Linnaeus.

Carolus Linnaeus (1707-1778), Swedish naturalist, who developed binomial nomenclature to classify and organize plants and animals.

Linnaeus was born into a religious family in a small town in rural Småland. His father, a minister with a passion for plants, had a large garden through which he introduced his son to botany. Linnaeus became enamored with natural history and pursued this interest in every subsequent educational setting. In 1727 he entered the University of Lund to study medicine, largely because the training included materia medica (the study of botany). The following year, he studied in Uppsala because the university there had better botanical holdings and a large community of botanists. Linnaeus discovered problems in the systematic arrangement for botany and began to sketch his own classification method as early as 1730. By the time he left Sweden in 1735 to complete his medical education in Holland, Linnaeus's reputation as a botanist was secure.

In 1735, shortly after arriving in Holland, Linnaeus published Systema naturae, the first of several publications that presented his new taxonomic arrangement for the animal, plant, and mineral kingdoms. In 1738 he returned to Sweden, was appointed physician to the admiralty in 1739, and became the leading figure in the formation of the Swedish Academy of Science. In 1741 Linnaeus was appointed professor of practical medicine at Uppsala, a position he exchanged the following year for the chair of botany, dietetics, and materia medica. He remained in this position for the rest of his life, an arrangement that allowed him to pursue his botanical interests and his concern with classification.

In 1751 Linnaeus published Philosophia botanica, his most influential work. In it, he claimed that a natural system of classification could be derived from God's original, immutable creation of all species. He proved the sexual reproduction of plants, providing the modern names to most of the flowering parts of plants. Linnaeus also created a taxonomic scheme that relied only upon these sexual parts, using the stamen to determine the class and the pistil to determine the order. He also used his binomial nomenclature to name specific plants, selecting one name for the genus and one name for the species. This naming scheme replaced that of the genus name followed by an extensive description for the species. Current naming schemes use Linnaeus's binomial nomenclature, but classify species based on their evolutionary relationships, determined by genetics, biochemistry, and morphology.

In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!

Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.

Much of the sculpture is the work of Norwegian-born, naturalized American Oskar J.W. Hansen. Mr. Hansen fielded many questions about his work while it was being installed at the dam. In response to those questions, he later wrote about his interpretation of his sculptures.

Hansen's principal work at Hoover Dam is the monument of dedication on the Nevada side of the dam. Here, rising from a black, polished base, is a 142-foot flagpole flanked by two winged figures, which Hansen calls the Winged Figures of the Republic. They express "the immutable calm of intellectual resolution, and the enormous power of trained physical strength, equally enthroned in placid triumph of scientific accomplishment."

Hoover Dam, said Hansen, represented for him the building genius of America, "a monument to collective genius exerting itself in community efforts around a common need or ideal." He compared the dam to such works as the great pyramids of Egypt, and said that, when viewing these man-made structures, the viewer often asks of their builders, "What manner of men were these?"

From: www.usbr.gov/lc/hooverdam/History/essays/artwork.html

Niki's Oasis Restaurant & Jazz Bar 138 Bree Street Newtown Cultural Precinct Johannesburg South Africa with Simnikiwe Sondlo and Bushy Dubazana Jazz Band with the Immutable Themba Fassie

Great Food and Music Highly Recommended

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

Niki's Oasis Restaurant & Jazz Bar 138 Bree Street Newtown Cultural Precinct Johannesburg South Africa with Simnikiwe Sondlo and Bushy Dubazana Jazz Band with the Immutable Themba Fassie

Great Food and Music Highly Recommended

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

Niki's Oasis Restaurant & Jazz Bar 138 Bree Street Newtown Cultural Precinct Johannesburg South Africa with Simnikiwe Sondlo and Bushy Dubazana Jazz Band with the Immutable Themba Fassie

