View allAll Photos Tagged image_masking,
Since the assignment was "over processing" this caused me to really think about a special image that I could experiment with. I usually don't fool with too much processing, even though I find it fun and creative. I wanted Mohave's sweet face to stand out against the snow so I desaturated most everything in the image, masking his face. This was a cell phone shot so I used Topaz to whiten the image overall and intentionally smoothed out most details. Now that it is finished, I can't decide if the original shot is better. Oh well....Happy Smile on Saturday!
La Iglesia de San Francisco es una basílica católica que se levanta en medio del centro histórico de Quito, frente a la plaza del mismo nombre.
La estructura es el conjunto arquitectónico de mayor dimensión dentro de los centros históricos de toda América, y por ello es conocido como el "Escorial del Nuevo Mundo".
Sobre sus tres hectáreas y media de superficie se han construido trece claustros (seis de ellos de gran magnitud), tres iglesias, un gran atrio, sumando aproximadamente cuarenta mil metros cuadrados de edificación. Allí se desarrollan múltiples actividades en la actualidad: las conventuales y religiosas, de atención pública en las áreas de salud, de comunicación, educativas y otras de corte popular que mantienen activo al edificio.
Dentro de la iglesia se encuentran más de 3.500 obras de arte colonial, de múltiples manifestaciones artísticas y variadas técnicas, especialmente aquellas correspondientes a la Escuela Quiteña de Arte, que nació precisamente en este lugar.
Posee también una biblioteca franciscana, descrita en el siglo XVII como la mejor del Virreinato del Perú.
Al conjunto le precede una plaza homónima que durante años abasteció a la ciudad de agua de su fuente central, y que ha funcionado como mercado popular, como espacio de concentraciones militares y políticas, y como lugar de encuentro y recreación social. La escalera cóncavo-convexa que comunica la plaza con el atrio, que resalta la fachada manierista-barroca del templo mayor, es considerada de gran importancia arquitectónica.
En sus tres naves, San Francisco devela artesonados moriscos con lazos mudéjares, retablos profusamente decorados y columnas de diversos estilos. En el coro, la decoración mudéjar, original de finales del siglo XVI, se conserva íntegra porque la nave central se vino abajo con un terremoto y fue reemplazado por un artesonado barroco en 1770. Cielos mudéjares en los extremos, barrocos en la nave central, retablos llenos de imágenes, mascarones y querubines mirando al centro del Altar Mayor.
The Church of San Francisco is a Catholic basilica that stands in the middle of the historic center of Quito, in front of the square of the same name.
The structure is the largest architectural complex within the historic centers of all America, and for this reason it is known as the "Escorial of the New World."
On its three and a half hectares of surface area, thirteen cloisters have been built (six of them large), three churches, a large atrium, totaling approximately forty thousand square meters of building. Multiple activities are currently carried out there: conventual and religious, public attention in the areas of health, communication, education and others of a popular nature that keep the building active.
Inside the church there are more than 3,500 works of colonial art, of multiple artistic manifestations and varied techniques, especially those corresponding to the Quito School of art, which was born precisely in this place.
It also has a Franciscan library, described in the 17th century as the best in the Viceroyalty of Peru.
The complex is preceded by a plaza of the same name that for years supplied the city with water from its central fountain, and which has functioned as a popular market, as a space for military and political gatherings, and as a place for social gathering and recreation. The concave-convex staircase that connects the plaza with the atrium, which highlights the mannerist-baroque façade of the main temple, is considered of great architectural importance.
In its three naves, San Francisco reveals Moorish coffered ceilings with Mudejar ties, profusely decorated altarpieces and columns of various styles. In the choir, the Mudejar decoration, original from the end of the 16th century, is preserved intact because the central nave collapsed in an earthquake and was replaced by a Baroque coffered ceiling in 1770. Mudejar ceilings at the ends, Baroque in the central nave, altarpieces full of images, masks and cherubs looking towards the centre of the High Altar.
Oriental Mystic Venice by Daniel Arrhakis (2018)
With the music : Phil Rey Gibbons - Heavenly (feat. Felicia Farerre)
Work made with several images of mine, stock images, masks and sculptures. Art collage, digital painting, color saturation techniques and digital painting processes.
________________________________________________
Thank you for your nice visit, comments and invitations dear friends ! A wonderful final of the week and weekend !
