Museums and Galleries - Installing Exhibitions
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🎧 roger waters → brain damage ❥
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special thanks to: lelutka and wicca's originals.
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. featured items .
♥ lelutka » evo-x head-devon
shown with:
≕ evox.ear.tattoo.002 [dark gray]
≕ vampire teeth; ear, lip and nose piercings
≕ for full details see the faq for evo and evo-x
♥ wicca's originals » lita bindi
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. anatomy, hair, and makeup .
[sb] » *evox* livspring neutral diamond [brows]
dura » b98 [fatpack 1]
cureless[+] » seeress eyes [v1]
corvus » paulina skin zombie [browless, bom]
okiya. » till death do us part - foundation 100%
okiya. » till death do us part - skull 90%
nyoko » bloodthirsty eye veins
nyoko » bloodthirsty lips\
omega » system installer [lelutka, eyes]
. clothing and accessories .
[val'more] » bloodercoat [fatpack, signature]
hotdog » tattered tophat [short,black]
. setup .
lelutka » axis hud face
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copyright © 2021 truth wizardly. all rights reserved.
// -sunday, october 31, 2021 1:20:58 am est-
// @20211030_lel_devon_3.1_cor_paulina_zombie_[final,v2].png
The car parks surrounding Llyn Padarn have had new height barriers installed. Sadly I agree that this had to be done after the selfishness of people over the last few years. I can still squeeze under but the Relay, Boxer, Sprinter, Crafter sized vans, motorhomes and any hi top van can't. All the car parks were spotless and empty. I could've stayed but the signs are clear that there is no overnighting of any kind. As usual my back up plan was an industrial estate which is only a ten minute drive away.
Managed to get here a little before 4am, made a brew and then down to the lakeside. There was a lady just packing up when I arrived. She had travelled up from Norfolk and had been here since 1am for a night of astro and to take time lapses of the MW rising.
Nothing so adventurous for me. Astro is something I know very little about and I've been watching a lot of tutorials with a view to attempting to try my hand at it. After four or five test shots I was happy with my settings. I managed only three more images before the mist rolled in from the Pass of Llanberis and within a few minutes I might as well have been shooting a white wall!
So this is the best of those three images. Looking forward to having a proper go at it over the next few months and remembering to turn my head torch off!
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special thanks to: lelutka, simple bloom, kunglers, glam affair, booty's beauty, and tuus sl (maybe soon).
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🎧 america & young → i need you ❥
. featured items .
♥ kunglers » oriana necklace @cosmopolitan [¹] //new//
package includes:
≕ unrigged necklace, texture hud w/5 metals
≕ exclusively cosmopolitan → aug.23 ‐ sept.4, 2021
♥ lelutka » evo-x head-avalon 3.1 [bom] //update//
≕ for full details see the faq for evo and evo-x
♥ [sb] » *evox avalon* juliafire lowtail diamond [brows]
≕ also available on marketplace.
♥ booty's beauty » [lel evo] maiden hd lippy
≕ also available on marketplace.
♥ booty's beauty » [lel evo] fayde hd eyeshadow
≕ also available on marketplace.
♥ [glam affair] » ava layer [ivory, bom]
≕ shown w/freckles (a), blush (b) [not included]
♥ tuus » avalon 3.1-x ga ava v1.0 shape [lel. evo-x] //new// n/a
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. anatomy, makeup and hair .
stealthic » endless [ombre/complete package]
ag. » prestige eyes [azure]
toksik » lashes 3 [evo-x]
omega » system installer [lelutka, eyes]
. setup .
lumipro » lumipro 18
. endnotes .
¹cosmopolitan event → aug.09 ‐ aug.21, 2021 ↪ teleport
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copyright © 2021 truth wizardly. all rights reserved.
// -saturday, august 28, 2021 9:45:38 pm est-
// @20210828_lel_avalon_3.1_ga_ava_ivory_[raw,final].png
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special thanks to: lelutka, simple bloom, and tuus sl (coming soon).
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english title: the more we live
🎧 fukai mori → do as infinity ❥
. featured items .
♥ [sb] » *evox avalon* livspring softarch diamond [brows]
also available on marketplace.
♥ tuus » gen 3.1-x ll gen face v1.0 shape [lel. evo-x] //new// soon!
