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The Weather Inside
plaster, drywall, mixed plumbing supplies, marble, brick, hair, paper, beads
2011
Artist Statement:
Inside and outside merge, which is inside and which is outside.
Where are the boundaries?
Liminal spaces, time place and locations.
Reality and outside of reality.
Definable and not defined.
A shrine, alcoves, perhaps.
Bio: Veronica Ryan was born in 1956 in Montserrat, West Indies, grew up in England and currently lives in New York. The fact that parts of Montserrat were destroyed by a volcanic eruption has influenced the direction of her work. Her current work is characterized by a collection of debris on the one hand, while also focusing on notions of partial evidence, remains of things petrified, and traces of last moments. Her installations are made up of plaster casts of everyday objects, like paper plates, arranged in architectural and formal configurations. She has an extensive exhibition history that includes the Tate Modern, London, and major galleries in the United Kingdom and the United States.
"Rivoli" is the name of the local theater in Seward, Nebraska where this was installed. The actual installation is on City Hall located downtown, Seward. I chose to title it after the local movie theater after attending a show and getting to meet the couple who have owned the theater for over 30 years.
I have never met a couple so in love and kind to other people. They were some of the nicest people I have ever met on my travels. This piece is dedicated to them and all of the great people I met during this installation. Thank you so much for your support!
Seward, Nebraska 2015
Hand embroidery, transfer prints and t-shirt transfer prints on silk and cotton, vintage French and German silk and cotton and linen and wool, seaweed dye, tea, vintage brass curtain rings, barley heads, metallic gold braid, paper, safety pins, sand, wood, fabric scraps as stuffing.
Dimensions variable: whole installation occupies a floor space of approx. 2.5m x 1.8m
Photo: Garry Conroy-Cooper
Collection: The Artist
"Rivoli" is the name of the local theater in Seward, Nebraska where this was installed. The actual installation is on City Hall located downtown, Seward. I chose to title it after the local movie theater after attending a show and getting to meet the couple who have owned the theater for over 30 years.
I have never met a couple so in love and kind to other people. They were some of the nicest people I have ever met on my travels. This piece is dedicated to them and all of the great people I met during this installation. Thank you so much for your support!
Seward, Nebraska 2015
Exposition “L'autre côté du miroir, le monde de Charles Matton“ à l'Espace culturel Chapelle Sainte-Anne
#laBaule #laBauleLesPins #ArtContemporain #LesBoîtes #contemporaryart #exhibition #installationart #artinstallation #art #laBauleEscoublac #CharlesMatton
A short television spot with all work created in Berlin. Put together by the talented people of The INTRO Partnership
Okay... so to lighten the mood. I often find myself listening to really bad mashups.. uuggh. There are some things in life I wish I could stop. Im not proud of this but I always think it's interesting to hear what wacky stuff other artists listen to. If you have any good ones, let me know. Ill keep posting them HERE.
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1. Michael Jackson Vs The Prodigy - Stand Black Or White (Maza Mashup)
2. The Hood Internet – Good Ol’ Fashion Rump Shaker (Beastie Boys vs Matt & Kim)
Créations-sur-le-champ, Land art Mont-Saint-Hilaire 2012 - 6e édition.
Du 10 octobre 2012 jusqu'aux premières neiges.
(avec la collaboration de Lucie Bernard et de 131 élèves du secondaire 1 du Collège Saint-Hilaire)
« Un paradis pas tout à fait perdu est enfoui sous le réel de la vie quotidienne. En creusant un fossé, pour drainer le verger, sont apparus quelques-uns des traits terrestres du paradis. Le merveilleux se montre sous-jacent au réel du paysage. Les racines de couleurs sont ici à la fois prolongement des mélèzes et racines d’un arc-en-ciel, partiellement révélé, circonscrivant l’ensemble de la terre. L’arc-en-ciel est dans la mythologie un chemin, un pont entre deux mondes; ici l’omniprésence du paradis sur terre. »
Ruth Asawa’s delicate wire sculptures float like living geometry in this quiet corner of SFMOMA. Suspended in space, they cast dreamy shadows on the white walls behind them, doubling their presence in soft, ephemeral forms. Asawa’s hand-woven mesh shapes evoke seed pods, water droplets, and organic rhythms—a dance between nature and abstraction. The installation invites you to slow down, look closely, and feel the grace in repetition. It’s a deeply human act of seeing: noticing the way light passes through form, the space between gestures, the hush of a museum moment where art breathes in stillness.
