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Font Manager inside Adobe Creative Suite. Compare fonts from disk inside Creative Suite. Add fonts to favorites. Filtering and viewing fonts from your hard disks without installing them to system. Has a form of native panels like Layers. Windows and Mac compatible. For all graphic designers, prepress workers, typographers, opentype and truetype fans, helvetica and script font lovers! DiskFonts works under Photoshop, Illustrator, InDesign, Flash, Dreamweaver, Preniere, Fireworks.
VERY FAST! Uses your GPU for rendering fonts.
View fonts on iPod/iPhone/Android
twitter.com/LStewart_books/status/1649088339419574273 This photo is posted for design inspiration. The design content and photos posted in this album are not my own, but posts from external sources around the web. For use in commercial and personal projects contact the original source of the content posted in the Album "Web Graphic Design Resources".
SPRING 2008 ::: MILAN, ITALY
This is a new graphic project of mine!
I've created and construct all the styles, galleries, libraries and guides from Adobe InDesign/Photoshop (Mac platform)
It's a big soddisfaction to work with a theme like this ones. Who care and discute about eco ideas with a lot of information to transforms and helps our Earth planet.
That's it! I'm so proud to contribute with just a little piece.
HELP THE PLANET!
PACE!
twitter.com/murat192323/status/1528782857220640769
This resource posted is for digital art and design, personal and commercial projects, digital learning, and more. All design content is from external sources from around the web.
May 2016 bring you good health... Creativity, warmth, optimism, humor, inspiration, wonder, courage, happiness...
Quadtych (is there such a word? oh well, if there isn't, there is now ...are you listening OED?) of Daz's superbly restored Lambretta SX200.
Four SOOC images arranged in InDesign, exported out as jpeg 600ppi ~ quicker than PShop IMO
Wow, what a crazy few days it's been. I never dreamed my little infographic would ever get so much attention. Thanks to nerdist.com for originally featuring it over at their blog. Then they told two blogs, and they told two blogs, and so on and so on until tens of thousands of people were looking at it every day. It's my Official Fifteen Minutes Of Internet Fame!
A lot of fans commented, pointing out various mistakes and flaws in the info. That's fine; I was writing it from my own knowledge of the show, which is admittedly spotty, especially where the early Doctors are concerned.
I finally got the chance to take (most) everyone's suggestions and corrections and make a newly revised version of my Doctor Infographic. If your suggestion wasn't used, don't take it as a snub. Please keep in mind there is limited space here and I have to be concise. There's simply not enough room to include some of the convoluted back stories and plot lines that some people wanted to see. Think of it as a shorthand version, or an introduction to the Doctor.
This is the final version of the Infographic. For now.
Laid out entirely in InDesign. All the Doctors were drawn in InDesign as well.
There's another infographic featuring the Doctor's enemies here.
Want to see more? Check out my new blog! All the cool kids are doing it!
I don't usually do much vector art, mainly because I can't get nice variable lines like I can when I draw with a pen. But I thought I'd experiment and give vector another try. My vector work usually comes out looking too stiff to me. I figured if it's gonna end up looking stiff, then what better subject matter than a robot?
This one was drawn entirely in InDesign. A lot of people are surprised when they find out I draw things in InDesign instead of in Illustrator. It's got most of the same drawing tools as Illustrator, and IMO is easier to use. The aging was a jpeg imported into InDesign and placed on top of the art.
Another reason I don't do a lot of vector art-- this drawing took DAYS. I bet I spent three or four times as long on this one as I would have if I'd been drawing it in Photoshop on my graphic tablet. It was a fun experiment though. Maybe next time I'll be able to do it faster.
Want to see more? Check out my new blog! All the cool kids are doing it!
File: M02-02
Intro.
Back in the late 1980s, I trained in traditional graphic design while at college. When I said “traditional” I meant the old fashion way, using pens, pencils, craft knife, cutting mat, masking tapes, and working on paper, as opposite to digital graphic design which is done on computer. Starting from the middle 1990s, I got myself a Windows based PC, then bought a graphic design software, and started self-training.
