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Original stock image fromHello-Tuesday
Not sure what you would call this technique ( as we know there are those who like to know and dispute lol}
its like a colorized illustration ! unless you know better !
And again I
dont know the lady
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Ethereal collection of illustrated artworks by the Dutch artist Theodorus “Theo” van Hoytema (1863-1917). He was employed as a draughtsman in the Zoological Museum in Leiden where he was able to draw much inspiration from the natural form of animals. Theo was known as a book illustrator, painter, aquarellist, and etcher and is renowned for his incredibly detailed lithographic work. He was inspired by French Art Nouveau movement and Japanese graphic art which influenced him to create innovative floral and animal motives. De Hoytema published several picture books for children, including the well-known The Ugly Duckling. In later years, he also published calendars, some of which can be found in this collection. We have digitally enhanced these beautiful litographs of animals, birds, and plants for you to enjoy and download to use under the CC0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1300240/theo-van-hoytema-sketches-illustrations-i-hd-public-domain-vintage-art
From "The Legend of Sleepy Hollow" by Washington Irving. Phila: David McKay Co., (1928). Illustrated by Arthur Rackham
Flickr Lounge ~ Letters
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If ever a church illustrates the wealth of the Norfolk wool trade in the medieval period it is St. Mary's in Worstead, the village that gave its name to the high quality worsted yarn and tweed. St. Mary's is easily one of the most impressive medieval churches in Norfolk, and a testament to the wealth the wool trade brought to the region. Cloth was made locally as early as the 13th. century, but an influx of Flemish weavers in the following century made Worstead a centre of the wool trade and a major producer of woollen cloth.
Though the building was begun in the early 14th. century and remodelled later that century after the devastating effects of the Black Death had begun to wane, the church we see today is a product of the 15th. century, when Perpendicular Gothic was the fashion. The one exception is the chancel with its huge Decorated east window. The 15th. century additions included a superb hammer-beam roof, supported on wall corbels. The corbels are decorated with coats of arms to church patrons, including the families of Rous, Stapleton, Thurlow, and Wharton, plus St. Benet's Abbey and Norwich Cathedral.
The churches most stunning feature is the late medieval chancel screen, inserted in the early 16th. century. The screen is painted with 16 figures, among them the rare figure of St. William of Norwich.
William's cult was controversial, in that it involved the first accusations of ritual murder by Jews in medieval Britain. William of Norwich (1132-1144) was a young boy, an apprentice tanner, whose work brought him into contact with the small Jewish community in Norwich. His body was found on Mousehold Heath, outside Norwich, apparently murdered. The local residents accused the Jewish population of Norwich of murdering William in a form of ritual sacrifice, a tale that was embellished over time. Jews of Norwich were called to a trial by ordeal at an ecclesiastical court but were spared because the court had no jurisdiction over non-Christians. Miracles were attributed to St. William, and a minor cult grew up around him and images of the boy saint were painted for several churches close to Norwich, including Worstead.
Another unusual painting on the screen is St. Wilgefortis, or Uncumber, a reputed princess of Portugal, who vowed celibacy and grew a beard to keep unwanted suitors away.
The chancel screen is not the oldest screen in the church. Flanking the central screen are parclose screens at the east end of the north and south aisles. These two screens are at least a century earlier than the large chancel screen. They boast incredible fan vaulting and beautifully detailed paintings of robed figures in the base panels.
The late 15th. century font, is set upon a raised dais of steps. Each step is carved, with the carving detail becoming more ornate with each step. The font is topped with a richly detailed wooden cover, rising in a complex arrangement of flying buttresses and struts, suspended from the tower.
The most interesting historic memorial is a monumental brass to Rector John Yop, (d. 1404). In the centre aisle is a brass to an unnamed civilian, dated to around 1502. Near the screen is a later brass to John Albastyr (d. 1520). Albastyr and his wife Alice gave money for the chancel screen in 1512. An inscription detailing their gift runs across the central beam of the screen.
A persistent legend says that the church is haunted by the spirit of a 'white lady'. Unlike many ghost stories, the white lady is a kindly spirit, and a healer who is said to appear when there is an illness. Visitors to the church have reported being healed from ailments. Bur another version of the tale does not portray the spirit in such a kindly light. In this version she is said to appear on Christmas Eve, and if anyone sees her they will suffer premature death. The ghost of Worstead legend lives on in the name of the pub just outside the churchyard, which used to be called The New Inn, but has been renamed The White Lady in honour of Worstead church's resident spirit.
