View allAll Photos Tagged immutable
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
CMU 2018 MFA Thesis Exhibition
March 17 - April 8, 2018
Co-organized by CMU School of Art
Artists: Shobun Baile, Alex Lukas, KR Pipkin, Gray Swartzel, Lee Webster
CMU 2018 MFA Thesis Exhibition
March 17 - April 8, 2018
Co-organized by CMU School of Art
Artists: Shobun Baile, Alex Lukas, KR Pipkin, Gray Swartzel, Lee Webster
is ther an immutable law that dictates the fate of buses when they crash will be predicated on what's written on the side or back
The Fourth Grand Flaneur Walk took on Sunday, May 5th, 2024, and commenced at midday by the statue of Beau Brummell on Jermyn Street, London W1. The Grand Flaneur Walk celebrates the pure, the immutable, and the pointless, and it is taken by the bold, the adventurous, and the inebriated. The walk went through Green Park towards Hyde Park Corner.
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Facebook |
All photographs © Andrew Lalchan
The Fourth Grand Flaneur Walk took on Sunday, May 5th, 2024, and commenced at midday by the statue of Beau Brummell on Jermyn Street, London W1. The Grand Flaneur Walk celebrates the pure, the immutable, and the pointless, and it is taken by the bold, the adventurous, and the inebriated. The walk went through Green Park towards Hyde Park Corner.
Website |
Tiktok |
Threads |
Medium |
Twitter |
Facebook |
All photographs © Andrew Lalchan
Part of Everything at Once
Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand
October-December 2017
Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.
As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.
In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...
[Lisson Gallery]
1. 354/365:Still Point, 2. Day 248/365.....Diptych Saturday, 3. Rinse, 4. week two of fifty-two: peas in a pod, 5. Y2D016: For Crying Out Loud, 6. Sunshine and showers, 7. 351/365:Class divide, 8. are you coming? - 305 / 365, 9. Day 159 of 365: Morning Jog, 10. Day 095/365 Airhead, 11. Untitled, 12. As-Salāmu `Alaykum., 13. Traffic, 14. Untitled, 15. Transporting Transport, 16. a man and women - Hong Kong, 17. Immutable Law Of The Universe #10, 18. Day 360: In Disguise, 19. Driveway in Morning Fog, 20. 23/09 Fall is around, 21. Chestnut Time, 22. What's for Dinner - 338/365, 23. Color Space Spheres, 24. moooo!, 25. Untitled
Created with fd's Flickr Toys.
The Eye of Shinjuku was created by Yoshiko Miyashita in 1969. This artwork is installed on a wall of the Shinjuku Station west exit, in the underground plaza. It has gained attention as an immutable symbol and appeared in many movies and in the media.
The Fourth Grand Flaneur Walk took on Sunday, May 5th, 2024, and commenced at midday by the statue of Beau Brummell on Jermyn Street, London W1. The Grand Flaneur Walk celebrates the pure, the immutable, and the pointless, and it is taken by the bold, the adventurous, and the inebriated. The walk went through Green Park towards Hyde Park Corner.
Website |
Tiktok |
Threads |
Medium |
Twitter |
Facebook |
All photographs © Andrew Lalchan
“One euro” is an edition of 1 unique NFT and relates to a jpeg image from the collection “The Treachery of Money”. The collection title hints at René Magritte’s famous “This Is Not a Pipe”, a painting that highlights the distinction between the image of an object and the real physical object. Clearly this is not one euro, but also, that is exactly what it is. Its immutable position on the Etherium blockchain is testament to its durability as something very real and it’s potential future as a carrier of value. Purchase of this NFT is accompanied, via unlockable content, by a digital download of the original image from the artist’s files and a copy of the Dada Dot Dot Artist Manifesto. In addition, audio access to the artist is granted via a private patrons-only channel on Discord.
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
Henri-Joseph Harpignies
Valenciennes, France, 1819 – Saint-Privé, France, 1916
1865
Oil on canvas
99.9 x 125.5 cm
Gift of Mrs. Robert Anderson in memory of her husband
Inventory 1939.697
Provence, as a foretaste of Italy, has always attracted poets, painters and writers who have been captivated by its climate and moved to celebrate its light. In the second half of the nineteenth century, the wild Mediterranean landscape, unchanged down through the centuries, became a new Arcadia for artists who were intent on exploring the territory and their imaginations in equal measure. Harpignies’ conception of landscape differed from that of his contemporaries in that he favoured the immutable aspects of Nature over its momentary effects.
An avid admirer of Corot and François-Louis Français, who was a friend of his, Harpignies practised plein air painting throughout France. Anatole France, who recognized the artist’s fondness for this theme, called him the “Michelangelo of the trees.” In response to an invitation from the students in his Paris studio, Harpignies would head to the South of France, putting the greyness of the Île-de-France behind him; or he would set out on the road to Italy, whose landscapes would earn him numerous prizes and medals in the Salon. Although faithful to the principles of the Barbizon School, the artist, who was an accomplished draftsman, used colour in the service of form. In this painting, the structure of the trees predominates, while the seascape and mountain views are merely suggested in order to convey the general atmosphere. This canvas imbued with naturalism quietly heralds the master’s final works, which are characterized by the fresh luminosity he acquired through contact with his young colleagues and his experiences with watercolours.
