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This was shot using a lensbaby at the Art Institute of Chicago. It just seemed like a commentary on the anonymity of city life, I don't remember who the sculptor was but it seemed interesting.
PRESIDIO OF MONTEREY, Calif. -- The Defense Language Institute Foreign Language Center held its version of Language Day at venues throughout the Presidio May 9, 2014. Thousands of visitors attended the free event aimed primarily at students in grades K-12. School groups attended from across the state. Language Day features cultural displays and activities, classroom presentations, ethnic foods served by local multinational vendors, and a wide variety of entertainment. Throughout the day, visitors were entertained by a colorful program that included Korean dancers, a leaping 60-foot Chinese paper dragon, Hindi and Afghani musicians playing traditional instruments, European choral ensembles and troubadours, Hebrew recitations, Persian folk singers, and a variety of other performers and cultural entertainments. All 24 languages taught at the DLIFLC were featured in special presentations during the day. To read the full story visit www.army.mil/article/125750/
Official Presidio of Monterey Web site
Official Presidio of Monterey Facebook
Remembrance Sunday, 8 November 2015
In the United Kingdom, Remembrance Sunday is held on the second Sunday in November, which is the Sunday nearest to 11 November, Armistice Day, the anniversary of the end of hostilities in the First World War at 11 a.m. on 11 November 1918. Remembrance Sunday is held to commemorate the contribution of British and Commonwealth military and civilian servicemen and women in the two World Wars and later conflicts.
Remembrance Sunday is marked by ceremonies at local war memorials in most cities, towns and villages, attended by civic dignitaries, ex-servicemen and -women, members of local armed forces regular and reserve units, military cadet forces and uniformed youth organisations. Two minutes’ silence is observed at 11 a.m. and wreaths of remembrance poppies are then laid on the memorials.
The United Kingdom national ceremony is held in London at the Cenotaph in Whitehall. Wreaths are laid by Queen Elizabeth II, principal members of the Royal Family normally including the Duke of Edinburgh, the Prince of Wales, the Duke of Cambridge, the Duke of York, the Princess Royal, the Earl of Wessex and the Duke of Kent, the Prime Minister, leaders of the other major political parties, the Secretary of State for Foreign and Commonwealth Affairs, Commonwealth High Commissioners and representatives from the Royal Navy, Army and Royal Air Force, the Merchant Navy and Fishing Fleets and the civilian services, and veterans’ groups. Two minutes' silence is held at 11 a.m., before the laying of the wreaths. This silence is marked by the firing of a field gun on Horse Guards Parade to begin and end the silence, followed by Royal Marines buglers sounding Last Post.
The parade consists mainly of an extensive march past by veterans, with military bands playing music following the list of the Traditional Music of Remembrance.
Other members of the British Royal Family watch from the balcony of the Foreign and Commonwealth Office.
After the ceremony, a parade of veterans and other related groups, organised by the Royal British Legion, marches past the Cenotaph, each section of which lays a wreath as it passes. Only ticketed participants can take part in the march past.
From 1919 until the Second World War remembrance observance was always marked on 11 November itself. It was then moved to Remembrance Sunday, but since the 50th anniversary of the end of the Second World War in 1995, it has become usual to hold ceremonies on both Armistice Day and Remembrance Sunday.
Each year, the music at the National Ceremony of Remembrance remains the same, following a programme finalised in 1930:
Rule, Britannia! by Thomas Arne
Heart of Oak by William Boyce
The Minstrel Boy by Thomas Moore
Men of Harlech
The Skye Boat Song
Isle of Beauty by Thomas Haynes Bayly
David of the White Rock
Oft in the Stilly Night by John Stevenson
Flowers of the Forest
Nimrod from the Enigma Variations by Edward Elgar
Dido's lament by Henry Purcell
O Valiant Hearts by Charles Harris
Solemn Melody by Walford Davies
Last Post – a bugle call
Beethoven's Funeral March No. 1, by Johann Heinrich Walch
O God, Our Help in Ages Past – words by Isaac Watts, music by William Croft
Reveille – a bugle call
God Save The Queen
Other pieces of music are then played during the march past and wreath laying by veterans, starting with Trumpet Voluntary and followed by It's A Long Way To Tipperary, the marching song of the Connaught Rangers, a famous British Army Irish Regiment of long ago.
The following is complied from press reports on 8 November 2015:
"The nation paid silent respect to the country's war dead today in a Remembrance Sunday service. Leading the nation in remembrance, as ever, was the Queen, who first laid a wreath at the Cenotaph in 1945 and has done so every year since, except on the four occasions when she was overseas.
Dressed in her customary all-black ensemble with a clutch of scarlet poppies pinned against her left shoulder, she stepped forward following the end of the two-minute silence marked by the sounding of Last Post by 10 Royal Marine buglers.
The Queen laid her wreath at the foot of the Sir Edwin Lutyens Portland stone monument to the Glorious Dead, then stood with her head momentarily bowed.
She was joined by King Willem-Alexander of the Netherlands, who was invited to the Cenotaph for the first time to lay a wreath marking the 70th anniversary of the liberation of the Netherlands by British troops.
Watched by his wife Queen Maxima, who stood next to the Duchess of Cambridge in the Royal Box, the King laid a wreath marked with the simple message, 'In remembrance of the British men and women who gave their lives for our future.'
Wreaths were then laid by members of the Royal Family, all wearing military uniform: Prince Philip; then Prince Andrew, Prince Harry and Prince William at the same time ; then Prince Edward, Princess Anne and the Duke of Kent at the same time.
Three members of the Royal Family laying wreaths at the same time was an innovation in 2015 designed to slightly reduce the amount of time of the ceremony and thereby reduce the time that the Queen had to be standing.
Prince Charles attended a remembrance service in New Zealand.
The Prime Minister then laid a wreath. The Leader of the Opposition and Leader of the Labour Party, Jeremy Corbyn, appeared at the Cenotaph for the first time. He wore both a suit and a red poppy for the occasion.
His bow as he laid a wreath marked with the words 'let us resolve to create a world of peace' was imperceptible – and not enough for some critics. Yet unlike the 75th anniversary of the Battle of Battle service earlier this year, Mr Corbyn did join in with the singing of the national anthem.
Following the end of the official service at the Cenotaph, a mammoth column more than 10,000-strong (some 9,000 of whom were veterans) began marching along Whitehall, saluting the Cenotaph as they passed, Parliament Street, Great George Street, Horse Guards Road and back to Horse Guard Parade. The Duke of Cambridge took the salute from the column on Horse Guards Parade.
Time takes its inevitable toll on even the most stoic among us, and this year only a dozen World War Two veterans marched with the Spirit of Normandy Trust, a year after the Normandy Veterans' Association disbanded.
Within their ranks was 95-year-old former Sapper Don Sheppard of the Royal Engineers. Sheppard was of the eldest on parade and was pushed in his wheelchair by his 19-year-old grandson, Sam who, in between studying at Queen Mary University, volunteers with the Normandy veterans.
'It is because of my admiration for them,' he says. 'I see them as role models and just have the utmost respect for what they did.'
While some had blankets covering their legs against the grey November day, other veterans of more recent wars had only stumps to show for their service to this country during 13 long years of war in Afghanistan.
As well as that terrible toll of personal sacrifice, the collective losses – and triumphs - of some of the country’s most historic regiments were also honoured yesterday.
The Gurkha Brigade Association - marking 200 years of service in the British Army – marched to warm ripples of applause. The King’s Royal Hussars, represented yesterday by 126 veterans, this year also celebrate 300 years since the regiment was raised.
