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Palais des congrès de Montréal, Art Souterrain, 2019
Volière est une grande cage d’oiseau d’acier qui est occupée par de faux spécimens d’oiseaux, ici des drones recouverts de plumes de papier et des oiseaux hybrides, entre l’animal et l’objet mécanique. Ces oiseaux-drones présentent un faux monde exotique, une transgression dans la théorie de l’évolution de Darwin et donc mettent en doute l’histoire des espèces animales et nos connaissances. La fausse représentation animale, ici présentée en cage, est aussi un outil d’observation et d’espionnage qui permet de nous renvoyer notre propre regard curieux, car le spectateur est observé ici par cet engin manipulé par on ne sait qui. Volière permet de nous questionner sur ces spécimens hybrides et le drone qui prend de plus en plus de place dans l’espace public, dans le ciel parmi les oiseaux et dans l’espace aérien, entre autres, des pays espionnés par nos gouvernements.
Commissaire : Art Souterrain
Stéphanie Morissette a participé à plusieurs programmes de résidences au Canada, en Allemagne, en Finlande et en Islande. Ses œuvres ont été présentées dans le cadre d’événements d’envergure tels que l’International Symposium of Electronic Arts (ISEA) à Hong Kong (2016), le Women Makes Waves Film and Video Festival à Taiwan (2011) ainsi que la 10e Biennale internationale d’art contemporain d’Istanbul (2007). Stéphanie Morissette est récipiendaire du Prix du CALQ – œuvre de l’année 2017 en Estrie. Elle vit et travaille à Sherbrooke.
Monumento de Vento, 2016.
50 peças de tecido e aro de madeira, dimensões variadas.
Trabalho instalado nos arcos do Museu de Arte de Londrina, aproximadamente 600 m2.
Márcio Diegues
Caneta permanente sobre parede, 3 x 7,45 metros.
Caixa Cultural - RJ - Exposição: In Memoriam.
Curadoria de Fernanda Lopes.
Foto: Rafael Pereira.
The Massachusetts Museum of Contemporary Art (MASS MoCA) occupies a converted factory building complex occupying 13-acres in North Adams, Massachusetts. It is one of the largest centers for contemporary visual art in the United States. The complex was originally built by the Arnold Print Works, which operated on the site from 1860 to 1942. MASS MoCA opened in 1999 with 19 galleries and 100,000 sq ft (9,300 m2) of exhibition space. It is large enough to put on exhibitions in individual buildings for extended periods - a Sol Lewitt building has five stories full of work conceived by him (and executed by others) on display until 2033; another building contains three large-scale installations by Anself Keifer on display until 2028.
The Boiler Room is one of the buidlings and when I was there it contained an installation of audio art. And old boiler room stuff that was highly photogenic.
"Rivoli" is the name of the local theater in Seward, Nebraska where this was installed. The actual installation is on City Hall located downtown, Seward. I chose to title it after the local movie theater after attending a show and getting to meet the couple who have owned the theater for over 30 years.
I have never met a couple so in love and kind to other people. They were some of the nicest people I have ever met on my travels. This piece is dedicated to them and all of the great people I met during this installation. Thank you so much for your support!
Seward, Nebraska 2015
‘’The ancient objects of the world are mainly sphere-like, and ever revolving.’’
In different contexts these objects which are representative of nothingness carry different types of significances.
One of the integral characteristics of spheres is their rotatability, and mobility.
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‘গোলক’
'Golok'
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Community art project 'Hamra'
organize by Gidree Bawlee
23 to 30 jun at Balia, Thakurgong
My latest site specific piece done in Minneapolis for Breast Cancer Awareness month, titled LUPE. Lupe was my aunt who had lost her battle to breast cancer several years ago. This piece was done in her memory and for all of those who are living or had past from this horrible disease. Cancer Survivors Park, DT Minneapolis.
Self-timer + dancing and jumping at the Camille Utterback installation at 21C Hotel and Museum in Louisville.
Various children's interactions with the soft pop-up sculptures temporarily installed at the Center for Discovery in the Columbus main library(Columbus, Ohio). You can find more information about this project at www.papernoodle.com/1/category/soft%20pop%20up%20test/1.html
CLEFT installation by Simon Grimes on the right and 59 Productions 'Lighting of the Sails' light projection on the Sydney Opera House.
Fujifilm X-Pro1 - XF35mmF1.4 R
125th at F1.4 2500iso
EF-X20 Flash off camera, manual setting 1/64th.
www.vividsydney.com/events/cleft
Titled after my grandfather FRANCISCO I have few memories of him but the ones I have a very strong. This piece was done in addition to my piece entitled SOCORRO which you can find on here. Two pieces done for two of the most important and influential people in my life.
Watch this video on Vimeo. Video created by Hot Tea.
"Rivoli" is the name of the local theater in Seward, Nebraska where this was installed. The actual installation is on City Hall located downtown, Seward. I chose to title it after the local movie theater after attending a show and getting to meet the couple who have owned the theater for over 30 years.
I have never met a couple so in love and kind to other people. They were some of the nicest people I have ever met on my travels. This piece is dedicated to them and all of the great people I met during this installation. Thank you so much for your support!
Seward, Nebraska 2015
"Rivoli" is the name of the local theater in Seward, Nebraska where this was installed. The actual installation is on City Hall located downtown, Seward. I chose to title it after the local movie theater after attending a show and getting to meet the couple who have owned the theater for over 30 years.
I have never met a couple so in love and kind to other people. They were some of the nicest people I have ever met on my travels. This piece is dedicated to them and all of the great people I met during this installation. Thank you so much for your support!