Great Food and Music Highly Recommended

Niki's Oasis Restaurant & Jazz Bar 138 Bree Street Newtown Cultural Precinct Johannesburg South Africa with Simnikiwe Sondlo and Bushy Dubazana Jazz Band with the Immutable Themba Fassie

Great Food and Music Highly Recommended

May 17-30, 2018

Opening Reception: Thursday May 17 from 6-8:00 pm

The clock’s influence is inseparable from contemporary life – not only does it synchronize individual circadian rhythms but it also produces the stable temporal foundation for both scientific tradition and capitalism to flourish. However, there is a significant gap between what is measured by clocks and what is perceived by the individual. The perceived acceleration of time in contemporary life leaves us with a feeling of being continually deprived of this precious resource. While many technologies promise to help us get-time-back, they only entangle us further in their construction. Scientific time, duration measured by clocks, is regarded as immutable, indefatigable, and infallible – the opposite of the humans it ostensibly serves. Slower Than Time Itself uses the syncopated rhythms and unquantifiable output of mechanical clocks to suggest a slowing and plurality to the current monoculture of time, more sympathetic to the human condition and timescapes outside of human perception. Trueman’s sculptural and video works explore the idea of slowness as a gateway to multiplicity and ponders whether it is possible to use a clock to escape time itself.

Artist Biography

After studying mechanical engineering at Fanshawe, Trueman completed his undergraduate degree in fine arts at Western University where he is currently a Master of Fine Art candidate. He will be completing a clock installation at I-Park Residency (East Haddam, Connecticut) this summer, and will be exhibiting at PLUS Art Fair 2018 (Toronto). His first publication So Long South Street, a photographic series showing the demolition of famed South Street Hospital, was launched earlier in 2018. His work has been shown at Museum London, McMaster Museum of Art (Hamilton), Thames Art Gallery (Chatham), and DNA Art Space (London).

Artlab Gallery

John Labatt Visual Arts Centre

Department of Visual Arts

Western University

London, ON

© 2018; Department of Visual Arts; Western University

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

Snow magnifies any lack of driving skill and/or stupidity by a factor of 15 or more. When it's snow in March, on the Spring Freaking Equinox, the power of magnification increases by a minimum of 2x, exponentially inverse with each inch that falls. ;-)

(Sheeeah. Spring Equinox my A-Crooked Letter-Crooked Letter. Heh.)

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

What first got me fascinated about abandoned roads was the subtle draw into dereliction. When you leave Highway 101 at the Aylesford exit, the off-ramp drops you on the well-traveled Victoria Road. Drive straight up and over North Mountain without ever turning, and it slowly turns to crumbling asphalt, and then dirt, before a yellow "No Exit" sign you'll probably want to park at. Down to the shore narrows ever more sleepy, before crossing Brown Brook and being rendered half-invisible up the next slope. I make these hikes less as a great escape, and more to remind me that pockets of wilderness are ever-accessible. A few twist and turns ought to do it, a short walk away to discover civilization disappearing like a dream. If it seems like I'm always in love – I am. Not because I'm emotionally weightless or somehow possessing some immutable joy. No need for that delusion. But all my life is wrapped up in unanswered wonder. Where am I going, and what will it be like when I get there?

February 27, 2025

Victoria Harbour, Nova Scotia

Year 18, Day 6318 of my daily journal.

bluesky | etsy | facebook | instagram

substack | threads | tumblr | youtube

You can support my work

get things in the mail

and see everything

first on Patreon

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

Geçen hafta ve bugün bulduğumuz kripto para borsalarının haftalık dijital varlık listeleme ve delist duyurularını sizin için derledik.

İlgili kripto para borsalarına Kripto Kritik komisyon indirimiyle kayıt olmak için tıklayın.

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kriptokritik.com/ocak-ayi-kripto-para-listeleme-ve-delist...