They were led by General Sir Richard Shirreff, former Deputy Supreme Allied Commander of Nato and Colonel of the regiment who himself was marching for the first time.
'We are joined by a golden thread to all those generations who have gone before us,” he said. “We are who we are, because of those that have gone before us.' "
Cenotaph Ceremony & March Past - 8 November 2015
Summary of Contingents
Column Number of marchers
B (Lead) 1,754
C 1,298
D 1,312
E 1,497
F 1,325
A 1,551
Ex-Service Total 8,737
M (Non ex-Service) 1,621
Total 10,358
Column B
Marker Detachment Number
1 Reconnaissance Corps 18 Anniversary
2 43rd Reconnaissance Regiment Old Comrades Assoc 10
3 3rd Regiment Royal Horse Artillery Association 60
4 Royal Artillery Association 18
5 Royal Engineers Association 37
6 Royal Engineers Bomb Disposal Association 65 Anniversary
7 Airborne Engineers Association 24
8 Royal Signals Association 48
9 Army Air Corps Association 42
10 Royal Army Service Corps & Royal Corps Transport Assoc 54
11 RAOC Association 18
12 Army Catering Corps Association 48
13 Royal Pioneer Corps Association 54 Anniversary
14 Royal Army Medical Corps Association 36
15 Royal Electrical & Mechanical Engineers Association 48
16 Royal Military Police Association 100
17 The RAEC and ETS Branch Association 12
18 Royal Army Pay Corps Regimental Association 36
19 Royal Army Veterinary Corps & Royal Army Dental Corps 18
20 Royal Army Physical Training Corps 24
21 Queen Alexandra's Royal Army Nursing Corps Assoc 48
22 Royal Scots Dragoon Guards 30
23 Royal Dragoon Guards 78
24 Queen's Royal Hussars (The Queen's Own & Royal Irish) 12
25 Kings Royal Hussars Regimental Association 126
26 16/5th Queen's Royal Lancers 36
27 17/21 Lancers 30
28 The Royal Lancers 24 New for 2015
29 JLR RAC Old Boys' Association 30
30 Association of Ammunition Technicians 24
31 Beachley Old Boys Association 36
32 Arborfield Old Boys Association 25
33 Gallipoli & Dardenelles International 24
34 Special Observers Association 24
35 The Parachute Squadron Royal Armoured Corps 24 New
36 Intelligence Corps Association 48
37 Women's Royal Army Corps Association 120
38 656 Squadron Association 24
39 Home Guard Association 9
40 British Resistance Movement (Coleshill Research Team) 12
41 British Limbless Ex-Service Men's Association 48
42 British Ex-Services Wheelchair Sports Association 24
43 Royal Hospital Chelsea 30
44 Queen Alexandra's Hospital Home for Disabled Ex-Servicemen & Women 30
45 The Royal Star & Garter Homes 20
46 Combat Stress 48
Total 1,754
Column C
Marker Detachment Number
1 Royal Air Force Association 150
2 Royal Air Force Regiment Association 300
3 Royal Air Forces Ex-Prisoner's of War Association 20
4 Royal Observer Corps Association 75 Anniversary
5 National Service (Royal Air Force) Association 42
6 RAFLING Association 24
7 6 Squadron (Royal Air Force) Association 18
8 7 Squadron Association 25
9 8 Squadron Association 24
10 RAF Habbaniya Association 25
11 Royal Air Force & Defence Fire Services Association 30
12 Royal Air Force Mountain Rescue Association 30
13 Units of the Far East Air Force 28 New
14 Royal Air Force Yatesbury Association 16
15 Royal Air Force Airfield Construction Branch Association 12
16 RAFSE(s) Assoc 45 New
17 Royal Air Force Movements and Mobile Air Movements Squadron Association (RAF MAMS) 24
18 Royal Air Force Masirah & Salalah Veterans Assoc 24 New
19 WAAF/WRAF/RAF(W) 25
19 Blenheim Society 18
20 Coastal Command & Maritime Air Association 24
21 Air Sea Rescue & Marine Craft Sections Club 15
22 Federation of RAF Apprentice & Boy Entrant Assocs 150
23 Royal Air Force Air Loadmasters Association 24
24 Royal Air Force Police Association 90
25 Princess Mary's Royal Air Force Nursing Service Association 40
Total 1,298
Column D
Marker Detachment Number
1 Not Forgotten Association 54
2 Stoll 18
3 Ulster Defence Regiment 72
4 Army Dog Unit Northern Ireland Association 48
5 North Irish Horse & Irish Regiments Old Comrades Association 78
6 Northern Ireland Veterans' Association 40
7 Irish United Nations Veterans Association 12
8 ONET UK 10
9 St Helena Government UK 24
10 South Atlantic Medal Association 196
11 SSAFA 37
12 First Aid Nursing Yeomanry (Princess Royal's Volunteers Corps) 12
13 Association of Jewish Ex-Servicemen & Women 48
14 British Nuclear Test Veterans Association 48
15 War Widows Association 132
16 Gurkha Brigade Association 160 Anniversary
17 British Gurkha Welfare Society 100 Anniversary
18 West Indian Association of Service Personnel 18
19 Trucial Oman Scouts Association 18
20 Bond Van Wapenbroeders 35
21 Polish Ex-Combatants Association in Great Britain 25
22 Stowarzyszenie Polskich Kombatantów Limited 18 New
23 Royal Hong Kong Regiment Association 12
24 Canadian Veterans Association 10
25 Hong Kong Ex-Servicemen's Association (UK Branch) 24
26 Hong Kong Military Service Corps 28
27 Foreign Legion Association 24
28 Undivided Indian Army Ex Servicemen Association 11 New
Total 1,312
Column E
Marker Detachment Number
1 Royal Marines Association 198
2 Royal Naval Association 150
3 Merchant Navy Association 130
4 Sea Harrier Association 24
5 Flower Class Corvette Association 18
6 HMS Andromeda Association 18
7 HMS Argonaut Association 30
8 HMS Bulwark, Albion & Centaur Association 25
9 HMS Cumberland Association 18
10 HMS Ganges Association 48
11 HMS Glasgow Association 30
12 HMS St Vincent Association 26
13 HMS Tiger Association 25
14 Algerines Association 20
15 Ton Class Association 24
16 Type 42 Association 48
17 Queen Alexandra's Royal Naval Nursing Service 36
18 Association of WRENS 90
19 Royal Fleet Auxiliary Association 10
20 Royal Naval Communications Association 30
21 Royal Naval Medical Branch Ratings & Sick Berth Staff Association 24
22 Royal Naval Benevolent Trust 18
23 Yangtze Incident Association 24
24 Special Boat Service Association 6
25 Submariners Association 30
26 Association of Royal Yachtsmen 30
27 Broadsword Association 36
28 Aircraft Handlers Association 36
29 Aircrewmans Association 40 Anniversary
30 Cloud Observers Association 10
31 The Fisgard Association 40
32 Fleet Air Arm Armourers Association 36
33 Fleet Air Arm Association 25
34 Fleet Air Arm Bucaneer Association 24
35 Fleet Air Arm Field Gun Association 24
36 Fleet Air Arm Junglie Association 18
37 Fleet Air Arm Officers Association 30
38 Fleet Air Arm Safety Equipment & Survival Association 24
39 Royal Navy School of Physical Training 24
Total 1,497
Column F
Marker Detachment Number
1 Blind Veterans UK 198
2 Far East Prisoners of War 18
3 Burma Star Association 40
4 Monte Cassino Society20
5 Queen's Bodyguard of The Yeoman of The Guard 18
6 Pen and Sword Club 15
