29× 30㎝

collage, Japanese paper, dryleaves

C45 Expeditor

Looking up at Haneda Airport In Tokyo

KL681 arriving

Amsterdam to Vancouver

(so what ?)

@Small Worlds Miniature Museum in Odaiba

"The world is so small . . . till it ain't." (Mac Miller)

(My son's photograph)

For licensing see: Getty Images.

Entardecer em Londrina. Edifício Palazzo Veronesi. Avião chegando...

Zigermeet 2016, The Lockheed P-38 Lightning was a World War II American piston-engined fighter aircraft. Developed to a United States Army Air Corps requirement, the P-38 had distinctive twin booms and a central nacelle containing the cockpit and armament. Allied propaganda claimed it had been nicknamed the fork-tailed devil (German: 'der Gabelschwanz-Teufel') by the Luftwaffe and "two planes, one pilot" (2飛行機、1パイロット Ni hikōki, ippairotto?) by the Japanese.[7] The P-38 was used for interception, dive bombing, level bombing, ground attack, night fighting, photo reconnaissance, radar and visual pathfinding for bombers and evacuation missions[8] and extensively as a long-range escort fighter when equipped with drop tanks under its wings.

The P-38 was used most successfully in the Pacific Theater of Operations and the China-Burma-India Theater of Operations as the aircraft of America's top aces, Richard Bong (40 victories), Thomas McGuire (38 victories) and Charles H. MacDonald (36 victories). In the South West Pacific theater, the P-38 was the primary long-range fighter of United States Army Air Forces until the appearance of large numbers of P-51D Mustangs, toward the end of the war.[9][10]

The P-38 was unusually quiet for a fighter, the exhaust muffled by the turbo-superchargers. It was extremely forgiving and could be mishandled in many ways but the rate of roll in the early versions was too slow for it to excel as a dogfighter.[11] The P-38 was the only American fighter aircraft in production throughout American involvement in the war, from Pearl Harbor to Victory over Japan Day.[citation needed] At the end of the war, orders for 1,887 more were cancelled

See more photos of this, and the Wikipedia article.

Details, quoting from Smithsonian National Air and Space Museum: Steven F. Udvar-Hazy | Nakajima J1N1-S Gekko (Moonlight) IRVING:

Originally designed as a three-seat, daylight escort fighter plane by the Nakajima Aeroplane Company, Ltd., and flown in 1941, the IRVING was modified as a night fighter in May of 1943 and shot down two American B-17 bombers to prove its capability. The Gekko (meaning moonlight) was redesigned to hold only two crewmen so that an upward firing gun could be mounted where the observer once sat. Nearly five hundred J1N1 aircraft, including prototypes, escort, reconnaissance, and night fighters were built during World War II. A sizeable number were also used as Kamikaze aircraft in the Pacific. The few that survived the war were scrapped by the Allies.

This J1N1 is the last remaining in the world. It was transported from Japan to the U.S. where it was flight tested by the U.S. Army Air Forces in 1946. The Gekko then flew to storage at Park Ridge, IL, and was transferred to the Smithsonian Institution. The restoration of this aircraft, completed in 1983, took more than four years and 17,000 man-hours to accomplish.

Transferred from the United States Air Force.

Manufacturer:

Nakajima Hikoki K. K.

Date:

1942

Country of Origin:

Japan

Dimensions:

Overall: 15ft 1 1/8in. x 41ft 11 15/16in., 10670.3lb., 55ft 9 5/16in. (460 x 1280cm, 4840kg, 1700cm)

Materials:

All-metal, monocoque construction airplane

Physical Description:

Twin-engine, conventional layout with tailwheel-type landing gear.

Armament: (2) 20 mm fixed upward firing cannon

Engines: (2) Nakajima Sakae 21 (NK1F, Ha35- 21) 14- cylinder air-cooled radial 1,130 horsepower (metric)

• • • • •

See more photos of this, and the Wikipedia article.

Details, quoting from Smithsonian National Air and Space Museum: Steven F. Udvar-Hazy | Boeing B-29 Superfortress "Enola Gay":

Boeing's B-29 Superfortress was the most sophisticated propeller-driven bomber of World War II and the first bomber to house its crew in pressurized compartments. Although designed to fight in the European theater, the B-29 found its niche on the other side of the globe. In the Pacific, B-29s delivered a variety of aerial weapons: conventional bombs, incendiary bombs, mines, and two nuclear weapons.

On August 6, 1945, this Martin-built B-29-45-MO dropped the first atomic weapon used in combat on Hiroshima, Japan. Three days later, Bockscar (on display at the U.S. Air Force Museum near Dayton, Ohio) dropped a second atomic bomb on Nagasaki, Japan. Enola Gay flew as the advance weather reconnaissance aircraft that day. A third B-29, The Great Artiste, flew as an observation aircraft on both missions.

Transferred from the United States Air Force.

Manufacturer:

Boeing Aircraft Co.

Martin Co., Omaha, Nebr.

Date:

1945

Country of Origin:

United States of America

Dimensions:

Overall: 900 x 3020cm, 32580kg, 4300cm (29ft 6 5/16in. x 99ft 1in., 71825.9lb., 141ft 15/16in.)

Materials:

Polished overall aluminum finish

Physical Description:

Four-engine heavy bomber with semi-monoqoque fuselage and high-aspect ratio wings. Polished aluminum finish overall, standard late-World War II Army Air Forces insignia on wings and aft fuselage and serial number on vertical fin; 509th Composite Group markings painted in black; "Enola Gay" in black, block letters on lower left nose.

I didn't buy the whole set of tools (though I keep thinking about it, sigh), but I like paint cans, so I bought both the A & B versions. They're about 1 1/2 inches tall, so they would work nicely in dioramas in multiple sizes.