I will be more in challenges and groups during these days, my best regards to all of you ! : )
Editing this image is a story in itself. This photo was taken on an iPhone using the Live mode. In that mode, you have to hold the phone still for about a 3 second video capture, which can then be used to select the best single image or to create blur in moving subjects, among other choices. I saved both the blurred image and the single photo image. Unfortunately, when the blurred image is saved, sharpness is poor outside the moving water and the image is cropped significantly. Here, I was able to layer the blurred image on top of the single image, masking only the moving water. I had to resize the blurred layer carefully to fit the uncropped single image, and move it slightly for alignment, but the result came out fairly nice.
In camera double exposure. Any blown highlights effectively become an image mask.
How to Guide: www.reddit.com/r/postprocessing/comments/xfqxe/double_exp...
"Fire and Ice"
Shooting through holes in icebergs that had floated onto the beach deep in the fjord lands of Chilean Patagonia!
.
For Sliders Sunday.
I'd shot this a little wide so I could crop to the composition I wanted, with the A on a third and the wall it's on occupying two-thirds of frame. Then in Lr and Ps used sliders to warm up that wall, enhance the texturing a bit with Clarity, and cool down the right side. I most likely used in Lr, the black slider and white slider of the basic exposure module to enhance contrast. I think I used a gradient in Lr to so that I could boost saturation a little on just the right side, especially of blue. I might have also used the high pass filter in Ps on the warm side of the image, masking out all but the shaded part to again enhance texture. And I think I either used the adjustment brush in Lr and the exposure slider or created a dodge/burn layer in Ps to paint in burning of some of the shadows for greater contrast. I had played with this one a couple weeks ago so I'm not sure about everything I'd done. But I thought it'd be a good one for Sliders Sunday. Original in first comment box below. If it doesn't show, hit refresh a time or two. That worked for me at others' photos today.
HSS everyone!
La Iglesia de San Francisco es una basílica católica que se levanta en medio del centro histórico de Quito, frente a la plaza del mismo nombre.
La estructura es el conjunto arquitectónico de mayor dimensión dentro de los centros históricos de toda América, y por ello es conocido como el "Escorial del Nuevo Mundo".
Sobre sus tres hectáreas y media de superficie se han construido trece claustros (seis de ellos de gran magnitud), tres iglesias, un gran atrio, sumando aproximadamente cuarenta mil metros cuadrados de edificación. Allí se desarrollan múltiples actividades en la actualidad: las conventuales y religiosas, de atención pública en las áreas de salud, de comunicación, educativas y otras de corte popular que mantienen activo al edificio.
Dentro de la iglesia se encuentran más de 3.500 obras de arte colonial, de múltiples manifestaciones artísticas y variadas técnicas, especialmente aquellas correspondientes a la Escuela Quiteña de Arte, que nació precisamente en este lugar.
Posee también una biblioteca franciscana, descrita en el siglo XVII como la mejor del Virreinato del Perú.
Al conjunto le precede una plaza homónima que durante años abasteció a la ciudad de agua de su fuente central, y que ha funcionado como mercado popular, como espacio de concentraciones militares y políticas, y como lugar de encuentro y recreación social. La escalera cóncavo-convexa que comunica la plaza con el atrio, que resalta la fachada manierista-barroca del templo mayor, es considerada de gran importancia arquitectónica.
En sus tres naves, San Francisco devela artesonados moriscos con lazos mudéjares, retablos profusamente decorados y columnas de diversos estilos. En el coro, la decoración mudéjar, original de finales del siglo XVI, se conserva íntegra porque la nave central se vino abajo con un terremoto y fue reemplazado por un artesonado barroco en 1770. Cielos mudéjares en los extremos, barrocos en la nave central, retablos llenos de imágenes, mascarones y querubines mirando al centro del Altar Mayor.
The Church of San Francisco is a Catholic basilica that stands in the middle of the historic center of Quito, in front of the square of the same name.
The structure is the largest architectural complex within the historic centers of all America, and for this reason it is known as the "Escorial of the New World."
On its three and a half hectares of surface area, thirteen cloisters have been built (six of them large), three churches, a large atrium, totaling approximately forty thousand square meters of building. Multiple activities are currently carried out there: conventual and religious, public attention in the areas of health, communication, education and others of a popular nature that keep the building active.
Inside the church there are more than 3,500 works of colonial art, of multiple artistic manifestations and varied techniques, especially those corresponding to the Quito School of art, which was born precisely in this place.
It also has a Franciscan library, described in the 17th century as the best in the Viceroyalty of Peru.