7 TRBL Ex-Service Members 301
8 The Royal British Legion Poppy Factory 4
9 The Royal British Legion Scotland 24
10 Officers Association 5
11 Black and White Club 18
12 National Pigeon War Service 30
13 National Service Veterans Alliance 50
14 Gallantry Medallists League 46
15 National Malaya & Borneo Veterans Association 98
16 National Gulf Veterans & Families Association 30
17 Fellowship of the Services 100
18 Memorable Order of Tin Hats 24
19 Suez Veterans Association 50
20 Aden Veterans Association 72
21 1st Army Association 36
22 Showmens' Guild of Great Britain 40
23 Special Forces Club 12
24 The Spirit of Normandy Trust 28
25 Italy Star Association, 1943-1945, 48
Total 1,325
Column A
Marker Detachment Number
1 1LI Association 36
2 Royal Green Jackets Association 198
3 Parachute Regimental Association 174
4 King's Own Scottish Borderers 60
5 Black Watch Association 45
6 Gordon Highlanders Association 60
7 Argyll & Sutherland Highlanders Regimental Association 12
8 Queen's Own Highlanders Regimental Association 48
9 London Scottish Regimental Association 30
10 Grenadier Guards Association 48
11 Coldstream Guards Association 48
12 Scots Guards Association 48
13 Guards Parachute Association 36
14 4 Company Association (Parachute Regiment) 24
15 Princess of Wales's Royal Regiment 72
16 Royal East Kent Regiment (The Buffs) Past & Present Association 30
17 Prince of Wales' Leinster Regiment (Royal Canadians) Regimental Association 24
18 Royal Hampshire Regiment Comrades Association 14
19 The Royal Hampshire Regimental Club 24 New for 2015
20 Royal Northumberland Fusiliers 48 New
21 Royal Sussex Regimental Association 12
22 Green Howards Association 24
23 Cheshire Regiment Association 24
24 Sherwood Foresters & Worcestershire Regiment 36
25 Mercian Regiment Association 30
26 Special Air Service Regimental Association 4
27 The King's Own Royal Border Regiment 100
28 The Staffordshire Regiment 48
29 Rifles Regimental Association 40
30 The Rifles & Royal Gloucestershire, Berkshire & Wiltshire Regimental Association 30
31 Durham Light Infantry Association 60
32 King's Royal Rifle Corps Association 50
33 King's African Rifles 14 New for 2015
Total 1,551
Column M
Marker Detachment Number
1 Transport For London 48
2 Children of the Far East Prisoners of War 60
3 First Aid Nursing Yeomanry (Princess Royal's Volunteers Corps) 24
4 Munitions Workers Association18
5 Evacuees Reunion Association48
6 TOC H 20
7 Salvation Army 36
8 Naval Canteen Service & Expeditionary Force Institutes Association 12 Previously NAAFI
9 Royal Voluntary Service 24
10 Civil Defence Association 8
11 National Association of Retired Police Officers 36
12 Metropolitan Special Constabulary 36
13 London Ambulance Service NHS Trust 36
14 London Ambulance Service Retirement Association 18
15 St John Ambulance 36
16 British Red Cross 12
17 St Andrew's Ambulance Association 6
18 The Firefighters Memorial Trust 24
19 Royal Ulster Constabulary (GC) Association 36
20 Ulster Special Constabulary Association 30
21 Commonwealth War Graves Commission 12
22 Daniel's Trust 36
23 Civilians Representing Families 180
24 Royal Mail Group Ltd 24
25 Royal Society for the Prevention of Cruelty to Animals 24
26 The Blue Cross 24
27 PDSA 24
28 HM Ships Glorious Ardent & ACASTA Association 24 Anniversary
29 Old Cryptians' Club 12
30 Fighting G Club 18 Anniversary
31 Malayan Volunteers Group 12
32 Gallipoli Association 18
33 Ministry of Defence 20
34 TRBL Non Ex-Service Members 117
35 TRBL Women's Section 20
36 Union Jack Club 12
37 Western Front Association 8
38 Shot at Dawn Pardons Campaign 18
39 Royal Antediluvian Order of Buffaloes 24
40 National Association of Round Tables 24
41 Lions Club International 24
42 Rotary International 24
43 41 Club 6
44 Equity 12
45 Romany & Traveller Society 18
46 Sea Cadet Corps 30
47 Combined Cadet Force 30
48 Army Cadet Force 30
49 Air Training Corps 30
50 Scout Association 30
51 Girlguiding London & South East England 30
52 Boys Brigade 30
53 Girls Brigade England & Wales 30
54 Church Lads & Church Girls Brigade 30
55 Metropolitan Police Volunteer Police Cadets 18
56 St John Ambulance Cadets 18
57 YMCA 12
Total 1,621
First National Bank,
OF CHICAGO, ILL.
COLLEGE HILL
Will Pay
THE BEARER
TWO DOLLARS.
H. B. BROWN, President. C. W. BOUCHER, Cashier.
FIRST NATIONAL BANK.
COMMERCIAL COLLEGE.
Valparaiso, Indiana.
[Northern Indiana Normal and Business Institute, Obsolete Scrip]
Date: Circa 1875-1900
Source Type: Obsolete Scrip
Publisher, Printer, Photographer: Unknown
Postmark: Not Applicable
Collection: Steven R. Shook
Remark: The Northern Indiana Normal School and Business Institute, which operated from 1873 through 1900, later to be renamed Valparaiso College in 1900, and then renamed again as Valparaiso University in 1906, issued scrip as a form of trade. The Institute is known to have issued scrip in denominations of 1¢, 2¢, 5¢, 10¢, 25¢, 50¢, $1, $2, $10, $20, $50, $100, $500, $1,000, and $5,000, which was backed by its deposits fictitiously held in the First National Bank located in Chicago, Cook County, Illinois, or the Merchants Commercial Bank of Cleveland, Cuyahoga County, Ohio. This represents an example of an circulated $2 scrip note.
Schingoethe and Schingoethe (1993) do not list an example of this scrip. However, it closely resembles the class of scrip listed as IN-790 (p. 82). Given that this scrip is unlisted in Schingoethe, it is assumed it has a rarity of R7, indicating that only one to four examples of this scrip are known to exist. Wolka (2018) also fails to list the existence of a $2 scrip issued by this educational institution.
Source Information:
Schingoethe, Herb, and Martha Schingoethe. 1993. College Currency: Money for Business Training. Port Clinton, Ohio: BNR Press. 463 p.
Wolka, Wendell. 2018. A History of Indiana Obsolete Bank Notes and Scrip. Sun City Center, Florida: Wendell Wolka. 900 p. [see p. 865]
Wolka, Wendell A., Jack M. Vorhies, and Donald A. Schramm. 1978. Indiana: Obsolete Notes and Scrip. Iola, Wisconsin, Krause Publications. 306 p. [see p.299]
Copyright 2020. Some rights reserved. The associated text may not be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission of Steven R. Shook.
During the past two years, ASU's Biodesign Institute has filed 160 patents and has been awarded more than $100 million in research funding from government, nonprofit and industry sources.
This tower is all that remains of the Popular Institute in Tillicoultry (pronounced tillycootray) in Clackmannanshire in Scotland. The inscription on the plaque reads "Popular Institute Erected 1859 Tower Erected 1878".
A Town of One, Two, Three.