The Lockheed P-38 Lightning was a World War II American fighter aircraft built by Lockheed. Developed to a United States Army Air Corps requirement, the P-38 had distinctive twin booms and a single, central nacelle containing the cockpit and armament. Named "fork-tailed devil" (der Gabelschwanz-Teufel) by the Luftwaffe and "two planes, one pilot" (2飛行機、1パイロット Ni hikōki, ippairotto?) by the Japanese, the P-38 was used in a number of roles, including dive bombing, level bombing, ground-attack, night fighting, photoreconnaissance missions, and extensively as a long-range escort fighter when equipped with drop tanks under its wings.

The P-38 was used most successfully in the Pacific Theater of Operations and the China-Burma-India Theater of Operations as the mount of America's top aces, Richard Bong (40 victories) and Thomas McGuire (38 victories). In the South West Pacific theater, the P-38 was the primary long-range fighter of United States Army Air Forces until the appearance of large numbers of P-51D Mustangs toward the end of the war.

The P-38 was unusually quiet for a fighter, the exhaust muffled by the turbo-superchargers. It was extremely forgiving, and could be mishandled in many ways, but the rate of roll in the early versions was too slow for it to excel as a dogfighter. The P-38 was the only American fighter aircraft in production throughout American involvement in the war, from Pearl Harbor to Victory over Japan Day.

Design and development[edit]

Lockheed designed the P-38 in response to a February 1937 specification from the United States Army Air Corps. Circular Proposal X-608 was a set of aircraft performance goals authored by First Lieutenant Benjamin S. Kelsey (later Brigadier General) and First Lieutenant Gordon P. Saville (later General) for a twin-engine, high-altitude "interceptor" having "the tactical mission of interception and attack of hostile aircraft at high altitude." Kelsey recalled in 1977 that he and Saville drew up the specification using the word interceptor as a way to bypass the inflexible Army Air Corps requirement for pursuit aircraft to carry no more than 500 lb (227 kg) of armament including ammunition, as well as the restriction of single-seat aircraft to one engine. Kelsey was looking for a minimum of 1,000 lb (454 kg) of armament. Kelsey and Saville aimed to get a more capable fighter, better at dog-fighting and at high-altitude combat. Specifications called for a maximum airspeed of at least 360 mph (580 km/h) at altitude, and a climb to 20,000 ft (6,100 m) within six minutes, the toughest set of specifications USAAC had ever presented. The unbuilt Vultee XP1015 was designed to the same requirement, but was not advanced enough to merit further investigation. A similar single-engine proposal was issued at the same time, Circular Proposal X-609, in response to which the Bell P-39 Airacobra was designed. Both proposals required liquid-cooled Allison V-1710 engines with turbo-superchargers and gave extra points for tricycle landing gear.

The Lockheed design team, under the direction of Hall Hibbard and Clarence "Kelly" Johnson, considered a range of twin-engine configurations, including both engines in a central fuselage with push-pull propellers.

The eventual configuration was rare in terms of contemporary fighter aircraft design, with only the preceding Fokker G.1, the contemporary Focke-Wulf Fw 189 Luftwaffe reconnaissance aircraft, and the later Northrop P-61 Black Widow night fighter having a similar planform. The Lockheed team chose twin booms to accommodate the tail assembly, engines, and turbo-superchargers, with a central nacelle for the pilot and armament. The XP-38 gondola mockup was designed to mount two .50-caliber (12.7 mm) M2 Browning machine guns, with 200 rpg, two .30-caliber (7.62 mm) Brownings, with 500 rpg, and a T1 Army Ordnance 23-mm (.90 in) autocannon with a rotary magazine as a substitute for the non-existent 25-mm Hotchkiss aircraft autocannon specified by Kelsey and Saville. In the YP-38s, a larger John Browning-designed, Colt-made M9 37-mm (1.46 in) autocannon with 15 rounds replaced the T1. The 15 rounds were in three 5-round clips, an unsatisfactory arrangement according to Kelsey, and the M9 did not perform reliably in flight. Further armament experiments from March to June 1941 resulted in the P-38E combat configuration of four M2 Browning machine guns, and one Hispano 20-mm (.79 in) autocannon with 150 rounds.

P-38 armament, concentrated in the nose of the aircraft

Clustering all the armament in the nose was unlike most other U.S. aircraft, which used wing-mounted guns with trajectories set up to crisscross at one or more points in a convergence zone. Nose-mounted guns did not suffer from having their useful ranges limited by pattern convergence, meaning that good pilots could shoot much farther. A Lightning could reliably hit targets at any range up to 1,000 yd (910 m), whereas other fighters had to pick a single convergence range between 100 and 250 yd (230 m). The clustered weapons had a "buzz saw" effect on any target at the receiving end, making the aircraft effective for strafing as well. The rate of fire was about 650 rounds per minute for the 20×110-mm cannon round (130-gram shell) at a muzzle velocity of about 2,887 ft/s (880 m/s), and for the .50-caliber machine guns (43–48-gram rounds), about 850 rpm at 2,756 ft/s (840 m/s) velocity. Combined rate of fire was over 4,000 rpm with roughly every sixth projectile a 20-mm shell. The duration of sustained firing for the 20-mm cannon and .50-caliber machine guns was approximately 14 seconds and 35 seconds, respectively.

The Lockheed design incorporated tricycle undercarriage and a bubble canopy, and featured two 1,000-hp (746 kW) turbo-supercharged 12-cylinder Allison V-1710 engines fitted with counter-rotating propellers to eliminate the effect of engine torque, with the superchargers positioned behind the engines, with the exhaust side of the units exposed along the dorsal surfaces of the booms. Counter-rotation was achieved by the use of "handed" engines, which meant that the crankshaft of each engine turned in the opposite direction of its counterpart. The V-12 engines required changing only the spark plug firing order in order for the direction of the crankshaft to be reversed, according to the General Motors Allison V-1710 Service School Handbook.

