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Mingle Media TV and Red Carpet Report host Ashley Harrington were invited to come out to the premiere event for the DIRECTV Original Series “Kingdom” at the iconic Muscle Beach, in Venice California.
Get the Story from the Red Carpet Report Team, follow us on Twitter and Facebook at:
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About DirecTV’s New Series Kingdom from Endemol Studios
Kingdom is a visceral family saga that takes place in Venice, California and is set against the backdrop of the renegade subculture of Mixed Martial Arts (MMA). It is a world rife with complex characters and relationships that unfurl in surprising and deeply human ways. Byron Balasco is creator, executive producer and show runner. For more info visit www.facebook.com/KingdomDIRECTV or watch on Channel 239, Directv’s Audience channel.
KINGDOM premieres Wednesday, October 8th at 9pm/10pm ET on DIRECTV’s Audience Network
Kingdom stars Frank Grillo (Captain America: The Winter Soldier; Homefront; Warrior) as Alvey Kulina, a Mixed Martial Arts legend and owner of Navy St. MMA gym based in Venice, CA; Kiele Sanchez (The Glades; Lost) as Lisa Prince, Alvey’s girlfriend; Matt Lauria (Friday Night Lights) as Ryan Wheeler, the world-class athlete who had it all, including Lisa Prince, until his spiraling drug addiction landed him in prison; Jonathan Tucker (Parenthood) as Jay Kulina, Alvey’s eldest son; Nick Jonas as Nate Kulina, Alvey’s youngest son and the prized fighter at the gym, and Joanna Going (House of Cards; Mad Men) as Christina Kulina, Alvey’s estranged wife and mother of Jay and Nate.
For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:
www.facebook.com/minglemediatvnetwork
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Follow our host Ashley on Twitter at twitter.com/Ash_Harrington
We spent our first day in LA doing some proper sightseeing and having a look at the Hollywood Blvd. and the walk of fame.
My first chance of some fame in LA. Got interviewed by a gaming and movie channel and had of course no clue what they where talking about after 3 months without watching any movies..
Check out my travelblog at www.175days.no
My interview page in the DigBoston paper! So excited. :))
You can find the interview on their website here: digboston.com/spend/2012/07/heavens-to-etsy-love-a-sandwich/
~What was your most experienced year in high school and why? ~
"You might think I'm crazy but my junior year was the worst because I didn't make the cheer squad, so I thought my life was over. Instead I joined the swimming team, and I realized I was good at some other things, so I was ready to play. It's like doing something you've never done before, because I was a cheerleader since the fourth grade, I believed my junior year was my hardest and most sad." Kim Powell says.
Interviewing INDEPALM association president.
Photo by Juan Carlos Huayllapuma/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Interview with Siddean Munro of SLink on SLCN TV show "Fabulous Fashion with Angie Mornington", with the final segment on neko accessories with Daphne.
The wonderfully great Amy over at PikaLand asked me sometime ago to be part of their PikaPackage for December which I was quite humbled and honored to do. She then recently asked me a few questions for her fantastic site PikaLand. It was great to be apart of such a great site! Thanks Amy it was fun!
Here is a link to the full interview:
Dutch postcard by Hemo. Photo: Eagle Lion. Vivien Leigh in Caesar and Cleopatra (Gabriel Pascal, 1945).
Stunning British actress Vivien Leigh (1913-1967) won two Academy Awards for playing ‘Southern belles’: Scarlett O'Hara in Gone with the Wind (1939) and Blanche DuBois in A Streetcar Named Desire (1951). On stage, she starred – often with her husband, Laurence Olivier - in parts that ranged from the heroines of Noël Coward and George Bernard Shaw comedies to Shakespearean characters like Ophelia, Juliet, and Lady Macbeth.
