View allAll Photos Tagged immutable
The Fourth Grand Flaneur Walk took on Sunday, May 5th, 2024, and commenced at midday by the statue of Beau Brummell on Jermyn Street, London W1. The Grand Flaneur Walk celebrates the pure, the immutable, and the pointless, and it is taken by the bold, the adventurous, and the inebriated. The walk went through Green Park towards Hyde Park Corner.
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All photographs © Andrew Lalchan
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
Etherecash.io. The blockchain is the answer to gaining transparency as it makes all transactions visible on an immutable distributed ledger.
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CMU 2018 MFA Thesis Exhibition
March 17 - April 8, 2018
Co-organized by CMU School of Art
Artists: Shobun Baile, Alex Lukas, KR Pipkin, Gray Swartzel, Lee Webster
CMU 2018 MFA Thesis Exhibition
March 17 - April 8, 2018
Co-organized by CMU School of Art
Artists: Shobun Baile, Alex Lukas, KR Pipkin, Gray Swartzel, Lee Webster
A comprehended God is no God.
— St John Chrysostom
Typeface: Roswell
Merchandise available: www.redbubble.com/shop/ap/141292573
I’m feeling so exhausted with this.
I’m parking about two blocks away from the hospital now, in South Surrey, on some side streets that form pathways through a maze of fenced off city blocks. Behind these large steel blue barriers sit lots where older homes had sat for decades. There footprints are barely visible, as all that’s left are the grass, shrubs, and trees that landscaped each lot. It feels a little desolate, and a large development proposal sign sits in front of one of the fences, promising 12-16 story buildings with shops and almost 500 apartment units. With the number of homes that are coming, it makes me wonder why the hospital across the street didn’t get a larger ER built when it was expanded in the last few years.
I’m doing this as I can’t afford to park at the hospital anymore. It can cost anywhere between $3.20 to $10 or more per day, depending on where I’m able to park. @cityofwhiterock street parking is slightly cheaper than the lots adjacent to each side of the hospital, and both are monitored regularly.
The walk wouldn’t be so bad if I was going for regular physio for my stroke, or to appointments for group therapy or counselling - but with my foot injury, it’s putting undo stress on the toes and when I get home, and slip off my shoes, I have been finding large pockets of blood which have soaked into the front of my white socks. I’m going to need offloading footwear again - another cost I can’t afford right now. The pain in my toe is sharp, and it runs through my foot and up my leg. I try to limit the Tylenol 3 to one a day, but often I find I supplement it with extra strength nighttime Tylenol to help knock me out. But it’s not working at night. The foggy insomnia seems to have become an immutable part of my life.
I feel so behind with things again.
I feel so ashamed. So stupid. So angry. So alone.
(35/366).
CMU 2018 MFA Thesis Exhibition
March 17 - April 8, 2018
Co-organized by CMU School of Art
Artists: Shobun Baile, Alex Lukas, KR Pipkin, Gray Swartzel, Lee Webster
CMU 2018 MFA Thesis Exhibition
March 17 - April 8, 2018
Co-organized by CMU School of Art
Artists: Shobun Baile, Alex Lukas, KR Pipkin, Gray Swartzel, Lee Webster
The Fourth Grand Flaneur Walk took on Sunday, May 5th, 2024, and commenced at midday by the statue of Beau Brummell on Jermyn Street, London W1. The Grand Flaneur Walk celebrates the pure, the immutable, and the pointless, and it is taken by the bold, the adventurous, and the inebriated. The walk went through Green Park towards Hyde Park Corner.
Website |
Tiktok |
Threads |
Medium |
Twitter |
Facebook |
All photographs © Andrew Lalchan
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
CMU 2018 MFA Thesis Exhibition
March 17 - April 8, 2018
Co-organized by CMU School of Art
Artists: Shobun Baile, Alex Lukas, KR Pipkin, Gray Swartzel, Lee Webster
The Fourth Grand Flaneur Walk took on Sunday, May 5th, 2024, and commenced at midday by the statue of Beau Brummell on Jermyn Street, London W1. The Grand Flaneur Walk celebrates the pure, the immutable, and the pointless, and it is taken by the bold, the adventurous, and the inebriated. The walk went through Green Park towards Hyde Park Corner.
Website |
Tiktok |
Threads |
Medium |
Twitter |
Facebook |
All photographs © Andrew Lalchan
The Fourth Grand Flaneur Walk took on Sunday, May 5th, 2024, and commenced at midday by the statue of Beau Brummell on Jermyn Street, London W1. The Grand Flaneur Walk celebrates the pure, the immutable, and the pointless, and it is taken by the bold, the adventurous, and the inebriated. The walk went through Green Park towards Hyde Park Corner.