♥ lelutka » evo-x bento head-gen 3.1 [bom] ⁰ //new//
shown with [in the box]:
≕ face - lel evox gen 003
≕ eyes - lel evox 3.1
≕ ears - lel evox 003
≕ hd beard - lel evox gen 3.1
new in the 3.1 evo-x release
hud updates includes:
≕ evolution classic heads have now been updated to 3.1.
≕ evo and evo x toggle buttons available across
all heads.
≕ options to blend or mask lashes have been updated.
≕ save slots have been removed for eye socket, lashes,
hd brows, hd eyelids, and hd lips and replaced with
a new, standalone style hud.
≕ 6 new eyes have been added for a total of 18 eyes.
≕ 2 new eye brows have been added for a total of 6 eye brows.
≕ 2 new eye shadows have been added for a total of 8
eye shadows.
≕ alpha mode has been added to the lip area. now when you
use the mask option, you will be able to manipulate
how much of your lipstick will show.
≕ layer materials (none) and hd complex toggle buttons
have been added under settings:
≏ clicking hd complex removes materials from
hd brows, both hd eye shadow layers, lashes, eye sockets
≏ clicking hd lips removes materials from the hd lips
≏ note: when materials are removed, the glossiness (if any)
on these layers will be removed.
≏ note: use the repair materials button (if necessary) to fix any
unresolved materials issues
tip: removing materials is useful to eliminate hair/head alpha
interaction (if hair has materials enabled), leaving
your head layers, alpha clipping free.
scripts updates:
≕ scripts have been polished to reduce lag, and make
the hud and heads operate smoother and respond faster.
additional 3.1 head details
≕ see eon, gen and ford male evo-x heads lelutka sl
≕ ready to buy? head over to the lelutka mainstore now.
≕ questions see the faq for evo and evo-x.
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. anatomy, makeup and hair .
exile » caleb [hair]
[signature] » gianni body v5.0a
heron » body ripped [05, signature, bom]
omega » system installer - lelutka [right eye]
. clothing .
[deadwool] » the dandy - formal jacket [black]
[deadwool] » ernst sweater/dandy add-on [black]
[deadwool] » the dandy - trousers [fatpack]
[deadwool] » formal shoes_mesh [black]
. accessories .
rozoregalia » lezato*necklace(semishigure)
tabou. » unisex square diamonds earrings
. setup .
lelutka » axis hud face [eyes]
anypose » bvh hud v1.81 [pose]
lumipro » lumipro 18
. endnotes .
⁰[bom] → see: bakes on mesh by jeremy linden
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copyright © 2021 truth wizardly. all rights reserved.
// -wednesday, august 4, 2021 10:04:44 pm est-
// @20210804_lel_gen_3.1_ll_face_03_[final].png
Installation of one of three giant bottles by Roger Rigorth. “Water Core” is in the wetlands of Cheng long, Taiwan. Environmental art project curated by Jane Ingram Allen, www.artproject4wetland.wordpress.com April 27, 2015.
BUY THIS PHOTOGRAPH HERE
timothysallen.smugmug.com/Art-and-Sculpture/i-pPnHjp9/A
See more of my photographs at my new SmugMug site timothysallen.smugmug.com
Ferris wheel on Podil — installed in Kyiv on Kontraktova Square. As of 2023, it is the newest observation wheel in Kyiv.
The wheel was brought from Paris and installed in December 2017, as a highlight of the New Year and Christmas fair.
30 fully enclosed glass booths are attached to the wheel. It is designed for a simultaneous stay of 180 people.
Оглядове колесо на Подолі — встановлене в Києві на Контрактовій площі. Станом на 2023 є найновішим оглядовим колесом в Києві.
Колесо привезено з Парижа і встановлене в грудні 2017, як родзинка новорічного та різдвяного ярмарку.
На колесо прикріплено 30 повністю закритих скляних кабінок. Розраховане на одночасне перебування 180 людей.
Belle surprise au réveil sur le bivouac : un tout jeune chamois et sa mère, intrigués par notre installation, ont joué à cache-cache avec nous pendant un bon quart d'heure. La mère flegmatique prenait presque la pose en surveillant du coin de l’œil son petit qui cabriolait dans tous les sens.
Installation of a new Antenna Tower in Edmond, Oklahoma. These guys are installing bolts to a new section that was just added.
surname Effinger
in der mitte , middle; Tablett Vassoio tray
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why beer?
i love
my grandfather (( Moritz EFFINGER) was professionell beer brewer
and EFFINGER BEER til 1966, as i know !
dbythelake.blogspot.com/2007/01/relax-and-enjoy-effingers...