Vivien Leigh was born Vivian Mary Hartley in Darjeeling, India, to Ernest Hartley, a British officer in the Indian Cavalry, and Gertrude Robinson Yackje. In 1917, her father was relocated to Bangalore, while Vivian and her mother stayed in Ootacamund. At age six, Vivian was sent to a convent school in England. In addition to taking the usual classes, Vivian studied violin, piano, cello, and ballet, and participated in school plays. A friend there was the future actress Maureen O'Sullivan, to whom she expressed her desire to become "a great actress". In 1931 her father helped her enrol at the Royal Academy of Dramatic Art (RADA) in London. She met Herbert Leigh Holman, known as Leigh, a barrister thirteen years her senior. Despite his disapproval of ‘theatrical people’, they were married in 1932, and upon their marriage, she terminated her studies at RADA. In 1933, she gave birth to a daughter, Suzanne, but felt stifled by her domestic life. Her friends suggested her for a small part in Things Are Looking Up (Albert de Courville, 1935), which marked her film debut. She engaged an agent, John Gliddon, who recommended her to film director and producer Alexander Korda, but he rejected her as lacking potential. Cast in the play The Mask of Virtue in 1935, Vivien Leigh received excellent reviews followed by interviews and newspaper articles. Korda, who attended her opening-night performance, admitted his error and signed her to a film contract. Laurence Olivier saw Leigh in The Mask of Virtue, and a friendship developed after he congratulated her on her performance. While playing lovers in the film Fire Over England (William K. Howard, 1937), Olivier and Leigh developed a strong attraction, and after filming was completed, they began an affair. Olivier was at that time married to the actress Jill Esmond. Leigh played Ophelia to Olivier's Hamlet in an Old Vic Theatre production. They began living together, as their respective spouses had each refused to divorce. Leigh appeared with Conrad Veidt in the spy thriller Dark Journey (Victor Saville, 1937), and with Robert Taylor and Maureen O'Sullivan in A Yank at Oxford (Jack Conway, 1938). During the production of the latter, she developed a reputation for being difficult and unreasonable, and Korda instructed her agent to warn her. Her next role was in St. Martin's Lane/Sidewalks of London (Tim Whelan, 1938) with Charles Laughton and Rex Harrison.
Laurence Olivier travelled to Hollywood to play Heathcliff in Samuel Goldwyn's production of Wuthering Heights (William Wyler, 1939), leaving Vivien Leigh in London. She was offered Leigh the secondary role of Isabella, but she refused it, saying she would only play Cathy, a role already assigned to Merle Oberon. Leigh's American agent was the London representative of the Myron Selznick Agency, and in 1938, she asked that her name be placed in consideration for the role of Scarlett O'Hara in David O. Selznick's (Myron’s brother) production of Gone with the Wind (Victor Fleming, 1939) an epic adaptation of the bestseller by Margaret Mitchell. David Selznick watched her films, and from that time she became a serious contender for the part. Leigh travelled to Los Angeles, ostensibly to be with Olivier. When Myron Selznick, who also represented Olivier, met Leigh, he felt that she possessed the qualities his brother was searching for. Myron took Leigh and Olivier to the set where the burning of the Atlanta Depot scene was being filmed and introduced Leigh. The following day, Leigh read a scene for Selznick, who organised a screen test and wrote to his wife, "She's the Scarlett dark horse and looks damn good. Not for anyone's ear but your own: it's narrowed down to Paulette Goddard, Jean Arthur, Joan Bennett, and Vivien Leigh". Filming proved difficult for Leigh; director George Cukor was dismissed and replaced by Victor Fleming, with whom Leigh frequently quarrelled. Gone with the Wind brought Leigh immediate attention and fame. Among the ten Academy Awards won by Gone with the Wind was the Best Actress award for Leigh, who also won a New York Film Critics Circle Award for Best Actress.