The complex is preceded by a plaza of the same name that for years supplied the city with water from its central fountain, and which has functioned as a popular market, as a space for military and political gatherings, and as a place for social gathering and recreation. The concave-convex staircase that connects the plaza with the atrium, which highlights the mannerist-baroque façade of the main temple, is considered of great architectural importance.
In its three naves, San Francisco reveals Moorish coffered ceilings with Mudejar ties, profusely decorated altarpieces and columns of various styles. In the choir, the Mudejar decoration, original from the end of the 16th century, is preserved intact because the central nave collapsed in an earthquake and was replaced by a Baroque coffered ceiling in 1770. Mudejar ceilings at the ends, Baroque in the central nave, altarpieces full of images, masks and cherubs looking towards the centre of the High Altar.
tis october, ai image
Masks at Halloween were initially worn to ward off evil spirits.
People believed that at Halloween, souls would come back to walk the earth, looking for lives to take with them.
So the theory was that if you wore a scary mask, you would scare off the evil spirits. I may have been an exception.
In camera double exposure. Any blown highlights effectively become an image mask.
How to Guide: www.reddit.com/r/postprocessing/comments/xfqxe/double_exp...
Object: IC1848
Optic: CA300 (300/1200mm Newton f4), GPU Corrector
Mount: Skywatcher EQ8
Camera: ZWO ASI 183MM-C @ -20°C, Gain=200, Offset=10
Filter: ZWO EFW 7x36mm, Baader 36mm Filter
Exposure: total 11.8h , Ha 87x4m, OIII 54x4m, SII 36x4m
183xBias, 51x Darks, 31-41x Flats per channel
Color: SHO
Date1/Location1: 2018-10-05, Zirndorf
Date2/Location2: 2018-15-11, Zirndorf
Date3/Location3: 2018-11-17, Zirndorf
Capture: INDI Lib, INDI Starter, CCDCiel (Sequencing, Autofocus, Dithering, AutomaticFlat)
Guiding: TS-OAG 9mm, ASI120MM, PHD2
Image Processing:
PI:
BatchPreprocessingScript, Blink, CosmeticCorrection, ImageIntegration, ChannelCombination, DBE
Starnet from Nikita Misiura:
SHO: Starless Image, Mask
Startools
H-Alpha Channel: DigitalDevelopment, HDR, WaveletSharping, Magic
PS:
CloneStamp, NIK Collection Dfine2 Noise Reduction, Dynamic, 5x SelectiveColors, Dynamic,
Ha as LuminanceLayer, Levels, Curves, HLV Green, Dynamic, SelectiveColors, Levels
In camera double exposure. Any blown highlights effectively become an image mask.
How to Guide: www.reddit.com/r/postprocessing/comments/xfqxe/double_exp...
Object: Cirrus Nebula NGC6992.
Optic: CA300 (300/1200mm Newton f4), GPU Corrector.
Mount: Skywatcher EQ8.
Camera: ZWO ASI 183MM-C @ -20°C, Gain=53 (RGB), Gain=200 (Ha, OIII), Offset=10.
Filter: ZWO EFW 7x36mm, Baader 36mm Filter.
Exposure: total 14.3h , Ha 40x4m, OIII 60x4m, R 37x4m, G 36x4m, B 41x4m.
183xBias, 51x Darks, 31-41x Flats per channel.
Color: Ha-OII-RGB (not for all versions).
Date1/Location1: 2018-10-05, Zirndorf.
Date2/Location2: 2018-10-09, Zirndorf .
Date3/Location3: 2018-10-10, Zirndorf.
Date4/Location4: 2018-10-12, Zirndorf.
.
Capture: INDI Lib, INDI Starter, CCDCiel (Sequencing, Autofocus, Dithering, AutomaticFlat).
Guiding: TS-OAG 9mm, ASI120MM, PHD2.
.
Image Processing:.
PI:.
BatchPreprocessingScript, Blink, CosmeticCorrection, ImageIntegration, ChannelCombination, DBE,.
HistogramTransformation, MaskedStretch, PhotometricColorCorrection.
.
Starnet from Nikita Misiura:.
Starless Image, Mask.
.
Startools:.
Magic.
.
PS:.
.
Real Color Version:.
Debra Ceravolo's Narrowband Color technique using Gradient Map's, ColorBalance, Dynamic,.
Blend of a starshrinked Image, maskedMinimumFilter,.
