View allAll Photos Tagged homelab
canon F1
canon fd 7.5mm fisheye
kodak 2254 ultra slow archival film iso 1.6
home development ECN2
v600 scan
canon F1
canon fd 200mm f2.8
fd 2x telephoto extender
multi image filters (x2)
kodak double x 5222 pushed @1600
home development d76
v600 scan
minolta-16 II subminiature / spy camera
rokkor 22mm f2.8
fuji eterna 8662 250d 16mm (expired)
home development ECN2
v600 scan
Rollei 35 S, Sonnar 2.8 / 40 mm
ORWO WOLFEN NC 500 ISO 400,
Film was exposed at 250 ISO,
Negativ self-developed with Adox C-41 Kit,
Negative photographed with Pentax KP + SMC Macro Limited 28 mm
Saarbrücken Germany Europe
Camera: Canon AE1 Program
Film: Kodak Vision3 250D ie 200ASA
Develop: Fuji RA4
Dilution: 1/29
Temp: 39,4 °C
Development times
remove rem-jet
Develop: 5´
Rinse: 2,5´
Stop: 1´
Rinse: 3´
Bleach: 5´
Rinse: 3´
Fix: 5´
Rinse: 3´
Stabilizer: 1´
Rinse: 3´
Photo-Flo:1´
Agitation 10 seconds every 1/2 minute
More info red-photo.xf.cz/ECP-ECN_PROCESS.pdf
4x5 experiments 1
Busch Model D w/ Kodak Ektar 125mm/4.7
Ilford HP5+ 400
Processed in D-76.
Tad over exposed.
This is my networking stuff - I had to mount all this a bit lower than the very top of the rack as I had wanted, because my Ethernet cables were just barely too short to reach the very top if I bundled them all up neatly on the sides. Go figure.
From top to bottom:
- Unifi AP-AC: I run a few wireless networks off of this to get into my LAN when I'm lazy and not at my desk. It works real well, especially since it lets me run several different SSIDs going into different VLANs. I use WPA2-Enterprise authentication against AD for my main network, then an SSID with a guest portal for guest wireless, and another one with plain WPA2 for IoT-type devices.
- Unifi Switch US-16-XG: 10Gb "backbone" switch. 16 sexy ports of 10Gb goodness, 4 of which are copper. One of the ports is configured as a trunk to my Catalyst 3560E.
- Cisco Catalyst 3560E: 48 10/100/1000 Ethernet ports, plus two 10Gb ports. Pretty much everything is plugged in here. I have a little bit of a color scheme going on - black is management, green are 802.1q trunks, and blue are servers. The grey cord was the only cord I had laying around that could reach under my bed. :(
Cortometraje "Salida"
Dirección: Alejandra León
Asistencia de dirección: Nicolas Quiroga, Laura Vaugham
Producción: Natalia Acosta
Asistencia de Producción: Diva Segovia
Dirección de Foto: Vanessa Alami
Gaffer: Cristian del Valle
Electricos: German Orione
Cámara: Ricardo Jaimes
Asistencia de cámara: Albert de la Rosa
Segundo de Cámara: Juan Molano
Dirección de arte: Carolina Acevedo, Asistencia de Arte: Rafaella Guio y Alejandro Cortés
Dirección de Sonido: Julio Araujo
Asistentes de sonido: Jose Maury, Gloria Barujel
Actores: Huilen, Matias Pellegrini, Mario Henao y Tomas Ubensa
Vestuario: Catalina (Maria Mulata)
Maquillaje: Alejandra BejaranoCortometraje "Salida"
Dirección: Alejandra León
Asistencia de dirección: Nicolas Quiroga, Laura Vaugham
Producción: Natalia Acosta
Asistencia de Producción: Diva Segovia
Dirección de Foto: Vanessa Alami
Gaffer: Cristian del Valle
Electricos: German Orione
Cámara: Ricardo Jaimes
Asistencia de cámara: Albert de la Rosa
Segundo de Cámara: Juan Molano
Dirección de arte: Carolina Acevedo, Asistencia de Arte: Rafaella Guio y Alejandro Cortés
Dirección de Sonido: Julio Araujo
Asistentes de sonido: Jose Maury, Gloria Barujel
Actores: Huilen, Matias Pellegrini, Mario Henao y Tomas Ubensa
Vestuario: Catalina (Maria Mulata)
Maquillaje: Alejandra Bejarano
I use a Polycom SoundPoint IP-550 phone (together with Asterisk running in my ESXi host, connected to Flowroute as my SIP provider) for a variety of fun things. Mostly to make me feel cool, but for the odd occasion I need to make a telephone call, this works far better than trying to use a cell phone inside of this gigantic brick bunker of sadness.
This phone has been an interesting point of confusion for the hall staff as well. We have POTS jacks in the wall, but they're not connected (no dial tone at all) and apparently the concept of VoIP is mind-boggling to them. Heh.