The Fourth Grand Flaneur Walk took on Sunday, May 5th, 2024, and commenced at midday by the statue of Beau Brummell on Jermyn Street, London W1. The Grand Flaneur Walk celebrates the pure, the immutable, and the pointless, and it is taken by the bold, the adventurous, and the inebriated. The walk went through Green Park towards Hyde Park Corner.
Website |
Tiktok |
Threads |
Medium |
Twitter |
Facebook |
All photographs © Andrew Lalchan
The Fourth Grand Flaneur Walk took on Sunday, May 5th, 2024, and commenced at midday by the statue of Beau Brummell on Jermyn Street, London W1. The Grand Flaneur Walk celebrates the pure, the immutable, and the pointless, and it is taken by the bold, the adventurous, and the inebriated. The walk went through Green Park towards Hyde Park Corner.
Website |
Tiktok |
Threads |
Medium |
Twitter |
Facebook |
All photographs © Andrew Lalchan
Etherecash.io. The blockchain is the answer to gaining transparency as it makes all transactions visible on an immutable distributed ledger.
Purchase our Etherecash token through our ICO from November 15th 2017. Developed on the ERC20 blockchain technology with lawyer backed contracts, to make blockchain backed lending and fund management, private and seamless.
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CMU 2018 MFA Thesis Exhibition
March 17 - April 8, 2018
Co-organized by CMU School of Art
Artists: Shobun Baile, Alex Lukas, KR Pipkin, Gray Swartzel, Lee Webster
A comprehended God is no God.
— St John Chrysostom
Typeface: Roswell
Merchandise available: www.redbubble.com/shop/ap/141292573
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
CMU 2018 MFA Thesis Exhibition
March 17 - April 8, 2018
Co-organized by CMU School of Art
Artists: Shobun Baile, Alex Lukas, KR Pipkin, Gray Swartzel, Lee Webster
CMU 2018 MFA Thesis Exhibition
March 17 - April 8, 2018
Co-organized by CMU School of Art
Artists: Shobun Baile, Alex Lukas, KR Pipkin, Gray Swartzel, Lee Webster
CMU 2018 MFA Thesis Exhibition
March 17 - April 8, 2018
Co-organized by CMU School of Art
Artists: Shobun Baile, Alex Lukas, KR Pipkin, Gray Swartzel, Lee Webster
The Fourth Grand Flaneur Walk took on Sunday, May 5th, 2024, and commenced at midday by the statue of Beau Brummell on Jermyn Street, London W1. The Grand Flaneur Walk celebrates the pure, the immutable, and the pointless, and it is taken by the bold, the adventurous, and the inebriated. The walk went through Green Park towards Hyde Park Corner.
Website |
Tiktok |
Threads |
Medium |
Twitter |
Facebook |
All photographs © Andrew Lalchan
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
The Fourth Grand Flaneur Walk took on Sunday, May 5th, 2024, and commenced at midday by the statue of Beau Brummell on Jermyn Street, London W1. The Grand Flaneur Walk celebrates the pure, the immutable, and the pointless, and it is taken by the bold, the adventurous, and the inebriated. The walk went through Green Park towards Hyde Park Corner.
Website |
Tiktok |
Threads |
Medium |
Twitter |
Facebook |
All photographs © Andrew Lalchan
Part of Everything at Once
Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand
October-December 2017
Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.
As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.
In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...
[Lisson Gallery]
Cyber attacks are increasing day by day as everyone is using internet for day to day activities. Blockchain technology is secure, immutable and transparent and can effectively help to deal with cyber attacks. Find more on Blockchain for Cyber Security
CMU 2018 MFA Thesis Exhibition
March 17 - April 8, 2018
Co-organized by CMU School of Art
Artists: Shobun Baile, Alex Lukas, KR Pipkin, Gray Swartzel, Lee Webster
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
CMU 2018 MFA Thesis Exhibition
March 17 - April 8, 2018
Co-organized by CMU School of Art
Artists: Shobun Baile, Alex Lukas, KR Pipkin, Gray Swartzel, Lee Webster
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
The Eye of Shinjuku was created by Yoshiko Miyashita in 1969. This artwork is installed on a wall of the Shinjuku Station west exit, in the underground plaza. It has gained attention as an immutable symbol and appeared in many movies and in the media.
09/08/09- Tea ceremony: is almost always performed in from of guest and according to immutable rules. Is is served is small slender glasses decorated with a gold or coloured filigree.
By Tony Cragg
Tony Cragg (born 1949, UK) is one of the world’s foremost sculptors, constantly pushing to find new relations between people and the material world. In the 1980s, Cragg began to make sculptures suggestive of architecture...