Website |
Tiktok |
Threads |
Medium |
Twitter |
Facebook |
All photographs © Andrew Lalchan
The Fourth Grand Flaneur Walk took on Sunday, May 5th, 2024, and commenced at midday by the statue of Beau Brummell on Jermyn Street, London W1. The Grand Flaneur Walk celebrates the pure, the immutable, and the pointless, and it is taken by the bold, the adventurous, and the inebriated. The walk went through Green Park towards Hyde Park Corner.
Website |
Tiktok |
Threads |
Medium |
Twitter |
Facebook |
All photographs © Andrew Lalchan
The Interview Magazine for Those Who Wonder
It’s impossible not to believe. We all have a view of the world that is reflected in our beliefs. “I believe that” is what we say when we express our opinion. And when someone expresses views that are too far removed from our own values and worldview, we don't believe them. But that doesn’t mean that beliefs are immutable. Our point of view can change. And similarly, a belief can change us. Did you know that a belief can affect how we perceive pain and that we believe different things depending on whether we are speaking our native language or a foreign language?
The 6th issue of fortytwomagazine is on the topic of beliefs and presents ten scientific perspectives and one artistic angle—this time coming from the artist Daria Chernyshova.
Publisher: Slanted Publishers
Editors: Eliana Berger, Kurt Bille, Lara von Richthofen, Lena Kronenbürger
Interviewpartners: Pia Lamberty, Alexander Kaurov, Nicola Gennaioli, Katja Wiech, Panos Athanasopoulos, Paul Hedges, Doowan Lee, Carla Hustedt, Hendrik Ohnesorge, Jasmine Hill
Artist: Daria Chernyshova
Art Direction: Clara Weinreich
Publishing Direction: Lars Harmsen, Julia Kahl
Release: September 2023
Format: 16 × 24 cm
Volume: 152 pages
Language: English, German
Workmanship: Softcover with flaps, thread-stitching, offset with spot color
Part of Everything at Once
Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand
October-December 2017
Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.
As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.
In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...
[Lisson Gallery]
Cyber attacks are increasing day by day as everyone is using internet for day to day activities. Blockchain technology is secure, immutable and transparent and can effectively help to deal with cyber attacks. Find more on Blockchain for Cyber Security
CMU 2018 MFA Thesis Exhibition
March 17 - April 8, 2018
Co-organized by CMU School of Art
Artists: Shobun Baile, Alex Lukas, KR Pipkin, Gray Swartzel, Lee Webster
CMU 2018 MFA Thesis Exhibition
March 17 - April 8, 2018
Co-organized by CMU School of Art
Artists: Shobun Baile, Alex Lukas, KR Pipkin, Gray Swartzel, Lee Webster
The Eye of Shinjuku was created by Yoshiko Miyashita in 1969. This artwork is installed on a wall of the Shinjuku Station west exit, in the underground plaza. It has gained attention as an immutable symbol and appeared in many movies and in the media.
09/08/09- Tea ceremony: is almost always performed in from of guest and according to immutable rules. Is is served is small slender glasses decorated with a gold or coloured filigree.
By Tony Cragg
Tony Cragg (born 1949, UK) is one of the world’s foremost sculptors, constantly pushing to find new relations between people and the material world. In the 1980s, Cragg began to make sculptures suggestive of architecture...
These totemic piles of found objects and machined parts suggest an industrial counterpoint to the history of man-made achievements, while his other work nearby, Tools, made from sandstone, conveys the opposite, being hand wrought versions of mechanical aids, such as screwdrivers and mallets. Cragg sees no difference between the natural and the artificial, preferring to acknowledge the bridges between the two, the synthetic here acquiring figurative qualities in some of the bust-like tools, while his stacked turrets of spacers, washers and engine spares travel back through time to suggest archaeological accretions and geological strata.
[everythingatonce.com]
Part of Everything at Once
Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand
October-December 2017
Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.
As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.
In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...
[Lisson Gallery]
Exceeding Great And Precious Promises
Through these he has given us his very great and precious promises, so that through them you may participate in the divine nature, having escaped the corruption in the world caused by evil desires.