Curves, Dynamic
You can find other pictures at www.dzphotography.it
Puoi trovare altre immagini su www.dzphotography.it
*********** Please press L or left-click to view on black ***********
You can find other pictures at www.dzphotography.it
Puoi trovare altre immagini su www.dzphotography.it
*********** Please press L or left-click to view on black ***********
You can find other pictures at www.dzphotography.it
Puoi trovare altre immagini su www.dzphotography.it
*********** Please press L or left-click to view on black ***********
Earlier I made a reference to "fixing it in post". This used to be an
old joke when I was a stunt woman
back in the day. There is a lot you can do in post-production - you can
add or take away sound, you can add dramatic music, you can edit, do
CGI, all kinds of things to "fix" what at the times looks like it might
not be good enough.
Well, suffice it to say, I had a lot of post-production work ahead of
me. After sweating for over 2 hours in a full-length latex dress, I
hadn't even begun to the really hard work.
Thanks to the wonderful and expert advice of this very talented guy,
Eric Jeschke , I was able to
completely replace my ugly bed sheet background and put what appears to
be a photo studio mottled blue background. Doesn't it make a phenomenal
difference? This is the vision I had from the start. It took me about an
hour to follow Eric's tutorial, but about 4 solid hours to make the
image mask. That meant zooming into the photo at about 800X its normal
size and going over every inch of my body, pixel by pixel, saving often.
I'm proud as hell of this result, and now you know the same tricks of
the trade. I could have probably just gone to Sears and paid $19.95, but
what fun would that have been?
You can find other pictures at www.dzphotography.it
Puoi trovare altre immagini su www.dzphotography.it
*********** Please press L or left-click to view on black ***********
I found this photograph among my grandmother's stash of pictures after she died. The caption was what she wrote on the back; apparently, these were guests at a Halloween party she attended sometime in the 1940s or 1950s. There is a calendar on the wall in the background, but I am unable to make out a date. It's hard to imagine going to a costume party and seeing people in blackface (they are actually wearing masks, but same concept)--definitely an image from a different era!
(Colour version of the previous image)
Mask: Oxumarê, depicting the God of transformation Yorubá with the sacred Python.
Hand-carved in wood, polychrome-painted and mounted with natural seashells.
Artist: Sandro Lumumba.
Size: approx. 40cm. x 25cm.
Pricetag: USD$250 or 180 Euros + freight. (in support of CARF's work in Brazil)
I had a few goals with this design:
1. Reduce the size of photos so they’re still big and nice but they don’t cannibalize the rest of the content. The past two designs made the photos bigger and bigger and a paragraph of text next to one looked ridiculous. Besides, if you really want to see my photos huge, you can always click over to Flickr.
2. Get away from Helvetica. I spend all day developing and designing iOS apps which means I see Helvetica 23.5 hours a day. I dream in Helvetica. I wanted a little break. Granted, I chose two fonts that are heavily overused (Proxima Nova and FF Tisa Web Pro), but I really enjoy them so that’s where we’re at.
3. Never open Photoshop, only use a single image for that smiling photo of me up top. And make that image mask scalable (thanks, SVG). Any other imagery is done with web fonts. Start and finish the project in 48 hours or less. It ended up being 51 hours from start to finish, but I’m okay with that.
16 Image Mask Set for the Rolleiflex T and the Rolleimagic.
Top photo :
Without the 4x5,5 cm Mask the sense lever (see green arrow) is not depressed and the filmcounter window shows a white 12 (images) flag.
Bottom photo :
When the 4x5,5 cm Mask (see red arrow) is inserted the sense lever (see green arrow) is depressed by it and switches the filmcounter and its window flag to 16 (images).
This automatic switching over of the film counter mode is of course a very handy feature.
© All rights reserved iDJ Photography 2012 idjphotography.com/
Twitter: twitter.com/idjphotography
Facebook: facebook.com/idjphotos
16 Image Mask Set for the Rolleiflex T and the Rolleimagic.
Also the Sports (Frame) finder can be adapted to size with a Mask.
Here shown with the 4x5,5 cm Mask (see red arrow) clicked onto the Hood.
A collage of posters, ads and images mask the fact that products are stored in the window areas of this grocer.
Clipping Path Saffron (CPS) is an internet based outsourcing graphic studio providing clipping path service,multi clipping path service,image masking, background removal,drop shadow, retouching,neck joint, raster to vector, image manipulation and other Photoshop services at realistic price within short turnaround time.
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Repeatedly dropped Belair X 6-12 City Slicker + abused Kodak Portra 400 + 58mm f/8 + 6 x 9 image mask + TSA X-ray exposure
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i highly doubt any of these frames will make it past the cutting room. but i scanned this as a positive (even though i cross processed it into C-41). and i kinda liked the results.
only a couple more images to work on from my roll... my first experiments here with overlaying images and using photoshop image masks certainly will motivate me to try some more!
cheers.
