"Wallpaper" from hell (or heaven): patterns in household design
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#macromondays #checkered
I decided to share this image for the upcoming #macromondays theme called #checkered
The term checkered has multiple meanings depending on the context:
1. Pattern
In design and visual contexts, checkered refers to:
A pattern made up of alternating squares, typically in two contrasting colors, such as black and white.
It is commonly seen in items like checkered flags (used in racing), tablecloths, clothing, or tiles.
Variations include:
Regular checkered: Uniform, equally-sized squares.
Irregular checkered: Squares may vary in size or arrangement.
2. Metaphorical Meaning
In a figurative sense, checkered describes:
A history, career, or past with mixed fortunes or events, often containing both successes and failures or good and bad times.
Example: "He had a checkered past, marked by both notable achievements and controversies."
3. Other Contexts
Geography/Maps: "Checkered" might describe a landscape or map divided into squares or parcels.
Textiles: In fabric design, it’s one of the oldest patterns, often associated with certain cultural or traditional garments (like tartans or plaid).
Thank you for visits, comments and favs!
Vielen Dank für Eure Besuche, Kommentare und Sternchen!
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This richly detailed photograph captures a close-up view of the exquisite coffered ceiling in the Library of Congress, located in the Thomas Jefferson Building in Washington, D.C. One of America’s most architecturally significant public spaces, the ceiling showcases the Beaux-Arts splendor that defines this national landmark.
Each coffer in the ceiling is adorned with concentric square moldings painted in ivory, deep red, and gold. At the center of every panel lies a gilded rosette, encircled by pearl-like beading and floral motifs. The design is a harmonious blend of neoclassical and Renaissance influences, reflecting the Library’s mission to celebrate knowledge, beauty, and human achievement through timeless craftsmanship.
The image also reveals vertical bands of ornamental plasterwork, which separate the rows of coffers with symmetrical carvings of vines, blossoms, and classical reliefs. These flourishes add a sense of vertical rhythm and reinforce the building’s commitment to visual storytelling and intellectual refinement. This ceiling is more than mere decoration—it’s a carefully crafted narrative of artistry and order.
This view focuses on a ceiling located in the David M. Rubenstein Treasures Gallery, a space that houses some of the Library’s most iconic historical artifacts. The coffered ceiling’s dazzling repetition and geometric order make it a favorite among architecture lovers and photographers alike, especially those drawn to patterns, symmetry, and fine detail.
What makes this ceiling particularly arresting is its interplay of color, shadow, and gilding. As natural light filters through nearby stained glass windows and ambient lighting casts soft illumination across the ceiling’s surface, the depth of the reliefs becomes more pronounced. This interplay gives each rosette a jewel-like presence, as if the ceiling were encrusted with precious emblems of learning and legacy.
Architectural elements like this ceiling serve a dual purpose—both structural and symbolic. Structurally, coffering reduces the weight of a vaulted ceiling, while symbolically it elevates the space into something akin to a temple of knowledge. The craftsmanship echoes the classical ideals of harmony, proportion, and enlightenment that have guided Western architecture for centuries.
Photographed with a keen eye for alignment and a centered vantage point, this image invites the viewer to pause and contemplate the detail above them—an element often missed when visiting such a grand space. Whether you're visiting for research, architecture, or inspiration, the Library of Congress offers a wealth of visual beauty—and this ceiling is one of its quiet masterpieces.
I voted this truck for People's Choice Best Of Show.
This lovely conversion and the Carrera GT1 Coupe are the work of a modeler from the Atlanta region. There were 5 guys who flew out for the contest, and a tour of automotive museums from LA to... Nice people! Really nice models!!
Similar to the traveling groups from SVSM that go on the road to contests in other places, and not unlike Ian, Ken, Alan, etc. doing the Airliners International thing.
The two engine cooling air exit ports, on each side, the wrap-around rear window and the lack of horizontal crease above the rear wheel arch, identify this as the Revell Germany kit.
I think all 4 cars here are the work of a modeler from the Atlanta region. There were 5 guys who flew out for the contest, and a tour of automotive museums from LA to... Nice people! REALLY nice models!!
I voted the truck for People's Choice Best Of Show.
Similar to the traveling groups from SVSM that go on the road to contests in other places, and not unlike Ian, Ken, Alan, etc. doing the Airliners International thing.
I think all 4 models here are the work of a modeler from the Atlanta region. Should have written down his name! There were 5 guys who flew out for the contest, and a tour of automotive museums from LA to... Nice people! REALLY nice models!!
I voted the truck for People's Choice Best Of Show.
Another model by the visiting contingent from Atlanta. The VW Pickup had sedimental appeal, otherwise, this is probably the best model in the show, certainly among models that I'm interested in. WOW. As in WOW!!!! Tie wraps and everything.
I took pictures of this racing car at RennSport IV. Pretty much looks exactly like this.... flic.kr/p/azc8yD
Slightly different angle on a Rothman's car: flic.kr/p/axXqxY
I took pictures of this racing car at RennSport IV. Pretty much looks exactly like this....
Same angle on a Rothman's car:
I took pictures of this racing car at RennSport IV. Pretty much looks exactly like this.... flic.kr/p/azc8yD