The story of Gawler, the first town developed outside of Adelaide in 1839 is the story of numbers. Colonel William Light, after he resigned as Surveyor General for SA, formed a private surveying company with his friend and former Assistant Surveyor Boyle Finniss. (Remember Boyle Finniss became our first Premier in 1854.) They did some commercial surveying; they surveyed a sort of village along the Sturt River at what is now Marion; but the only other town apart from Adelaide that they surveyed and laid out was Gawler.
•Their township of Gawler had three squares- Light, Orleana and Parnell. Light had planned for the squares to be the centres for the Anglican, Presbyterian and Catholic churches. It did not quite work out like that!
•Light carefully sited this town on a ridge of high ground between three rivers –the North Para, South Para and Gawler Rivers. The first two rivers join just below Light’s town to form the Gawler River which flows out to the sea. The town grew quickly for a non mining town and became the 19th century industrial hub of SA.
•The first settlers around the town grew wheat and consequently flour milling became the first industry with three flour mills –the Albion Mill, the Victoria Mill and the Union Mill.
•The farmers needed plough disks, windmills, strippers and winnowers and other farm machinery. The Gawler residents wanted fancy wrought iron lace work to adorn the verandas of their houses and cottages. So from the mid 19th century Gawler became a town of three foundries- the May Brothers Foundry, the Eagle Foundry and the Phoenix Foundry.
•Like all country towns in the 19th century Gawler was dominated socially by a select group of business and social leaders. In Gawler the well respected and known leaders of the 19th century were three prominent men- Walter Duffield - the flour miller, James Martin - the foundry man and John McKinley - the explorer.
Some Unique Aspects of Gawler’s History.
The origins of Gawler are unique in SA. When the Special Surveys of 1839 were offered for those with £4,000 to select 4,000 acres in an area of the person’s choice, a group of farming settlers who had voyaged out together on the ship the Orleana clubbed together to purchase a Special Survey at the junction of the North and South Para Rivers. Those settlers were John Reid, Henry Dundas Murray, E. Jerningham, Stephen King, William Porter, Patrick Tod, James Fotheringham, John Patterson, Thomas Stubbs, John Sutton, Robert Tod and the Reverend Howard. You will see many of these names on the street signs of Church Hill. These pioneering men came to a strict agreement and each donated a certain number of acres for the township of Gawler (named after the Governor of the day) in proportion to the total number of acres they had purchased from the 4,000 acres. Most of this group purchased around 300 acres and donated 7½ acres for the town and parklands but John Reid, Henry Murray, E Jerningham and
Stephen King purchased between 530 and 932 acres each. Hence the main street of Gawler is Murray Street. John Reid was the first to settle in the town and built a house called Clonlea. Stephen King built his sandstone mansion, Kingsford along the North Para a couple of miles out of Gawler. It was used for the TV series McLeod’s Daughters but is now an upmarket bed and breakfast establishment. Some of the others from this Special Survey appear to have sold their land and moved on quickly rather than settling in the emerging township. Fotheringham stayed and set up the town’s first brewery.
Social aspects and a sense of civic pride were always strong in Gawler. It was remarkable that in 1859 this small “gateway to the north” sponsored a competition for a national song to be conducted by the Institute Committee. As we all know Mrs Caroline Carleton won the competition. The Song of Australia was sung in all SA primary schools and was one of the options voted upon for the new national anthem in the 1970s. The music for the song was written by German born Carl Linger and the lyrics and music were first presented in the Gawler Oddfellows Hall in December 1859. The town also offered a prize for a written history of SA in 1861. Henry Hussey won that award. Also in 1859 the township opened the first museum in SA. At one time Mr Schomburgk, who later became Director of the Botanic Gardens, was the curator of this museum. Gawler also formed the Humbug Society in 1859 to consider social and political issues of the day and in 1863 the town established its own newspaper, which is still published, called the Bunyip. In later years it was unique in building so many steam railway engines that were used in SA or exported for use in other states.
The Ayalon Institute was a secret ammunition factory disguised as part of a kibbutz to fool the British back in the 1940s. Jewish people used the factory in their efforts to fight for the independent state of Israel. Organizers went to extreme measures to build and sustain this secret factory within the kibbutz. Between 1945 and 1948, the Ayalon Institute produced more than 2 million 9mm bullets.
During the British mandate, the Jewish people began planning ways to make machinery and guns to fight for independence. While manufacturing guns didn’t prove to be that difficult, it was very challenging to make bullets for the guns.
So, a group of Jewish people decided to build a ammunitions factory under a kibbutz, which is a communal area of land designed for a specific purpose, such as farming. The area was near a British base. In 1945, the group built structures on the surface that resembled a kibbutz and in about three weeks, they built an entire ammunitions factory eight meters underground. The factory was about the size of a tennis court.
The factory stopped operating in 1948, three years after being built. In 1987, the factory was restored and turned into a museum that is now open to the public.
The Institute before Customs House added. [Photo from State Library of SA: B 10740]
Foundation stone 31 Oct 1874 by David Bower, architect Robert George Thomas, opened 23 Oct 1876 on site of earlier bond store. Building sold to Customs when library & nautical museum relocated Jul 1959 to St Vincent Street, transferred to Port Adelaide Corporation 1979, becoming a free library, moving to Church St 1991. First Institute opened Jul 1851 in meeting room of George Coppin’s White Horse Cellars Inn.