It was the first American fighter to make extensive use of stainless steel and smooth, flush-riveted butt-jointed aluminum skin panels. It was also the first fighter to fly faster than 400 mph (640 km/h).

Pacific theater

Wartime poster encouraging greater production of P-38s

The P-38 was used most extensively and successfully in the Pacific theater, where it proved ideally suited, combining excellent performance with very long range, and had the added reliability of two engines for long missions over water. The P-38 was used in a variety of roles, especially escorting bombers at altitudes between 18–25,000 ft (5,500-7,600 m). The P-38 was credited with destroying more Japanese aircraft than any other USAAF fighter. Freezing cockpits were not a problem at low altitude in the tropics. In fact, since there was no way to open a window while in flight as it caused buffeting by setting up turbulence through the tailplane, it was often too hot; pilots taking low altitude assignments would often fly stripped down to shorts, tennis shoes, and parachute. While the P-38 could not out-turn the A6M Zero and most other Japanese fighters when flying below 200 mph (320 km/h), its superior speed coupled with a good rate of climb meant that it could utilize energy tactics, making multiple high-speed passes at its target. Also, its focused firepower was even more deadly to lightly armored Japanese warplanes than to the Germans'. The concentrated, parallel stream of bullets allowed aerial victory at much longer distances than fighters carrying wing guns. It is therefore ironic that Dick Bong, the United States' highest-scoring World War II air ace (40 victories solely in P-38s), would fly directly at his targets to make sure he hit them (as he himself acknowledged his poor shooting ability), in some cases flying through the debris of his target (and on one occasion colliding with an enemy aircraft which was claimed as a "probable" victory). The twin Allison engines performed admirably in the Pacific.

Postwar operations[edit]

The end of the war left the USAAF with thousands of P-38s rendered obsolete by the jet age. The last P-38s in service with the United States Air Force were retired in 1949.[82] A total of 100 late-model P-38L and F-5 Lightnings were acquired by Italy through an agreement dated April 1946. Delivered, after refurbishing, at the rate of one per month, they finally were all sent to the AMI by 1952. The Lightnings served in 4 Stormo and other units including 3 Stormo, flying reconnaissance over the Balkans, ground attack, naval cooperation and air superiority missions. Due to unfamiliarity in operating heavy fighters, old engines, and pilot errors, a large number of P-38s were lost in at least 30 accidents, many of them fatal. Despite this, many Italian pilots liked the P-38 because of its excellent visibility on the ground and stability on takeoff. The Italian P-38s were phased out in 1956; none survived the inevitable scrapyard.

Surplus P-38s were also used by other foreign air forces with 12 sold to Honduras and 15 retained by China. Six F-5s and two unarmed black two-seater P-38s were operated by the Dominican Air Force based in San Isidro Airbase, Dominican Republic in 1947. The majority of wartime Lightnings present in the continental U.S. at the end of the war were put up for sale for US$1,200 apiece; the rest were scrapped. P-38s in distant theaters of war were bulldozed into piles and abandoned or scrapped; very few avoided that fate.

Variants:

Over 10,000 Lightnings were manufactured in all, becoming the only U.S. combat aircraft that remained in continuous production throughout the duration of American participation in World War II. The Lightning had a major effect on other aircraft; its wing, in a scaled-up form, was used on the L-049 Constellation.

Popular culture

1950 Studebaker Champion

Harley Earl arranged for several of his designers to view a YP-38 prototype shortly before World War II, and its design directly inspired the tail fins of the 1948–1949 Cadillac

The P-38 was also the inspiration for Raymond Loewy and his design team at Studebaker for the 1950 and 1951 model-year Studebakers.

The whine of the speeder bike engines in Return of the Jedi was partly achieved by recording the engine noise of a P-38, combined with that of a North American P-51 Mustang.

Cadillac 1948 Series 62 Fastback.

Cadillac had been one of the leading builders of luxury cars in the US between the wars. As part of the greater General Motors Corporation, Cadillac was well placed to resume car production after the end of WW II. Not only to resume production, but to fund the development of all new models, incorporating an all-new engine (for 1949), and advanced styling influenced by developments in aviation during the war.

This new styling and bodies were first seen in 1948.

For 1948, the Series 62 was moved to the same 126 in (3,200 mm) chassis as the Series 61, making the vehicles virtually identical. The main difference, apart from extra chrome, was the availability of a convertible model. Distinguishing features included grooved bright metal front fender gravel guards, rocker panel brightwork, chevron style chrome slashes below taillights and slightly richer interior trim. Also in 1948 the first tail fins were added. Sales fell to 34,213, nevertheless accounting for a record 68% of all Cadillacs sold.

A combination of factors allowed Cadillac to firmly place itself at the forefront of the luxury market, and stay there for the next 40 years.

This Lockheed P-38 Lightning from 1941, and 1948 Cadillac Series 62 Fastback Coupe has been created in Lego miniland-scale for Flickr LUGNuts 79th Build Challenge, - "LUGNuts goes Wingnuts", - featuring automotive vehicles named after, inspired by, or related to aircraft.

My father, Norman M Reed [11/11/1925 to 02/23/2023 – 97 yrs old], was a retired Allegheny Airlines Captain [US Airways]. He spent 13.5 years, 11,800 hours and 30162 take-offs & landings while flying the DC-3 in scheduled airline service for Lake Central Airlines [The FAA says it is a record for To's & Ldgs in a DC3 in domestic scheduled airline service], one of the legacy airlines of the "New American" Airlines.

