Union itself, particularly as
"the largest ever pro-European rally in history".
The protests are ongoing despite heavy police presence, regularly sub-freezing temperatures, and snow. Escalating violence from government forces in the early morning of 30 November caused the level of protests to rise, with 400,000–800,000 protesters demonstrating in Kiev on the weekends of 1 December and 8 December. In the weeks since, protest attendance has fluctuated from 50,000 to 200,000 during organised rallies. Violent riots took place 1 December and 19 January through 25 in response to police brutality and government repression. Since 23 January several Western Ukrainian Oblast (province) Governor buildings and regional councils have been occupied in a revolt by Euromaidan activists. In the Russophone cities of Zaporizhzhya, Sumy, and Dnipropetrovsk, protesters also tried to take over their local government building, and have been met with considerable force from both police and government supporters.
According to journalist Lecia Bushak writing in the 18 February 2014 issue of Newsweek magazine, EuroMaidan has grown into something far bigger than just an angry response to the fallen-through EU deal. It's now about ousting Yanukovych and his corrupt government; guiding Ukraine away from its 200-year-long, deeply intertwined and painful relationship with Russia; and standing up for basic human rights to protest, speak and think freely and to act peacefully without the threat of punishment.
A turning point came in late-February, when enough members of the president's party fled or defected to lose their majority in the parliament leaving the opposition large enough to form the necessary quorum. This allowed parliament to pass a series of laws that removed police from Kiev, canceled anti-protest operations, restored the 2004 constitution, freed political detainees, and allegedly impeached the president. Yanukovych then fled to Ukraine's second largest city of Kharkiv, refusing to recognise the parliament's decisions. The parliament has assigned early elections for May 2014.
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model : lindsay washington
height is 5'11
age is 18
A:hi lindsay i just want to ask questions from the fans
L:sure i'd like to answer my fans questions
A; 1st question how was your career after next top model cycle one?
L:well,i was very glad i reached in the top 2 it was a great opportunity for me and the experience alone was priceless my experience after ntm was amazing i had books tons of amazing jobs and i now know how it feels to see yourself in magazines and billboards and even on TV.
A: when will we see you in other shows or contests?
L:well i've been invited to a new competition with some NTM cast
A;really that would be so exciting
L:it is.! i hope this time i will win :)
A:you will, last question which was your favorite challenge on NTM?
L:my favorite would be the welcome to paris shoot
www.flickr.com/photos/65151099@N03/6924356604/in/photostream
A:thank you very much for everything
L:no problem i love you all :)
which doll would you like to interview just state her name in the comment box and ask her questions who do you want to be interviewed next?
COMMENT NOW :)
Miss Bobby Pfeiffer posted an interview of me on her blog, Life, Love, Art. Do have a look. Cheers Bobby.
lifeluvart.blogspot.com/2010/12/flickr-superstars-roger-l...
Thought I might apply for a secretary position, do you think this would be a suitable interview outfit?
The interview I did during the Brickslopes Lego fan event finally came out! It’s so exciting! I recommend checking it out if you want to hear more of the historical facts I added into the Whydah :) Also, since I don’t know when else I can say it, thank you all so much for your support! I know it’s cliche, but 100 followers feels like such a huge milestone! Thank you all so much!
Drawing is a form of visual art in which a person uses various drawing instruments to mark paper or another two-dimensional medium. Instruments include graphite pencils, pen and ink, inked brushes, wax color pencils, crayons, charcoal, chalk, pastels, various kinds of erasers, markers, styluses, various metals (such as silverpoint) and electronic drawing.
A drawing instrument releases small amount of material onto a surface, leaving a visible mark. The most common support for drawing is paper, although other materials, such as cardboard, plastic, leather, canvas, and board, may be used. Temporary drawings may be made on a blackboard or whiteboard or indeed almost anything. The medium has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating visual ideas.[1] The wide availability of drawing instruments makes drawing one of the most common artistic activities.
In addition to its more artistic forms, drawing is frequently used in commercial illustration, animation, architecture, engineering and technical drawing. A quick, freehand drawing, usually not intended as a finished work, is sometimes called a sketch. An artist who practices or works in technical drawing may be called a drafter, draftsman or a draughtsman.[2]
Drawing is one of the major forms of expression within the visual arts. It is generally concerned with the marking of lines and areas of tone onto paper/other material, where the accurate representation of the visual world is expressed upon a plane surface.[3] Traditional drawings were monochrome, or at least had little colour,[4] while modern colored-pencil drawings may approach or cross a boundary between drawing and painting. In Western terminology, drawing is distinct from painting, even though similar media often are employed in both tasks. Dry media, normally associated with drawing, such as chalk, may be used in pastel paintings. Drawing may be done with a liquid medium, applied with brushes or pens. Similar supports likewise can serve both: painting generally involves the application of liquid paint onto prepared canvas or panels, but sometimes an underdrawing is drawn first on that same support.
