Antique Farm Equipment
View allAll Photos Tagged implements
The old corn cribs were designed so the equipment can pull through and unload, then the equipment stored over winter for protection. Over the years the corn cribs evolved to outpost garages and junk collections in the fileds.
Boar Mill Cottage has it all; comfort, history, intrigue and a story to tell. As a former bakery, the three-bedroom stone cottage is teeming with quirky original features from the old bread oven in the dining room to remnants of the bakers’ implements still in the cottage. It sits in the shadows of the towering Corfe Castle in its eponymous village.
...as the farmer eats his sunny side up eggs. His tractor and the harvest warms up to a rising golden sunny morning!
New AM. Lumber Beard V2 - (LeLutka) (BOM Only) @ Mainstore & Marketplace
New AM. - Scar set (BOM Only)
AM. - Eye scar
AM. - Jaw Scar @ Marketplace
KM. Sucker Punch - Left @ Mainstore
Details:
Dura-U91
And now for something completely different. I was struck by the light and shadow on these implements in a mug on the kitchen counter.
Hope you are enjoying a beautiful week. Thanks, as always, for stopping by and for all of your kind comments -- I appreciate them all.
© Melissa Post 2016
Day 354. After spending a couple of days feeling under the weather and stuck in the house, I went on a short ride round the local woods with my son. We pass through a farm yard where there was laid out a random collection of rusty bit and pieces. I took a wider shot that's elsewhere on my photosteam, but for this shot I closed in on the rather intriguing pattern and texture of the of this old rusty implement that I guess was used to turn the soil on the field.
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A new morning reveals old technology. A hundred years ago, this plow was state-of-the-art technology, but today, it has been repurposed as art on the estate.
HFF!
implementation of the Monday theme " green and yellow squares "
-- my personal Monday ---
my personal fun .
///
Umsetzung des Montagsthema " grün- gelbe Quadrate "
-- mein persönlicher Montag -- für meinen persönlichen Spaß --- 😊📷💕
Model 5610,
Disc harrows are the perfect implement for tilling soil.
Bordering the Atlantic Ocean.
Porto Covo, Setúbal, Portugal
Our Daily Challenge ~ Writing Implements
Thank you to everyone who pauses long enough to look at my photo. All comments and Faves are very much appreciated
This is a small sample of old farm implements preserved in perfect condition!
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Esta es una pequeña muestra de antiguos aperos de labranza conservados en perfecto estado!
Although Friedensreich Hundertwasser first achieved notoriety for his boldly-coloured paintings, he is more widely known for his individual architectural designs. These designs use irregular forms, and incorporate natural features of the landscape. In architectural projects he implemented window right and tree tenants, uneven floors, woods on the roof, and spontaneous vegetation.
Former tractors, harvester, and other farm implements.
Camera: Beacon Two-Twenty-Five, a low-end 1950s plastic camera with a 70mm doublet lens. The focus is fixed and ranges from about 5 1/2 feet to infinity. The shutter, at around 1/50 second, is best for daylight shots, but even small movements (such as the horse's ear) can result in blur. Overall, the camera is quite fun to shoot and I was very pleased at the quality of image produced by the doublet lens. The camera is called the "Two-Twenty-Five" because it produces 2.25-inch square images.
A fascinating history of the company which produced the Beacon can be found at Mike Eckman's website: mikeeckman.com/2023/07/beacon-two-twenty-five-1950/
Film: 120-size Arista 100 ISO, respooled onto a 620 reel.
Developing: Kodak HC-110, Dilution B, 6 min.
A seguito dell'implementazione del sistema di sicurezza ETCS lungo l'asse alpino del San Gottardo le Br185 che DB adoperava abitualmente su questo itinerario dovettero essere distolte dall'abituale servizio per permettere la progressiva installazione dei sistemi necessari. SBB Cargo e DB Schenker siglarono pertanto un accordo commerciale per lo "scambio" di una parte delle proprie dotazioni.