Nathalie Djurberg & Hans Berg

The floating world of The Black Pot, first shown in the round at the Garage Museum in Moscow and now reimagined and reconfigured as a room of interlocking screens, can be experienced from outside, as a looping stream of Rorschach inkblots, or from within, as a fluid, psychedelic environment, approximating a cocooned cosmos.

[everythingatonce.com]

Part of Everything at Once

Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand

October-December 2017

Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.

As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.

In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...

[Lisson Gallery]

You and me, Meant to be, Immutable, Impossible, It's destiny, Pure lunacy, Incalculable, Insufferable, But for the last time, You're everything that I want and ask for, You're all that I'd dreamed, Who wouldn't be the one you love, Who wouldn't stand inside your love, Protected and the lover of. A pure soul and beautiful you, Don't understand, Don't feel me now, I will breathe, For the both of us, Travel the world, Traverse the skies, Your home is here, Within my heart, And for the first time, I feel as though I am reborn, In my mind, Recast as child and mystic sage, Who wouldn't be the one you love, Who wouldn't stand inside your love, And for the first time, I'm telling you how much I need and bleed for, Your every move and waking sound, In my time, I'll wrap my wire around your heart and your mind, You're mine forever now, Who wouldn't be the one you love and live for, Who wouldn't stand inside your love and die for, Who wouldn't be the one you love.

-smashing pumpkins, gods.

--------------------------------------------------------------------------------------------------------------------

Light is REAL.

!!!!!!......NO GROUP ICONS, IMAGES or AWARDS in the comments please, they will be deleted. sorry for this......!!!!!! and do not steal or use my photos without my permission ®

With Line Busy (UK), 2011, on the top

Both by Ceal Floyer

Conceptual artist Ceal Floyer (born 1968) is celebrated for her deft manoeuvres in everyday situations, testing the slippage between function and implication, the literal and the imagined – reconfiguring familiar objects as sources of surprise and humour.

Providing circuitous guidance around the exhibition is her performative work, Taking a Line for a Walk, which plays on Paul Klee’s 1923 assertion that a drawing should be: “An active line on a walk, moving freely, without goal. A walk for walk’s sake”. After this helpful intervention – marked by the discarded, spent painting machine, typically used to delineate football pitches – Floyer follows this with a note of frustration through Line Busy (UK), a wall of speakers blaring the busy signal of a country-specific failed telephone call. The minimal black line is a visual echo of the engaged tone itself and, like its sister piece, leaves the viewer at a crossroads between pause and uncertainty.

[everythingatonce.com]

Part of Everything at Once

Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand

October-December 2017

Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.

As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.

In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...

[Lisson Gallery]

Six Characters in Search of an Author

Adapted from Luigi Pirandello by Ben Power and Rupert Goold

26-30 March, 7:30. Adam House Theatre.

'We are more than real. We are unchanging, immutable, fixed. We are what we have been made to be.'

Tickets available at xtspro.com/-/six-characters-in-search-of-an-author/

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!

Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.

I brought my daughter because it's an immutable truth that your children are an extension of you, but also that you in turn become an extension of them. It's so symbiotic and so full a love, the power of which is largely indescribable, that then your very being cannot be contemplated without their should coursing through your veins. So while I have many passions, she is the one that overrides all others."

In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!

Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

By Tony Cragg

Tony Cragg (born 1949, UK) is one of the world’s foremost sculptors, constantly pushing to find new relations between people and the material world. In the 1980s, Cragg began to make sculptures suggestive of architecture...

These totemic piles of found objects and machined parts suggest an industrial counterpoint to the history of man-made achievements, while his other work nearby, Tools, made from sandstone, conveys the opposite, being hand wrought versions of mechanical aids, such as screwdrivers and mallets. Cragg sees no difference between the natural and the artificial, preferring to acknowledge the bridges between the two, the synthetic here acquiring figurative qualities in some of the bust-like tools, while his stacked turrets of spacers, washers and engine spares travel back through time to suggest archaeological accretions and geological strata.