2 Peter 1:4 NIV
If you would know experimentally the preciousness of the promises, and enjoy them in your own heart, meditate much upon them. There are promises which are like grapes in the wine-press; if you will tread them the juice will flow. Thinking over the hallowed words will often be the prelude to their fulfilment. While you are musing upon them, the boon which you are seeking will insensibly come to you. Many a Christian who has thirsted for the promise has found the favour which it ensured gently distilling into his soul even while he has been considering the divine record; and he has rejoiced that ever he was led to lay the promise near his heart. But besides meditating upon the promises, seek in your soul to receive them as being the very words of God. Speak to your soul thus, "If I were dealing with a man's promise, I should carefully consider the ability and the character of the man who had covenanted with me. So with the promise of God; my eye must not be so much fixed upon the greatness of the mercy; that may stagger me; as upon the greatness of the promiser; that will cheer me. My soul, it is God, even your God, God that cannot lie, who speaks to you. This word of his which you are now considering is as true as his own existence. He is a God unchangeable. He has not altered the thing which has gone out of his mouth, nor called back one single consolatory sentence. Nor did he lack any power; it is the God that made the heavens and the earth who has spoken these. Nor can he fail in wisdom as to the time when he will bestow the favours, for he knows when it is best to give and when better to withhold. Therefore, seeing that it is the word of a God so true, so immutable, so powerful, so wise, I will and must believe the promise." If we who meditate upon the promises, and consider the Promiser, we shall experience their sweetness, and obtain their fulfilment. Praise the Lord, God bless
This is the 1994 first paperback edition of a great marketing book by Al Ries & Jack Trout. Reading this on the commute to Ebisu. Still very relevant.
www.bodivis.com/products/bodivis-smart-digital-bluetooth-...
Smart body fat scale H1 is the earliest and most classical model in bodivis scale family. The inspiration of four leaves design comes from the Four Leaf Clover. The original intention of bodivis brand is to bring people health and luck. It is our immutable persistence.
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Record your historical body index data, maintain your healthy lifestyle. Meet bodivis, Embrace Happiness.
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bodivis H1 Testimonials
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The Fourth Grand Flaneur Walk took on Sunday, May 5th, 2024, and commenced at midday by the statue of Beau Brummell on Jermyn Street, London W1. The Grand Flaneur Walk celebrates the pure, the immutable, and the pointless, and it is taken by the bold, the adventurous, and the inebriated. The walk went through Green Park towards Hyde Park Corner.
Website |
Tiktok |
Threads |
Medium |
Twitter |
Facebook |
All photographs © Andrew Lalchan
Blockchain is an immutable, shared ledger that facilitates asset tracking and transaction recording.
Bitcoin: The major application of blockchain is in Cryptocurrencies like Bitcoin. The Bitcoin currency was created by Santoshi Nakamoto as a decentralized digital currency.
Lenders: Blockchain can be used to execute collateralized loans through smart contracts by lenders. In smart contracts built on the blockchain, certain events trigger automatic actions such as service payments, margin calls, full repayments, and collateral releases.
Voting: Blockchain technology could also be used to vote if personally identifiable information is held on a blockchain. Blockchain technology ensures that no voter votes twice, that only eligible voters can vote, and that votes cannot be altered.
Food Safety: The blockchain technology also enables tracking food from its origin to the plate. A blockchain allows one to track food products from their origin to the supermarket since its data cannot be changed.
Sharing of data: IOTA, a cryptocurrency, introduced its Data Marketplace beta in November, explaining that unused data could be shared or sold on the blockchain. Almost all enterprise data is unused, which makes blockchain a useful tool for storing and moving data across multiple industries.
Supply Chains Monitoring: Using blockchain technology to monitor supply chains is simple. Enterprises can quickly spot inefficiencies within their supply chains and detect items in real time when paper-based trials are eliminated.
Law Enforcement: Blockchain technology is now also being applied by law enforcement agencies. Since it's highly secure, no one can change its contents without proper authorization, so they can create a Common Database with details about the criminals and the crimes they committed.
Securely share medical infornmation: A blockchain can provide accurate and up-to-date information on patients to doctors and medical professionals. In that way, patients can ensure that they receive the best care possible from multiple doctors.
Money transfers: Blockchain technology still has a lot of great applications thanks to its original concept. Transfers of money using blockchain can be more efficient and less expensive than using existing services.
Real estate: In real estate transactions, there is a lot of paperwork involved to verify financial information and ownership and then to transfer deeds and titles. Blockchain technology can make the process of verifying and transferring ownership of real estate transactions more secure and accessible.
Government benefits: A blockchain can also be used to administer government benefits such as welfare, Medicare, and Social Security. Blockchain technology could reduce fraud and operational costs.