In 1940, Laurence Olivier and Vivien Leigh were married. Leigh hoped to star with her husband and made a screentest for Rebecca (Alfred Hitchcock, 1940). Selznick noted that she didn't seem right as to sincerity or age or innocence, and subsequently cast Joan Fontaine. He also refused to allow her to join Olivier in Pride and Prejudice (Robert Z. Leonard, 1940), and Greer Garson took the part Leigh had envisioned for herself. Waterloo Bridge (Mervyn LeRoy, 1940) was to have starred Olivier and Leigh; however, Selznick replaced Olivier with Robert Taylor, then at the peak of his success as one of Metro-Goldwyn-Mayer's most popular male stars. Leigh's top billing reflected her status in Hollywood, and the film proved to be popular with audiences and critics. She and Olivier mounted a stage production of Romeo and Juliet for Broadway. The New York Press publicized the adulterous nature that had marked the beginning of Olivier and Leigh's relationship and questioned their ethics in not returning to England to help with the war effort, and critics were hostile in their assessment of the production. The couple had invested almost their entire savings into the project, and its failure was a financial disaster for them. Next, they filmed That Hamilton Woman (Alexander Korda, 1941) with Olivier as Horatio Nelson and Leigh as Emma Hamilton. The film was popular in the United States and an outstanding success in the Soviet Union. The Oliviers returned to England, and Leigh toured through North Africa in 1943, performing for troops before falling ill with a persistent cough and fevers. In 1944 she was diagnosed as having tuberculosis in her left lung. But after spending several weeks in the hospital, she appeared to be cured. When she suffered a miscarriage, she fell into a deep depression. This was the first of many major breakdowns related to bipolar disorder. She was well enough to resume acting in 1946, in a successful London production of Thornton Wilder's The Skin of Our Teeth, but her films of this period, Caesar and Cleopatra (Gabriel Pascal, 1945) and Anna Karenina (Julien Duvivier, 1948), were not great successes.
In 1947 Olivier was knighted, and Vivien Leigh accompanied him to Buckingham Palace for the inauguration. She became Lady Olivier, and after their divorce, per the style granted the divorced wife of a knight, she became, socially, Vivien, Lady Olivier. Leigh played the role of Blanche DuBois in the West End stage production of Tennessee Williams's A Streetcar Named Desire. Like Blanche, Leigh was romantic, emotionally fragile, and tragic. After a run of 326 performances, she was also engaged for the film version opposite Marlon Brando. The film had glowing reviews, and she won a second Academy Award for Best Actress, a BAFTA Award and a New York Film Critics Circle Award for Best Actress. In 1953, Leigh travelled to Ceylon to film Elephant Walk with Peter Finch. Shortly after filming commenced, she suffered a breakdown, and Paramount Pictures replaced her with Elizabeth Taylor. Olivier returned her to their home in England, where between periods of incoherence, Leigh told him that she had been having an affair with Finch. She gradually recovered over several months. Noël Coward was enjoying success with the play South Sea Bubble, with Leigh in the lead role, but she became pregnant and withdrew from the production. Several weeks later, she miscarried and entered a period of depression that lasted for months. In 1960, she and Olivier divorced, and Olivier married the actress Joan Plowright. Vivien’s new partner Jack Merivale proved to be a stabilizing influence for her. Though bouts of depression still beset her, she continued to work in the theatre and won a Tony Award for Best Actress in a Musical for her role in Tovarich in 1963. She also appeared in the films The Roman Spring of Mrs. Stone (José Quintero, 1961) opposite Warren Beatty, and in the all-star Ship of Fools (Stanley Kramer, 1965). After many long years of battling manic depression and several outbreaks of tuberculosis, Vivien Leigh's body gave out. She died in London in 1967.
Sources: Wikipedia, Brian McFarlane (Encyclopedia of British Film), Vivien Leigh Online, Vivien-Leigh.com, Find a Grave, and IMDb.
And, please check out our blog European Film Star Postcards.
1-Como foi a sua infância?
Kamui: Tranquila... A minha família era bem unida nessa época...
2 - Se você pudesse voltar no tempo e mudar alguma coisa, o que seria?
Kamui: Eu não teria namorado o Micchan...
3 - Quanto você pesa?
Kamui: Acho que 62Kg
4 - Alguma vez você já amou e perdeu?
Kamui: Sim... mas não no sentido de morte...
5 - O que você faz para ganhar a vida e por quê?
Kamui: No momento eu ajudo aqui na pensão, mas eu estou procurando um emprego :3
6 - Que tipo de música você gosta?
Kamui: Músicas que não me deixam deprimido...
7 - Quantos anos você tem?
Kamui: 18 anos :3
8 - Qual é a coisa mais irritante do mundo?
Kamui: O Sebastian-sempai me chateando...