Dad & Mom moved to Texas in 1977 from Catharpin, VA after my father retired from Allegheny Airlines [just before they changed their name to USAir in 1979 - he was originally with Lake Central Airlines - hire date 1953 - that merged with Allegheny in 1968] as a DC-9 Captain. He has flown in scheduled airline service the DC3, Nord 262, Convair 340 & 580 and the DC9-30 &-50. He was trained in the Army Air Corp during WWII on the P-47 & P-38. He never saw combat. Mom is 90 this year - 2023.

The Lockheed P-38 Lightning is a World War II-era American piston-engined fighter aircraft. Developed for the United States Army Air Corps, the P-38 had distinctive twin booms and a central nacelle containing the cockpit and armament. Allied propaganda claimed it had been nicknamed the fork-tailed devil (German: der Gabelschwanz-Teufel) by the Luftwaffe and "two planes, one pilot" (2飛行機、1パイロット Ni hikōki, ippairotto) by the Japanese.[6] The P-38 was used for interception, dive bombing, level bombing, ground attack, night fighting, photo reconnaissance, radar and visual pathfinding for bombers and evacuation missions,[7] and extensively as a long-range escort fighter when equipped with drop tanks under its wings.

The P-38 was used most successfully in the Pacific Theater of Operations and the China-Burma-India Theater of Operations as the aircraft of America's top aces, Richard Bong (40 victories), Thomas McGuire (38 victories) and Charles H. MacDonald (27 victories). In the South West Pacific theater, the P-38 was the primary long-range fighter of United States Army Air Forces until the appearance of large numbers of P-51D Mustangs toward the end of the war.[8][9]

The P-38 was unusually quiet for a fighter, since the exhaust was muffled by the turbo-superchargers. It was extremely forgiving and could be mishandled in many ways but the rate of roll in the early versions was too low for it to excel as a dogfighter.[10] The P-38 was the only American fighter aircraft in high-volume production throughout American involvement in the war, from Pearl Harbor to Victory over Japan Day.[11] At the end of the war, orders for 1,887 more were cancelled.[12]

Design and development

Lockheed designed the P-38 in response to a February 1937 specification from the United States Army Air Corps. Circular Proposal X-608 was a set of aircraft performance goals authored by First Lieutenants Benjamin S. Kelsey and Gordon P. Saville for a twin-engine, high-altitude "interceptor" having "the tactical mission of interception and attack of hostile aircraft at high altitude."[13] In 1977, Kelsey recalled he and Saville drew up the specification using the word interceptor as a way to bypass the inflexible Army Air Corps requirement for pursuit aircraft to carry no more than 500 lb (230 kg) of armament including ammunition, as well as the restriction of single-seat aircraft to one engine. Kelsey was looking for a minimum of 1,000 lb (450 kg) of armament.[14] Kelsey and Saville aimed to get a more capable fighter, better at dog-fighting and at high-altitude combat. Specifications called for a maximum airspeed of at least 360 mph (580 km/h) at altitude, and a climb to 20,000 ft (6,100 m) within six minutes,[15] the toughest set of specifications USAAC had ever presented. The unbuilt Vultee XP1015 was designed to the same requirement, but was not advanced enough to merit further investigation. A similar single-engine proposal was issued at the same time, Circular Proposal X-609, in response to which the Bell P-39 Airacobra was designed.[16] Both proposals required liquid-cooled Allison V-1710 engines with turbo-superchargers and gave extra points for tricycle landing gear.

The Lockheed design team, under the direction of Hall Hibbard and Clarence "Kelly" Johnson, considered a range of twin-engine configurations, including both engines in a central fuselage with push–pull propellers.[17]

The eventual configuration was rare in terms of contemporary fighter aircraft design, with only the preceding Fokker G.1, the contemporary Focke-Wulf Fw 189 Luftwaffe reconnaissance aircraft, and the later Northrop P-61 Black Widow night fighter having a similar planform. The Lockheed team chose twin booms to accommodate the tail assembly, engines, and turbo-superchargers, with a central nacelle for the pilot and armament. The XP-38 gondola mockup was designed to mount two .50-caliber (12.7 mm) M2 Browning machine guns with 200 rounds per gun (rpg), two .30-caliber (7.62 mm) Brownings with 500 rpg, and a T1 Army Ordnance 23 mm (.90 in) autocannon with a rotary magazine as a substitute for the non-existent 25 mm Hotchkiss aircraft autocannon specified by Kelsey and Saville.[18] In the YP-38s, a 37 mm (1.46 in) M9 autocannon with 15 rounds replaced the T1.[19] The 15 rounds were in three five-round clips, an unsatisfactory arrangement according to Kelsey, and the M9 did not perform reliably in flight. Further armament experiments from March to June 1941 resulted in the P-38E combat configuration of four M2 Browning machine guns, and one Hispano 20 mm (.79 in) autocannon with 150 rounds.[20]

Clustering all the armament in the nose was unusual in U.S. aircraft, which typically used wing-mounted guns with trajectories set up to crisscross at one or more points in a convergence zone. Nose-mounted guns did not suffer from having their useful ranges limited by pattern convergence, meaning that good pilots could shoot much farther. A Lightning could reliably hit targets at any range up to 1,000 yd (910 m), whereas the wing guns of other fighters were optimized for a specific range.[21] The rate of fire was about 650 rounds per minute for the 20×110 mm cannon round (130-gram shell) at a muzzle velocity of about 2,850 ft/s (870 m/s), and for the .50-caliber machine guns (51-gram rounds), about 850 rpm at 2,900 ft/s (880 m/s) velocity. Combined rate of fire was over 4,000 rpm with roughly every sixth projectile a 20 mm shell.[22] The duration of sustained firing for the 20 mm cannon was approximately 14 seconds while the .50-caliber machine guns worked for 35 seconds if each magazine was fully loaded with 500 rounds, or for 21 seconds if 300 rounds were loaded to save weight for long distance flying.

