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SPONSORED BY:

 

❥Head: Lelutka – EvoX Ceylon

❥Body: Legacy – Mesh Body Legacy Perky

❥Skin:très beau. x lelutka evox - haewon skin (3.2) no brows

❥Hair: Magika - Hair - Oats

❥Jacket: WarmVintage SET - Jacket By sorumin

❥ Pose : Amitie To Love II Couple Pose @uber

 

www.youtube.com/watch?v=pfxyk1glEq4

 

My blog:

sweetmaria12.blogspot.com/2022/11/under-influence.html

.♪

 

..::THOR::.. Pumpkin Spice Gacha Set - K9 September 2020

-Influence- Adorable poses in store

Super Takumar 150mm f4 M42 MF + macro ring 18mm

Ankara Coffee Festival, 23-25 September 2022

MOOD Music: youtu.be/fASdRb5iUTY

 

Sponsored by :

♥ OSMIA - Estella.Lace Corset

♥ OSMIA - Estella.Lace Panty

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

● DAPPA - Clarice Tattoo @ Whore Couture (10L gift)

● FOXCITY. Photo Booth - Picnic

● [Influence]FunnyFaces poses (slight edit to legs)

 

Featuring: Salt & Pepper | YORKE

 

Salt & Pepper Slumber Glam Set [top, shorts, robe] – Fameshed

 

Legacy, Perky, Lara, Petite, Reborn

 

SALT & PEPPER MAINSTORE

SALT & PEPPER FLICKR

SALT & PEPPER FACEBOOK

SALT & PEPPER INSTAGRAM

SALT & PEPPER MARKETPLACE

  

YORKE Amore Earrings - Marketplace

 

YORKE MAINSTORE

YORKE FLICKR

YORKE FACEBOOK

 

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Credits ….

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。.:*・°☆.。Thank You! Happy Shopping!! 。.:*・°☆.。

 

081_Praia do Guincho_05102021

“Color directly influences the soul. Color is the keyboard, the eyes are the hammers, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another purposively, to cause vibrations in the soul.”

 

― Wassily Kandinsky, Concerning the Spiritual in Art

 

Credits . . .

  

A Time Remembered - The Music of Bill Evans

Pizza Express, The Pheasantry, Kings Road, Chelsea, London

 

Norma Winstone Vocals

Nikki Iles Piano

Stan Sulzmann Saxophone

Dave Green Acoustic Bass

 

Bill Evans was one of the most groundbreaking pianists of the last century who pushed the boundaries of jazz piano playing to new levels. His intimate sound, combined with his advanced harmonic and rhythmic capabilities are still influencing musicians today. Four UK jazz legends unite for this special tribute to the undoubted master of the modern jazz piano trio, Bill Evans.

© Markus Lehr, 2014 I book I prints I website

Evie Eyeshadows

12 Colors

BOM | Lel EvoX

Morning Lashes

Tintable | Mix&Match

Lel EvoX

 

@ᴍᴀɪɴꜱᴛᴏʀᴇ

@ᴍᴀɪɴꜱᴛᴏʀᴇ

 

Created for Treat This 272 ~ Kreative People

Thank you Brillianthues for the starter image.

www.flickr.com/photos/brillianthues/51145600105/in/album-...

 

Background image is my own.

Top: Little Fox (Trixie @ Access)

Jeans: Little Fox (Stella @ Main Store)

Hair: Truth (Curious VIP Group Gift @ Main Store)

Necklace/Nails: E-Marie

Rings: Vibing

Lipstick: Velour

Eyeshadow: War Paint

Eyes: Avi-Glam

Head: Lelutka

Body: Maitreya

Skin: The Skinnery

Freckles: Izzie's

Pose/Backdrop: Foxcity

 

A five minute exposure of the water at Aldeburgh.

INFLUENCE x LEVEL Event

 

💟Zai Lashes

EvoX tintable / can be mixed with other eyelashes

 

💟Eyes effectv2

Fully mod / Tintable

( It's an overlay not eyes)

Try demo

 

@ᴍᴀɪɴꜱᴛᴏʀᴇ

Iris Zaagman

(Dutch Girls in Museums)

Norfolk is on a parallel with the Netherlands and in the past a great influence was had on our buildings and waterways as well as our windmills. The landscape has similarities as well, very flat.

Royksopp - Here She Comes Again

 

Here she comes again

Troubles on her brow

Here she comes again

With worries she can't hide

 

Who can stop the rain

Pouring down inside?

Who can keep her sane

Give her peace of mind

 

Here she comes again

Covered up in black

Such a pretty face

Such sorrow in her eyes

 

Do you wanna know

What's killing her inside?

Do you dare to walk

The alleys of her mind

 

Here she comes again

Troubles on her brow

Here she comes again

With worries she can't hide

 

Will you let it show

Will you cross the line?

Will you take her home

And tell her she'll be fine

INFLUENCE Beauty Moles'Du

2 Moles type and birthmark included

M/C/NT

 

@ᴍᴀɪɴꜱᴛᴏʀᴇ

The darkened gloomy sky is a negative influence over the orchard trees that are trying to put a happy twist on the holiday season.......much like the Omicron Variant of Co-vid is putting a supreme damper on our Christmas season.