[everythingatonce.com]

Part of Everything at Once

Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand

October-December 2017

Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.

As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.

In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...

[Lisson Gallery]

www.tryzub.org/ukrainian-festival-2016.php

Over 2,500 Gathered at the Ukrainian America Sport Center – Tryzub to celebrate the 25th Anniversary of Ukraine’s Independence

Sun., Aug. 28, Horsham, PA - The Ukrainian and American flags danced in the brilliant sunshine and mild breezes of another delightful summer afternoon at the Ukrainian American Sport Center-Tryzub. The intense, varied and complex thoughts, prayers and emotions of the gathering crowd were palpable.

Ukrainians, haling, directly or through ancestry, from nearly all regions of Ukraine, demonstrated solidarity with their homeland and her people through their spirited attendance, clothing and accessories: Beautiful embroideries and folk costumes (including also those of our Crimean Tatar Ukrainians), flags, tryzubs, Ukrainian sports and thematic jerseys and our beautiful language affirmed the presence of Ukraine’s immortal and immutable spirit in the festival glade, well before the concert had even started.

Nathalie Djurberg & Hans Berg

The floating world of The Black Pot, first shown in the round at the Garage Museum in Moscow and now reimagined and reconfigured as a room of interlocking screens, can be experienced from outside, as a looping stream of Rorschach inkblots, or from within, as a fluid, psychedelic environment, approximating a cocooned cosmos.

[everythingatonce.com]

Part of Everything at Once

Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand

October-December 2017

Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.

As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.

In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...

[Lisson Gallery]

The Fourth Grand Flaneur Walk took on Sunday, May 5th, 2024, and commenced at midday by the statue of Beau Brummell on Jermyn Street, London W1. The Grand Flaneur Walk celebrates the pure, the immutable, and the pointless, and it is taken by the bold, the adventurous, and the inebriated. The walk went through Green Park towards Hyde Park Corner.

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All photographs © Andrew Lalchan

CMU 2018 MFA Thesis Exhibition

March 17 - April 8, 2018

Co-organized by CMU School of Art

Artists: Shobun Baile, Alex Lukas, KR Pipkin, Gray Swartzel, Lee Webster

bit.ly/cmumfa2018

By Haroon Mirza

A Chamber for Horwitz,

Sonakinatography Transcriptions in Surround Sound, 2015

Wall work: Channa Horwitz

Sonakinatography Composition III, 1996

Haroon Mirza (born 1977, UK) has won international acclaim for installations that test the interplay and friction between sound and light waves and electric current. Transcribing a complex working drawing by LA-based artist Channa Horwitz (1932–2013), Mirza turns her notational sequences and matrices into a multi-coloured, sonic score. The electric noise of the currents that light the LEDs in one of the eight possible configurations and colour combinations, as marked by Horwitz, is simul-taneously translated via speakers to audible noise pulses in different octaves. Together, these acoustic, visual interpretations of the Horwitz data result in a choreographed, compositional concert, which is at once computer-programmed and man-made – both ‘live’ and historic.

A Chamber for Horwitz; Sonakinatography Transcriptions in Surround Sound is a conceptual development of an earlier piece by Mirza, titled Adam, Eve, Others and a UFO (2013).

[everythingatonce.com]

Part of Everything at Once

Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand

October-December 2017

Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.

As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.

In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...

[Lisson Gallery]

View of Mount Etna - 1842

Thomas Cole (1801 - 1848)

Cole wrote a poetic description of this painting after he returned from Italy in 1842: Etna "lifts its snowy head in the warm sunlight, while the base of the mountain is partly veiled in the vapoury atmosphere and the mists of the morning."

Ruins overgrown with vegetation litter the foreground of the image. They are dwarfed by the snow-capped volcanic peak in the distance, a comment on the impermanence of human endeavor and the immutability of nature. A shepherd plays a flute for his flock, referencing the Arcadian life celebrated in ancient Greek and Roman poetry. Asher Brown Durand depicted Cole holding a similar woodwind instrument in his painting Kindred Spirits. The allusion to music and poetry in both works demonstrates thematic continuities between painting and related art forms.