The Lockheed design incorporated tricycle undercarriage and a bubble canopy, and featured two 1,000 hp (750 kW) turbosupercharged 12-cylinder Allison V-1710 engines fitted with counter-rotating propellers to eliminate the effect of engine torque, with the turbochargers positioned behind the engines, the exhaust side of the units exposed along the dorsal surfaces of the booms.[23] Counter-rotation was achieved by the use of "handed" engines, which meant the crankshaft of each engine turned in the opposite direction of its counterpart, a relatively easy task for a modular-design aircraft powerplant as the V-1710.

The P-38 was the first American fighter to make extensive use of stainless steel and smooth, flush-riveted butt-jointed aluminum skin panels.[24] It was also the first military airplane to fly faster than 400 mph (640 km/h) in level flight.[25][26]

Source: en.wikipedia.org/wiki/Lockheed_P-38_Lightning

The Lockheed P-38 Lightning was a World War II American fighter aircraft built by Lockheed. Developed to a United States Army Air Corps requirement, the P-38 had distinctive twin booms and a single, central nacelle containing the cockpit and armament. Named "fork-tailed devil" (der Gabelschwanz-Teufel) by the Luftwaffe and "two planes, one pilot" (2飛行機、1パイロット Ni hikōki, ippairotto?) by the Japanese, the P-38 was used in a number of roles, including dive bombing, level bombing, ground-attack, night fighting, photoreconnaissance missions, and extensively as a long-range escort fighter when equipped with drop tanks under its wings.

The P-38 was used most successfully in the Pacific Theater of Operations and the China-Burma-India Theater of Operations as the mount of America's top aces, Richard Bong (40 victories) and Thomas McGuire (38 victories). In the South West Pacific theater, the P-38 was the primary long-range fighter of United States Army Air Forces until the appearance of large numbers of P-51D Mustangs toward the end of the war.

The P-38 was unusually quiet for a fighter, the exhaust muffled by the turbo-superchargers. It was extremely forgiving, and could be mishandled in many ways, but the rate of roll in the early versions was too slow for it to excel as a dogfighter. The P-38 was the only American fighter aircraft in production throughout American involvement in the war, from Pearl Harbor to Victory over Japan Day.

Design and development[edit]

Lockheed designed the P-38 in response to a February 1937 specification from the United States Army Air Corps. Circular Proposal X-608 was a set of aircraft performance goals authored by First Lieutenant Benjamin S. Kelsey (later Brigadier General) and First Lieutenant Gordon P. Saville (later General) for a twin-engine, high-altitude "interceptor" having "the tactical mission of interception and attack of hostile aircraft at high altitude." Kelsey recalled in 1977 that he and Saville drew up the specification using the word interceptor as a way to bypass the inflexible Army Air Corps requirement for pursuit aircraft to carry no more than 500 lb (227 kg) of armament including ammunition, as well as the restriction of single-seat aircraft to one engine. Kelsey was looking for a minimum of 1,000 lb (454 kg) of armament. Kelsey and Saville aimed to get a more capable fighter, better at dog-fighting and at high-altitude combat. Specifications called for a maximum airspeed of at least 360 mph (580 km/h) at altitude, and a climb to 20,000 ft (6,100 m) within six minutes, the toughest set of specifications USAAC had ever presented. The unbuilt Vultee XP1015 was designed to the same requirement, but was not advanced enough to merit further investigation. A similar single-engine proposal was issued at the same time, Circular Proposal X-609, in response to which the Bell P-39 Airacobra was designed. Both proposals required liquid-cooled Allison V-1710 engines with turbo-superchargers and gave extra points for tricycle landing gear.

The Lockheed design team, under the direction of Hall Hibbard and Clarence "Kelly" Johnson, considered a range of twin-engine configurations, including both engines in a central fuselage with push-pull propellers.

The eventual configuration was rare in terms of contemporary fighter aircraft design, with only the preceding Fokker G.1, the contemporary Focke-Wulf Fw 189 Luftwaffe reconnaissance aircraft, and the later Northrop P-61 Black Widow night fighter having a similar planform. The Lockheed team chose twin booms to accommodate the tail assembly, engines, and turbo-superchargers, with a central nacelle for the pilot and armament. The XP-38 gondola mockup was designed to mount two .50-caliber (12.7 mm) M2 Browning machine guns, with 200 rpg, two .30-caliber (7.62 mm) Brownings, with 500 rpg, and a T1 Army Ordnance 23-mm (.90 in) autocannon with a rotary magazine as a substitute for the non-existent 25-mm Hotchkiss aircraft autocannon specified by Kelsey and Saville. In the YP-38s, a larger John Browning-designed, Colt-made M9 37-mm (1.46 in) autocannon with 15 rounds replaced the T1. The 15 rounds were in three 5-round clips, an unsatisfactory arrangement according to Kelsey, and the M9 did not perform reliably in flight. Further armament experiments from March to June 1941 resulted in the P-38E combat configuration of four M2 Browning machine guns, and one Hispano 20-mm (.79 in) autocannon with 150 rounds.

P-38 armament, concentrated in the nose of the aircraft

Clustering all the armament in the nose was unlike most other U.S. aircraft, which used wing-mounted guns with trajectories set up to crisscross at one or more points in a convergence zone. Nose-mounted guns did not suffer from having their useful ranges limited by pattern convergence, meaning that good pilots could shoot much farther. A Lightning could reliably hit targets at any range up to 1,000 yd (910 m), whereas other fighters had to pick a single convergence range between 100 and 250 yd (230 m). The clustered weapons had a "buzz saw" effect on any target at the receiving end, making the aircraft effective for strafing as well. The rate of fire was about 650 rounds per minute for the 20×110-mm cannon round (130-gram shell) at a muzzle velocity of about 2,887 ft/s (880 m/s), and for the .50-caliber machine guns (43–48-gram rounds), about 850 rpm at 2,756 ft/s (840 m/s) velocity. Combined rate of fire was over 4,000 rpm with roughly every sixth projectile a 20-mm shell. The duration of sustained firing for the 20-mm cannon and .50-caliber machine guns was approximately 14 seconds and 35 seconds, respectively.