Mentre quindi una decina di Br185 vennero assegnate ai servizi "domestici" delle Ferrovie Federali elvetiche, prevalentemente assegnate al deposito di Zurich Limathal, SBB sostituì fino allo scorso cambio d'orario, le TRAXX tedesche con le proprie locomotive su tutti i convogli che dalla Germania si dirigevano in Ticino ed Italia.
Nella foto la Re4/4.11183 sta proprio trainando sul San Gottardo uno dei convogli forse più indelebilmente associati alle Br185 tedesche, il "Winnerzug" Wuppertal-Piacenza. (30/10/15)
In the last months the DBS Br185.1s used along the Gotthard route had been withdrawed due to the ETCS implementation.
While some loks were working with SBB in domestic freight activities around Zurih Limathal, some Re10/10 were employed to haul also the DBS international trains from Basel to Chiasso.
Beyond the many mixed freight from Mannheim, also the "Winnerzug" Wuppertal-Piacenza had been entrusted to the Swiss loks.
Here the Re4/4.11183 and a Re6/6 are running just before the Biaschina Loops heading the southbound train. (30/10/15)
Enhancing the landscape views at Fonte Bertusi are many interesting objects including this old farm implement. Fonte Bertusi is an Agriturismo near Pienza, Italy.
Explored on 2008.10.17
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Exposure settings: f/8, 0.003 sec (1/320), ISO 100, 12 mm
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Canon EOS 5D Mark III
Canon EF 24 70MM L F2.8 II
B+W Circular Polarizer
2:1 Panoramic image with 9 vertical images stitched together in Photoshop.
An early morning start to capture the view of the lovely Cascade des Tufs of French Jura region. A lovely waterfall in the middle of nowhere and one of my favorite.
Yes the composition was actually inspired from my Flickr friend Stephan. Thank you Stephan for showing the way. :)
I just couldn't control myself from capturing this panorama; however the idea came from you. Hopefully I have at least implemented it well!
Please have a look at my website www.avisekhphotography.com for all my recent works.
Have a nice Easter holiday.
Hope you will enjoy the picture.
Any suggestions or criticisms are always welcome.
Excerpt from miyajima.or.jp/english/spot/spot_other.html:
Designated as a National Important Cultural Property on August 29, 1910
Hokoku Shrine is dedicated to the warlord Toyotomi Hideyoshi (one of the three unifiers of Japan in the 16th century) and his loyal aid Kato Kiyomasa. The reason for building this structure is clearly stated in a letter by Ankokuji Ekei, head monk of Ankokuji Temple. In 1587, Ekei asked Daiganji Temple, the temple in charge of construction and repair work in Miyajima including Itsukushima Shrine, to build a Buddhist library in which the chanting of Senbu-kyo sutras could be held every month. As there is no board ceiling or outer gate, it is believed that the construction of the building was not completed.
Originally, Amida Buddha and two subordinate Buddhist saints, Anan and Kasho-sonja, were enshrined in the Buddhist altar until the early Meiji era. Since that time, however, the altar has been used in Shinto rituals.
The building is called Senjokaku (Hall of One Thousand Tatami Mats), reflecting its standing as the largest structure on Miyajima Island. The shrine was a popular landmark in Miyajima where many people came to relax and cool themselves and to buy popular souvenirs such as tooth picks, and a variety of legends and traditions have been created here.
The fact that this structure, unique among the buildings belonging to Itsukushima Shrine, is unpainted and that its exact date of founding is recorded makes it a valuable gauge of the passage of time. The traces of weathering on its pillars and floor boards can be used to determine the approximate age of any other wooden structure on Miyajima.
A piece of wood used as a measuring device in the reconstruction work of the O-Torii in 1873 hangs on a pillar under the floor of the south part of the shrine. Countless votive picture tablets that had been hanging on the walls of Itsukushima Shrine buildings until the mid Meiji era decorate the walls inside the hall.