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My photography blog has yummy ice cream you can download!
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If you’d like to view my images larger… While I only allow my contacts to view my larger images (I generally upload at least 800px images on the long axis)…
a quick workaround I might suggest is to view my photostream as a slideshow. Works well for me. This is frequently how I view others’ ‘streams, and it will put a large image on black. just click the projector screen icon next to the stream or set. : )
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on 01 jan 2010, I began a new journey w/ a flickr 365 group that i formed. The idea is that I strive to push myself daily; by exploring techniques, ideas, and experiments.
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This instrument is themed after Alphonse Mucha’s cover for the magazine “La Plume,” #241, March 1899. “La Plume” was an important magazine, dedicated to literature, art, and Parisian society. Its cover with a young woman standing with arms outstretched and holding a giant feathered writing quill became an icon of the period. It exemplified Mucha’s ideals about bringing aesthetic values into crafts.
Photo credit: Nicholas Alan Cope
For promotional use only. Unauthorized use is prohibited.
For more information, please contact the Museum of Making Music at (760) 438-5996, ext. 170.
NOTE TO EDITOR: High-resolution photo includes image mask & outlines. Contact B.J. Morgan for artwork.
Star cluster within the Orion Nebula M42, When imaging this vast nebula complex this area is typically greatly overexposed in an effort to capture the faint regions. This image was created using stacked and merged LRGB and image masks of varying exposures.
For more see
www.youtube.com/watch?v=Xd8KPzJP0_U&ebc=ANyPxKo0vZ4Jd...
Also, for more open star cluster images click on MORE on album list page, click Galleries, click DSO images gallery.
* Remove Background / Background Removal
* Clipping Path / Cut out Images / Object Remove
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* Image Masking / Hair Masking
* Drop shadow / Natural shadow / Reflection Shadow
* Product Retouching
* Jewelry Retouching
* Color Correction
* Photo Retouching
* Image Re-size
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www.clippingpathhouse.com provide clipping path service, background removal, image masking, ghost mannequin and all kind of photoshop image editing service with affordable price.
Design Name: BLACK ROCK SHOOTER - ramune re-edit
Purpose: New repeating background for YouTube page
Approx. Perfectionist Timespan: 8-10hrs.
Software: Photoshop CS3
Hardware: Mac Mini (KIHARU)
Inspiration: Love for BLACK ROCK SHOOTER and the song
New techniques done:
+ Doing a Dropshadow gradient effect w/o using Drop Shadow
+ Using a watermark text style as typesetting
+ Satin effect to create effect of shining light w/ shadows cast on their skin
+ Altering RGB Levels on image mask to create a colored outline
Epiphanies:
+ Working with vector images can be difficult to work with if done wrong.
+ Finally understand how to make repeating backgrounds - keep the edges simple.
Foolhearty Sacrifices: Lack of sleep
Original source art: img.photobucket.com/albums/v195/Alexiel-sama/brs_miku_vec...
Image Masking Services
The image masking techniques are using where image is very complex and can?t remove background only by simple clipping path work. Image masking techniques are using on image like hair, fur, feathers, smoke, flames, highlights, lighting object etc. Advanced or complex layer masking is the best solution.
Creating a clipping mask around objects that have blurred or fuzzy edges can often create results which are less than perfect. Our aim at Images Retouch Services is to ensure that every picture you send us is finished to the most exacting standards. As such, we provide an image masking service for photos that are not suitable for a standard clipping path ? delivering great results to clients who expect nothing less. Our Digital Image processing Services graphic designers use the latest Photoshop masking techniques to remove backgrounds from images such as hair or the foliage on trees, resulting in sharp and smooth edges that look consistently professional. Even if the image you wish to use is set against the most detailed background of dark or gradient colours, we can separate it from the foreground image whilst maintaining high quality and a fantastic level of detail.
Working closely with our clients, we strive to ensure that the end result is the best possible photo for the context in which it will be used. Manually masking images is a skilled, detailed and labour intensive process ? but is certainly worth the effort it requires. Now, companies can turn to Clipping path India as effortlessly as though they had their own in house design studio right in their offices. We have been delivering handmade image masking services for many years and understand the complexities involved. Moreover, we realise that a chain is only as strong as its weakest link and so even the tiniest error made whilst applying a Photoshop masking technique will ruin the entire effect. The work of each skilled operative is vetted via a rigorous quality control process to ensure that we get it right first time, every time.