The Lockheed design incorporated tricycle undercarriage and a bubble canopy, and featured two 1,000-hp (746 kW) turbo-supercharged 12-cylinder Allison V-1710 engines fitted with counter-rotating propellers to eliminate the effect of engine torque, with the superchargers positioned behind the engines, with the exhaust side of the units exposed along the dorsal surfaces of the booms. Counter-rotation was achieved by the use of "handed" engines, which meant that the crankshaft of each engine turned in the opposite direction of its counterpart. The V-12 engines required changing only the spark plug firing order in order for the direction of the crankshaft to be reversed, according to the General Motors Allison V-1710 Service School Handbook.

It was the first American fighter to make extensive use of stainless steel and smooth, flush-riveted butt-jointed aluminum skin panels. It was also the first fighter to fly faster than 400 mph (640 km/h).

Pacific theater

Wartime poster encouraging greater production of P-38s

The P-38 was used most extensively and successfully in the Pacific theater, where it proved ideally suited, combining excellent performance with very long range, and had the added reliability of two engines for long missions over water. The P-38 was used in a variety of roles, especially escorting bombers at altitudes between 18–25,000 ft (5,500-7,600 m). The P-38 was credited with destroying more Japanese aircraft than any other USAAF fighter. Freezing cockpits were not a problem at low altitude in the tropics. In fact, since there was no way to open a window while in flight as it caused buffeting by setting up turbulence through the tailplane, it was often too hot; pilots taking low altitude assignments would often fly stripped down to shorts, tennis shoes, and parachute. While the P-38 could not out-turn the A6M Zero and most other Japanese fighters when flying below 200 mph (320 km/h), its superior speed coupled with a good rate of climb meant that it could utilize energy tactics, making multiple high-speed passes at its target. Also, its focused firepower was even more deadly to lightly armored Japanese warplanes than to the Germans'. The concentrated, parallel stream of bullets allowed aerial victory at much longer distances than fighters carrying wing guns. It is therefore ironic that Dick Bong, the United States' highest-scoring World War II air ace (40 victories solely in P-38s), would fly directly at his targets to make sure he hit them (as he himself acknowledged his poor shooting ability), in some cases flying through the debris of his target (and on one occasion colliding with an enemy aircraft which was claimed as a "probable" victory). The twin Allison engines performed admirably in the Pacific.

Postwar operations[edit]

The end of the war left the USAAF with thousands of P-38s rendered obsolete by the jet age. The last P-38s in service with the United States Air Force were retired in 1949.[82] A total of 100 late-model P-38L and F-5 Lightnings were acquired by Italy through an agreement dated April 1946. Delivered, after refurbishing, at the rate of one per month, they finally were all sent to the AMI by 1952. The Lightnings served in 4 Stormo and other units including 3 Stormo, flying reconnaissance over the Balkans, ground attack, naval cooperation and air superiority missions. Due to unfamiliarity in operating heavy fighters, old engines, and pilot errors, a large number of P-38s were lost in at least 30 accidents, many of them fatal. Despite this, many Italian pilots liked the P-38 because of its excellent visibility on the ground and stability on takeoff. The Italian P-38s were phased out in 1956; none survived the inevitable scrapyard.

Surplus P-38s were also used by other foreign air forces with 12 sold to Honduras and 15 retained by China. Six F-5s and two unarmed black two-seater P-38s were operated by the Dominican Air Force based in San Isidro Airbase, Dominican Republic in 1947. The majority of wartime Lightnings present in the continental U.S. at the end of the war were put up for sale for US$1,200 apiece; the rest were scrapped. P-38s in distant theaters of war were bulldozed into piles and abandoned or scrapped; very few avoided that fate.

Variants:

Over 10,000 Lightnings were manufactured in all, becoming the only U.S. combat aircraft that remained in continuous production throughout the duration of American participation in World War II. The Lightning had a major effect on other aircraft; its wing, in a scaled-up form, was used on the L-049 Constellation.

Popular culture

1950 Studebaker Champion

Harley Earl arranged for several of his designers to view a YP-38 prototype shortly before World War II, and its design directly inspired the tail fins of the 1948–1949 Cadillac

The P-38 was also the inspiration for Raymond Loewy and his design team at Studebaker for the 1950 and 1951 model-year Studebakers.

The whine of the speeder bike engines in Return of the Jedi was partly achieved by recording the engine noise of a P-38, combined with that of a North American P-51 Mustang.

Cadillac 1948 Series 62 Fastback.

Cadillac had been one of the leading builders of luxury cars in the US between the wars. As part of the greater General Motors Corporation, Cadillac was well placed to resume car production after the end of WW II. Not only to resume production, but to fund the development of all new models, incorporating an all-new engine (for 1949), and advanced styling influenced by developments in aviation during the war.

This new styling and bodies were first seen in 1948.

For 1948, the Series 62 was moved to the same 126 in (3,200 mm) chassis as the Series 61, making the vehicles virtually identical. The main difference, apart from extra chrome, was the availability of a convertible model. Distinguishing features included grooved bright metal front fender gravel guards, rocker panel brightwork, chevron style chrome slashes below taillights and slightly richer interior trim. Also in 1948 the first tail fins were added. Sales fell to 34,213, nevertheless accounting for a record 68% of all Cadillacs sold.