Madame Palmyre with Her Dog, 1897. Henri de Toulouse-Lautrec
Galileo Galilei. Phases of the Moon. 1616.
Drawing is often exploratory, with considerable emphasis on observation, problem-solving and composition. Drawing is also regularly used in preparation for a painting, further obfuscating their distinction. Drawings created for these purposes are called studies.
There are several categories of drawing, including figure drawing, cartooning, doodling, free hand and shading. There are also many drawing methods, such as line drawing, stippling, shading, the surrealist method of entopic graphomania (in which dots are made at the sites of impurities in a blank sheet of paper, and lines are then made between the dots), and tracing (drawing on a translucent paper, such as tracing paper, around the outline of preexisting shapes that show through the paper).
A quick, unrefined drawing may be called a sketch.
In fields outside art, technical drawings or plans of buildings, machinery, circuitry and other things are often called "drawings" even when they have been transferred to another medium by printing.
History[edit]
Drawing as a Form of Communication Drawing is one of the oldest forms of human expression, with evidence for its existence preceding that of written communication.[5] It is believed that drawing was used as a specialised form of communication before the invent of the written language,[5][6] demonstrated by the production of cave and rock paintings created by Homo sapiens sapiens around 30,000 years ago.[7] These drawings, known as pictograms, depicted objects and abstract concepts.[8] The sketches and paintings produced in prehistoric times were eventually stylised and simplified, leading to the development of the written language as we know it today.
Drawing in the Arts Drawing is used to express one's creativity, and therefore has been prominent in the world of art. Throughout much of history, drawing was regarded as the foundation for artistic practise.[9] Initially, artists used and reused wooden tablets for the production of their drawings.[10] Following the widespread availability of paper in the 14th century, the use of drawing in the arts increased. At this point, drawing was commonly used as a tool for thought and investigation, acting as a study medium whilst artists were preparing for their final pieces of work.[11][12] In a period of artistic flourish, the Renaissance brought about drawings exhibiting realistic representational qualities,[13] where there was a lot of influence from geometry and philosophy.[14]
The invention of the first widely available form of photography led to a shift in the use of drawing in the arts.[15] Photography took over from drawing as a more superior method for accurately representing visual phenomena, and artists began to abandon traditional drawing practises.[16] Modernism in the arts encouraged "imaginative originality"[17] and artists' approach to drawing became more abstract.
Drawing Outside the Arts Although the use of drawing is extensive in the arts, its practice is not confined purely to this field. Before the widespread availability of paper, 12th century monks in European monasteries used intricate drawings to prepare illustrated, illuminated manuscripts on vellum and parchment. Drawing has also been used extensively in the field of science, as a method of discovery, understanding and explanation. In 1616, astronomer Galileo Galilei explained the changing phases of the moon through his observational telescopic drawings.[16] Additionally, in 1924, geophysicist Alfred Wegener used illustrations to visually demonstrate the origin of the continents.The medium is the means by which ink, pigment or color are delivered onto the drawing surface. Most drawing media are either dry (e.g. graphite, charcoal, pastels, Conté, silverpoint), or use a fluid solvent or carrier (marker, pen and ink). Watercolor pencils can be used dry like ordinary pencils, then moistened with a wet brush to get various painterly effects. Very rarely, artists have drawn with (usually decoded) invisible ink. Metalpoint drawing usually employs either of two metals: silver or lead.[20] More rarely used are gold, platinum, copper, brass, bronze, and tinpoint.
Paper comes in a variety of different sizes and qualities, ranging from newspaper grade up to high quality and relatively expensive paper sold as individual sheets.[21] Papers can vary in texture, hue, acidity, and strength when wet. Smooth paper is good for rendering fine detail, but a more "toothy" paper holds the drawing material better. Thus a coarser material is useful for producing deeper contrast.