The shrine did not yet exist at the time of the Battle of Itsukushima in 1555 when the Mori clan defeated the Sue clan to unify the Chugoku region. The headquarters of the Sue clan was located on this hill, which was then called To-no-oka (Pagoda Hill). Starting in the Meiji era, the hill was developed through the establishment of stone steps, among other additions.
Excerpt from www.japan-experience.com/all-about-japan/miyajima/temples...:
Its bare appearance may not intrigue you at first. Only unfinished walls and a hundred pillars. Although the building is pretty, there is something missing. But once inside, look up: the gigantic ceiling is covered with a mosaic of paintings whose subjects are as varied as the styles and periods of implementation. Medieval battles, Buddhist representations, landscapes and animals in a modern style, the eye does not know where to turn.
I came back home late after a very long day's work. I wanted to implement a shot that I have been having in my mind today, but it wasnt easy. I didnt have the proper equipment, one, I left my tripod at my friend's place (Yes, Danny, time for your tripod joke). This shot is as is from camera. I am glad my hand held steady after all that work.
About the photo:
This is not a photoshopped image. I did not use any filter. The source of light is the blue LED from my external hard disk. With the room being completely dark, the LEDs were very enhanced and metering was difficult with the point and shoot I used (it kept blowing out the region I was focusing). After a few frustrating shots, this came out good (atleast the focus was what I wanted). Patience and determination pays.
A couple of other shots I tried are in the comments section. I will try this again later when I am not this sleepy :-D
Oh, I dont know if I can post this in th Dictionary group, so I havent (What do you think Jill?).
Time to hit the bed! Have a great weekend. I will catch up later on Saturday!
PS: Feel free to teach me how to say blue in a language that you know by adding tags :-)
Clifton, Arizona, USA. Once a booming copper mining town but now mostly declining or already in decay and the majority of people and business have moved just up the road to Morenci. The Freeport McMoRan copper mine located in Morenci is one of the largest in the world
Cliff dwellings along the San Francisco and Gila Rivers are evidence of an advanced civilization that existed long before Caesar ruled Rome. Many specimens of pottery and stone implements are still to be found in these ancient dwelling places. In the mid-1500s, both Fray Marcos de Niza and Francisco Vasquez de Coronado passed through the area, following the San Pedro north to the Gila River. Geronimo was born in 1829 near the confluence of Eagle Creek and the San Francisco and Gila Rivers.
In 1856 the first mineral discoveries of the Morenci/Clifton area were found by California volunteers pursuing Apaches, and conflicts between the Apaches and advancing Anglo settlers touched off a 26-year-long war. Mining for gold and silver began in 1864, followed by copper in 1872, and the mine at Morenci quickly grew to become the largest copper producer in North America. Clifton's population ballooned from 600 in 1880 to 5000 by 1910, and it quickly earned its reputation as the wildest of the "Wild West" boomtowns. Neighboring Morenci was swallowed up by an open pit mine in the 1960s, but Clifton was preserved, and today Chase Creek Street is still graced with lovely Victorian-era buildings from the town's halcyon days as the place to quickly make and lose a fortune.
In 1983, Clifton survived two nearly fatal blows, first a nearly three-year-long strike that began on June 30, 1983. Then later that same year, on October 2, 1983, Tropical Storm Octave sent 90,900 cubic feet of water per second into the San Francisco River, which burst its banks, destroying 700 homes and heavily damaging 86 of the town's 126 businesse
By JanLeonardo
Implemented with following torches:
2 x Led Lenser X21R/ H7
More amazing photography's?
I went to the museum last weekend with some friends who were visiting. You know what struck me, more than any other detail? How interesting the supportive structures are. These bones are of course intriguing, but when I focused on the structures that hold them up… all the structures of display in the museum, in fact… I really saw the whole experience through new eyes.
With temperatures well below zero during the overnights, NSM implemented their cold weather operating pattern of running shorter, but more frequent, trains. A heads up from Mel Wilson noted that the leased SD9043MACs were down with various ailments and that NSM had two three-unit SD40-type sets in service (apparently the GEs are still down).