.de
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Warum Bier?
ich mag es!
Mein Großvater ((Moritz EFFINGER) war Bierbrau Meister.
Amerikanisches Effinger Bier war etwa bis 1966 zu haben:
EFFINGER BEER erhalten!
thanks Mike Effinger
Brauerei Gäule (Pferde) mit Effinger Biere
www.co.sauk.wi.us/dept/arts/_gallery/_images/baraboo1.jpg
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© The Best of Today ©
Better © View
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www.facebook.com/Effinger-Beer-99008282356/posts?ref=page...
Ferdinand Effinger, Sr., a German immigrant, founded the family brewing business in Baraboo, Sauk County, Wisconsin in 1885. One of about 300 small breweries in Wisconsin when founded in the late nineteenth century, the Effinger Brewing Company was one of only 19 small breweries in the state in 1966, when the firm ceased brewing due to declining sales.
The original brewery complex, erected in 1885, housed Effinger's family and a saloon in addition to beer-making facilities. Eleven years later, Effinger was one of the earliest brewers in the state to begin producing bottled beer.
In 1911 Effinger reorganized the firm as a corporation owned by family members. In 1913-1914 the brewery was remodeled and expanded, providing space for new cellars, keg washrooms, and a mechanical refrigeration system.
With the advent of Prohibition in 1920, the company began producing root beer and near-beer. In 1921 the firm successfully converted to ice cream making and sales. Ten years later, the firm sold its ice cream business to the Borden Company and began reconverting the plant for beer production, which began in 1933. The firm continued its expansion program through 1948 when a new brewery building was completed and new bottling equipment was installed.
Throughout its 81-year existence, the Effinger Brewing Company remained a family-owned and managed business. The sons and grandsons of the founder served as corporate officers and as managers of the brewery. After the death of the founder in 1945, Ferdinand Effinger, Jr., became the firm's president and brewmaster, positions he occupied until the firm went out of business. Frederick J. Effinger, a grandson of the founder, served as secretary-treasurer and director (plant manager) from 1945 to 1966.
Artwork installed in the Salton Sea, Bombay Beach, Ca. Just when you thought it was safe to get into the water . . . .
Una splendida opera (a mio giudizio) collocata nel cortile di accesso alla villa. Sembra una scena teatrale con le quinte costituite dal colonnato del cortile. Anche le discutibili riparazioni del muro diventano involontariamente parte dell'installazione.
Ed's and my Plaza installed in front of Bluebonnet Station. Apologies to Ed
for how little I actually got of his contribution in the shot, it doesn't do it justice.
For my friend NatuurfotoRien/Rien in Holland, who loves corvids.
I had this odd notion that when I retire I would carve a totem pole, and so over the years, I learned more and more about northwest coast art, culture, and carving. One of the pieces I studied was this - a huge cedar sculpture carved by the great sculptor, Bill Reid, to whom the telling of this ancient story is credited.
Bill Reid was a Haida indian (Haida is their word for “human”). The Haida tribe lives in the Queen Charlotte Islands off the coast of northern Canada (below Alaska), in a special place they call Haida Gwaii. Bill is widely credited for reviving the arts of the northwest coast - he was an amazing sculptor. I am disappointed I will never meet him.
The northwest coast tribes have many gods - all animals. Raven is the Haida equivalent of “fox”. Tricky, playful, smart, inquisitive - these are all qualities of Raven, whose play and trickery created the stars in the sky, the sun, the ocean and man.
The man-size (literally) sculpture is inside the University of British Columbia museum in Vancouver, Canada. When it was installed, Bill had the children of Haida Gwaii come to the installation - each with bottles of sand from the beach at Haida Gwaii, so Raven, could be installed in his native soil.
Here is his telling of their genesis myth - one of the most sacred stories in Haida culture:
The Story of the Raven Creating Man by Bill Reid
The great flood which had covered the earth for so long had receded, and even the thin strip of sand now called Rose Spit, stretching north from Naikun village lay dry. The Raven had flown there to gorge himself on the delicacies left by the receding water, so for once he wasn't hungry. But his other appetites - lust, curiosity and the unquenchable itch to meddle and provoke things, to play tricks on the world and its creatures - these remained unsatisfied.