Newsprint and typing paper may be useful for practice and rough sketches. Tracing paper is used to experiment over a half-finished drawing, and to transfer a design from one sheet to another. Cartridge paper is the basic type of drawing paper sold in pads. Bristol board and even heavier acid-free boards, frequently with smooth finishes, are used for drawing fine detail and do not distort when wet media (ink, washes) are applied. Vellum is extremely smooth and suitable for very fine detail. Coldpressed watercolor paper may be favored for ink drawing due to its texture.
Acid-free, archival quality paper keeps its color and texture far longer than wood pulp based paper such as newsprint, which turns yellow and become brittle much sooner.
The basic tools are a drawing board or table, pencil sharpener and eraser, and for ink drawing, blotting paper. Other tools used are circle compass, ruler, and set square. Fixative is used to prevent pencil and crayon marks from smudging. Drafting tape is used to secure paper to drawing surface, and also to mask an area to keep it free of accidental marks sprayed or spattered materials and washes. An easel or slanted table is used to keep the drawing surface in a suitable position, which is generally more horizontal than the position used in painting.
Technique[edit]
Raphael, study for what became the Alba Madonna, with other sketches
Almost all draftsmen use their hands and fingers to apply the media, with the exception of some handicapped individuals who draw with their mouth or feet.[22]
Prior to working on an image, the artist typically explores how various media work. They may try different drawing implements on practice sheets to determine value and texture, and how to apply the implement to produce various effects.
The artist's choice of drawing strokes affects the appearance of the image. Pen and ink drawings often use hatching—groups of parallel lines.[23] Cross-hatching uses hatching in two or more different directions to create a darker tone. Broken hatching, or lines with intermittent breaks, form lighter tones—and controlling the density of the breaks achieves a gradation of tone. Stippling, uses dots to produce tone, texture or shade. Different textures can be achieved depending on the method used to build tone.[24]
Drawings in dry media often use similar techniques, though pencils and drawing sticks can achieve continuous variations in tone. Typically a drawing is filled in based on which hand the artist favors. A right-handed artist draws from left to right to avoid smearing the image. Erasers can remove unwanted lines, lighten tones, and clean up stray marks. In a sketch or outline drawing, lines drawn often follow the contour of the subject, creating depth by looking like shadows cast from a light in the artist's position.
Sometimes the artist leaves a section of the image untouched while filling in the remainder. The shape of the area to preserve can be painted with masking fluid or cut out of a frisket and applied to the drawing surface, protecting the surface from stray marks until the mask is removed.
Another method to preserve a section of the image is to apply a spray-on fixative to the surface. This holds loose material more firmly to the sheet and prevents it from smearing. However the fixative spray typically uses chemicals that can harm the respiratory system, so it should be employed in a well-ventilated area such as outdoors.
Another technique is subtractive drawing in which the drawing surface is covered with graphite or charcoal and then erased to make the image.[25]
Tone[edit]
Line drawing in sanguine by Leonardo da Vinci
Shading is the technique of varying the tonal values on the paper to represent the shade of the material as well as the placement of the shadows. Careful attention to reflected light, shadows and highlights can result in a very realistic rendition of the image.
Blending uses an implement to soften or spread the original drawing strokes. Blending is most easily done with a medium that does not immediately fix itself, such as graphite, chalk, or charcoal, although freshly applied ink can be smudged, wet or dry, for some effects. For shading and blending, the artist can use a blending stump, tissue, a kneaded eraser, a fingertip, or any combination of them. A piece of chamois is useful for creating smooth textures, and for removing material to lighten the tone. Continuous tone can be achieved with graphite on a smooth surface without blending, but the technique is laborious, involving small circular or oval strokes with a somewhat blunt point.
Shading techniques that also introduce texture to the drawing include hatching and stippling. A number of other methods produce texture. In addition to the choice of paper, drawing material and technique affect texture. Texture can be made to appear more realistic when it is drawn next to a contrasting texture; a coarse texture is more obvious when placed next to a smoothly blended area. A similar effect can be achieved by drawing different tones close together. A light edge next to a dark background stands out to the eye, and almost appears to float above the surface.
Form and proportion[edit]
Pencil portrait by Ingres
Measuring the dimensions of a subject while blocking in the drawing is an important step in producing a realistic rendition of the subject. Tools such as a compass can be used to measure the angles of different sides. These angles can be reproduced on the drawing surface and then rechecked to make sure they are accurate. Another form of measurement is to compare the relative sizes of different parts of the subject with each other. A finger placed at a point along the drawing implement can be used to compare that dimension with other parts of the image. A ruler can be used both as a straightedge and a device to compute proportions.