Few years ago, I upgraded my computer (4th upgrade), and changed my graphic design software to Adobe brand. While I was a full-time single parent, I continue to keep my skills refreshed by doing my own graphic design projects, mainly to keep my portfolio updated in case I get a chance for an interview.
This is one of the graphic design project ideas I came up with in 2016. A DVD case cover and DVD Boxset based on a (non-existence) television series.
I came up with an idea of a detective/crime drama, centred on a leading female character, and using an eponymous title.
An eponymous title means of a person giving their name to something. For example, a character’s name, often just a single name, used as a title for a series. Examples…
Bergerac. British 1980s police detective series.
Castle. American 2010s crime/comedy series.
Lewis. British spin-off from Inspector Morse.
MacGyver. American 1980s television series.
Columbo. American 1970s-2000s detective series.
I used Kimberley which is a surname in the English language, and it is a variant of Kimberly. Point of note: It is also a given name as well as a surname. I used the variant Kimberley as a surname instead of the more common Kimberly as first name.
The idea of the plot is a single mother of two teenagers, juggling between her personal life at home and her job working for the police. The idea for the cover design is the leading character out and about, on her own, as if she’s lost in thoughts, possibility thinking of the police investigation and also of her personal problems.
How was that done?
I booked Lulu, a model based in Newport, Wales, United Kingdom, for an outdoors photo-shoot, as part of the graphic design project. When setting up the photo-shoot, I explained to Lulu what my project is about. It helps if I give her some background on what it is about, and explain to her what I want her to do, so that she would then know what kind of posing to do. She posed in different ways that are what I hoped for.
You can view some of the photographs from the photo-shoot in the album titled Lulu here: www.flickr.com/photos/132335712@N05/albums/72157719202020434
After getting the photos I needed, the next step was to find out the dimensions of a DVD case cover and a DVD Boxset case. Usually the case cover is much easier to work with, but the Boxset dimensions is bit tricky. When I’ve got the dimensions, I then started Adobe InDesign, set up a new spread,* and created the layout.
*We call it a spread, not a page.
For the case cover, the layout can fit on a single A4 spread. But for the box layout, it needed to be done on A3 spread. The case cover layout is often of the right dimensions on the first go (if you get it right the first time), but the box dimensions needs to be double-checked. This was done by printing out just the layout, cut it out, place it on a box, check if it fits or not. It was a simple case of adjust the layout’s dimensions in the software.
Then I imported the original photograph into Adobe Photoshop and saved it as a .PSD file, then imported the .PDS file into the main layout in the .INDD file. Next task was to simply just type the words on it, add any other graphics or other photographs, and make any adjustments to the objects.
The above image shows a screen capture of the completed layout design in the InDesign workspace, and the inset shows a photo of the finished work.
.
The Comment Box for my photo/image is NOT an “advertising billboard” for any Groups. Links to Groups already exist under the This photo is in x groups heading. You are free to comment for yourself with your own words, but please do NOT use canned comments, which are pre-approved words written by the group Admins.
If you wish to promote the Groups you are member of, do so in YOUR OWN profile.
Part of my 100 Frankensteins Project! I'm up to number 10!
Here are the files for my papercraft Frankenstein. You can see the finished product here.
I didn't really have much of a plan when I started making this. I drew the front view of the Frankenstein monster in InDesign, then deconstructed him and added the sides and back pieces. I got kind of carried away on the size. I didn't realize how big he was until I started building him. He's almost 11" tall! He looked a lot smaller on the monitor. I couldn't fit everything onto one sheet of paper, so I had to spread the parts out over two.
I printed him out and built him to see if there were any problems with my layout. I was sure I'd need to make some tweaks. I was shocked when everything fit together fine on the first try!
Feel free to download, print and build your own. You'll have to click "View all sizes," and then click "Original size" in order to print him out at actual size. I was afraid it might be confusing to upload two separate files, so I put them both into one big image. Once you download them, you'll have to figure out how to print each half to a separate 8.5" x 11" sheet of paper. Warning: This file is a whopper!
I recommend printing him on card stock if you have any. Use an X-Acto knife to cut out the pieces. Scissors are too bulky. It's your choice as to whether to use glue or tape to put him together. Ideally glue would look better, but I built mine with invisible tape and it looked just fine. I tried to put the seams or joins in the back as much as possible so that they wouldn't show from the front.