“a number of individuals, interested in the mental improvement of the Port, met at the Court-House, to found a Mechanics' Institute and Literary Institution and Library. . . Mr. Coppin had promised them the use of the Masonic Hall, also of his large and valuable library, and even a benefit at the theatre on their paying the necessary expenses.” [Register 29 May 1851]
“A meeting. . . was held at the White Horse Cellar, Port Adelaide, on Friday, September 2, for the purpose of establishing a library and reading-room. . . About 30 persons were present.” [Advertiser 3 Sep 1859]
“Opening of the Port Adelaide Institute. -The opening soiree of subscribers and the public. . . in the large room of the White Horse Cellar, which was densely crowded by the residents of the Port and its vicinity, not less than from 400 to 500 persons being present. . . The Institution had received a good supply of periodicals and magazines through the Adelaide Institute. They had also received a quantity of books. The Government had favorably entertained an application for rooms in the present Custom-House, where, it was to be hoped, they might shortly be domiciled.” [Advertiser 18 Oct 1859]
“subscribers to the Port Adelaide Institute held their first annual meeting in the Reading-Room, White Horse Cellar. . . the total number of subscribers had been 129. . . number of books on the shelves 350.” [Advertiser 26 Oct 1860]
“The buildings formerly occupied by the Customs Department, the Local Court, and the Police Station, but rendered vacant by the erection of the new buildings, are undergoing a course of alterations to fit them for the occupation of other branches of the public service. The late Custom-House is to be transformed into a Telegraph Office. . . The old Court-House has been handed over to the Port Corporation for a Town Hall — a purpose for which it is well suited. The Port Adelaide Institute will also be allowed the use of those premises for their library and reading-room.” [Register 26 Dec 1860]
“letter from the Port Adelaide Institute, asking when it would be convenient for the Council to allow them to occupy the Council room, proposed by the Government, when not otherwise engaged. The Town Clerk was instructed to reply the Corporation had no objection to their coming in, but think the room unsuited for their purposes, and suggested their making further application to the Government for a room for themselves.” [Advertiser 23 Feb 1861]
“The annual meeting of the subscribers of the Port Adelaide Institute was held in the Institute Room, North-parade. . . Gratification was expressed at the success attending the opening of the institute during three evenings of each week, for reading, &c, to afford an opportunity to those benefitted by the early closing movement.” [Advertiser 7 Oct 1863]
“The Committee of the Port Adelaide Institute have removed their Library and Reading-room to the Town Hall, the Council having granted the use of one of the rooms on the first floor for that purpose.” [Advertiser 28 May 1867]
“A meeting of the subscribers and friends of the Port Adelaide Institute was held on Friday evening, January 20, at the new reading rooms, lately the telegraph office, to take into consideration the desirableness of altering the annual payment of £1 to 12s.” [Advertiser 24 Jan 1871]
“For some years past this institution has been in a very languishing state, but recently its management has fallen into good hands. . . The library and public reading-room have been removed from the Town Hall, and the offices that were portion of the old Telegraph Station have been fitted up for these purposes. Since the committee reduced the subscription to 12s. per annum they have had a large increase of members, 140 being at the present time. . . the reading-room has been thrown open from 10 o'clock a.m. until 10 p.m. The Committee in making these alterations have had to engage a librarian, who could devote his whole time to the services of the Institute.” [Advertiser 6 May 1871]
“Port Adelaide Institute. . . One of the most noticeable features in connection with the Institute is the museum, which now occupies the third room. . . Curios from Europe, Asia; Africa, Fiji, and various parts of Australia, are ranged round the walls; fossils, shells, corals, birds, war weapons, ornaments, articles of dress, insects, reptiles, fish, human skulls, English and foreign coins. . . The collection was initiated by the present Librarian.” [Register 15 Jan 1872]
“Mr. David Bower, of Port Adelaide, had generously offered to give the sum of £500 towards the erection of a suitable building for the Port Adelaide Institute, the only condition being that a similar amount was subscribed by other means.” [Register 17 Oct 72]
“the old bonded store on the Government Reserve, the site of which has been handed over for the site of the new Port Adelaide Institute, is in course of being pulled down, we presume to make way for the new building. The store hitherto was leased by Captain Simpson, who generously gave up the lease before expiry in order to admit of the erection of the Institute at an early date.” [Advertiser 5 Dec 1873]
“The foundation stone of the new building for the Port Adelaide Institute is to be laid with much ceremony this afternoon by Mr. David Bower, whose liberal donation was the means of initiating the movement. A procession is to be formed at the Town Hall, and proceed by way of St Vincent and Mundy streets and the North Parade to the site of the building in the Commercial-road.” [Register 31 Oct 1874]
“Port Adelaide Institute. . . has already reached the level of the ground-floor. . . The foundation-stone, which is of Macclesfield marble, is to be placed in the south-east corner. . . immediately above the freestone moulded plinth, and will serve as a rusticated quoin. . . His Worship the Mayor (Mr. J. M. Sinclair) said some of those present would remember a small wooden building which many years ago served for an Institute at Port Adelaide.” [Register 2 Nov 1874]
“The elevations are on the Venetian-Italian style. . . There being no amount available for a tower, a lookout has been provided for by constructing a mansard roof over the angle of the Commercial road and Nile-street, so that when entertainments are going on a flag can be hoisted. A niche for a statue is also provided above the doorway into the class-room facing Nile-street.” [Advertiser 24 Oct 1876]
“The materials used in the construction of the building are rubble-stone from Dry Creek, bricks and freestone from Teatree Gully, and the dressings are of Portland cement and freestone. The foundation, which is of concrete, is laid on the old level of the Port. There is an entrance from the Commercial-road and two from Nile street.” [Express & Telegraph 24 Oct 1876]
“Our first Institute was opened in a small wooden building; we migrated thence to the Town Hall, and subsequently to the Custom-House.” [Register 24 Oct 1876]
“The was a large gathering of ladies and gentlemen in the Port Adelaide Institute Lecture-hall on Tuesday afternoon, July 27, to witness the ceremony of unveiling the large oil painting which recently arrived from England, and to celebrate the inauguration of a fine art gallery for Port Adelaide. . . the splendid collection of photographs of Thorwaldsen's sculptures sent to the museum by Christian IX., King of Denmark, were exhibited. . . Mr. Huson's picture, which measures about 6 feet by 4 feet 6 inches, depicts an English country scene. The subject is ‘The Quiet Stream’.” [Advertiser 28 July 1880]
“The Museum and Art Gallery connected with the Port Adelaide Institute contains a number of valuable exhibits, and these have lately been increased by several cultural history specimens, old books, curios and pictures. . . The curators have lately added to the permanent exhibits two large paintings of the Port River in the early days.” [Advertiser 31 Oct 1896]
“Among several further exhibits which have been secured for the recently established nautical museum at Port Adelaide is a model of the British full-rigged ship Craigendarroch, and the figurehead of the barque Garthneil, one of the last of the British sailers.” [Advertiser 8 Jun 1933]
“An old fashioned ship's gun, believed to have belonged to an English frigate. It was dredged from the bottom of the Fort River several years ago, and is now in the Port Adelaide Nautical Museum.” [Advertiser 25 Jul 1933]
“Converted into a nautical museum with models, figureheads, photographs, and pictures of ships connected with early Port Adelaide as the main features, the Port Adelaide Museum has been reopened. . . Many interesting nautical .specimens have been acquired for the museum. At a recent auction sale in Adelaide, the bell of the barque County of Merioneth was bought. This ship, which is ending its days at Port Adelaide as a coal hulk, was built at Liverpool in 1880.” [News 9 Aug 1933]
“the Art Gallery has just purchased a rare and beautiful old oil painting on wood by an unknown artist, and probably of the 15th century French period. The Director (Mr. McCubbin) is very enthusiastic about the acquisition of their first example of that period, and so well preserved, too. Subject of the painting: St. Martin of Tours and St. Nicholas. According to Mr. McCubbin, it was in the art gallery at Port Adelaide Institute for many years, but little is known of its Australian history, how it came here, and during recent weeks it has hung on the gallery walls at North terrace, where its striking subject and rich coloring have been much admired.” [Advertiser 21 Oct 1943]
“The painting, known as 'St. Martin of Tours and St. Nicholas,' was purchased by the gallery Board from the Port Adelaide Institute authorities in 1943. It has now been identified by the Courtauld Institute of Art, London, as being by the 'Master of the Uttenheim Altarpiece,' Tyroleset School, and dated about 1460. . . The curator of the institute gallery (Mr. Vernon Smith) said last night that he believed the picture was found in the false bottom of a packing case among a number consigned to a printer who worked in the basement of the institute building, about the end of last century. The printer, E. H. Derrington, gave the picture to the institute. . . the painting was on exhibition at the Port Adelaide Institute's art gallery for many years, but few people knew of its existence. It was lent to the National Gallery in 1943 and subsequently purchased from the institute.” [Advertiser 23 Aug 1950]
“Port Adelaide Nautical Museum. . . Space was becoming desperately short and conditions were very over-crowded. . . New exhibits were continually being presented or lent to the museum. The museum is run and maintained by the Port Adelaide Institute. Money for its upkeep is raised by the institute's subscription library. . . The museum, which was the only one of its type in Australia.” [Advertiser 6 Jan 1954]
This is the Digbeth Institute. I returned to Digbeth, as I saw from Bradford Street (on the bus) that it looked like the scaffolding on the Digbeth Institute had come down, so I decided to come back and get some proper shots of it. Last time it was covered in scaffolding and I only took it from the top as you couldn't see it like this.
Now it is uncovered (mostly apart from that one bit on the bottom right hand corner), you can see how beautiful this building really is.