When attempting to draw a complicated shape such as a human figure, it is helpful at first to represent the form with a set of primitive volumes. Almost any form can be represented by some combination of the cube, sphere, cylinder, and cone. Once these basic volumes have been assembled into a likeness, then the drawing can be refined into a more accurate and polished form. The lines of the primitive volumes are removed and replaced by the final likeness. Drawing the underlying construction is a fundamental skill for representational art, and is taught in many books and schools. Its correct application resolves most uncertainties about smaller details, and makes the final image look consistent.[26]
A more refined art of figure drawing relies upon the artist possessing a deep understanding of anatomy and the human proportions. A trained artist is familiar with the skeleton structure, joint location, muscle placement, tendon movement, and how the different parts work together during movement. This allows the artist to render more natural poses that do not appear artificially stiff. The artist is also familiar with how the proportions vary depending on the age of the subject, particularly when drawing a portrait.
Perspective[edit]
Linear perspective is a method of portraying objects on a flat surface so that the dimensions shrink with distance. Each set of parallel, straight edges of any object, whether a building or a table, follows lines that eventually converge at a vanishing point. Typically this convergence point is somewhere along the horizon, as buildings are built level with the flat surface. When multiple structures are aligned with each other, such as buildings along a street, the horizontal tops and bottoms of the structures typically converge at a vanishing point.
Two-point perspective drawing
When both the fronts and sides of a building are drawn, then the parallel lines forming a side converge at a second point along the horizon (which may be off the drawing paper.) This is a two-point perspective.[27] Converging the vertical lines to a third point above or below the horizon then produces a three-point perspective.
Depth can also be portrayed by several techniques in addition to the perspective approach above. Objects of similar size should appear ever smaller the further they are from the viewer. Thus the back wheel of a cart appears slightly smaller than the front wheel. Depth can be portrayed through the use of texture. As the texture of an object gets further away it becomes more compressed and busy, taking on an entirely different character than if it was close. Depth can also be portrayed by reducing the contrast in more distant objects, and by making their colors less saturated. This reproduces the effect of atmospheric haze, and cause the eye to focus primarily on objects drawn in the foreground.
Artistry[edit]
Chiaroscuro study drawing by William-Adolphe Bouguereau
The composition of the image is an important element in producing an interesting work of artistic merit. The artist plans element placement in the art to communicate ideas and feelings with the viewer. The composition can determine the focus of the art, and result in a harmonious whole that is aesthetically appealing and stimulating.
The illumination of the subject is also a key element in creating an artistic piece, and the interplay of light and shadow is a valuable method in the artist's toolbox. The placement of the light sources can make a considerable difference in the type of message that is being presented. Multiple light sources can wash out any wrinkles in a person's face, for instance, and give a more youthful appearance. In contrast, a single light source, such as harsh daylight, can serve to highlight any texture or interesting features.
When drawing an object or figure, the skilled artist pays attention to both the area within the silhouette and what lies outside. The exterior is termed the negative space, and can be as important in the representation as the figure. Objects placed in the background of the figure should appear properly placed wherever they can be viewed.
Drawing process in the Academic Study of a Male Torso by Jean-Auguste-Dominique Ingres (1801, National Museum, Warsaw)
A study is a draft drawing that is made in preparation for a planned final image. Studies can be used to determine the appearances of specific parts of the completed image, or for experimenting with the best approach for accomplishing the end goal. However a well-crafted study can be a piece of art in its own right, and many hours of careful work can go into completing a study.
Process[edit]
Individuals display differences in their ability to produce visually accurate drawings.[28] A visually accurate drawing is described as being "recognized as a particular object at a particular time and in a particular space, rendered with little addition of visual detail that can not be seen in the object represented or with little deletion of visual detail”.[29]
Investigative studies have aimed to explain the reasons why some individuals draw better than others. One study posited four key abilities in the drawing process: perception of objects being drawn, ability to make good representational decisions, motor skills required for mark-making and the drawer's own perception of their drawing.[29] Following this hypothesis, several studies have sought to conclude which of these processes are most significant in affecting the accuracy of drawings.
Motor function Motor function is an important physical component in the 'Production Phase' of the drawing process.[30] It has been suggested that motor function plays a role in drawing ability, though its effects are not significant.[29]
Perception It has been suggested that an individual's ability to perceive an object they are drawing is the most important stage in the drawing process.[29] This suggestion is supported by the discovery of a robust relationship between perception and drawing ability.[31]
This evidence acted as the basis of Betty Edwards' how-to drawing book, Drawing on the Right Side of the Brain.[32] Edwards aimed to teach her readers how to draw, based on the development of the reader's perceptual abilities.