These totemic piles of found objects and machined parts suggest an industrial counterpoint to the history of man-made achievements, while his other work nearby, Tools, made from sandstone, conveys the opposite, being hand wrought versions of mechanical aids, such as screwdrivers and mallets. Cragg sees no difference between the natural and the artificial, preferring to acknowledge the bridges between the two, the synthetic here acquiring figurative qualities in some of the bust-like tools, while his stacked turrets of spacers, washers and engine spares travel back through time to suggest archaeological accretions and geological strata.
[everythingatonce.com]
Part of Everything at Once
Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand
October-December 2017
Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.
As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.
In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...
[Lisson Gallery]
Exceeding Great And Precious Promises
Through these he has given us his very great and precious promises, so that through them you may participate in the divine nature, having escaped the corruption in the world caused by evil desires.
2 Peter 1:4 NIV
If you would know experimentally the preciousness of the promises, and enjoy them in your own heart, meditate much upon them. There are promises which are like grapes in the wine-press; if you will tread them the juice will flow. Thinking over the hallowed words will often be the prelude to their fulfilment. While you are musing upon them, the boon which you are seeking will insensibly come to you. Many a Christian who has thirsted for the promise has found the favour which it ensured gently distilling into his soul even while he has been considering the divine record; and he has rejoiced that ever he was led to lay the promise near his heart. But besides meditating upon the promises, seek in your soul to receive them as being the very words of God. Speak to your soul thus, "If I were dealing with a man's promise, I should carefully consider the ability and the character of the man who had covenanted with me. So with the promise of God; my eye must not be so much fixed upon the greatness of the mercy; that may stagger me; as upon the greatness of the promiser; that will cheer me. My soul, it is God, even your God, God that cannot lie, who speaks to you. This word of his which you are now considering is as true as his own existence. He is a God unchangeable. He has not altered the thing which has gone out of his mouth, nor called back one single consolatory sentence. Nor did he lack any power; it is the God that made the heavens and the earth who has spoken these. Nor can he fail in wisdom as to the time when he will bestow the favours, for he knows when it is best to give and when better to withhold. Therefore, seeing that it is the word of a God so true, so immutable, so powerful, so wise, I will and must believe the promise." If we who meditate upon the promises, and consider the Promiser, we shall experience their sweetness, and obtain their fulfilment. Praise the Lord, God bless
This is the 1994 first paperback edition of a great marketing book by Al Ries & Jack Trout. Reading this on the commute to Ebisu. Still very relevant.
www.bodivis.com/products/bodivis-smart-digital-bluetooth-...
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Blockchain is an immutable, shared ledger that facilitates asset tracking and transaction recording.
Bitcoin: The major application of blockchain is in Cryptocurrencies like Bitcoin. The Bitcoin currency was created by Santoshi Nakamoto as a decentralized digital currency.
Lenders: Blockchain can be used to execute collateralized loans through smart contracts by lenders. In smart contracts built on the blockchain, certain events trigger automatic actions such as service payments, margin calls, full repayments, and collateral releases.
Voting: Blockchain technology could also be used to vote if personally identifiable information is held on a blockchain. Blockchain technology ensures that no voter votes twice, that only eligible voters can vote, and that votes cannot be altered.
Food Safety: The blockchain technology also enables tracking food from its origin to the plate. A blockchain allows one to track food products from their origin to the supermarket since its data cannot be changed.
Sharing of data: IOTA, a cryptocurrency, introduced its Data Marketplace beta in November, explaining that unused data could be shared or sold on the blockchain. Almost all enterprise data is unused, which makes blockchain a useful tool for storing and moving data across multiple industries.
Supply Chains Monitoring: Using blockchain technology to monitor supply chains is simple. Enterprises can quickly spot inefficiencies within their supply chains and detect items in real time when paper-based trials are eliminated.
Law Enforcement: Blockchain technology is now also being applied by law enforcement agencies. Since it's highly secure, no one can change its contents without proper authorization, so they can create a Common Database with details about the criminals and the crimes they committed.
Securely share medical infornmation: A blockchain can provide accurate and up-to-date information on patients to doctors and medical professionals. In that way, patients can ensure that they receive the best care possible from multiple doctors.
Money transfers: Blockchain technology still has a lot of great applications thanks to its original concept. Transfers of money using blockchain can be more efficient and less expensive than using existing services.
Real estate: In real estate transactions, there is a lot of paperwork involved to verify financial information and ownership and then to transfer deeds and titles. Blockchain technology can make the process of verifying and transferring ownership of real estate transactions more secure and accessible.
Government benefits: A blockchain can also be used to administer government benefits such as welfare, Medicare, and Social Security. Blockchain technology could reduce fraud and operational costs.
A feature length documentary work which presents a case for a needed transition out of the current socioeconomic monetary paradigm which governs the entire world society. This subject matter will transcend the issues of cultural relativism and traditional ideology and move to relate the core, empirical "life ground" attributes of human and social survival, extrapolating those immutable natural laws into a new sustainable social paradigm called a "Resource-Based Economy"