Seward, Nebraska 2015
Watch video HERE
The Collector was inspired by my design background and by the process of taking two different mediums and helping them to co-exist. Yarn and the computer don't have much in common except for maybe ordering it (yarn) online. This disconnect was the starting point for the installation. One of the most commonly used tools in any creative computer software is the "color picker." I chose this tool as inspiration because of the concept of limitless possibilities.
I have never felt so strongly about one medium until I started working with yarn. I feel that yarn is a medium too often overlooked because of its association with grandmother's and their passion for knitting. As an artist, I have found that there are many ways to use the medium of yarn. For this installation I want to demonstrate that by using yarn in an atypical way, it loses its usual appearance and becomes a beautifully elaborate, yet simple, presence.
"Rivoli" is the name of the local theater in Seward, Nebraska where this was installed. The actual installation is on City Hall located downtown, Seward. I chose to title it after the local movie theater after attending a show and getting to meet the couple who have owned the theater for over 30 years.
I have never met a couple so in love and kind to other people. They were some of the nicest people I have ever met on my travels. This piece is dedicated to them and all of the great people I met during this installation. Thank you so much for your support!
Seward, Nebraska 2015
Piece of installation art in the Maboneng Precinct in Johannesburg based on the Luke Fiasco song "Little Weapons" - Julie Lovelace. Unfortunately I couldn't shoot the whole piece a there was a car in the way.Great stuff!
Little Terry got a gun, he got from the store,
He bought it with the money he got from his chores,
He robbed candy shop told her lay down on the floor,
Put the cookies in his bag took the pennies out the
drawer.
Little Kalil got a gun he got from the rebels,
To kill the infidels and American devils,
A bomb on his waist,
A mask on his face,
Prays five times a day,
And listens to Heavy Metal.
Little Alex got a gun he took from his dad,
That he snuck into school in his black book bag,
His black nail polish, black boots and black hair,
He's gonna blow away the bully that just pushed his
ass...
I killed another man today,
Shot him in his back as he ran away,
Then I blew up his hut with a hand grenade,
Cut his wife's throat as she put her hands to pray,
Just five more dogs then we can get a soccer ball,
That's what my commander say,
How Old?
Well I'm like ten, eleven, been fighting since I was
like six or seven,
Now I don't know much about where I'm from but I know I
strike fear everywhere I come,
Government want me dead so I wear my gun, I really want
the rocket launcher but I'm still too young,
This candy give me courage not to fear no one,
To fear no pain, and hear no tongue,
So I hear no screams and I shed no tear,
If I'm in your dreams then your end is near.
Yeah
Little Weapon,
Little Weapon,
Little Weapon
We're calling you
There's a war
If the guns are just too tall for you
We'll find you something small to use
Now here comes the march of the boy brigade
A macabre Parade of the toys he made
In and shades who looks half his age
About half the size of the flags they wave
And Camouflage suits made to fit youths
'cause the ones off the dead soldiers hang a little loose
And AK-47's that they shooting into heaven
Like they're trying to kill the Jetson's
They struggle little recruits
Cute Smileless, Heartless, violent
Childhood destroyed, devoid of all childish ways,
Can't write their own names or read the words that's on
their own graves
Think you gangster popped a few rounds,
These kids will come through and murder a whole town,
Then sit back and smoke and watch it burn down,
The grave gets deeper the further we go down
Imagine if I had to console,
The families of those slain,
And slayed on game consoles,
I aim I hold, right trigger to squeeze,
press up and Y one less nigga breathe,
B for the Bombs press pause for your moms,
Make the room silent, she don't approve of violent games,
She leaves resume activity,
Start and blew hearts apart sharp wizardry,
On next part I insert code
To sweeten up the little purses murder work load
I tell him he work for CIA with A
A operative, I operate this game all day
I hold a controller connected to the soldier
With weapons on his shoulder he's only seconds older
than me
We playful but serious, now keep that on mind
for on line experience
Lupe Fiasco
Caderno do Mar, 2016-2018.
Nanquim e copia de gravura em metal sobre papel, 25 X 50cm / páginas panorâmicas de 25 X 100cm.
This structure evokes the haunting documentary footage that belonged to members of an expedition that was lost and died. Inside, the artist chose to project the abstract portions of the footage, allowing the viewer's imagination to complete the picture.
Watch video HERE
The Collector was inspired by my design background and by the process of taking two different mediums and helping them to co-exist. Yarn and the computer don't have much in common except for maybe ordering it (yarn) online. This disconnect was the starting point for the installation. One of the most commonly used tools in any creative computer software is the "color picker." I chose this tool as inspiration because of the concept of limitless possibilities.
I have never felt so strongly about one medium until I started working with yarn. I feel that yarn is a medium too often overlooked because of its association with grandmother's and their passion for knitting. As an artist, I have found that there are many ways to use the medium of yarn. For this installation I want to demonstrate that by using yarn in an atypical way, it loses its usual appearance and becomes a beautifully elaborate, yet simple, presence.
Watch video HERE
The Collector was inspired by my design background and by the process of taking two different mediums and helping them to co-exist. Yarn and the computer don't have much in common except for maybe ordering it (yarn) online. This disconnect was the starting point for the installation. One of the most commonly used tools in any creative computer software is the "color picker." I chose this tool as inspiration because of the concept of limitless possibilities.
I have never felt so strongly about one medium until I started working with yarn. I feel that yarn is a medium too often overlooked because of its association with grandmother's and their passion for knitting. As an artist, I have found that there are many ways to use the medium of yarn. For this installation I want to demonstrate that by using yarn in an atypical way, it loses its usual appearance and becomes a beautifully elaborate, yet simple, presence.