I believe that it is currently a night club. Called Un Plug Bar & Bistro.
Notice all the details as well. Fully restored and cleaned.
Pevsner says:
The Digbeth Institute of 1906 - 08 by Arthur Harrison is Edwardian Mannerist, its classical elements used unstructurally to indicate the steel frame beneath. Doric columns support only draped female figures with musical instruments. Deliberate recessions between the canted bays above. Baroque centrepiece, and contrasting spiked central turret and Wren-style side cupolas.
It is locally listed as Grade B.
The Institute was the former Digbeth Civic Hall.
Amazing looking sign of the Digbeth Institute.
More information here en.wikipedia.org/wiki/Digbeth_Institute
The Digbeth Institute is a 2,000 capacity music venue in Digbeth, Birmingham, England, which has been synonymous in the development of the British rave music and drum and bass scene.
A former church and theatre, the venue is now called the Sanctuary and was the original home of Godskitchen`s weekly club nights. As well as Godskitchen, The Digbeth Institute / Sanctuary has also played host to famous club nights such as Atomic Jam, Uproar, Slinky, Sundissential, Athletico, Ramshackle and Panic. Many influential hip hop artists performed at Digbeth Institute including Redman and Keith Murray.
The venue is currently closed after it's purchase by the Barfly group and is due to re-open in summer 2009 after a full refurbishment.
Designed by Arthur Harrison, it was officially opened January 16, 1908 by the wife of the Pastor of Carrs Lane Church, John Henry Jowett, as an institutional church attached to Carr's Lane Congregational Church. In the week that followed, it hosted a variety of acts. The area which surrounded it was predominantly slums and industrial.
In 1954, the building was put up for sale by the trustees as they felt the building was not needed for its originally intended use. It was bought by Birmingham City Council in 1955 for £65,000 and was used as a civic hall.
The exterior is a mixture of red brick and grey terracotta. The grey terracotta forms the more ornate features of the façade including the three towers, the 1.65 metre tall allegorical figures and the window and door frames. The allegorical figures are believed to be the work of John Evans, the chief modeller for Gibbs & Canning. The drawings of the building by Arthur Harrison do not include the figures, indicating that these were probably added in 1909. The building is Grade B locally listed.
People known to have made speeches at the Digbeth Institute include Neville Chamberlain, Henry Usborne, Florence L. Barclay and Herbert Hensley Henson.
In 1987, the building was used as a film studio by the Birmingham Film and Video Workshop for the Channel 4 film 'Out Of Order'. The venue later appeared onscreen again, when it played a part as one of the main locations in the feature film 'Lycanthropy', filmed in 2005-2006.
Salk Institute by Louis Kahn
Location: San Diego, CA, USA
Built: 1965
Architect: Louis Kahn
As a big fan of modernism architecture I've always wanted to see and photograph iconic Salk Institute by Louis Kahn. Finally, at this year trip around California I reached to San Diego, and I was really disappointed because it Memorial Day weekend and... Salk Institute was closed.
So, no photos from beautiful courtyard.
Maybe another time?
Foundation stone 31 Oct 1874 by David Bower, architect Robert George Thomas, opened 23 Oct 1876 on site of earlier bond store. Building sold to Customs when library & nautical museum relocated Jul 1959 to St Vincent Street, transferred to Port Adelaide Corporation 1979, becoming a free library, moving to Church St 1991. First Institute opened Jul 1851 in meeting room of George Coppin’s White Horse Cellars Inn.
“a number of individuals, interested in the mental improvement of the Port, met at the Court-House, to found a Mechanics' Institute and Literary Institution and Library. . . Mr. Coppin had promised them the use of the Masonic Hall, also of his large and valuable library, and even a benefit at the theatre on their paying the necessary expenses.” [Register 29 May 1851]
“A meeting. . . was held at the White Horse Cellar, Port Adelaide, on Friday, September 2, for the purpose of establishing a library and reading-room. . . About 30 persons were present.” [Advertiser 3 Sep 1859]
“Opening of the Port Adelaide Institute. -The opening soiree of subscribers and the public. . . in the large room of the White Horse Cellar, which was densely crowded by the residents of the Port and its vicinity, not less than from 400 to 500 persons being present. . . The Institution had received a good supply of periodicals and magazines through the Adelaide Institute. They had also received a quantity of books. The Government had favorably entertained an application for rooms in the present Custom-House, where, it was to be hoped, they might shortly be domiciled.” [Advertiser 18 Oct 1859]
“subscribers to the Port Adelaide Institute held their first annual meeting in the Reading-Room, White Horse Cellar. . . the total number of subscribers had been 129. . . number of books on the shelves 350.” [Advertiser 26 Oct 1860]
“The buildings formerly occupied by the Customs Department, the Local Court, and the Police Station, but rendered vacant by the erection of the new buildings, are undergoing a course of alterations to fit them for the occupation of other branches of the public service. The late Custom-House is to be transformed into a Telegraph Office. . . The old Court-House has been handed over to the Port Corporation for a Town Hall — a purpose for which it is well suited. The Port Adelaide Institute will also be allowed the use of those premises for their library and reading-room.” [Register 26 Dec 1860]
“letter from the Port Adelaide Institute, asking when it would be convenient for the Council to allow them to occupy the Council room, proposed by the Government, when not otherwise engaged. The Town Clerk was instructed to reply the Corporation had no objection to their coming in, but think the room unsuited for their purposes, and suggested their making further application to the Government for a room for themselves.” [Advertiser 23 Feb 1861]
“The annual meeting of the subscribers of the Port Adelaide Institute was held in the Institute Room, North-parade. . . Gratification was expressed at the success attending the opening of the institute during three evenings of each week, for reading, &c, to afford an opportunity to those benefitted by the early closing movement.” [Advertiser 7 Oct 1863]
“The Committee of the Port Adelaide Institute have removed their Library and Reading-room to the Town Hall, the Council having granted the use of one of the rooms on the first floor for that purpose.” [Advertiser 28 May 1867]
“A meeting of the subscribers and friends of the Port Adelaide Institute was held on Friday evening, January 20, at the new reading rooms, lately the telegraph office, to take into consideration the desirableness of altering the annual payment of £1 to 12s.” [Advertiser 24 Jan 1871]
“For some years past this institution has been in a very languishing state, but recently its management has fallen into good hands. . . The library and public reading-room have been removed from the Town Hall, and the offices that were portion of the old Telegraph Station have been fitted up for these purposes. Since the committee reduced the subscription to 12s. per annum they have had a large increase of members, 140 being at the present time. . . the reading-room has been thrown open from 10 o'clock a.m. until 10 p.m. The Committee in making these alterations have had to engage a librarian, who could devote his whole time to the services of the Institute.” [Advertiser 6 May 1871]
“Port Adelaide Institute. . . One of the most noticeable features in connection with the Institute is the museum, which now occupies the third room. . . Curios from Europe, Asia; Africa, Fiji, and various parts of Australia, are ranged round the walls; fossils, shells, corals, birds, war weapons, ornaments, articles of dress, insects, reptiles, fish, human skulls, English and foreign coins. . . The collection was initiated by the present Librarian.” [Register 15 Jan 1872]
“Mr. David Bower, of Port Adelaide, had generously offered to give the sum of £500 towards the erection of a suitable building for the Port Adelaide Institute, the only condition being that a similar amount was subscribed by other means.” [Register 17 Oct 72]