St. Mary's gained Grade: I listed building status on 16th. April 1955. (English Heritage Legacy ID: 224194).
Barbie Sports Illustrated 50th Anniversary. Thinking of returning her since suit is sewn on not clasped
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Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
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Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
Lucius Annaeus Seneca: On entering a temple we assume all signs of reverence. How much more reverent then should we be before the heavenly bodies, the stars, the very nature of God!
John Muir: All the wild world is beautiful, and it matters but little where we go, to highlands or lowlands, woods or plains, on the sea or land or down among the crystals of waves or high in a balloon in the sky; through all the climates, hot or cold, storms and calms, everywhere and always we are in God's eternal beauty and love. So universally true is this, the spot where we chance to be always seems the best.
Creator: Morden, Wilfred ; Queenslander (Brisbane, Qld. : 1866-1939).
Location: Brisbane, Queensland.
Description: A young blonde-haired girl with ringlets, pegs socks enclosing two kittens, to a clothes line.
View the original image at the State Library of Queensland: hdl.handle.net/10462/deriv/225185
Information about State Library of Queensland’s collection: www.slq.qld.gov.au/resources/picture-queensland
You are free to use this image without permission. Please attribute State Library of Queensland.
For this book, Ray Bradbury creates an ingenious framework for tying together a collection of short stories. The Illustrated Man is a wanderer whose entire body is a living canvas of exotic tattoos, which isn’t so unusual in 2014 but was quite weird and disturbing in the 1950s. What’s even weirder is that the tattoos come alive and each proceeds to unfold its own story. This book has remained in print since its publication in 1951, testimony to the broad appeal of Bradbury’s work.
Illustrated (front) t-shirt design for upcoming race for a non-profit's poverty mission in Nicaragua.
new hand coloured screen-print in the shop!
each of these thirty prints was coloured by hand; no two are the same.
Illustrating how the chopstick device can help pick up delectable or in this case a roll of ribbon. Maybe I should ask my hand model if she’d demonstrate.
This short video illustrates perfectly my whole philosophy about Shoe Design.
Pointy shoes combined with socks squash the toes and restrict their movement, restrict your balance, weaken the toes, which is reflected in a disempowerment in the joy of movement.
Shandals® are the shape of normal healthy feet, are broad
at the metatarsal arch, have a straight inside edge, a low
heel, with a big toe thong that guides the toe straighter and
relieves the pressure on the second and little toes.
The lace-up design holds the heels firmly back into the
back of the Shandals®, leaving the toes liberated and free to
spread into the wide toe box.
Weakened under-used muscles are exercised, so
strengthen.
Tendons and muscles stretch, so your feet rejuvenate and your natural balance, stability, vitality, grace, dignity and èlan is restored.
My Shoes and Shandals® have profound healing properties for those with sore and damaged feet.
Hammer toes have a chance to straighten. Corned, squashed little toes heal. The circulation improves, so cold feet warm.
Those that walk, skip and dance in my Shoes and Shandals, do so with great strength and agility.
This strength is reflected in strong ankles and legs.
All these qualities bring wonderful relief to tired, sore feet.
The 6 to 12mm leather soles are soft, so your unique footprints imbed into them. You end up with feet-shaped shoes, instead of shoe shaped feet.
The Uppers are fully lined in Suede or leather making them
superbly sensual, comfortable and luxurious.
The older they get, the more cosy and comfortable they become...........
Illustrated Theme Park Map for Chessington World of Adventures visitors guide. Gate map illustration for the 2013 season including with the new Zufari attraction.
Lot's of crazy detail so get zooming in!
View the full project here
rodhunt.com/chessington-world-of-adventures-theme-park-map
View Rod's map illustration portfolio
© Rod Hunt 2013
Further examples of Rod Hunt's work
Illustrated Ridvan message to the Baha'is of the World 155BE (1999)
Illustrated by Terri Turner for the National Baha'i Education Committee for Children Australia...
