View allAll Photos Tagged huarache
Across the U. S. A.
Then everybody'd be surfin'
Like Californi-a
You'd seem 'em wearing their baggies
Huarache sandals too
A bushy bushy blonde hairdo
Surfin' U. S. A.
~Beach Boys
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REBORN by eBODY v1.69.4
Three items from Thalia Heckroth is the highlight today. Most if not all, recently updated to include all bodies.
*First is the 'Isabel Blouse', updated, Cut for a loose fit and made from crisp cotton, Isabel blouse has an airy, feminine shape and fluted voile sleeves.
Available in 7 colours + Fatpack includes 6 additional tones and 7 prints via HUD.
For LaraX, PetiteX, Meshbody Legacy, Legacy Perky, Legacy Pinup X Bombshell, Momma and eBody Reborn.
Materials enabled.
*Second are the 'Mae Shorts' updated, For LaraX, PetiteX, Meshbody Legacy, Legacy Perky, Legacy Pinup X Bombshell, eBody Reborn.
Fatpack includes 5 additional colours.
Materials Enabled.
*Thirdly we have the 'Braided Leather Slides'. Inspired by traditional mexican huaraches, this pair is made from smooth leather with chunky braided straps.
Fatpack includes an additional 3 colours (nude, silver, and hazelnut)
For Maitreya Lara, Meshbody Legacy, Avlove Momma, eBody Reborn, Kupra.
Materials enabled.
All three are available at Thalia Heckroth Main Store:
maps.secondlife.com/secondlife/Fingal/127/86/23/
Primfeed:
www.primfeed.com/valium.lavender/posts/7691ba29-79fd-4c39...
El ARTISTA QUE PINTA PENDEJADAS
Artista plastico que plasma sus ideas basadas en un mundo erotico-primitivo-surrealista.
Su imageneria va mas alla de una interpretación sexual. Utilizar al erotismo como punto primordial de su obra le sirve para criticar aspectos tanto psicologicos, sociales, y culturales, como politicos y religiosos, todo basado en el comportamiendo humano. Por su parte, la vida natural y animal los plantea como aspectos que carecen de juicio, permitiendoles una libertad sin prejuicios.
En el dificil camino de la creación plastica, Eloy Jiménez, ha encontrado un estilo propio que ha creado controversia. Dicho de otra manera, la utilización grafíca de elementos con connotación sexual hace que su obra pueda ser vista por muchos como cruda, burda, grotesca e irreal. Estos elementos estrechan la relacion del humano con el mundo animal permitiendole asociar comportamientos parecidos que establecen aspectos sociales en comunidad. De esta manera el asociar a la vida animal con la vida humana, crea un vinculo sexual inconsiente que lleva a cuestionamientos sociales y religiosos por patrones morales que obstaculizan al individuo premeditadamente, no permitiendolé el libre albedrio de escojer su sexualidad.
ARTIST STATEMENT
ELOY JIMENEZ “El Mixteco”
“When an art historian was preparing a lecture for a symposium on art and sexuality, he asked his friend Picasso where he drew the line between these two concepts. The painter replied: They the same thing, because art can only be erotic.” (Widmaier 2005)
In my sensitivity art is only erotic.
In the Mixtec region of Oaxaca, where I am from, where my roots begin, the culture is flooded with ideologies related to sex.
I am deeply influenced by my culture and my country. The codex (ancient Pre Columbian pictographs) contain representations of sexuality, none of which are considered immoral, to them it is part of life. Their Gods, their history, were all represented in this aspect.
Sexuality is, part of self not exclusive to a group or a certain culture.
In addition to my culture, I am also influenced by many important artists. Schield, Klimt, Picasso, Kokoschka and Toledo all work with erotic imagery. My attention was based primarily how they conveyed eroticism and sexuality. Each artist represented their own erotic style based on the premise of love, passion, emotion, sensuality and sexuality. In some cases they walked a thin line between eroticism and pornography.
I perceive that eroticism goes beyond the normal standards of love, passion, sex, and emotions. I discern that art is intertwined with pornography, and eroticism, and that they are inherent to each other. If one threatens to separate these concepts it will only justify societies judgments on what is moral and what is immoral.