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This World Class attraction was everything we expected and more. Construction has just begun on a major expansion, but that has been managed in such a way that it does not in any way detract from the experience now.

This album focuses on the artwork inside the buildings and on the other interior spaces including the Eleven Restaurant and the Gift Shop. A separate album posted a few days ago is devoted to the two April mornings that we spent exploring just some of the trails that crisscross the 120 acres of Arkansas forest around the museum.

Alice Walton and her co-creative team can be proud of the vision and execution of everything on this 120 acre site.

_____________________________________________

"Crystal Bridges Museum of American Art is a museum of American art in Bentonville, Arkansas. The museum, founded by Alice Walton and designed by Moshe Safdie, officially opened on 11 November 2011. It offers free public admission.

Alice Walton, the daughter of Walmart founder Sam Walton, spearheaded the Walton Family Foundation's involvement in developing Crystal Bridges. The museum's glass-and-wood design by architect Moshe Safdie and engineer Buro Happold features a series of pavilions nestled around two creek-fed ponds and forest trails. The 217,000 square feet complex includes galleries, several meeting and classroom spaces, a library, a sculpture garden, a museum store designed by architect Marlon Blackwell, a restaurant and coffee bar, named Eleven after the day the museum opened, "11/11/11". Crystal Bridges also features a gathering space that can accommodate up to 300 people. Additionally, there are outdoor areas for concerts and public events, as well as extensive nature trails. It employs approximately 300 people, and is within walking distance of downtown Bentonville."

en.wikipedia.org/wiki/Crystal_Bridges_Museum_of_American_Art

crystalbridges.org/nature-trails/

crystalbridges.org

...

Niki's Oasis Restaurant & Jazz Bar 138 Bree Street Newtown Cultural Precinct Johannesburg South Africa with Simnikiwe Sondlo and Bushy Dubazana Jazz Band with the Immutable Themba Fassie and Tonic Tlhalerwa

Great Food and Music Highly Recommended

Fotos der Bundesbank-Veranstaltung Banken im Dialog, am 12. Juni 2024 in Frankfurt am Main

Podiumsdiskussion

Doris Dietze, BMF

Katharina Gehra, Immutable Insight GmbH

Ruth Burkert, BaFin

Oliver Vins, Börse Stuttgart Digital

Foto Nils Thies

Fellow-Citizens of the Senate and of the House of Representatives:

AMONG the vicissitudes incident to life no event could have filled me with greater anxieties than that of which the notification was transmitted by your order, and received on the 14th day of the present month. On the one hand, I was summoned by my country, whose voice I can never hear but with veneration and love, from a retreat which I had chosen with the fondest predilection, and, in my flattering hopes, with an immutable decision, as the asylum of my declining years—a retreat which was rendered every day more necessary as well as more dear to me by the addition of habit to inclination, and of frequent interruptions in my health to the gradual waste committed on it by time. On the other hand, the magnitude and difficulty of the trust to which the voice of my country called me, being sufficient to awaken in the wisest and most experienced of her citizens a distrustful scrutiny into his qualifications, could not but overwhelm with despondence one who (inheriting inferior endowments from nature and unpracticed in the duties of civil administration) ought to be peculiarly conscious of his own deficiencies. In this conflict of emotions all I dare aver is that it has been my faithful study to collect my duty from a just appreciation of every circumstance by which it might be affected. All I dare hope is that if, in executing this task, I have been too much swayed by a grateful remembrance of former instances, or by an affectionate sensibility to this transcendent proof of the confidence of my fellow-citizens, and have thence too little consulted my incapacity as well as disinclination for the weighty and untried cares before me, my error will be palliated by the motives which mislead me, and its consequences be judged by my country with some share of the partiality in which they originated.

