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Nicole, delfin, and Rosa arrive at Arch Street UMC early Friday morning for an interview with Telesur. Photo by Nicole Santamaría
2014 AIM Conference - Presidential Power Panel: The AIM Executive Interview with Steve Lefkovits, Cindy Clare, Brad Cribbins, & Jeff Brodsky
Phreak interviews IMT Huni after match series at the North American League of Legends Championship Series Spring Finals Las Vegas (NA LCS Spring Finals Las Vegas) at Mandalay Bay Event Center in Las Vegas, NV, USA on 16 April, 2016.
Stepping further inside she was keen to make a good first impression, walking tall with a confident step. "Hello?" she called out, pleased that despite the serious case of the wiggins she was getting from the view, there was no quaver in her voice...
More of the story blogged on Eclectic Equations here...
Interviewing INDEPALM association president.
Photo by Juan Carlos Huayllapuma/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
Hazzard Range county Sheriff's Department Sheriff Travis Martin and Lieutenant BUBBA Sanches are seen here interviewing ICR Conductor Fred Garcia Wife and daughter to see if they know any one who would try to kill Fred Garcia and if they know anyone who owns a White pickup truck . Fred Garcia is in critical condition in El Paso TX .
On June 7, 2016, representatives from Robert Half, one of the world's top staffing agencies, presented a workshop on how to prepare for a job interview attended by over 40 participants!
My interview page in the DigBoston paper! So excited. :))
You can find the interview on their website here: digboston.com/spend/2012/07/heavens-to-etsy-love-a-sandwich/
A portrait of a man during an interview with the mission participants from FAO in Taung Ywar Village, Maungdaw township, Rakhine State, Myanmar.
Read more about FAO and the floods in Myanmar.
Photo credit must be given: ©FAO/Hkun Lat. Editorial use only. Copyright FAO
last week i interviewed for a place amongst the ever growing westin empire.. figured since i already work for the man, i might as well work for one that's well dressed.... [ cre, if by some miracle i'm offered the job, perhaps i'll be able to get us a discount at thomas brown next visit :D ] ... we'll see.
~What was your most experienced year in high school and why? ~
"You might think I'm crazy but my junior year was the worst because I didn't make the cheer squad, so I thought my life was over. Instead I joined the swimming team, and I realized I was good at some other things, so I was ready to play. It's like doing something you've never done before, because I was a cheerleader since the fourth grade, I believed my junior year was my hardest and most sad." Kim Powell says.
One of the first Parisian fans to get a hold of Deathly Hallows is interviewed for French TV.
Harry Potter and the Deathly Hallows launch. WH Smith, rue de Rivoli, Paris. 21-07-07
DC101's Mike Jones interviews Chris Cornell ahead of an acoustic performance at Amp by Strathmore on December 17, 2015
Honoured and happy with this interview by Joanne Carter (a second one will be published in a couple of days).
Read it:
Q1: Why did you start label?
A1: upitup records started out in 2003 as the musical baby of a few guys from rome (italy) and stuttgart (germany) who met each others during a student-exchange. we initially just wanted to make our sounds accessible to the public. the idea was to create an open platform for sharing ideas and staying/getting in contact with people. until now, upitup remains completely uninfected by commercial interests.
Q2: Why is the label called Upitup? What's behind the name of the label?
A2: the slogan "upitup" can be seen as a battlecry of digital culture . unless you "up something up to the network", it stays where it is, unshared (in your brain, on your pc etc.). to "up it up" equally means to "go for it", to "make it hot".
Q3: What tune/genre has label released?
A3: upitup has released mostly electronic music. in terms of genres - phew - many... acid rap, future polka, hobby house/jewish disco, bump 'n' bass... just to name a few...
Q4: What do you think the main difference between Net Label to Real Label?
A4: with a non-commercial netlabel you are not bound to release economically promising stuff. you can virtually put out anything without running the risk of going under. the only thing you have to pay for when running a netlabel is webspace. there are a lot of factors that make you much more flexible than a commercial label.
Q5: What do you think of Radiohead's online album, his experiment, and result?
A5: concerning the band's popularity, it was clear that the concept would work out. this doesn't reflect the situation of musicians that were not massively promoted by labels before. in these dimensions it doesn't make a lot of difference whether people pay a dollar just for one song or for the whole album, so the conclusions that can be drawn by political or economical respects remain exclusive to those that have already been promoted by traditional methods. as far as i know they are now selling the album as a nicely designed digipack with lots of gadgets included. it would be interesting to investigate the importance of such artifacts to the consumer compared to a purely digital product.
