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This complex interface I found in an elevator.
1. put your pass in the middle slide
2. select the level you are on
Why is the infographic on the right and not on the place you interact? And why doesn't the system automatically know to which floor I'm headed?
Projeto Harmony City (parte integrante do projeto transdisciplinar Design e Produção Musical)
Direção de arte, criação e concepção do layout
The final design of Crowdi includes the incorporation of the following innovative features:
1)"Search Maps". A search map is a large space in which users add media such as images and text which when clicked on results in search results to be presented to you in a window directly below; essentially it acts as a large collaborative search box.
2) "Search Result Dashboards". These allow multiple sets of search results to be presented to us for each query we make. Access to search results from a large number of websites is therefore now possible; including search engines, video sites, blogs, maps, music sites etc. In this way we have real choice when it comes to the search results displayed to us.
3)"Crowdcasting". This is an innovation we are really excited about. Crowdcasting allows multiple users to simultaneously meet and interact with each other in a format which allows for real time student study groups and remote tutoring.
4) Game Dynamics. We will introduce game dynamics to Crowdi in an effort to encourage greater participation by users. Adding content to Crowdi search maps or adding to the dashboards will result in a user moving up the ranks on any given topic, from "novice" right through to "guru", "expert" and the highest possible level of "enlightened".
INTERFACE TO GOD
Kunsthalle zu Kiel.
Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos
(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.
©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002
Howard Greenberg Gallery (HGG) maintains a substantial archive of contemporary and historical photography. As an established New York exhibition venue and dealer, HGG’s brand was already developed and had outgrown the previous website. When StudioE9 recently undertook the development of the new site, we created a solution that strikes the balance between maintaining the HGG brand and improving the overall user experience.
StudioE9 is improving the responsiveness and browsing experience dramatically with a new user interface, content management system, archive taxonomy, and database. The new site will be a rich Flex 3.0 website built on top of a highly optimized database managing a very significant archive of photography. StudioE9 considers each site requirement in relation to the whole project and, subsequently, develops a beautiful, branded, and highly useable solution.
In this completely updated and revised edition of Designing with the Mind in Mind, Jeff Johnson provides you with just enough background in perceptual and cognitive psychology that user interface (UI) design guidelines make intuitive sense rather than being just a list or rules to follow.
Early ...
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#Books#JeffJohnson, #UserInterfaceBooks
What's this? A crime that doesn't carry a death penalty? What is this blasphemy?
And it really sucks to be into numbers in Novigrad.
www.reslers.de/IBUS/index.html
The IBUS controls almost all "non vital" entertainment devices like audio system, telephone, air condition, navigation units, lights and more.
A sculpture stands at the interface of technology and divinity, captured through the innovative lens of Duncan Rawlinson and the unique acc/deco aesthetic of Syd Steyerhart.
Quando a armadura finalmente quebra, seus pedaços caem pela tela. (Agradecimentos ao Caio Contó pela ideia)
INTERFACE TO GOD
Kunsthalle zu Kiel.
Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos
(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.
©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002