Sebastian: Quem mandou você vir pra cá... U.Ú
9 - Qual é a sua palavra favorita?
Kamui: Macarrão.... Acho que é por que eu gosto de macarrão...
Eu: =.='''''
10 - Você tem algum hobby interessante?
Kamui: Eu gosto de cuidar de animais, principalmente os abandonados ^w^
11 - Qual é a coisa mais romântica que alguém já fez por você?
Kamui: Nada ¬¬ Ninguém que preste fez algo romântico por mim...
12 - Como você relaxar no final de um longo dia?
Kamui: Sentar no sofá e tomar chá...
13 - Você tem obsessões?
Kamui: Acho que não...
14 - Qual é a sua nacionalidade?
Kamui: Eu nasci no Japão, mas aos 4 anos eu fui morar na Inglaterra com a minha família. :3
15 - Que idiomas você fala?
Japonês, Inglês e Português.
16 - Se você pudesse ter qualquer animal de estimação no mundo, o que seria?
Kamui: Eu gosto de qualquer animal, mas os meus favoritos são os ursos *u*
17 - Qual é a coisa mais aleatória que você se encontrar fazendo todos os dias?
Kamui: Brigando com o Sebastian-sempai...
18 - Favoritos, rápido, vai! Livro, filme , jogo, bebida, cor?
Kamui: A imperatriz dos etéreos, Frozen, RPG, chá mate com açúcar, bordô.
19 - Qual é a coisa mais sentimental que você possui e por quê?
Kamui: Não tenho nada disso...
20 - Você está em um relacionamento?
Kamui: Não...
21 - Qual foi a sua pior lesão?
Kamui: acho que ser estuprado pelo meu ex namorado e ser espancado pelo meu pai...
22 - O que te assusta mais?
Kamui: Me apaixonar...
23 - Algo que a maioria das pessoas não sabe sobre você?
Kamui: dizem que eu falo enquanto durmo... '-'
24 - Você tem algum animal de estimação?
Kamui: Animais da rua que eu trouxe pra cá *u*
25 - O que você acha desta entrevista?
Kamui: um pouco dolorosa, mas interessante...
Taggeados:
Na tag do Kaoru AQUI
Candid shot of an O'Colly interview with the student behind the Lights on Stillwater event. You can read the full story here: www.ocolly.com/entertainment_desk/article_20415ca0-6405-1...
DC101's Mike Jones interviews Chris Cornell ahead of an acoustic performance at Amp by Strathmore on December 17, 2015
TheBJDPlace was kind enough to do an interview with me! Be sure to read it at their website www.thebjdplace.com They are very supportive of artists and do an amazing job!
Q1: Why did you start label?
A1: upitup records started out in 2003 as the musical baby of a few guys from rome (italy) and stuttgart (germany) who met each others during a student-exchange. we initially just wanted to make our sounds accessible to the public. the idea was to create an open platform for sharing ideas and staying/getting in contact with people. until now, upitup remains completely uninfected by commercial interests.
Q2: Why is the label called Upitup? What's behind the name of the label?
A2: the slogan "upitup" can be seen as a battlecry of digital culture . unless you "up something up to the network", it stays where it is, unshared (in your brain, on your pc etc.). to "up it up" equally means to "go for it", to "make it hot".
Q3: What tune/genre has label released?
A3: upitup has released mostly electronic music. in terms of genres - phew - many... acid rap, future polka, hobby house/jewish disco, bump 'n' bass... just to name a few...
Q4: What do you think the main difference between Net Label to Real Label?
A4: with a non-commercial netlabel you are not bound to release economically promising stuff. you can virtually put out anything without running the risk of going under. the only thing you have to pay for when running a netlabel is webspace. there are a lot of factors that make you much more flexible than a commercial label.
Q5: What do you think of Radiohead's online album, his experiment, and result?
A5: concerning the band's popularity, it was clear that the concept would work out. this doesn't reflect the situation of musicians that were not massively promoted by labels before. in these dimensions it doesn't make a lot of difference whether people pay a dollar just for one song or for the whole album, so the conclusions that can be drawn by political or economical respects remain exclusive to those that have already been promoted by traditional methods. as far as i know they are now selling the album as a nicely designed digipack with lots of gadgets included. it would be interesting to investigate the importance of such artifacts to the consumer compared to a purely digital product.