A combination of factors allowed Cadillac to firmly place itself at the forefront of the luxury market, and stay there for the next 40 years.

This Lockheed P-38 Lightning from 1941, and 1948 Cadillac Series 62 Fastback Coupe has been created in Lego miniland-scale for Flickr LUGNuts 79th Build Challenge, - "LUGNuts goes Wingnuts", - featuring automotive vehicles named after, inspired by, or related to aircraft.

From Tokyo to Milan

+++ DISCLAIMER +++Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

Some background:

The Nakajima J9N Kitsuka (中島 橘花, "Orange Blossom", pronounced Kikka in Kanji used traditionally by the Japanese) was Japan's first jet aircraft. In internal IJN documents it was also called Kōkoku Nigō Heiki (皇国二号兵器, "Imperial Weapon No.2"). After the Japanese military attaché in Germany witnessed trials of the Messerschmitt Me 262 in 1942, the Imperial Japanese Navy issued a request to Nakajima to develop a similar aircraft to be used as a fast attack bomber. Among the specifications for the design were the requirements that it should be able to be built largely by unskilled labor, and that the wings should be foldable. This latter feature was not intended for potential use on aircraft carriers, but rather to enable the aircraft to be hidden in caves and tunnels around Japan as the navy began to prepare for the defense of the home islands.

The J9Ns’ overall war contribution was negligible, and after the war, several airframes (including partial airframes) were captured by Allied forces. Three airframes (including a two-seat night fighter with FD-2 radar) were brought to the U.S. for study. Today, two J9N examples survive in the National Air and Space Museum: The first is a Kikka that was taken to the Patuxent River Naval Air Base, Maryland for analysis. This aircraft is very incomplete and is believed to have been patched together from a variety of semi-completed airframes. It is currently still in storage at the Paul E. Garber Preservation, Restoration and Storage Facility in Silver Hill, MD. The second Kikka is on display at the NASM Udvar-Hazy Center in the Mary Baker Engen Restoration Hangar.

General characteristics:

Crew: 2

Length: 8.13 m (26 ft 8 in) fuselage only

10.30 m (33 ft 8¾ in) with FD-2 antenna array

Wingspan: 10 m (32 ft 10 in)

Height: 2.95 m (9 ft 8 in)

Wing area: 13.2 m² (142 sq ft)

Empty weight: 2,300 kg (5,071 lb)

Gross weight: 3,500 kg (7,716 lb)

Max takeoff weight: 4,080 kg (8,995 lb)

Powerplant:

2× Ishikawajima Ne-130 or Ne-230 axial-flow turbojet engines

each with 8.83 kN/900 kg or 8.68 kN/885 kg thrust

Performance:

Maximum speed: 785 km/h (487 mph, 426 kn)

Range: 925 km (574 mi, 502 nmi) with internal fuel

Service ceiling: 12,000 m (39,000 ft)

Rate of climb: 10.5 m/s (2,064 ft/min)

Wing loading: 265 kg/m² (54 lb/sq ft)

Thrust-to-weight ratio: 0.43

Armament:

1× 30 mm (1.181 in) Type 5 cannon with 50 rounds in the nose

1× 20 mm (0.787 in) Type Ho-2 cannon with 80 rounds, mounted obliquely behind the cockpit

1× ventral hardpoint for a 500 l drop tank or a single 500 kg (1,102 lb) bomb

The kit and its assembly:

This is in fact the second Kikka I have built, and this time it’s a two-seater from AZ Models – actually the trainer boxing, but converted into a personal night fighter interpretation. The AZ Models kit is a simple affair, but that's also its problem. In the box things look quite good, detail level is on par with a classic Matchbox kit. But unlike a Matchbox kit, the AZ Models offering does not go together well. I had to fight everywhere with poor fit, lack of locator pins, ejection marks - anything a short run model kit can throw at you! Thanks to the experience with the single-seater kit some time ago, things did not become too traumatic, but it’s still not a kit for beginners. What worked surprisingly well was the IP canopy, though, which I cut into five sections for an optional open display – even though I am not certain if the kit’s designers had put some brain into their work because the canopy’s segmentation becomes more and more dubious the further you go backwards.

The only personal mods is a slightly changed armament, with one nose gun deleted and faired over with a piece of styrene sheet, while the leftover gun was mounted obliquely onto the left flank. I initially considered a position behind the canopy but rejected this because of CoG reasons. Then I planned to mount it directly behind the 2nd seat, so that the barrel would protrude through the canopy, but this appeared unrealistic because the (utterly tiny) sliding canopy for the rear crewman could not have been opened anymore? Finally, I settled for an offset position in the aircraft’s flanks, partly inspired by “Schräge Musik” arrangements on some German Fw 190 night fighters.

The antennae come from a Jadar Model PE set for Italeri’s Me 210s, turning it either into a night fighter or a naval surveillance aircraft.

Painting and markings:

This became rather lusterless; many late IJN night fighters carried a uniform dark green livery with minimalistic, toned-down markings, e. g. hinomaru without a white high-contrast edge, just the yellow ID bands on the wings’ leading edges were retained.

For this look the model received an overall basis coat of Humbrol 75 (Bronze Green), later treated with a black ink washing, dry-brushed aluminum and post-shading with lighter shades of dark green (including Humbrol 116 and Revell 67). The only colorful highlight is a red fin tip (Humbrol 19) and a thin red stripe underneath (decal). The yellow and white ID bands were created with decal material.

The cockpit interior was painted in a yellowish-green primer (trying to simulate a typical “bamboo” shade that was used in some late-war IJN cockpits), while the landing gear wells were painted in aodake iro, a clear bluish protective lacquer. The landing gear struts themselves became semi-matt black.