I was afraid he wouldn't stand up by himself since he's so top heavy and has such skinny legs, but he stands up just fine.
You can see the first papercraft monster I did here.
Designed, drawn and laid out entirely in InDesign.
Want to see more? Check out my new blog! All the cool kids are doing it!
Experiment showing that not only are Multiple Master fonts supported in Adobe InDesign, but if they have an optical size axis, the setting to “Automatically Use Correct Optical Size” will indeed work.
This demo shows a Multiple Master version of Benton Modern set at 6pt, 12pt, 24pt, 48pt, and 72pt before and after the previously mentioned “Automatically Use Correct Optical Size” preference is turned on.
Note that in order for Multiple Master fonts to be recognized by InDesign, they must be installed in InDesign’s font folder. Multiple Master fonts installed in the system font folder will not be recognized.
Thanks to David Jonathan Ross, Frank Grießhammer, and Florian Hardwig for assistance and tips.
Hey, look! It's a dragon! And he just came from the tattoo parlor!
I know absolutely nothing about the "Girl With The Dragon Tattoo" movie; I just heard the title and thought it would be com-o-dee to reverse it. Hopefully it's not some kind of a porno.
I realized halfway through the drawing that if I put a tattoo on the dragon's arm it would have to be so small that you'd never be able to see it. It didn't make sense to put it on his side or anywhere else. So rather than scrap that comedy gold of a title, I decided to magnify it in a cartoon balloon.
The dragon (and his tattoo) is a vector drawing, drawn all in InDesign.
Want to see more? Check out my new blog! All the cool kids are doing it!
File: M02-01
Intro.
Back in the late 1980s, I trained in traditional graphic design while at college. When I said “traditional” I meant the old fashion way, using pens, pencils, craft knife, cutting mat, masking tapes, and working on paper, as opposite to digital graphic design which is done on computer. Starting from the middle 1990s, I got myself a Windows based PC, then bought a graphic design software, and started self-training.
Few years ago, I upgraded my computer (4th upgrade), and changed my graphic design software to Adobe brand. While I was a full-time single parent, I continue to keep my skills refreshed by doing my own graphic design projects, mainly to keep my portfolio updated in case I get a chance for an interview.
This is one of the graphic design project ideas I came up with in 2016. A DVD case cover and DVD Boxset based on a (non-existence) television series.
I came up with an idea of a detective/crime drama, centred on a leading female character, and using an eponymous title.
An eponymous title means of a person giving their name to something. For example, a character’s name, often just a single name, used as a title for a series. Examples…
Bergerac. British 1980s police detective series.
Castle. American 2010s crime/comedy series.
Lewis. British spin-off from Inspector Morse.
MacGyver. American 1980s television series.
Columbo. American 1970s-2000s detective series.
I used Kimberley which is a surname in the English language, and it is a variant of Kimberly. Point of note: It is also a given name as well as a surname. I used the variant Kimberley as a surname instead of the more common Kimberly as first name.
The idea of the plot is a single mother of two teenagers, juggling between her personal life at home and her job working for the police. The idea for the cover design is the leading character out and about, on her own, as if she’s lost in thoughts, possibility thinking of the police investigation and also of her personal problems.
How was that done?
I booked Lulu, a model based in Newport, Wales, United Kingdom, for an outdoors photo-shoot, as part of the graphic design project. When setting up the photo-shoot, I explained to Lulu what my project is about. It helps if I give her some background on what it is about, and explain to her what I want her to do, so that she would then know what kind of posing to do. She posed in different ways that are what I hoped for.
You can view some of the photographs from the photo-shoot in the album titled Lulu here: www.flickr.com/photos/132335712@N05/albums/72157719202020434
After getting the photos I needed, the next step was to find out the dimensions of a DVD case cover and a DVD Boxset case. Usually the case cover is much easier to work with, but the Boxset dimensions is bit tricky. When I’ve got the dimensions, I then started Adobe InDesign, set up a new spread,* and created the layout.
*We call it a spread, not a page.