My commonplace book of quotations and pictures using the Moleskine japanese fold style (accordion) notebook
The vanilla cake recipes comes from Cook's Illustrated, called 'Fluffy Yellow Cake Recipe'. The cake recipe had an even, fine crumb that was easy to slice and assemble. It was quite moist, but not as fluffy as I was hoping. I did double the recipe (to make 2 cakes) and may have over-mixed the batter as it took longer to incorporate the flour into the wet ingredients. This might be the reason for the lack of fluffy lightness in texture. Still, the flavour was good and I would use this recipe again. In between layers of vanilla cake was a raspberry buttercream.
The buttercream comes from a recipe used for macaron fillings by Pierre Herme, in his book 'Macarons'. I used Pierre Herme's Rose Buttercream recipe, taking out the rose flavouring and replacing it with 1 tsp of vanilla bean paste.
For the raspberry buttercream inside the cake, I made a raspberry jam by heating 1 cup of macerated fresh rasberries with 1 tbsp of sugar and 1 tsp of pectin powder until the liquid was reduced by a quarter. I replaced roughly 20% of the buttercream by weight with the raspberry puree.
For the chocolate buttercream, I also replaced roughly 20% of the buttercream by weight with cooled, melted bittersweet chocolate.
more at www.bottomlesstummy.com
Illustrated here by more than 600 images, the tomb is of an exceptional quality and is historically important, particularly by its texts, which explain the various functions and responsibilities of the vizier, as well as his duties. It also features magnificent scenes of tributes from foreign peoples and an almost complete version of the mouth-opening ritual.
Illustrating the combined perils of shadows, cars and dark trees, here is a shot of 26152 arriving into Havant bus station.
The sarcophagus illustrates an episode in the mythology of the life of Achilles. In the face of knowledge that he would die at Troy, he was protected and hidden dressed as a girl on the island of Skyros. When Odysseus recalled that Troy could not be taken without the presence of Achilles, he came to Skyros with other envoys to seek him out. Weapons were offered to the girls. Achilles reached for them and Odysseus knew that this was the man. The hero went on to fulfill his destiny in the Trojan War.
The ends of the sarcophagus (not shown here) are much more typical of the story of Achilles - he is seen in combat with Hector and with Penthesileia Queen of the Amazons - killing both. The lid has amphorae between pairs of winged sphinxes, and masks of Pan at the corners.
Roman, late 2nd century AD. Some later restoration.
Acquired 1850. The Fitzwilliam Museum, Cambridge UK
Classics Illustrated / Heft-Reihe
Knights of the Round Table
cover: ?
script: ?
art: Alex Blum
Gilberton Company / USA 1953
ex libris MTP
Image done with my post-processing style. To see more of my work, you can visit my site.
Photo not taken by me.
Book - vintage Collins Illustrated Pocket Classics no. 11.
Illustrated by E. Stuart Hardy.
Jane Eyre is the fictional heroine and the titular protagonist in Charlotte Brontë's 1847 novel of the same name. The story follows Jane's infancy and childhood as an orphan, her employment first as a teacher and then as a governess, and her romantic involvement with her employer, the mysterious and moody Edward Rochester. Jane is noted by critics for her dependability, strong mindedness and individualism. The author deliberately created Jane as an unglamorous figure, in contrast to conventional heroines of fiction, and possibly part-autobiographical.
Collins Illustrated Pocket Classics
At the turn of the century, William Collins III combined innovative packaging and distribution with innovative aesthetics by creating shilling-priced illustrated classics. Other publishers had issued shilling “libraries,” but none had been illustrated.
Collins Illustrated Pocket Classics (beginning in 1903) were small and inexpensive but remarkably beautiful. The maroon cloth-bound David Copperfield featured 16 illustrations and “a full gold back.” An evolving lineup of authors and illustrators helped keep this unique format fresh.
Aside from the perennial favorite Dickens, the first ten titles included Sir Walter Scott’s Kenilworth, George Eliot’s Adam Bede, and Charlotte Brontë’s Shirley. By 1934, there were 320 titles, and by 1936, they included new multicolored bindings with cover designs by artist Eric Gill. Between 1903 and 1948, the series sold more than 25 million copies throughout Europe and North America.
200.hc.com/stories/publishing-firsts-collins-illustrated-...
Having illustrated a couple of 10m Bova Futuras on my stream I thought it was time to show my model of such a vehicle. This OOC model was shortened by a friend for his Handy Bus fleet and I bought it from him in 2004, re-registering it from PF51 BTL to TGJ 337 before it entered service. As a 45-seater it fills an important gap in the fleet and is a useful size for private hire.