Kreative People Treat This 232: Friday 18 October ~ Thursday 24 October 2019 thanks so much to abstractartangel77 for this beautiful fractal flic.kr/p/2hvip3b

Charmant Eyelashes

Available in black colors and tintable version work for evo x for other heads please try demo

Copy | Mod

 

Charmeur Eyeshadows

13 Colors

BOM

Copy | Mod

  

@ᴍᴀɪɴꜱᴛᴏʀᴇ

VERSUS SUMMER EDITION !!!!

VERSUS SUMMER EDITION IS HERE! You will find the latest summer trends featured by the best stylists, the greatest artists of FRACTAL ART, magical resorts to hide yourself at, an interview to the TMD owner and much more!!! We hope you enjoy our third Versus Magazine!!

 

Picture by : Magissa Denver

 

VERSUS SUMMER EDITION

issuu.com/versus.sl.magazine/docs/versus_summer_issue

ʟᴇʟ ᴇᴠᴏx

ꜰʀᴜɪᴛꜱ ʟɪᴘꜱᴛɪᴄᴋ (ʟɪɢʜᴛ/ᴅᴀʀᴋ)

ᴄʟᴏᴜᴅʏ ᴇʏᴇꜱʜᴀᴅᴏᴡ ꜰᴜʟʟ ᴛɪɴᴛᴀʙʟᴇ

ᴄᴏᴍᴇ ᴛʀʏ ᴛʜᴇ ᴅᴇᴍᴏ

 

@ᴍᴀɪɴꜱᴛᴏʀᴇ

 

Hello! We are a team of experienced SL bloggers who are becoming the next best thing in SL photography. Anywhere from safe to adult content, we cover it all! Whether you are looking for an updated profile picture or dreaming about a perfect photo with that someone special, we've got you covered! Hire us privately or for special events!

 

For more info and booking, please send @Electra.Hambleton and @Princess.Chattoway a notecard in world with info about what you are interested in, and we will get back to you asap!

The Madonna del Granduca is a Madonna painting by the Italian renaissance artist Raphael. It was probably painted in 1505, shortly after Raphael had arrived in Florence. The influence of Leonardo da Vinci, whose works he got to know there, can be seen in the use of sfumato. The painting belonged to Ferdinand III, Grand Duke of Tuscany, from whom it got its name.

Happy Valentine's Day!♥

@ᴍᴀɪɴꜱᴛᴏʀᴇ only for influence group♥

Antwerp, Estación Central.

(...) Towards the end of the nineteenth century, Austerlitz began, in reply to my questions about the history of the building of Antwerp station, when Belgium, a little patch of yellowish gray barely visible on the map of the world, spread its sphere of influence to the African continent with its colonial enterprises, when deals of huge proportions were done on the capital markets and raw-materials exchanges of Brussels, and the citizens of Belgium, full of boundless optimism, believed that their country, which had been subject so long to foreign rule and was divided and disunited in itself, was about to become a great new economic power—at that time, now so long ago although it determines our lives to this day, it was the personal wish of King Leopold, under whose auspices such apparently inexorable progress was being made, that the money suddenly and abundantly available should be used to erect public buildings which would bring international renown to his aspiring state. One of the projects thus initiated by the highest authority in the land was the central station of the Flemish metropolis, where we were sitting now, said Austerlitz; designed by Louis Delacenserie, it was inaugurated in the summer of 1905, after ten years of planning and building, in the presence of the King himself.

Delacenserie's eclecticism, uniting past and future in the Centraal Station with its marble stairway in the foyer and the steel and glass roof spanning the platforms, was in fact a logical stylistic approach to the new epoch, said Austerlitz, and it was also appropriate, he continued, that in Antwerp Station the elevated level from which the gods looked down on visitors to the Roman Pantheon should display, in hierarchical order, the deities of the nineteenth century—mining, industry, transport, trade, and capital. For halfway up the walls of the entrance hall, as I must have noticed, there were stone escutcheons bearing symbolic sheaves of corn, crossed hammers, winged wheels, and so on, with the heraldic motif of the beehive standing not, as one might at first think, for nature made serviceable to mankind, or even industrious labor as a social good, but symbolizing the principle of capital accumulation.

And Time, said Austerlitz, represented by the hands and dial of the clock, reigns supreme among these emblems. The clock is placed above the only baroque element in the entire ensemble, the cruciform stairway which leads from the foyer to the platforms, just where the image of the emperor stood in the Pantheon in a line directly prolonged from the portal; as governor of a new omnipotence it was set even above the royal coat of arms and the motto Endracht maakt macht. The movements of all travelers could be surveyed from the central position occupied by the clock in Antwerp Station, and conversely all travelers had to look up at the clock and were obliged to adjust their (...)

W. G. Sebald, Austerlitz, 2001.

   

“Live in each season as it passes; breathe the air, drink the drink, taste the fruit, and resign yourself to the influence of the earth.” - Henry David Thoreau, Walden

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