Palais des congrès de Montréal, Art Souterrain, 2019
Volière est une grande cage d’oiseau d’acier qui est occupée par de faux spécimens d’oiseaux, ici des drones recouverts de plumes de papier et des oiseaux hybrides, entre l’animal et l’objet mécanique. Ces oiseaux-drones présentent un faux monde exotique, une transgression dans la théorie de l’évolution de Darwin et donc mettent en doute l’histoire des espèces animales et nos connaissances. La fausse représentation animale, ici présentée en cage, est aussi un outil d’observation et d’espionnage qui permet de nous renvoyer notre propre regard curieux, car le spectateur est observé ici par cet engin manipulé par on ne sait qui. Volière permet de nous questionner sur ces spécimens hybrides et le drone qui prend de plus en plus de place dans l’espace public, dans le ciel parmi les oiseaux et dans l’espace aérien, entre autres, des pays espionnés par nos gouvernements.
Commissaire : Art Souterrain
Stéphanie Morissette a participé à plusieurs programmes de résidences au Canada, en Allemagne, en Finlande et en Islande. Ses œuvres ont été présentées dans le cadre d’événements d’envergure tels que l’International Symposium of Electronic Arts (ISEA) à Hong Kong (2016), le Women Makes Waves Film and Video Festival à Taiwan (2011) ainsi que la 10e Biennale internationale d’art contemporain d’Istanbul (2007). Stéphanie Morissette est récipiendaire du Prix du CALQ – œuvre de l’année 2017 en Estrie. Elle vit et travaille à Sherbrooke.
Monumento de Vento, 2016.
50 peças de tecido e aro de madeira, dimensões variadas.
Trabalho instalado nos arcos do Museu de Arte de Londrina, aproximadamente 600 m2.
Márcio Diegues
Linda at her art opening, SNO 89 Marrickville Sydney 30-11-2012. Show is on until Dec 23 2012.
Fujifilm X Pro1 - XF18mmF2 R
125th at F2 500 iso
Caneta permanente sobre parede, 3 x 7,45 metros.
Caixa Cultural - RJ - Exposição: In Memoriam.
Curadoria de Fernanda Lopes.
Foto: Rafael Pereira.
The Massachusetts Museum of Contemporary Art (MASS MoCA) occupies a converted factory building complex occupying 13-acres in North Adams, Massachusetts. It is one of the largest centers for contemporary visual art in the United States. The complex was originally built by the Arnold Print Works, which operated on the site from 1860 to 1942. MASS MoCA opened in 1999 with 19 galleries and 100,000 sq ft (9,300 m2) of exhibition space. It is large enough to put on exhibitions in individual buildings for extended periods - a Sol Lewitt building has five stories full of work conceived by him (and executed by others) on display until 2033; another building contains three large-scale installations by Anself Keifer on display until 2028.
The Boiler Room is one of the buidlings and when I was there it contained an installation of audio art. And old boiler room stuff that was highly photogenic.
"Rivoli" is the name of the local theater in Seward, Nebraska where this was installed. The actual installation is on City Hall located downtown, Seward. I chose to title it after the local movie theater after attending a show and getting to meet the couple who have owned the theater for over 30 years.
I have never met a couple so in love and kind to other people. They were some of the nicest people I have ever met on my travels. This piece is dedicated to them and all of the great people I met during this installation. Thank you so much for your support!
Seward, Nebraska 2015
‘’The ancient objects of the world are mainly sphere-like, and ever revolving.’’
In different contexts these objects which are representative of nothingness carry different types of significances.
One of the integral characteristics of spheres is their rotatability, and mobility.
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‘গোলক’
'Golok'
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Community art project 'Hamra'
organize by Gidree Bawlee
23 to 30 jun at Balia, Thakurgong
My latest site specific piece done in Minneapolis for Breast Cancer Awareness month, titled LUPE. Lupe was my aunt who had lost her battle to breast cancer several years ago. This piece was done in her memory and for all of those who are living or had past from this horrible disease. Cancer Survivors Park, DT Minneapolis.
Self-timer + dancing and jumping at the Camille Utterback installation at 21C Hotel and Museum in Louisville.