Such being the impressions under which I have, in obedience to the public summons, repaired to the present station, it would be peculiarly improper to omit in this first official act my fervent supplications to that Almighty Being who rules over the universe, who presides in the councils of nations, and whose providential aids can supply every human defect, that His benediction may consecrate to the liberties and happiness of the people of the United States a Government instituted by themselves for these essential purposes, and may enable every instrument employed in its administration to execute with success the functions allotted to his charge. In tendering this homage to the Great Author of every public and private good, I assure myself that it expresses your sentiments not less than my own, nor those of my fellow-citizens at large less than either. No people can be bound to acknowledge and adore the Invisible Hand which conducts the affairs of men more than those of the United States. Every step by which they have advanced to the character of an independent nation seems to have been distinguished by some token of providential agency; and in the important revolution just accomplished in the system of their united government the tranquil deliberations and voluntary consent of so many distinct communities from which the event has resulted can not be compared with the means by which most governments have been established without some return of pious gratitude, along with an humble anticipation of the future blessings which the past seem to presage. These reflections, arising out of the present crisis, have forced themselves too strongly on my mind to be suppressed. You will join with me, I trust, in thinking that there are none under the influence of which the proceedings of a new and free government can more auspiciously commence.

By the article establishing the executive department it is made the duty of the President "to recommend to your consideration such measures as he shall judge necessary and expedient." The circumstances under which I now meet you will acquit me from entering into that subject further than to refer to the great constitutional charter under which you are assembled, and which, in defining your powers, designates the objects to which your attention is to be given. It will be more consistent with those circumstances, and far more congenial with the feelings which actuate me, to substitute, in place of a recommendation of particular measures, the tribute that is due to the talents, the rectitude, and the patriotism which adorn the characters selected to devise and adopt them. In these honorable qualifications I behold the surest pledges that as on one side no local prejudices or attachments, no separate views nor party animosities, will misdirect the comprehensive and equal eye which ought to watch over this great assemblage of communities and interests, so, on another, that the foundation of our national policy will be laid in the pure and immutable principles of private morality, and the preeminence of free government be exemplified by all the attributes which can win the affections of its citizens and command the respect of the world. I dwell on this prospect with every satisfaction which an ardent love for my country can inspire, since there is no truth more thoroughly established than that there exists in the economy and course of nature an indissoluble union between virtue and happiness; between duty and advantage; between the genuine maxims of an honest and magnanimous policy and the solid rewards of public prosperity and felicity; since we ought to be no less persuaded that the propitious smiles of Heaven can never be expected on a nation that disregards the eternal rules of order and right which Heaven itself has ordained; and since the preservation of the sacred fire of liberty and the destiny of the republican model of government are justly considered, perhaps, as deeply, as finally, staked on the experiment entrusted to the hands of the American people.

Besides the ordinary objects submitted to your care, it will remain with your judgment to decide how far an exercise of the occasional power delegated by the fifth article of the Constitution is rendered expedient at the present juncture by the nature of objections which have been urged against the system, or by the degree of inquietude which has given birth to them. Instead of undertaking particular recommendations on this subject, in which I could be guided by no lights derived from official opportunities, I shall again give way to my entire confidence in your discernment and pursuit of the public good; for I assure myself that whilst you carefully avoid every alteration which might endanger the benefits of an united and effective government, or which ought to await the future lessons of experience, a reverence for the characteristic rights of freemen and a regard for the public harmony will sufficiently influence your deliberations on the question how far the former can be impregnably fortified or the latter be safely and advantageously promoted.