He had recently stolen the light from the old man who kept it hidden in a box in his house in the middle of the darkness, and had scattered it throughout the sky. The new light spattered the night with stars and waxed and wane in the shape of the moon. And it dazzled the day with a single bright shining which lit up the long beach that curved from the spit beneath Raven's feet westward as far as Tao Hill. Pretty as it was, it looked lifeless and so to the Raven quite boring. He gave a great sigh, crossed his wings behind his back and walked along the sand, his shiny head cocked, his sharp eyes and ears alert for any unusual sight or sound. Then taking to the air, he called petulantly out to the empty sky. To his delight, he heard an answering cry - or to describe it more closely, a muffled squeak.
At first he saw nothing, but as he scanned the beach again, a white flash caught his eye, and when he landed he found at his feet, buried in the sand, a gigantic clamshell. When he looked more closely still, he saw that the shell was full of little creatures cowering in terror of his enormous shadow.
Well, here was something to break the monotony of his day. But nothing was going to happen as long as the tiny things stayed in the shell, and they certainly weren't coming out in their present terrified state. So the Raven leaned his great head close to the shell, and with the smooth trickster's tongue that had got him into and out of so many misadventures during his troubled and troublesome existence, he coaxed and cajoled and coerced the little creatures to come out and play in his wonderful, shiny new world. As you know the Raven speaks in two voices, one harsh and strident, and the other, which he used now, a seductive bell-like croon which seems to come from the depths of the sea, or out of the cave where the winds are born. It is an irresistible sound, one of the loveliest sounds in the world. So it wasn't long before one and then another of the little shell-dwellers timidly emerged. Some of them immediately scurried back when they saw the immensity of the sea and the sky, and the overwhelming blackness of the Raven. But eventually curiosity overcame caution and all of them had crept or scrambled out. Very strange creatures they were: two-legged like the Raven, but there the resemblance ended. They had no glossy feathers, no thrusting beak. Their skin was pale, and they were naked except for the long black hair on their round, flat-featured heads. Instead of strong wings, they had thin stick-like appendages that waved, and fluttered constantly. They were the original Haidas, the first humans.
For a long time the Raven amused himself with his new playthings, watching them as they explored their much expanded-world. Sometimes they helped one another in their new discoveries. Just as often, they squabbled over some novelty they found on the beach. And the Raven taught them some clever tricks, at which they proved remarkably adept. But the Raven's attention span was brief, and he grew tired of his small companions. For one thing, they were all males. He had looked up and down the beach for female creatures, hoping to make the game more interesting, but females were nowhere to be found. He was about to shove the now tired, demanding and quite annoying little creatures back into their shell and forget about them when suddenly - as happens so often with the Raven - he had an idea.
He picked up the men, and in spite of their struggles and cries of fright he put them on his broad back, where they hid themselves among his feathers. Then the Raven spread his wings and flew to North Island. the tide was low, and the rocks, as he had expected, were covered with those large but soft-lipped molluscs known as red chitons. The Raven shook himself gently, and the men slid down his back to the sand. The he flew to the rock and with his strong beak pried a chiton from its surface.
Now, if any of you have ever examined the underside of a chiton, you may begin to understand what the Raven had in his libidinous, devious mind. He threw back his head and flung the chiton at the nearest of the men. His aim was as unerring as only a great magician's can be, and the chiton found its mark in the delicate groin of the startled, shell-born creature. There the chiton attached itself firmly. Then as sudden as spray hitting the rocks from a breaking wave, a shower of chitons broke over the wide-eyed humans, as each of the open-mouthed shellfish flew inexorably to its target.
Nothing quite like this had ever happened to the men. They had never dreamed of such a thing during their long stay in the clamshell. They were astounded, embarrassed, confused by a rush of new emotions and sensations. They shuffled and squirmed, uncertain whether it was pleasure or pain they were experiencing. They threw themselves down on the beach, where a great storm seemed to break over them, followed just as suddenly by a profound calm. One by one the chitons dropped off. The men staggered to their feet and headed slowly down the beach, followed by the raucous laughter of the Raven, echoing all the way to the great island to the north which we now call Prince of Wales.
That first troop of male humans soon disappeared behind the nearest headland, passing out of the games of the Raven and the story of humankind. Whether they found their way back to the shell, or lived out their lives elsewhere, or perished in the strange environment in which they found themselves, nobody remembers, and perhaps nobody cares. They had played their roles and gone their way.