For the case cover, the layout can fit on a single A4 spread. But for the box layout, it needed to be done on A3 spread. The case cover layout is often of the right dimensions on the first go (if you get it right the first time), but the box dimensions needs to be double-checked. This was done by printing out just the layout, cut it out, place it on a box, check if it fits or not. It was a simple case of adjust the layout’s dimensions in the software.
Then I imported the original photograph into Adobe Photoshop and saved it as a .PSD file, then imported the .PDS file into the main layout in the .INDD file. Next task was to simply just type the words on it, add any other graphics or other photographs, and make any adjustments to the objects.
The above image shows a screen capture of the completed layout design in the InDesign workspace, and the inset shows a photo of the finished work.
.
The Comment Box for my photo/image is NOT an “advertising billboard” for any Groups. Links to Groups already exist under the This photo is in x groups heading. You are free to comment for yourself with your own words, but please do NOT use canned comments, which are pre-approved words written by the group Admins.
If you wish to promote the Groups you are member of, do so in YOUR OWN profile.
Typography Exercises Book for Fundamentals of Typography at Valencia Community College.
These pages are part of the third exercise, Typographic Syntax.
I'm a big fan of Doctor Who, so I thought I'd start a series of vector drawings of the eleven (!) different Doctors (so far).
David Tennant played the Tenth Doctor from 2005 to 2010. He starred in three seasons and eight specials, including three Christmas episodes. The Christmas specials are some of my favorite Who episodes ever, and are more like movies than TV shows-- they could have been shown theatrically, in my opinion.
Tennant was my absolute favorite Doctor, hands down, beating out even Tom Baker (sorry, Tom). Tennant reportedly decided he wanted to become an actor while watching Doctor Who as a child. In fact, while attending Paisley Grammar School he wrote an essay on how his greatest desire was to some day play the Doctor on TV!
Tennant's Doctor was sort of a cool yet geeky college professor. He could be funny, sentimental and terrifying all in the same episode. It was a sad day when he announced he was leaving the series; I was honestly depressed about it for a week. That's the nature of Doctor Who though. If you don't like change, then this isn't the show for you. Fortunately Matt Smith, the Eleventh Doctor, has done an incredible job and won me over after just one episode.
Unlike previous incarnations of the Doctor who had platonic relationships with his companions, #10 was most definitely in love with Rose Tyler and never quite got over her after she left the series.
Many of the Doctor's former friends and companions returned during #10's era, including Sarah Jane Smith, and the robotic dog K-9. He even had a run-in with the Fifth Doctor in the special Time Crash mini-episode.
Speaking of the Fifth Doctor (played by Peter Davison), Tennant is dating actress Georgia Moffett, Davison's daughter. Moffett also starred in the episode The Doctor's Daughter as, what else, the cloned daughter of the Tenth Doctor! Confused yet?
Many of his old foes returned to plague him as well, including Davros, creator of the Dalek race, and his eternal nemesis (and fellow Time Lord) the Master. The Sontarans also returned to battle the Tenth Doctor.
The Doctor's Sonic Screwdriver continued to gain new abilities and functions in just about every episode. The versatility of the Sonic has become something of a running joke in the series.
Doctor #10 had two main outfits, a blue pin-striped suit and a brown pin-striped one. His main trademark were his Chuck Taylor tennis shoes (or "trainers," as they're known to the Brits). He almost always wore a brown top coat as well. On a couple of occasions he traded in his pin-striped suit for a black tuxedo. He would also occasionally wear glasses.
The Tenth Doctor continued the new series' tradition of utilizing the city of Cardiff, Wales, as a sort of home base. Many episodes of the new series have taken place in or around there. Coincidentally, the series is filmed at one of the BBC's studios in Cardiff. Imagine that!
Doctor #10 is a vector drawing, drawn all in InDesign.
Please forgive the ugly watermark on the illustration. I swore I would never add one to my art, because I know that 99.99% of my readers would never even think of stealing it. But earlier this year I had a run-in with an art thief who was not only stealing my work, but selling it as her own! Hence the watermarks. This is why we can't have nice things.
Want to see more? Check out my new blog! All the cool kids are doing it!