To the foregoing observations I have one to add, which will be most properly addressed to the House of Representatives. It concerns myself, and will therefore be as brief as possible. When I was first honored with a call into the service of my country, then on the eve of an arduous struggle for its liberties, the light in which I contemplated my duty required that I should renounce every pecuniary compensation. From this resolution I have in no instance departed; and being still under the impressions which produced it, I must decline as inapplicable to myself any share in the personal emoluments which may be indispensably included in a permanent provision for the executive department, and must accordingly pray that the pecuniary estimates for the station in which I am placed may during my continuance in it be limited to such actual expenditures as the public good may be thought to require.

Having thus imparted to you my sentiments as they have been awakened by the occasion which brings us together, I shall take my present leave; but not without resorting once more to the benign Parent of the Human Race in humble supplication that, since He has been pleased to favor the American people with opportunities for deliberating in perfect tranquillity, and dispositions for deciding with unparalleled unanimity on a form of government for the security of their union and the advancement of their happiness, so His divine blessing may be equally conspicuous in the enlarged views, the temperate consultations, and the wise measures on which the success of this Government must depend.

Niki's Oasis Restaurant & Jazz Bar 138 Bree Street Newtown Cultural Precinct Johannesburg South Africa with Simnikiwe Sondlo and Bushy Dubazana Jazz Band with the Immutable Themba Fassie and Tonic Tlhalerwa

Great Food and Music Highly Recommended

"The Firing Line," sculpted by Italian American sculptor Pompeo Coppini, was dedicated in 1912, during the era of "Lost Cause" fervor. The inscription reads, "On Civilization's Height / Immutable They Stand."

May 17-30, 2018

Opening Reception: Thursday May 17 from 6-8:00 pm

The clock’s influence is inseparable from contemporary life – not only does it synchronize individual circadian rhythms but it also produces the stable temporal foundation for both scientific tradition and capitalism to flourish. However, there is a significant gap between what is measured by clocks and what is perceived by the individual. The perceived acceleration of time in contemporary life leaves us with a feeling of being continually deprived of this precious resource. While many technologies promise to help us get-time-back, they only entangle us further in their construction. Scientific time, duration measured by clocks, is regarded as immutable, indefatigable, and infallible – the opposite of the humans it ostensibly serves. Slower Than Time Itself uses the syncopated rhythms and unquantifiable output of mechanical clocks to suggest a slowing and plurality to the current monoculture of time, more sympathetic to the human condition and timescapes outside of human perception. Trueman’s sculptural and video works explore the idea of slowness as a gateway to multiplicity and ponders whether it is possible to use a clock to escape time itself.

Artist Biography

After studying mechanical engineering at Fanshawe, Trueman completed his undergraduate degree in fine arts at Western University where he is currently a Master of Fine Art candidate. He will be completing a clock installation at I-Park Residency (East Haddam, Connecticut) this summer, and will be exhibiting at PLUS Art Fair 2018 (Toronto). His first publication So Long South Street, a photographic series showing the demolition of famed South Street Hospital, was launched earlier in 2018. His work has been shown at Museum London, McMaster Museum of Art (Hamilton), Thames Art Gallery (Chatham), and DNA Art Space (London).

Artlab Gallery

John Labatt Visual Arts Centre

Department of Visual Arts

Western University

London, ON

© 2018; Department of Visual Arts; Western University

Я был заворожён атмосферой, царившей в Пекине, и приближающаяся гонка казалась лишь химерой, порождённой сном. Все происходящие события неожиданно приобретали искаженные формы вещей невозможных и несуществующих. Само присутствие автомобиля в этом древнем городе казалась более абсурдным, чем бы вид паланкина на лондонском мосту. И ощущение, которое вас не покидает в Пекине, - вы точно заброшены во времени вспять, к неизменному образу и незыблемым формам жизни, установившимся много веков назад. Китайская цивилизация, некогда достигнув определенного рода совершенства и затем, опасаясь потерять свои достижения, отказалась двигаться дальше. Только одна субстанция находилась в движении - это Время. Сам воздух был наполнен каким-то неясным томлением, которое временами обволакивает и захватывает вас, и ни один европеец, который долго жил среди китайцев, никогда не будет утверждать, что смог остаться равнодушным к этой тонкому дыханию китайской "души". И этот воздух, возможно, смешивается с пылью множества старых вещей, проникает в ваши лёгкие, сознание, предавая забвению понятия пространства и времени. Я даже не мог представить себе Италу, двигающуюся по дорогам китайского города и деревни.