Q6: What do you think the music industry become in the future?
A6: if the majors want to stick to selling decomposing digital rights managed compact discs at profit margins that lost touch with reality, we kiss their fat asses goodbye. anyway, they won't be able to keep up their strategies since nowadays the real bucks are made with playback technology - and content of course. obviously in this system the musician will take the last place again…
Q7: What is the most important thing about Net Label?
A7: netlabels helped to put a different view on sharing digital files and music distribution. most netlabels don't provide solutions for the future of the music industry, but all of them are aware that digital sound and the internet are having a huge impact on society, art and economy. netlabels are just anarchically surfing on the wave of this power.
Q8: What is the pleasure of the management of Net Label? A8: see above
Q9: What's the next step for you and label?
A9: make the djs happy and release some funky ass vinyl records.
Q10: Please send a message for Japanese Music Fans!
A10: こんにちは日本! if you make electronic music, send us your demo - if you like electronic music, visit our page and drop us a message! 会う希望 @ upitup.com
Interview with Japanese Church in Seoul REV. Kozo Yoshida
February 17, 2016
Seongsu-dong, Seongdong-gu, Seoul
Ministry of Culture, Sports and Tourism
Korean Culture and Information Service
Korea.net (www.korea.net)
Official Photographer : Jeon Han
This official Republic of Korea photograph is being made available only for publication by news organizations and/or for personal printing by the subject(s) of the photograph. The photograph may not be manipulated in any way. Also, it may not be used in any type of commercial, advertisement, product or promotion that in any way suggests approval or endorsement from the government of the Republic of Korea.
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요시다 코오조오(吉田耕三) 서울일본인교회목사 인터뷰
2016-02-17
서울일본인교회
문화체육관광부
해외문화홍보원
코리아넷
전한
CSUF's neutron star expert Jocelyn Read is interviewed by Kelsi Brink of OC News for Titan TV at CSUF.
Pacific Northwest National Laboratory scientist John Hubbe is interviewed by a local reporter about the Burning Biomass Observation Project (BBOP) campaign. Hubbe manages the G-1 payload and other aircraft payloads used by the ARM Aerial Facility (AAF) for airborne research.
From June to October 2013, the U.S. Department of Energy’s Atmospheric Radiation Measurement (ARM) user facility deployed the G-1 research aircraft above wildfires in the U.S. Pacific Northwest region, near Little Rock, Arkansas and in the vicinity of Memphis, Tennessee, as part of the Biomass Burning Observation Project (BBOP). The aircraft flew through smoke plumes from forest fires and agricultural field burns—types of “burning biomasses”—to measure various properties of aerosol particles soon after they form and as they change over time.
Terms of Use: Our images are freely and publicly available for use with the credit line, “Image courtesy of the U.S. Department of Energy Atmospheric Radiation Measurement (ARM) user facility.”
Image courtesy of Eric Francavilla, Pacific Northwest National Laboratory.
Internetjournalist Jeroen Mirck over PowNews-verslaggever Rutger Castricum.
www.jeroenmirck.nl/2012/10/kro-profiel-over-rutger-castri...
On the Lakeshore Trail at Colter Bay Village, with the gorgeous Teton Mountains in the background.
(Violet tries and fails to skip a rock at the end of the video.)
Mayor Bill de Blasio sits for an interview with NY1's Errol Louis in Brooklyn Bridge Park during City Hall In Your Borough on Monday, August 20, 2018. Michael Appleton/Mayoral Photography Office
The Two-Column Aerosol Project (TCAP) was conducted from June 2012 through June 2013, and included the deployment of both the first ARM Mobile Facility (AMF1) and ARM Aerial Facility (AAF) to Cape Cod and Hyannis, Massachusetts, respectively. The primary goal of TCAP was to investigate cloud-aerosol interactions.
Terms of Use: Our images are freely and publicly available for use with the credit line, “Image courtesy of the U.S. Department of Energy Atmospheric Radiation Measurement (ARM) user facility.”