Q6: What do you think the music industry become in the future?
A6: if the majors want to stick to selling decomposing digital rights managed compact discs at profit margins that lost touch with reality, we kiss their fat asses goodbye. anyway, they won't be able to keep up their strategies since nowadays the real bucks are made with playback technology - and content of course. obviously in this system the musician will take the last place again…
Q7: What is the most important thing about Net Label?
A7: netlabels helped to put a different view on sharing digital files and music distribution. most netlabels don't provide solutions for the future of the music industry, but all of them are aware that digital sound and the internet are having a huge impact on society, art and economy. netlabels are just anarchically surfing on the wave of this power.
Q8: What is the pleasure of the management of Net Label? A8: see above
Q9: What's the next step for you and label?
A9: make the djs happy and release some funky ass vinyl records.
Q10: Please send a message for Japanese Music Fans!
A10: こんにちは日本! if you make electronic music, send us your demo - if you like electronic music, visit our page and drop us a message! 会う希望 @ upitup.com
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Summer of 2013. Destra Garcia did a number of TV interviews for me at the Harbourcastle Hotel on Toronto's waterfront. All part of the Scotiabank Caribbean Carnival. Photo of the Trinidad Soca singer by Craig Slowly
Techcrunch reported Synthetic which makes Hypstamtic, SwankoLab, and IncrediBooth has moved from Chicago to San Francisco & they've bought a two-story building they'll move into in February 2011.
The article links to 74 Langton (though it still has an available sign on it). There is a larger brick building next door which is 80 Langton.
It will be "both a worldwide headquarters and a retail/gallery space where events will be held for their community."
The co-founders moved to SF in July and have been working from a temporary space.
techcrunch.com/2010/12/20/hipstamatic-san-francisco/
I had stopped by Electric Works which was nearby, so I took some photos of 74 (and some wide shots with 80) with Hipstamatic, 360 panorama, and my D7000.
Also a Firebird in front (which does not come with the building) and a few things nearby. It is around the corner from Brainwash & near Sightglass coffee.
It was listed along with 80 Langton the building next door. People were working on renovating 80 and one said they'd been working for about a month and a half and it had been bought by artists (it used to be owned by artists - see the info n New Langton below).
He'd heard 74 might have sold, but didn't know who bought it.
Listings say 74 is 3600 square feet and was on the market for just under a million dollars. 80 is 6300 sq ft for almost $1.5 million.
www.loopnet.com/Listing/16686317/74-80-Langton-Street-San...
This PDF has the floor plans for 74 on the second page
www.starboardnet.com/listing_flyers/74 langton_sale.pdf
A planning department PDF says 74 is a historic building built in 1908 and used by a casket manufacturer. They expanded in 1911 and added the larger 80 Langton.
sf-planning.org/ftp/files/gis/SouthSoMa/Docs/3730 104.pdf
There's an interior tour video of 74 & 80 Langton
www.youtube.com/watch?v=JN0tObJQn0U
And another video with really cheesy music
www.youtube.com/watch?v=vY8FyJIFJFU
www.loopnet.com/Listing/16686317/74-80-Langton-Street-San...
www.prepress.com used to be at 74 (it is now on 11th st). They did prepress for make magazine - 74 Langton is listed on this page
makezine.com/advertise/print_specs.csp
New Langton Arts which sadly closed in 2009 was originally called 80 Langton Street and was located there from 1975 - 1983.
From an oral history of Susan Miller
"1975 actually, in a warehouse space on Langton Street. It was, in fact, an old casket factory in a light-industrial building of the kind common to San Francisco’s South of Market district. The building and facility were owned by a founder, artist Jock Reynolds. The gallery and theater shared one space in a loft rented from Jock by artist and founding member Jim Pomeroy."
www.as-ap.org/oralhistories/interviews/interview-susan-mi...
www.usamuseum.org/new-langton-arts/
blog.sfmoma.org/2009/10/tz-on-pomeroy/
And this is an interesting piece by Miller on New Langton (which often showed photography) (pdf)
sites.cca.edu/currents/pdf/smiller.pdf
Langton Labs, a live/work warehouse space is not far away at 9 Langton (and another space across the street which used to be a photography studio)
www.flickr.com/photos/oddwick/5246535163/
online.wsj.com/article/SB10001424052748703572404575634904...
www.flickr.com/photos/glasser/sets/72157608097124770/
www.flickr.com/photos/glasser/collections/72157611567859974/