“the old bonded store on the Government Reserve, the site of which has been handed over for the site of the new Port Adelaide Institute, is in course of being pulled down, we presume to make way for the new building. The store hitherto was leased by Captain Simpson, who generously gave up the lease before expiry in order to admit of the erection of the Institute at an early date.” [Advertiser 5 Dec 1873]
“The foundation stone of the new building for the Port Adelaide Institute is to be laid with much ceremony this afternoon by Mr. David Bower, whose liberal donation was the means of initiating the movement. A procession is to be formed at the Town Hall, and proceed by way of St Vincent and Mundy streets and the North Parade to the site of the building in the Commercial-road.” [Register 31 Oct 1874]
“Port Adelaide Institute. . . has already reached the level of the ground-floor. . . The foundation-stone, which is of Macclesfield marble, is to be placed in the south-east corner. . . immediately above the freestone moulded plinth, and will serve as a rusticated quoin. . . His Worship the Mayor (Mr. J. M. Sinclair) said some of those present would remember a small wooden building which many years ago served for an Institute at Port Adelaide.” [Register 2 Nov 1874]
“The elevations are on the Venetian-Italian style. . . There being no amount available for a tower, a lookout has been provided for by constructing a mansard roof over the angle of the Commercial road and Nile-street, so that when entertainments are going on a flag can be hoisted. A niche for a statue is also provided above the doorway into the class-room facing Nile-street.” [Advertiser 24 Oct 1876]
“The materials used in the construction of the building are rubble-stone from Dry Creek, bricks and freestone from Teatree Gully, and the dressings are of Portland cement and freestone. The foundation, which is of concrete, is laid on the old level of the Port. There is an entrance from the Commercial-road and two from Nile street.” [Express & Telegraph 24 Oct 1876]
“Our first Institute was opened in a small wooden building; we migrated thence to the Town Hall, and subsequently to the Custom-House.” [Register 24 Oct 1876]
“The was a large gathering of ladies and gentlemen in the Port Adelaide Institute Lecture-hall on Tuesday afternoon, July 27, to witness the ceremony of unveiling the large oil painting which recently arrived from England, and to celebrate the inauguration of a fine art gallery for Port Adelaide. . . the splendid collection of photographs of Thorwaldsen's sculptures sent to the museum by Christian IX., King of Denmark, were exhibited. . . Mr. Huson's picture, which measures about 6 feet by 4 feet 6 inches, depicts an English country scene. The subject is ‘The Quiet Stream’.” [Advertiser 28 July 1880]
“The Museum and Art Gallery connected with the Port Adelaide Institute contains a number of valuable exhibits, and these have lately been increased by several cultural history specimens, old books, curios and pictures. . . The curators have lately added to the permanent exhibits two large paintings of the Port River in the early days.” [Advertiser 31 Oct 1896]
“Among several further exhibits which have been secured for the recently established nautical museum at Port Adelaide is a model of the British full-rigged ship Craigendarroch, and the figurehead of the barque Garthneil, one of the last of the British sailers.” [Advertiser 8 Jun 1933]
“An old fashioned ship's gun, believed to have belonged to an English frigate. It was dredged from the bottom of the Fort River several years ago, and is now in the Port Adelaide Nautical Museum.” [Advertiser 25 Jul 1933]
“Converted into a nautical museum with models, figureheads, photographs, and pictures of ships connected with early Port Adelaide as the main features, the Port Adelaide Museum has been reopened. . . Many interesting nautical .specimens have been acquired for the museum. At a recent auction sale in Adelaide, the bell of the barque County of Merioneth was bought. This ship, which is ending its days at Port Adelaide as a coal hulk, was built at Liverpool in 1880.” [News 9 Aug 1933]
“the Art Gallery has just purchased a rare and beautiful old oil painting on wood by an unknown artist, and probably of the 15th century French period. The Director (Mr. McCubbin) is very enthusiastic about the acquisition of their first example of that period, and so well preserved, too. Subject of the painting: St. Martin of Tours and St. Nicholas. According to Mr. McCubbin, it was in the art gallery at Port Adelaide Institute for many years, but little is known of its Australian history, how it came here, and during recent weeks it has hung on the gallery walls at North terrace, where its striking subject and rich coloring have been much admired.” [Advertiser 21 Oct 1943]
“The painting, known as 'St. Martin of Tours and St. Nicholas,' was purchased by the gallery Board from the Port Adelaide Institute authorities in 1943. It has now been identified by the Courtauld Institute of Art, London, as being by the 'Master of the Uttenheim Altarpiece,' Tyroleset School, and dated about 1460. . . The curator of the institute gallery (Mr. Vernon Smith) said last night that he believed the picture was found in the false bottom of a packing case among a number consigned to a printer who worked in the basement of the institute building, about the end of last century. The printer, E. H. Derrington, gave the picture to the institute. . . the painting was on exhibition at the Port Adelaide Institute's art gallery for many years, but few people knew of its existence. It was lent to the National Gallery in 1943 and subsequently purchased from the institute.” [Advertiser 23 Aug 1950]
“Port Adelaide Nautical Museum. . . Space was becoming desperately short and conditions were very over-crowded. . . New exhibits were continually being presented or lent to the museum. The museum is run and maintained by the Port Adelaide Institute. Money for its upkeep is raised by the institute's subscription library. . . The museum, which was the only one of its type in Australia.” [Advertiser 6 Jan 1954]
Secretary Pompeo receives the International Republican Institute’s John S. McCain Freedom Award during a virtual ceremony and delivers virtual remarks, from the U.S. Department of State in Washington, D.C., on October 13, 2020. [State Department photo by Ron Przysucha/ Public Domain]
Did this at the Cardiff Arts Institute, was really good fun and i even got scaffolding with a door (but no ladder). Big thanks to Spike and Gaby!!
I'll put up another pic without the scaffolding soon.
Geoffrey Donaldson Institute, Dorpsstraat 612, 1701 BL Noord-Scharwoude, The Netherlands.
Opening of the exhibition Tot de laatste akte ! (Until the last reel!). With this exhibition, the Geoffrey Donaldson Institute in Noord-Scharwoude puts a spotlight on a special group of film lovers: the passionate private collectors of 16mm and 35mm film.
There are about fifty of these collectors left in The Netherlands; it’s a small world. Captivated by the magic of analogue film, they have saved countless films, projectors, posters, photographs and documentation from destruction. The medium has not only been under threat from vinegar syndrome and fire risk, but also from the distributors themselves. For years, it was the norm in The Netherlands to destroy (‘chop’) the films after their cinema run. Since the digitalisation of all Dutch film theatres and cinemas in 2012, the importance of their collections has therefore only increased.
The extraordinary collections of these private collectors will be shown to a large audience for the first time by the GDI. Numerous objects will be on display at the exhibition: cameras, projectors, photographs, articles and of course – especially – film. The exhibition will be accompanied by the book Tot de laatste akte! Film journalist Barend de Voogd was asked by GDI to interview nineteen private collectors about their life stories and their unique relationship with film. Photographer Marjolein Ansink caught the collectors in pictures.
Source: donaldsoninstituut.nl/en/
Samuel Sydney Silverman (8 October 1895 - 9 February 1968) was a British Labour politician and vocal opponent of capital punishment.
Born into a poor draper's family in Leopold Road in the Kensington Fields area of Kensington, Liverpool, Silverman attended Liverpool Institute and the University of Liverpool, thanks to scholarships. During the First World War he was a conscientious objector to military service and served three prison sentences, in Preston, Wormwood Scrubs and Belfast prisons.
