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Dancing on the edge of a mile-high cliff is not hyperbole in this shot. Victoria strikes a pose at the Grand Canyon in what she- a self-confessed adrenaline junkie- confessed as the scariest perch in her life. But the view...
Nikon D500 ISO1600 ƒ8 1/320sec 24mm
Ballerina urbana - www.claudiocortesfotografia.com
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Tying her shoes before the dance. The more you dance, the faster your Pointe Shoes start to look like this.
Nikon D300s 50mm 1/4000 ƒ/1.8
Ballerina urbana - www.claudiocortesfotografia.com
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~ Last Night.
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Kaylan en pointe at the Hotel Utah terrace. Fall flowers add a bit of color in this fall photo. Much as I like the flowers, Kahlan is the true beauty in this image.
Model: Kaylan F.
Client: Anna May Ballet (www.facebook.com/annamayballetdancewear/)
Nikon D810 ISO320 ƒ/3.2 1/160 50mm © 2017
Camara: Canon 6D Mark II
Lens: Tamron 70-300mm F4/5.6 Macro
1st SpeedLight: Canon 580EX II
2nd SpeedLight: Nikon Sb-900
Just messing around after a shoot Friday night, and @Kalhan_f came up with this! She brought a joy and a presence to the shoot that was as solid as her dancing skills- A true professional at only 16! Thank you @Kalhan_f and @AnnaMayBallet!
Nikon D500 35mm ƒ/2.8 1/250s ISO50
Katie and I went out for just a quick shoot. The snow was nice, but the sky was not all that impressive. We shot here and there, and then I noticed the icicles hanging down from the roof of the main building at the park we were at. There was a bench, which I jumped up on to get the icicles in the foreground.
The light started really breaking, so we knocked this off really quick. I think we were only able to make 5-6 images. Plus, we had already been shooting for a while, and Katie's toes were starting to go. I have to say, she is a real trouper for sticking it out. I think the glow in this image shows that is was worth it.
I wanted as deep a depth of field in this, so I pushed the f-stop all the way. Even though Katie was able to hold herself up with the tree, we still have some motion in the model, so I needed a somewhat fast shutter speed. I settled on 1/60th, which seemed to work well. I probably could have gone lower, but this gave me ISO400, which on the D500 is totally good. So that was how I set all the exposures.
Focus was on Katie. The icicles were probably a foot in front of me, and they are a little soft. But it works for me. Better than trying to split the focus and lose everything. At least here we see Katie sharp, and that is the important part.
This was flashed from camera right. Katie's mother is my human light stand (shout out to Lani!). The flash had a half CTO on it, and I white balanced to make that white. From there, the other colors came in right where I wanted them; essentially making the ambient bluer, and the sunset already was yellow enough a little less yellow/orange is barely negligible. I brought a little magenta into the white balance in post to help echo the dancers dress.
Prints of various sizes are available on the Fine Art America website, as well as the artists Pixel site (davekochphoto.pixels.com/) and the artists personal site (davekochphoto.com/).
At sunset and near a frozen lake, a dancer takes a pose in the cold evening air.
Nikon D500 ISO50 ƒ1.8 1/500 35mm