"By Grabthar's hammer, by the suns of Warvan, you shall be avenged!"
It's Dr. Lazarus from the 1999 movie Galaxy Quest. Dr. Lazarus is a member of the alien Mak'Tar species from the planet Tev'Meck. He's highly intelligent, has limited psychic abilities and can increase his might by performing the Mak'Tar Chant Of Strength.
In the film Alan Rickman played Alexander Dane, the actor who portrayed Dr. Lazarus in the fictional Galaxy Quest TV series (got all that?). Dane was a classically trained Shakespearean actor (hence his last name) who resented being typecast as an alien from a defunct sci-fi program.
Galaxy Quest is one of my all time favorite movies. It manages the difficult task of poking fun at Star Trek and its fans without downright ridiculing them. Dr. Lazarus is my favorite character in the film-- Rickman was the perfect choice to play a pompous actor who's disgusted by having to eternally repeat his popular catchphrase.
Dr. Lazarus is a vector drawing, drawn all in InDesign. Man, the Doctor has an incredibly complicated head. I didn't realize just how intricate it was until I started drawing it. I eventually figured out how to render it, but it took a lot longer than I thought it would-- even longer than it took to draw his ray gun!
Want to see more? Check out my new blog! All the cool kids are doing it!
In honor of the late Leonard Nimoy, here's my vector rendition of Mr. Spock.
The Spock we all know and love could have been a very, very different character. When producer Gene Roddenberry first made his pitch for Star Trek in 1964, he described Spock as "probably half Martian," with "a slightly reddish complexion and semi-pointed ears." He also thought it would be a good idea if rather than eating, Spock would ingest energy through a plate in his stomach (!).
Fortunately, writer Samuel A. Peeples convinced Roddenberry that these traits would make Spock a little too alien, and suggested he be half-human in order to make him more relatable to audiences. Roddenberry agreed, and toned down Spock's alien-ness a bit. He also changed his home planet to the fictional Vulcan, because he worried that if Star Trek was a success, man might actually make it to Mars during the show's run (!!!).
Roddenberry was looking for an otherworldly name for the character, and eventually came up with the suitably alien-sounding "Spock." He claimed that at the time he hadn't heard of celebrity child expert Dr. Benjamin Spock. If he had, he no doubt would have chosen a different name, and we'd now be talking about Mr. Spork.
When it came to casting, Roddenberry inexplicably wanted DeForest Kelly for the role. Thankfully Kelly turned it down, and went on to play Dr. McCoy. Phew! Roddenberry's second choice was Adam West, but he was busy working on the film Robinson Crusoe On Mars. Phew again! The idea of Batman as Mr. Spock boggles the mind! Martin Landau was also considered for the role.
Around that time Nimoy made a guest appearance on the Roddenberry-produced series The Lieutenant. The minute Roddenberry saw Nimoy's thin, gaunt features, he knew he'd found his Spock. He approached him for the role, Nimoy agreed, and the rest is TV history.
When NBC saw the first pilot, they were less than pleased with Spock. They worried that his "satanic" appearance would offend viewers in the South. They even went so far as to airbrush out his slanted eyebrows and pointed ears in publicity shots. Once the pilot was picked up, NBC demanded Spock be dropped from the series, which just goes to prove that network executives have never known what the hell they're doing. Luckily for us, Roddenberry persevered and the network eventually allowed Spock to stay.
Spock went on to become the most popular character on the show, receiving up to ten thousand fan letters a week.
Many of Spock's characteristics were invented by Nimoy himself. The split-fingered Vulcan salute for example, was actually a Jewish ceremonial gesture Nimoy witnessed as a child during church, and utilized it for the show. Nimoy came up with the Vulcan neck pinch as well, saying that Spock wouldn't stoop to simply punching a bad guy in the nose, and would find a more efficient and logical way to incapacitate an enemy.
Nimoy was surprised when Spock became a sex symbol, reporting, "I've never had more female attention on a set before. And get this— they all want to touch the ears!" He believed Spock appealed to women because he was "tall, dark, thoughtful, alien and exotic."
