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Model: Kat McCandless
MUAH: Kat McCandless
Beauty set up. Three light set up. Westcott 4 foot octobox overhead. Impact 3x4 Softbox with Grid back camera left for rim. Interfit 28 inch beauty dish above back right for hair light. White reflector beneath. Studio Strobes.
Thanks in advance for your comments and faves. All rights reserved
The building housing the IG Metall worker's union in Frankfurt
Thank you everyone for your visits, faves and comments, they are always appreciated :)
they seen during the Battle of Muunilinst , from the Clone Wars 2003-04 , is use by Separatist Droid Army druing the Clone Wars , it can be call Elite Assassin Droids , let me know !
My friend decided to run her own instagram profile: www.instagram.com/punky.feet
Please follow her! :)
Great Night down at Seacombe with Phill Fisher and Dave. The moon was so bright that it lit the scene in seconds and the trees in this oasis part of the quarry made amazing shadows.
_PDS7842
My friend decided to run her own instagram profile: www.instagram.com/punky.feet
Please follow her! :)
My friend decided to run her own instagram profile: www.instagram.com/punky.feet
Please follow her! :)
My friend decided to run her own instagram profile: www.instagram.com/punky.feet
Please follow her! :)
Sort of what I've been doing for a while here.
Sick of social media, so I've slowed it to a large degree. I don't want to post much beyond snapshots there because they have to mean something to someone or they don't count, at least that's the culture of IG. When I do share film, which generally is more rooted in an artistic expression, the images aren't well received. And what should I expect anyhow from IGers at large?
Aware of the pitfalls of letting those feelings dictate what I do, I've still taken two steps back as a precaution. For me that's slowing the pace and diminishing the quality of what I post so I don't feel the way I have been about the dynamic that exists there. Oh, and how that will hurt my "brand"!! Ugh, really? If we can't somehow monetize what we do as artists, are we trees falling in the woods?
I have always loved slide film, especially medium format E6. A little over a year ago I had a little show at my favorite little coffee shop in downtown Portland and while I did have prints up to share with the regular customers, I mostly didn't care about those after my opening night. That was because at the slide show that I presented there was a feeling that not only was I present, but so was everyone in the room. There was a story with most images, and a narrative shared among them. The images looked like you could walk into them. Like you were there. For sharing my work, it was the polar opposite of the typical method today seems to be: someone "engaged" in conversation with others, quickly scrolling past 2" images on their phone, liking, liking, liking.
My point is that I have not only been shooting, and mostly on slide film, but I haven't been willing to even scan the film I have processed to share with anyone because I feel the medium is both being disrespected and cannot adequately convey what my P66 or even print can. Hell, flickr is even still the much better place.
So, while I wait to pivot to whatever fills the void, I can't help but only want to be back in a room with my people who are present, soaking in the glow of images that will be just a memory when the lights came back on. And it that's exactly how I would feel had I been there at each instance without a shutter to open–just a memory. And that's all I need.
Maybe I'll find a way to being in LA. But not having the connection I do to a place and not having an outlet like I used to at the moment is leaving a lot of film piling up, waiting for to find the light in a dark room.