Silverman was a lecturer in English at the National University of Finland from 1921 to 1925, and then returned to the University of Liverpool to read law. After qualifying as a solicitor he worked on workmen's compensation claims and landlord-tenant disputes.
From 1932 to 1938 Silverman served on Liverpool City Council. He contested Liverpool Exchange without success at a by-election in 1933, but was elected as Member of Parliament (MP) for Nelson and Colne in the general election in 1935.
Silverman was prominent in his support for Jews worldwide and for their rights in Palestine. He rethought his pacifism in light of the reports of anti-Semitism in Europe, and reluctantly supported Britain's entry into the Second World War.. He was vocal in asking from the government (and Churchill in particular) for a statement of war aims, which had become a contentious issue in the early years of the war.[1]
Silverman was widely expected to join the government after the Labour victory in the general election in 1945, but, as he was a leftist, he was not appointed by Clement Attlee. He became opposed to the government's foreign policy. He refused to support German rearmament in 1954 and had the Labour Party Whip withdrawn from November 1954 to April 1955. He was one of the founders of the Campaign for Nuclear Disarmament. In 1961, as a protest against bipartisan support for British nuclear weapons, he voted against the Royal Air Force, Royal Navy and British Army estimates in the House of Commons, and was suspended from the Labour Party Whip from March 1961 until May 1963.
Opponent of capital punishment
A fervent opponent of the death penalty, Silverman founded the National Campaign for the Abolition of Capital Punishment. He wrote about several miscarriages of justice in the 1940s and 1950s, such as the hanging of Timothy Evans when it later emerged that serial killer John Christie had murdered Evans's wife and had given perjured evidence at Evans's trial in 1949. Silverman proposed a Private Member's Bill on abolition of the death penalty, which was passed by 200 votes to 98 on a free vote in the House of Commons on 28 June 1956 but was defeated in the House of Lords.
In 1965, he successfully piloted the Murder (Abolition of Death Penalty) Bill through Parliament, abolishing capital punishment for murder in Britain and in the British Armed Forces for a period of five years but with provision for abolition to be made permanent by affirmative resolutions of both Houses of Parliament before the end of that period. The appropriate resolutions were passed in 1969.
Silverman's death in 1968 caused a by-election, which was won by Conservative David Waddington.
Many Thanks to Wikipedia
"This building has had many names over the years. It was built as a Mechanics Institute in 1846-9, by John Welch. It has also been 'The Preston Institution for the Diffusion of Useful Knowledge', the 'Technical College', the 'Art School' and others. The Institution itself was founded in 1828. It was moved to this site from original premises in Cannon Street, despite protests of some founder members that it would no longer serve the working classes for whom it was intended."
The Schoenberg Institute building includes a performance hall that hosts recitals by USC Thornton School of Music students and faculty.
Rick Hansen Institute
ABOUT
Who are we? The Rick Hansen Institute is a collaboration of people with spinal cord injuries, researchers and service providers committed to addressing priority needs and generating solutions for people with SCI.
Where have we come from – what is our history? Since his Man In Motion World Tour more than 20 years ago, Rick Hansen has nurtured a dream of true collaboration across the SCI community. Six years ago, his dream began to be realized when the SCI Network was established with funding from the federal government (Western Economic Development) invested through the Rick Hansen Foundation. Three initiatives evolved — the SCI Solutions Alliance, the Rick Hansen SCI Registry, and the SCI Translational Research Network, which was funded by a $30 million investment from Health Canada. In April 2008, a decision was made to combine these three entities into a single organization, which is more effectively and efficiently addressing priority needs and generating solutions for people with SCI. This merger represents an integrated approach that strives for synergy and best use of the approximately $70 million that has been invested in our work.
What outcomes or results are we looking for? Together, we strive to:
-minimize disability and maximize the quality of life of people with SCI
-enhance health, social and economic outcomes through seamless coordination among the many organizations that provide services to people with SCI.
What do we do? How do we achieve our desired outcomes? The Rick Hansen Institute:
-identifies and translates SCI research breakthroughs into innovations, validated solutions and best practices
-work with our community partners across Canada to identify, fund and facilitate solutions that address priority needs of Canadians with SCI
-moves knowledge into action, promoting adoption of best practices at all points on the continuum of treatment, care and support for people with SCI.
The Rick Hansen Institute became incorporated in March, 2009. We received charitable status from Canada Revenue Agency (CRA) in January, 2010 and now operate as an independent organization.
This lovely photograph has a professional "feel" and for that we are indebted to the patience of Harry Gill and the ladies of Winster Women's Institute who were in party mood in about 1951.
From left to right Back Row - Linda Ellis, Nellie Fisher, Noreen Bark, Shirley Fairey, Jean Heathcote, Mary Petts, Mrs. Arthur Marshall, Phyllis Boam, Alice Banks, Mrs. Winnie Spencer, Mrs. Sam Bateman, (slightly in front), Etta Greatorex, unidentified (lady with spectacles), Mrs. Mary Turner (from Elton), Mrs. Ben White, Unidentified (with spectacles), Doris Heath and Pat Wood (from Elton).
Next to Back Row - Dorothy Petts, Annie Corfield, Dorothy Hursthouse, Olive Hursthouse, Dorothy Bateman, Mrs. Roose, Unidentified, Mrs. Noton, Mrs. Ray Marshall, Pearl Marshall and Madge Fairey.
Front Row - Beatrice Wood (nee Heath), Margaret Simon (from Elton), Margaret Roper, Nursemaid at The Manor, Emma Fletcher, Mrs. Varney, Grace Mosley, Mrs. Kemp, Mrs. Spencer, Evelyn Nutt and Minnie Widdowson.
The lad at bottom right facing the camera is Eddie Fisher.
This image is reproduced by kind permission of Jean Wright (nee Heathcote).
The Freeling Institute sits just off the main street in Freeling and was used often during filming of McLeod's Daughters.
The leadlight signage above the front door was covered with a sign reading "Gungellan Town Hall" - this sign is now on display in the Freeling Op Shop.
The Freeling Institute sits just off the main street in Freeling and was used often during filming of McLeod's Daughters.
The leadlight signage above the front door was covered with a sign reading "Gungellan Town Hall" - this sign is now on display in the Freeling Op Shop.
EYE Film Institute Netherlands preserves both Dutch films and foreign films screened in the Netherlands. The museum collection includes 37,000 film titles, 60,000 posters, 700,000 photographs and 20,000 books. The earliest materials date from the start of the film industry in the Netherlands in 1895.
EYE is located in the Overhoeks neighborhood of Amsterdam in the Netherlands. It includes a cinematography museum formerly called Filmmuseum, founded in 1952. Its predecessor was the Dutch Historical Film Archive, founded in 1946. The Filmmuseum was situated in the Vondelparkpaviljoen since 1975, but in 2009, plans were announced for a new home on the north bank of Amsterdam's waterfront. It was officially opened on April 4, 2012 by Queen Beatrix. The EYE building was designed by Delugan Meissl architects, which specializes in buildings that appear to be in motion, e.g., the Porsche Museum in Stuttgart.
EYE is performing a major film digitization and preservation project together with IBM and Thought Equity Motion, a provider of video platform and rights development services. The project involves scanning and storing more than 150 million discrete DPX files on LTO Gen5 Tape in the Linear Tape File System format. EYE is performing a major film digitization and preservation project together with IBM and Thought Equity Motion, a provider of video platform and rights development services. The project involves scanning and storing more than 150 million discrete DPX files on LTO Gen5 Tape in the Linear Tape File System format [Wikipedia]