My art work is more than a simple thematic representation; it is a procedure, a contemplative introspective arrangement. I was able to produce textural aspects that are not typically found with other traditional painting techniques on paper. I utilize the ancient Mixtec use of grana Cochinilla (ground Coachanil bug) in a new way.
I focused on two notions: the concept of diverse human sexuality and the concept of animal sexuality. Both have the same objective: to preserve the species. Only the humans have the ability to understand and recognize the sexual act as a pleasure.
My style is individual and distinctive; I call myself as an erotic artist. I focus on primitive conceptions in a contemporary society. For some pornography or eroticism is an attack on moral values, however, the erotic exist, unbeknownst to most, in the everyday.
RESUME
2006/2009 Texas A&M University-Kingsville
Area of Study: BFA in Fine Arts
2000/2005 Universidad Autonóma Benito Juárez de Oaxaca (Facultad de Arquitectura 5 de Mayo)
Area of Study: Bachelor in Architecture
2000/2005 Universidad Autonóma Benito Juárez de Oaxaca (escuela de Bellas Artes)
Area of Study: Technique career in Fine Arts
SOLO EXHIBITION
2009 Exhibition "Erotic Art"
Texas A&M University-Kingsville, Ben Baile Art Gallery.
2005 Exhibition "Ponerle en el Petate"
Museo Regional de Huajuapam de León, Oaxaca, México. MureH Gallery.
2002 Exhibition "Colgue los Huareches"
Museo Regional de Huajuapam de León, Oaxaca, México. MureH Gallery.
GROUPS EXHIBITION
2005 Exhibition "Arte Grafico en contra de la Guerra"
Andador Turistico de Oaxaca, México.
2002 Exhibition "Xilografías 2002"
Universidad Autonóma Metropolitana del DF, México. Leopoldo Mendez Gallery.
2002 Exhibition "Colgue los Huareches"
Casa de la Cultura Oaxaqueña Exconvento de los Siete Principes, Oaxaca, México. Gallery Second Fluor.
INSTALLATION
2007 Installation Sand Painting
Victoria Museum, Victoria, Texas
2006 Installation Sand Painting
Alameda Museum, San Antonio, Texas
2006 Installation Sand Painting
Mexicarte Museum, Austin, Texas. In Honor a Luis Jiménez.
2005 Installation Sand Painting
Bank Center, Corpus Christie, Texas.
Tomados de la red son muestras de la artesania del huarache en Talpa de Allende. Lugar reconocido por ser un centro religioso importante de Jalisco.
Can't remember why I did this, but this was just the right shoes from my collection at the time. It since increased, but has now diminished greatly.
Inspired by traditional mexican huaraches, this pair is made from smooth leather with chunky braided straps.
Fatpack includes an additional 3 colours (nude, silver, and hazelnut)
For LaraX, Legacy, Reborn and Momma.
Materials enabled.
@
Today's story and sketch by me #1506, as you can see I was out testing new high speed Huarache Sandals for my favorite all terrain quadruped Clyde. We were crossing the Budahunga Dry Lake, doing about 55 miles an hour, when Clyde began slowing down, my first thought was we were having a footwear malfunction, when I saw Clyde, looking into the horizon, watching a round cage apparatus falling from the sky. Well Clyde hit high gear, I could barely hold on when we hit 65 miles per hour. The apparatus on closer inspection is some type of Gondola. With a terrified pedestrian inside, the pedestrian it turns out was at a county fair in Costa Mesa California, riding in this Ariel gondola, when a deep purple swamp gas dimension portal, engulfed it, pulled it from the overhead cables, sent it tumbling through multiple dimensions before dropping the pedestrian named Spencer, where you see him up in a undecidious pine, he will be very confused, when he learns he is in an unknown dimension, on a Tropical Volcanic Planet we call Budahunga. Until next time Tata the Rod Blog
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The Huichols are a hearty and enduring people numbering about 18,000, most of which live in the Jalisco and Nayarit, two rugged and mountainous states in North Central Mexico.
They are descendents of the Aztecs and are related to their Uto-Aztecan speaking cousin, the Hopi of Arizona. They are representatives of a pre-Columbian shamanic tradition which is still functioning according to the ceremonies of their remote past. Having withstood the Spanish Invasion, they are still striving to keep their culture alive and viable, despite the ever increasing physical and cultural encroachment of their Mexican neighbors.