Spock has been an inspiration to many scientists and engineers, especially at NASA. Nimoy said that when many scientists met him, they would breathlessly tell him about the projects they were working on as if he were their intellectual peer (and could understand the concepts they were going on about). He said that in these situations he had a standard response: "It certainly looks like you're headed in the right direction."
After Star Trek was canceled, Nimoy tried to distance himself from the character for many years, but eventually made his peace with Spock and embraced him. In a recent interview, Nimoy said, "Given the choice, if I had to be someone else, I would be Spock."
As for the drawing, Spock's "Live long and prosper" salute gave me a lot of trouble. I just couldn't get it to look right, and finally had to (gasp) trace over a photo of him making the gesture.
Most of the characters I draw have only three fingers, which is a tradition in the world of cartoon illustration. You may note that Spock here has four. He had to— the gesture wouldn't have worked with any less.
Please forgive the ugly watermark on the illustration. I swore I would never add one to my art, because I know that 99.99% of my readers would never even think of stealing it. However, it was recently brought to my attention that a particular person out there was not only stealing my art, but selling it as her own (!). Hence the watermark, in an attempt to foil this art thief. This is why we can't have nice things.
I'm toying with the idea of selling this image as a print, if there's any interest.
Mr. Spock is a vector drawing, done all in InDesign.
Want to see more? Check out my blog! All the cool kids are doing it!
From Star Trek The Original Series, it's Thelev the Andorian.* Thelev appeared in the episode Journey To Babel (aka The One With Spock's Parents).
I always liked the Andorians; they had a cool, retro pulp sci-fi look to them that really stood out from the pack of relatively mundane aliens on the show. Klingons? Big deal, they were guys with swarthy makeup and goatees. Vulcans and Romulans? Humans with pointy ears and Moe Howard haircuts. But the Andorians, now there was an alien race with some style.
Sadly, the Andorians were criminally underused on the Original Series, showing up in only three episodes (four if you want to count the one where we saw a couple of frozen Andorian corpses in the background). Would it have killed them to have included an Andorian crew member in the cast?
Once again I have to assume the reason they weren't used more often was budgetary. Gene Roddenberry was always going on about how they never had any money on the show, so it was probably cost prohibitive to paint a guy blue, slap a white wig on him and glue antenna to his head.
Fortunately for Andorian fans the Enterprise series utilized them much more often. Thanks to Enterprise we learned that they come from a moon called Andoria which orbits a ringed gas giant called Andor. Andoria is an icy world, where the temperature reaches a balmy 18 degrees below zero in the summer months.
Not surprisingly, Andorians have blue blood. There is also an Andorian subspecies called the Aenar, who have white skin and are blind and telepathic.
Andorians are generally distrustful of aliens and even refer to humans as "pink skins." I guess the message here is that racism is timeless. Despite this, Andorians were one of the four founding members of the United Federation of planets, along with Humans, Vulcans and Tellerites.
Andorian marriages require four participants. No word as to how many are involved in the honeymoon.
Over the years the placement of the Andorians' antenna has varied greatly. In the Original Series the antenna grew from the back of the head, while in Star Trek: The Next Generation they appeared to sprout from the very top of the skull. By the time of Enterprise the antenna were shown growing directly out of the forehead. Just what Star Trek needs, another makeup controversy like the Klingon forehead ridges.
*To all the Trek nitpickers out there-- I am aware that in the Journey To Babel episode, Thelev here is not really an Andorian. He's actually an Orion who's been surgically altered to look like an Andorian in order to infiltrate and disrupt a peace conference. Do yourself a favor and ignore all that and just enjoy the drawing.
Thelev is a vector drawing, done all in InDesign. His hair was originally pure white, but I soon came to realize that wouldn't work, as I was going to be putting a white outline around him. So I had to darken up his hair quite a bit to keep it from blending in with the outline. Not a fan of the giant crotch arrow on his costume, but whddya gonna do?
Want to see more? Check out my new blog! All the cool kids are doing it!
A couple of years ago I was approached by Kevin Brusky of Ape Games about creating artwork for their RARRR!! game.
RARRR!! is a multi-player card game in which players create their own kaiju and pit them against one another while destroying various cities.
As I've been a long-time Godzilla fan, this assignment was right up my alley. Why, it's like I'd been training my whole life for this!