With this knowledge Gus and I made the trip north to milepost 23 after having spent time shooting boats in Two Harbors earlier in the morning. Based on radio detector transmissions it became apparent that empties and loads were both on the move. The first to arrive was the empty set behind gray 661 and nice (figures) 651 trailing. I'm not sure what happened to the third SD40 in this set. The weather was a mix of sun, ice fog and snow showers.
As the empties rolled past creating a moving ground blizzard, the loads came into view and the two met just west of the overpass. Of course what should be leading the loads but 662 with nice (figures) 652 in the middle. In Mel's defense, he did tell me that both the gray beasts had burned-out ditch lights. Not sure what it is about NSM, but there always seems to be at least one unit with a burned-out ditch light. Payback I guess for nailing the SD90s in fresh snow and sun earlier this winter.
Oh, the detector at MP 34 reported an air temp of -17F. Both trains had around 110 cars versus the normal 156.
Preface: I came upon a handmade diving implement left leaning against one of the dumpsters (bins). I was admiring it as it was obviously hand made and a rather ingenious yet simple device. Being one who is interested in material culture I examined the "diver's wand" as to its construction, materials and operation. I photographed it and noticed a woman watching me.
I was rather excited and showed it to her and demonstrated it workings. She proceeded to put two rather nice chairs into the back of her pickup truck.
She was friendly and curious, both about the device and me. She asked questions about me and my purpose for photographing junk. I asked if she would mind practicing a bit of diving with the wand, so that I might get some photos of its operation, but she declined. She did however offer to take photos of me, so I accepted.
We staged several photos with me holding the wand, which consisted of a hollow iron tube (a sleeve) with two stationary hooks attached to the far end. An iron rod was inserted through the sleeve. At the terminal (business) end of the rod was a single hook, while the other (operator's) end sported a bent handle with a hand made sewn and braided leather grip. These features are best seen in Frame 2. By sliding the rod back and forth through the sleeve one is able to grasp and secure items of varying sizes and at different depths or distances.
Frame 1: I proceeded to the closest dumpster, it was fairly empty, but in the bottom I noted some office supplies and a few books. I poked around a bit and got a feel for the diving device. I became rather excited when I saw "A Field Guide to the Stars and Planets" and with very little effort was able to extract the hard-cover book from the trash.
Frame 2: Ascertaining the condition of the book. Someone had taken very good care of it, I would describe the condition as good to excellent. The paper cover was slightly warn and there was a very small stain or two on the hard cover. In ink on the inside jacket cover was written a price, $8.95.
Frame 3: Same dumpster, a Hardcover edition of Margaret Mead, Blackberry Winter.
Frame 4: Pocketing the booty. A satisfying score.
Afterward: I wondered why someone would throw these books into the dumpster instead of placing them on the reuse platform just 15 feet away.
I retrieved my camera from the interim photographer and we talked a bit, sharing TS observations, and philosophies. I then walked to the homeless camp and asked the occupant if the hook belonged to him. It did not, he claimed, so I returned it to the spot I had found it. Surely it's owner would be back.
A short time later I saw another woman employing the hooking device. I asked her if that was her hook, she said no and asked me if it was mine. I said no, but I had seen it resting against the other dumpster. She said yes, that's where she had found it. I asked her if she planned to keep it and she said "yes, I like it." I said, "but it doesn't belong to you." She replied, "If I don't take it, someone else will."
So that was the end of it. I'm sure she detected my displeasure. It wasn't always that way around here. You could pass an item in the same place for a week or a month or all winter before someone came by and claimed it. Now it guess it's "finder's keepers..."
Farm implement near McBaine, Missouri. Photography by Notley Hawkins. Taken with a Canon EOS R5 camera with a Canon EF8-15mm f/4L FISHEYE USM lens at ƒ/5.6 with a 239-second exposure at ISO 50, processed with Adobe Lightroom CC.
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