Furthermore, the influential artist and art critic John Ruskin emphasised the importance of perception in the drawing process in his book The Elements of Drawing.[33] He stated that "For I am nearly convinced, that once we see keenly enough, there is very little difficult in drawing what we see".
Visual memory has also been shown to influence one's ability to create visually accurate drawings. Short-term memory plays an important part in drawing as one’s gaze shifts between the object they are drawing and the drawing itself.[34]
I am totally excited to present you my next interview! This time, I met Vae (aeiko.rieko) from the label The Plastik.
Read the full interview on my >> BLOG <<
All pictures were taken at The Plastik's mainstore
Governor Hogan Speaks with MPT on Sine Die by Patrick Siebert at 110 State Circle, Annapolis, MD 21401
I was interviewed in Issue 6 of positivexposure! Thank you (''''':
check out all the other amazing people interviewed: positivexposure.com/issues/2010/issue-6/
Download Adrianne Palicki Interview On Television HD Wallpaper & Wide Desktop Celebrities & American Actresses Wallpapers In high Quality Definitions 1080p, 720p, Free Widescreen Background, 3D Pictures, Computer Desktops, Mobile Wallpapers and Photos Images.
Find the Perfect...
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Bohus discusses the all-new FlapJack 1x1 with Newsshooter at PhotoPlus. If you're at PhotoPlus be sure to visit us at booth 873 and participate in our contests to win a free ND Throttle and free LED Studio-in-a-Box!
الملكة رانيا خلال مقابلات في لندن
لندن، المملكة المتحدة / 18 أيلول 2022
Queen Rania while being interviewed in London
London, UK/ 18 September 2022
© Royal Hashemite Court
Thank you Michelle for interviewing me! I just past the 1 year mark of being a Blythe collector and am now entering the world of customization. Check it out if you want to read a little about me :)
I was asked to do an interview by an admirer for a website . i was thrilled .. here it is ..
www.lifecapture.us/310/interview-with-photographer-nick-k...
FYI ... Miksang is a Tibetan word that translates as ‘Good Eye’, and is based on the Shambhala and Dharma Art teachings of the late meditation master, artist, and scholar Chögyam Trungpa, Rinpoche.
Thought I should practise my sitting pose as I assume if I am appointed I'll be sitting taking notes and typing. I thought this might help at the interview, LOL
Got this idea from Lisa. Here is how Jessie answered the questions I asked:
1. What is something daddy always says to you?
Go praang phun (means go brush your teeth in Thai)
2. What makes daddy happy?
Good kids.
3. What makes daddy sad?
Bad kids.
4. How does your daddy make you laugh?
He tickles me.
5. What was your daddy like as a child?
He didn't behave, like me, and he got spanked.
6. How old is your daddy?
35 (actual age...36)
7. How tall is your daddy?
Six feet (actual height...5'8")
8. What is his favorite thing to do?
Take pictures.
9. What does your daddy do when you're not around?
Watch TV.
10. If your daddy is on TV for something, what will it be for?
So other people can see him.
11. What is your daddy really good at?
Coloring.
12. What is your daddy not very good at?
Nothing.
13. What does your daddy do for his job?
Take pictures.
14. What is your daddy's favorite food?
Edamame (I was eating this when I interviewed her...so she just picked this as her asnwer)
15. What makes you proud of your daddy?
A long time ago, he use to give us chocolate before school. (LOL)
16. If your daddy were a cartoon character, who would he be?
Mr. Potato Head.
17. What do you and your daddy do together?
Play Wii Bowling.
18. How are you and your daddy the same?
We both have black hair.
19. How are you and your daddy different?
He's a boy. I'm a girl.
20. How do you know your daddy loves you?
Because I'm his kid.
21. Where is your daddy's favorite place to go?
Disneyland.
Proud! I heard the (physical) mailbox, checked it and it was there. The new zoom.nl magazine. The biggest magazine in The Netherlands in amateur-photography. I took it out of the wrap and it smelled good, better than ever! This is the interview in Amsterdam with me: 6 pages with photo's of which 1 photo was taken during the interview/streetphotography-session.
In stores in Belgium and The Netherlands in a few days.
I had a fun time last night being interviewed for Amerikana Magazine. If you're curious, you can check out the full interview here.