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PRINT A DRINK combines methods from robotics, life sciences, and design to explore a completely new field of 3D-printing. Rather than building up objects layer by layer, the process uses a high-end KUKA Robots to accurately “inject” microliter-drops of edible liquid into a cocktail. Within a minute, PRINT A DRINK can build up complex 3D structures in a wide range of drinks – creating fascinating augmented cocktails using only high quality ingredients.
Read more about the Ars Electronica Center’s Creative Robotics exhibition.
Ars Electronica Center Linz
Ars-Electronica-Straße 1
4040 Linz
Austria
credit: Ars Electronica / Christopher Sonnleitner
Photo showing Klaus Luger, Mayor of the City of Linz, during a press tour through the Ars Electronica Center's new exhibition "Creative Robotics.
Fotocredit: Ars Electronica Center / Robert Bauernhansl
PRINT A DRINK combines methods from robotics, life sciences, and design to explore a completely new field of 3D-printing. Rather than building up objects layer by layer, the process uses a high-end KUKA Robots to accurately “inject” microliter-drops of edible liquid into a cocktail. Within a minute, PRINT A DRINK can build up complex 3D structures in a wide range of drinks – creating fascinating augmented cocktails using only high quality ingredients.
Read more about the Ars Electronica Center’s Creative Robotics exhibition.
Ars Electronica Center Linz
Ars-Electronica-Straße 1
4040 Linz
Austria
credit: Ars Electronica / Christopher Sonnleitner
Fluxuri consists of a new surface material that’s thin and flexible and can be painted by merely touching it. Extraordinary visual and haptic experiences emerge on this innovative canvas upon which aesthetic “moment art” can be created and then easily erased. Since this mode of painting doesn’t require tools, no materials are used up and no waste products are produced. Individual “pixels” are flipped and made visible thereby. They’re bi-stable and reflective, which means that they retain their pictorial content forever without energy having to be input; all that’s needed for them to be seen is ambient light.
Fluxuri is part of the Ars Electronica Center’s Exhibition Creative Robotics.
Ars Electronica Center Linz
Ars-Electronica-Straße 1
4040 Linz
Austria
credit: Ars Electronica / Martin Hieslmair
The project Cyber Physical Macro Material demonstrates a tangible vision of a new dynamic (and intelligent) architecture for public spaces. The agile and reconfigurable canopy is enabled by a combination of distributed robotic construction and a programmable digital building material.
Fotocredit: Ars Electronica / Robert Bauernhansl
Preparation works of the Creative Robotics exhibition at the Ars Electronica Center Linz.
Credit: Ars Electronica / Martin Hieslmair
Using Robo.Op, android, and to do some light drawing / tracing with an industrial robot.
See more here: Robo-Op SITREP!
The Robotic Woodcraft interdisciplinary research team consists of architects, mathematicians, designers and master cabinetmakers. The University of Applied Arts Vienna, the Association for Robots in Architecture and Lucy.D, a Vienna-based design studio, are jointly exploring ways to customize production processes.
Recently, the team developed several pieces of furniture, the production of which builds upon the flexibility of today’s robots. Working together with master cabinetmakers, the research crew identified particular fabrication processes that are highly challenging to do by hand but benefit from a robot’s high precision and strength.
Read more about the Ars Electronica Center’s Creative Robotics exhibition.
Ars Electronica Center Linz
Ars-Electronica-Straße 1
4040 Linz
Austria
credit: Ars Electronica / Martin Hieslmair
Nacht van de Filosofie Den Haag
Electriciteitsfabriek, 2016
Kunstmatige intelligenties in de films Her, Ex machina en Uncanny. Lezing tijdens de Nacht van de Filosofie in Den Haag.
Aan de hand van drie films [Her, Ex Machina en Uncanny] zal Jos de Mul ingaan op de vraag of de grensvervaging tussen mensen en intelligente robots werkelijk aanstaande is.
Photo showing Reinhard Nagler (KUKA) during a press tour through the Ars Electronica Center's new exhibition "Creative Robotics.
Fotocredit: Ars Electronica Center / Robert Bauernhansl
Photo taken at the Ars Electronica Center’s Deep Space 8K.
Read more about the Creative Robotics exhibition.
Ars Electronica Center Linz
Ars-Electronica-Straße 1
4040 Linz
Austria
credit: Ars Electronica / Martin Hieslmair
Read more about the Ars Electronica Center’s Creative Robotics exhibition.