"В 8 утра - старт". Да это пустые слова! Безусловно, автомобиль в 8 часов утра должен стоять на месте, и будущие поколения должны обнаружить его на том же самом месте, превращённым в китайский памятник, подобно тем огромным черепахам из камня, которые нынче украшают внутренние дворы храмов, навеки оставшись лишь украшением и символом.

Погода испортилась, день был угрожающе мрачным, небо низким. Вплоть до ночи всё было хорошо; но в течение ночи китайские божества, казалось, пришли к решению немедленно и торжественно открыть сезон дождей, которого мы так боялись.

I was affected by the atmosphere of Pekin, and the approaching competition seemed as the vapour of a dream. All present events suddenly acquired for my mind the distorted proportions of things impossible. The very presence of a motor-car in that ancient town seemed more absurd than would the sight of a palanquin going over London Bridge. To feel Pekin around you is like feeling yourself launched backwards through time to some remote, immutable form of life fixed long ages ago. The civilisation of the Chinese race achieved once a certain kind of perfection and, fearful of losing that, it refused to move further. One thing alone moves now in China, and that is Time. The very air wafts about you a dim languor which in time envelops and wins you, and no European who has lived long among the Chinese people has ever yet proved wholly impervious to that subtle breath of the Chinese “soul.” It mingles, perchance, with the dust of so many old things, and is breathed in through the nostrils with a soothing forgetfulness of space and time. I could not see the Itala in my own mind racing over the roads of Chinese town and countryside.

“ 8 a.m.—start.” But surely these must be empty Words! At 8 a.m. the motor surely must stand still, and future generations must find it on the selfsame spot, transformed into a Chinese monument — like those enormous tortoises of stone that now adorn the inner courts of temples, an ornament and a symbol”

The day broke grey and cloudy: a menacing day it was. Until the night before the weather had been perfect; but during that night the Chinese deities seemed to have decreed the immediate inauguration of the much feared season of the rains.

archive.org/stream/pekintoparisacco00barz#page/60/mode/2up

Nathalie Djurberg & Hans Berg

The floating world of The Black Pot, first shown in the round at the Garage Museum in Moscow and now reimagined and reconfigured as a room of interlocking screens, can be experienced from outside, as a looping stream of Rorschach inkblots, or from within, as a fluid, psychedelic environment, approximating a cocooned cosmos.

[everythingatonce.com]

Part of Everything at Once

Presented by Lisson Gallery and The Vinyl Factory at the Store Studios, 180 The Strand

October-December 2017

Lisson Gallery opened on Bell Street in 1967, a year after John Cage’s pronouncement on the changing conditions of contemporary existence. In celebration of this anniversary, the gallery is partnering with The Vinyl Factory to stage ‘EVERYTHING AT ONCE’, an ambitious group exhibition inspired by these words, which could very well apply to our current anxiety-ridden age of ceaseless communication. Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.

As Cage predicted, we increasingly live in an all-at-once age, in which time and space are no longer rational or linear concepts and great distances can be traversed with an instantaneous click. More than ever before, contemporary art, like life, assaults us simultaneously from all angles and from anywhere on the globe, existing also as multisensory visions of an accelerated world.

In response, ‘EVERYTHING AT ONCE’ is neither a chronological exhibition nor an encyclopaedic history of the gallery’s activities since 1967, rather it is an interconnected journey incorporating 45 works exploring experience, effect and event, invoking immediacy and immutability. Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson’s leading artists, of both the past and present...

[Lisson Gallery]