Over the course of the two years I created twelve different monsters, numerous power cards, syllable cards (to help name your monster) and more.
Early on I also created this box art for the game. I reused several of the monsters from the cards and added them to a city scape, complete with attacking jet planes and searchlights in the sky. The RARRR!! logo was done in InDesign.
Ultimately the size of the box changed, so this art wasn't used. Ape Games adapted it though for use on the new package size.
Ape Games was very easy to work with too, which helped a lot. They seemed to like the art I provided and had very few changes. That's always a plus!
RARRR!! isn't the first card game I've worked on, but it's the most fun. The games getting great reviews, and from what I've seen people seem to enjoy playing it. If you'd like to order it (and see the rest of my art!), head on over to Ape Games and pick up a copy or three.
The cover was drawn all in InDesign, except for the mushroom cloud, which was done in Photoshop and imported.
Want to see more? Check out my blog! All the cool kids are doing it!
Hey kids, it's everyone's favorite borderline-psychotic redneck meth-head bayonet-handed zombie apocalypse survivor!
Merle's one of my favorite characters on The Walking Dead. Well, maybe after Daryl and Michonne. He's a miserable specimen of humanity, but that's what makes him so much fun to watch. He brings an element of danger and unpredictability to the show.
The show's only as good as its villains, and let's face it-- as scary as zombies are, they really don't make very good bad guys. All they want to do is eat your brains; they can't scheme against you or plot your overthrow.
Merle's the perfect bad guy. He's like a wild animal; you never know what he might do next. It doesn't hurt that he's played by Michael Rooker, who's a fine actor and is very good at playing assholes.
I doubt if I'll draw any more Walking Dead characters, mainly because they're all just a bunch of normal people wearing dirty clothes. I drew Merle because I found him the most visually interesting, what with his cool bayonet hand and all. Maybe I might draw the Governor or Michonne some day. We'll see.
One thing I discovered while drawing Merle: his bayonet hand is much more complicated than I realized. I just assumed it was a simple metal tube, but once I looked up reference photos I saw that it's full of all kinds of straps, braces and bolts. I probably went a little overboard on the detail of it, especially for a cartoony figure such as this, but hey, that's what I do.
Merle was drawn all in InDesign. The scratchy background and the splatters were done in Photoshop and imported into InDesign.
Click here for more info on Merle and this illustration.
Want to see more? Check out my new blog! All the cool kids are doing it!
I'm also on Twitter for some reason.
WARNING! THERE ARE SPOILERS IN THE COMMENTS BELOW! DON'T READ IF YOU HAVEN'T SEEN ALL OF SEASON 3!
It can get a bit noisy when Paul tries to order at the fast food counter.
Paul's a vector illustration, drawn all in InDesign.
Want to see more? Check out my new blog! All the cool kids are doing it!
Brochure InDesign page. The diffence in color is du to the fact, that the InDesign publication is in CMYK mode for 4 colour printing, not RGB.
Using Adobe Stock images for advertising purposes.
Licensing Adobe Stock images is not that expensive. I could never make these two model images for less, than I pay Adobe. Naturally there's a risk, that this woman appears in several adds for many different products - but I guess we'll just take that chance :-)
This is a school assignment. It's a small book about different ways of transportation: small, medium, large and xtra large.
I've used the DDPm as an example of 'large' transportation. I will post more about this project on my Behance portfolio soon.
Typography Exercises Book for Fundamentals of Typography at Valencia Community College.
These pages are part of the first exercise, Compare & Contrast, and explore the different types of serifs as well as the typographic concept of unity.
You will get a wonderful and professional Interior Presentation Templates with a smart approach to creativity, for an extremely reasonable price. The work I deliver is 100% original and of high quality.
pruma homenagem ao chico anysio que saiu no jornal. com a camisa do vasco pq o chico anysio eh vascaíno.
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Typography Exercises Book for Fundamentals of Typography at Valencia Community College.
These pages are part of the second exercise, Minimalization.
Typography Exercises Book for Fundamentals of Typography at Valencia Community College.
These pages are part of the fifth exercise, Hierarchy & Depth.