Ars Electronica Center Linz
Ars-Electronica-Straße 1
4040 Linz
Austria
credit: Ars Electronica / Martin Hieslmair
This cube balancing independently on one corner is hard to destabilize due to its built-in gyroscope. The robotic cube offsets external disturbances and changes in its immediate environment on its own. The physics behind this is the principle of the conservation of angular momentum, according to which the angular momentum of an isolated physical system remains constant regardless of the forces and interactions at work among the system’s individual components.
Read more about the Ars Electronica Center’s Creative Robotics exhibition.
Ars Electronica Center Linz
Ars-Electronica-Straße 1
4040 Linz
Austria
credit: Ars Electronica / Christopher Sonnleitner
Using Robo.Op, android, and to do some light drawing / tracing with an industrial robot.
See more here: Robo-Op SITREP!
Read more about the Ars Electronica Center’s Creative Robotics exhibition.
Ars Electronica Center Linz
Ars-Electronica-Straße 1
4040 Linz
Austria
credit: Ars Electronica / Martin Hieslmair
Reinhard Nagler (Sales Manager KUKA (left) and Johannes Braumann (director of Linz' Art University’s Robot Lab).
Photo taken at the Ars Electronica Center’s Deep Space 8K.
Read more about the Creative Robotics exhibition.
Ars Electronica Center Linz
Ars-Electronica-Straße 1
4040 Linz
Austria
credit: Ars Electronica / Christopher Sonnleitner
This cube balancing independently on one corner is hard to destabilize due to its built-in gyroscope. The robotic cube offsets external disturbances and changes in its immediate environment on its own. The physics behind this is the principle of the conservation of angular momentum, according to which the angular momentum of an isolated physical system remains constant regardless of the forces and interactions at work among the system’s individual components.
Read more about the Ars Electronica Center’s Creative Robotics exhibition.
Ars Electronica Center Linz
Ars-Electronica-Straße 1
4040 Linz
Austria
credit: Ars Electronica / Martin Hieslmair
Read more about the Ars Electronica Center’s Creative Robotics exhibition.
Ars Electronica Center Linz
Ars-Electronica-Straße 1
4040 Linz
Austria
credit: Ars Electronica / Martin Hieslmair
Artist Anna Piecek’s main objective in this project was to come up with new and innovative ways to work with textiles by making volumes and unconventional shapes with methods that had never before been used in the context of fabric design.
Fotocredit: Ars Electronica / Robert Bauernhansl
Read more about the Ars Electronica Center’s Creative Robotics exhibition.
Ars Electronica Center Linz
Ars-Electronica-Straße 1
4040 Linz
Austria
credit: Ars Electronica / Martin Hieslmair
The IRB 260 by ABB Robotics is designed and optimized primarily for packing applications. It is built to meet your reach and payload requirements whilst being small enough to fit into compact packing machines.
For more details, visithttp://www.abb.com/product/seitp327/9727dbd18e84d3e7c1257061002b3c1b.aspx
Read more about the Ars Electronica Center’s Creative Robotics exhibition.
Ars Electronica Center Linz
Ars-Electronica-Straße 1
4040 Linz
Austria
credit: Ars Electronica / Martin Hieslmair
Read more about the Ars Electronica Center’s Creative Robotics exhibition.
Ars Electronica Center Linz
Ars-Electronica-Straße 1
4040 Linz
Austria
credit: Ars Electronica / Martin Hieslmair
Read more about the Ars Electronica Center’s Creative Robotics exhibition.
Ars Electronica Center Linz
Ars-Electronica-Straße 1
4040 Linz
Austria
credit: Ars Electronica / Martin Hieslmair
These tiny, super-speed robots are often called spider robots. FANUC M-1iA models have a payload capacity of 0.5kg.
Nico Rayf launched “BranchBoarding” in 2010 in Vienna. His idea was to mount skateboard or longboard axle & wheel assemblies onto a tree branch to then be able to ride it. Over the following years, Nico Rayf experimented with several varieties of trees and woods and various riding styles.
Fotocredit: Ars Electronica / Robert Bauernhansl
The 3.5-meter-long bridge is only 0.5 mm thick yet it can support a load of up to 100 kg. This structural capability is entirely dependent on the local deformations within, and connections between, the upper and lower panels.
credit: Ars Electronica / Robert Bauernhansl
Read more about the Ars Electronica Center’s Creative Robotics exhibition.
Ars Electronica Center Linz
Ars-Electronica-Straße 1
4040 Linz
Austria
credit: Ars Electronica / Martin Hieslmair