Meanwhile the chitons had made their way back to the rock, where they attached themselves as before. But they too had been changed. As high tide followed low and the great storms of winter gave way to the softer rains and warm sun of spring, the chitons grew and grew, many times larger than their kind had ever been before. Their jointed shells seemed about to fly apart from the enormous pressure within them. And one day a huge wave swept over the rock, tore them from their footholds and carried them back to the beach. As the water receded and the warm sun dried the sand, a great stirring began among the chitons. From each emerged a brown skinned, black-haired human. This time there were both males and females among them, and the Raven could begin his greatest game: the one that still goes on.
They were no timid shell-dwellers these, but children of the wild coast, born between the sea and land, challenging the strength of the stormy North Pacific and wresting from it rich livelihood. Their descendants built on its beaches the strong, beautiful homes of the Haidas and embellished them with the powerful heraldic carvings that told of the legendary beginnings of great families, all the heros and heroines and the gallant beasts and monsters who shaped their world and their destinies. For many generations they grew and flourished, built and created, fought and destroyed, living according to the changing seasons and the unchanging rituals of their rich and complex lives.
It's nearly over now. Most of the villages are abandoned, and those which have not entirely vanished lie in ruins. The people who remain are changed. The sea has lost much of its richness, and great areas of land itself lie in waste. Perhaps it's time the Raven started looking for another clamshell.
SBM Installer, a service vessel for oil rigs at sea, seen in the large port of Las Palmas de Gran Canaria (Canary Islands). Taken early morning before sunrise.
A few install images from my upcoming exhibition The Older Industrial Parks Near Newport, Victoria. Opening 17/08/16 launch event 20/08/16 see you there! 69 Smith St Gallery
Because There’s a There, Here’s Just Fine
Acrylic, cedar, cigarette butts, eurocast, fertilizer, foam, found plastic, garbage from Denver parks, insulation, lichen, moss, organic material from Denver, sponge, steel 55 gallon drum, wood lumber.
Installation created for The Nature Of Things at the Biennial of the Americas 2010 in Denver, CO.
The bridge has been installed after paint and weathering, and scenic elements are getting underway slowly but surely.
The Horses of Saint Mark were installed on the balcony above the portal of the basilica in about 1254. They date to Classical Antiquity, though their date remains a matter of debate, and presumably were originally the team pulling a quadriga chariot, probably containing an emperor. By some accounts they once adorned the Arch of Trajan. The horses were long displayed at the Hippodrome of Constantinople, and in 1204 Doge Enrico Dandolo sent them back to Venice as part of the loot sacked from Constantinople in the Fourth Crusade. They were taken to Paris by Napoleon in 1797 but returned to Venice in 1815. After a long restoration, since 1970s the originals have been kept in St Mark’s Museum inside the basilica and the horses now on the facade of the cathedral are bronze replicas. (Wikipedia)
Had to reinstall Skyrim cause it crashed for unknown reasons, so I was testing armors after the install, while taking screenshots!
Installed in 1999, The Miner was created by Tore Bjørn Skjølsvik to celebrate coal miners, Longyearbyen, Svalbard, Norway.
a mixed-media installation
of photographs, audio, & video
by Michael David Murphy from the 2008
Presidential Campaign, opens at Opal Gallery
in Atlanta, GA, on Nov. 1st, 2008, @ 6pm.
This exhibition will be viewable through Nov. 7th,
with an Election Night Party on Tues, Nov. 4th.
Coinciding with SO HELP ME at Opal Gallery
will be a limited-edition print from Jen Bekman's
20x200, to be released @ 2pm EST
on Election Day, Nov. 4th.
VOTE EARLY
Installé à l'intérieur du café, je peux contempler une cliente assise à la terrasse à l'extérieur. Au delà de l'entrée du métro, deux hommes devisant tranquillement. Au fond, la rue du Faubourg du Temple, la Boucherie Elido et le café Le Zorba qui maintiennent une ombre dense devant leur entrée.
Installed as part of the Water Orton corridor resignaling scheme between 2009 and 2012 the repeater for WN4884 has always made for a fine frame for trains on the Up Derby Fast from the Saltley Viaduct. The signal stands in the way of the alignment of the new viaduct and has recently been replaced with a simple pole mounted version between the fast and slow lines. Pictured here back in 2019 as 43366 powers by with 1S51 Plymouth to Glasgow Central.