A feature length documentary work which presents a case for a needed transition out of the current socioeconomic monetary paradigm which governs the entire world society. This subject matter will transcend the issues of cultural relativism and traditional ideology and move to relate the core, empirical "life ground" attributes of human and social survival, extrapolating those immutable natural laws into a new sustainable social paradigm called a "Resource-Based Economy"
The Interview Magazine for Those Who Wonder
It’s impossible not to believe. We all have a view of the world that is reflected in our beliefs. “I believe that” is what we say when we express our opinion. And when someone expresses views that are too far removed from our own values and worldview, we don't believe them. But that doesn’t mean that beliefs are immutable. Our point of view can change. And similarly, a belief can change us. Did you know that a belief can affect how we perceive pain and that we believe different things depending on whether we are speaking our native language or a foreign language?
The 6th issue of fortytwomagazine is on the topic of beliefs and presents ten scientific perspectives and one artistic angle—this time coming from the artist Daria Chernyshova.
Publisher: Slanted Publishers
Editors: Eliana Berger, Kurt Bille, Lara von Richthofen, Lena Kronenbürger
Interviewpartners: Pia Lamberty, Alexander Kaurov, Nicola Gennaioli, Katja Wiech, Panos Athanasopoulos, Paul Hedges, Doowan Lee, Carla Hustedt, Hendrik Ohnesorge, Jasmine Hill
Artist: Daria Chernyshova
Art Direction: Clara Weinreich
Publishing Direction: Lars Harmsen, Julia Kahl
Release: September 2023
Format: 16 × 24 cm
Volume: 152 pages
Language: English, German
Workmanship: Softcover with flaps, thread-stitching, offset with spot color
Arthur de Gobineau, a 19th-century French aristocrat and diplomat, is widely considered the "father of racism" due to his influential book "Essay on the Inequality of the Human Races" (1853-55). This controversial work established a framework for modern racist ideology, positing a hierarchy of races with white Europeans, specifically those of "Aryan" descent, at the pinnacle.
Gobineau's Core Arguments:
Gobineau's "Essay" presented a pseudoscientific and deeply flawed theory of racial determinism:
* Biological Determinism: He argued that human societies and civilizations were fundamentally shaped by inherent, immutable racial differences. These differences, he claimed, were biological and determined a people's intellectual, moral, and social capacities.
* White Supremacy: At the core of his theory was the assertion of the intellectual and moral superiority of the white race, particularly those of European descent, whom he deemed "Aryan." He attributed their dominance to their inherent racial qualities, such as intelligence, creativity, and willpower.
* Miscegenation as Degradation: Gobineau viewed interracial mixing (miscegenation) as a threat to the purity and superiority of the white race. He believed that any mixing with "inferior" races would inevitably lead to the degeneration of the "Aryan" bloodline and the decline of civilization.
tik4tat.com/arthur-de-gobineau-the-father-of-racism-gen-z...
CMU 2018 MFA Thesis Exhibition
March 17 - April 8, 2018
Co-organized by CMU School of Art
Artists: Shobun Baile, Alex Lukas, KR Pipkin, Gray Swartzel, Lee Webster
The Fourth Grand Flaneur Walk took on Sunday, May 5th, 2024, and commenced at midday by the statue of Beau Brummell on Jermyn Street, London W1. The Grand Flaneur Walk celebrates the pure, the immutable, and the pointless, and it is taken by the bold, the adventurous, and the inebriated. The walk went through Green Park towards Hyde Park Corner.
Website |
Tiktok |
Threads |
Medium |
Twitter |
Facebook |
All photographs © Andrew Lalchan
“One hundred euros” is an edition of 1 unique NFT and relates to a jpeg image from the collection “The Treachery of Money”. The collection title hints at René Magritte’s famous “This Is Not a Pipe”, a painting that highlights the distinction between the image of an object and the real physical object. Clearly this is not one hundred euros, but also, that is exactly what it is. Its immutable position on the Etherium blockchain is testament to its durability as something very real and it’s potential future as a carrier of value. Purchase of this NFT is accompanied, via unlockable content, by a digital download of the original image from the artist’s files and a copy of the Dada Dot Dot Artist Manifesto. In addition, audio access to the artist is granted via a private patrons-only channel on Discord.
Oh, tiny girl,
let me loose from
the coil of your finger,
which is clutching
my heart as well, smitten
by your irresistible charm.
This ancient weapon,
so innocently employed,
needs no update. Immutable,
it has disarmed and rendered
strong men helpless
since the beginning of all.
--Corinne Adria Bariteau
CMU 2018 MFA Thesis Exhibition
March 17 - April 8, 2018
Co-organized by CMU School of Art
Artists: Shobun Baile, Alex Lukas, KR Pipkin, Gray Swartzel, Lee Webster