The markings are fictional and were puzzled together from various sources. The hinomaru came from the AZ Models’ Kikka single seater sheet (since it offers six roundels w/o white edge), the tactical code on the fin was created with red numbers from a Fujimi Aichi B7A2 Ryusei.

Finally, the kit received a coat of matt acrylic varnish and some grinded graphite around the jet exhausts and the gun nozzles.

Well, this fictional Kikka night fighter looks quite dry, but that makes it IMHO more credible. The large antler antenna array might look “a bit too much”, and a real night fighter probably had a simpler arrangement with a single Yagi-style/arrow-shaped antenna, but a description of the FD-2 radar suggested the layout I chose – and it does not look bad. The oblique cannon in the flank is another odd detail, but it is not unplausible. However, with all the equipment and esp. the draggy antennae on board, the Kikka’s mediocre performance would surely have seriously suffered, probably beyond an effective use. But this is whifworld, after all. ;-)

inagawa hanabi - ikeda city, osaka.

池田らしく飛行機いれてみました。

わかるかな？　（＾ー＾

The Lockheed P-38 Lightning was a World War II American fighter aircraft built by Lockheed. Developed to a United States Army Air Corps requirement, the P-38 had distinctive twin booms and a single, central nacelle containing the cockpit and armament. Named "fork-tailed devil" (der Gabelschwanz-Teufel) by the Luftwaffe and "two planes, one pilot" (2飛行機、1パイロット Ni hikōki, ippairotto?) by the Japanese, the P-38 was used in a number of roles, including dive bombing, level bombing, ground-attack, night fighting, photoreconnaissance missions, and extensively as a long-range escort fighter when equipped with drop tanks under its wings.

The P-38 was used most successfully in the Pacific Theater of Operations and the China-Burma-India Theater of Operations as the mount of America's top aces, Richard Bong (40 victories) and Thomas McGuire (38 victories). In the South West Pacific theater, the P-38 was the primary long-range fighter of United States Army Air Forces until the appearance of large numbers of P-51D Mustangs toward the end of the war.

The P-38 was unusually quiet for a fighter, the exhaust muffled by the turbo-superchargers. It was extremely forgiving, and could be mishandled in many ways, but the rate of roll in the early versions was too slow for it to excel as a dogfighter. The P-38 was the only American fighter aircraft in production throughout American involvement in the war, from Pearl Harbor to Victory over Japan Day.

Design and development[edit]

Lockheed designed the P-38 in response to a February 1937 specification from the United States Army Air Corps. Circular Proposal X-608 was a set of aircraft performance goals authored by First Lieutenant Benjamin S. Kelsey (later Brigadier General) and First Lieutenant Gordon P. Saville (later General) for a twin-engine, high-altitude "interceptor" having "the tactical mission of interception and attack of hostile aircraft at high altitude." Kelsey recalled in 1977 that he and Saville drew up the specification using the word interceptor as a way to bypass the inflexible Army Air Corps requirement for pursuit aircraft to carry no more than 500 lb (227 kg) of armament including ammunition, as well as the restriction of single-seat aircraft to one engine. Kelsey was looking for a minimum of 1,000 lb (454 kg) of armament. Kelsey and Saville aimed to get a more capable fighter, better at dog-fighting and at high-altitude combat. Specifications called for a maximum airspeed of at least 360 mph (580 km/h) at altitude, and a climb to 20,000 ft (6,100 m) within six minutes, the toughest set of specifications USAAC had ever presented. The unbuilt Vultee XP1015 was designed to the same requirement, but was not advanced enough to merit further investigation. A similar single-engine proposal was issued at the same time, Circular Proposal X-609, in response to which the Bell P-39 Airacobra was designed. Both proposals required liquid-cooled Allison V-1710 engines with turbo-superchargers and gave extra points for tricycle landing gear.

The Lockheed design team, under the direction of Hall Hibbard and Clarence "Kelly" Johnson, considered a range of twin-engine configurations, including both engines in a central fuselage with push-pull propellers.

The eventual configuration was rare in terms of contemporary fighter aircraft design, with only the preceding Fokker G.1, the contemporary Focke-Wulf Fw 189 Luftwaffe reconnaissance aircraft, and the later Northrop P-61 Black Widow night fighter having a similar planform. The Lockheed team chose twin booms to accommodate the tail assembly, engines, and turbo-superchargers, with a central nacelle for the pilot and armament. The XP-38 gondola mockup was designed to mount two .50-caliber (12.7 mm) M2 Browning machine guns, with 200 rpg, two .30-caliber (7.62 mm) Brownings, with 500 rpg, and a T1 Army Ordnance 23-mm (.90 in) autocannon with a rotary magazine as a substitute for the non-existent 25-mm Hotchkiss aircraft autocannon specified by Kelsey and Saville. In the YP-38s, a larger John Browning-designed, Colt-made M9 37-mm (1.46 in) autocannon with 15 rounds replaced the T1. The 15 rounds were in three 5-round clips, an unsatisfactory arrangement according to Kelsey, and the M9 did not perform reliably in flight. Further armament experiments from March to June 1941 resulted in the P-38E combat configuration of four M2 Browning machine guns, and one Hispano 20-mm (.79 in) autocannon with 150 rounds.

P-38 armament, concentrated in the nose of the aircraft

Clustering all the armament in the nose was unlike most other U.S. aircraft, which used wing-mounted guns with trajectories set up to crisscross at one or more points in a convergence zone. Nose-mounted guns did not suffer from having their useful ranges limited by pattern convergence, meaning that good pilots could shoot much farther. A Lightning could reliably hit targets at any range up to 1,000 yd (910 m), whereas other fighters had to pick a single convergence range between 100 and 250 yd (230 m). The clustered weapons had a "buzz saw" effect on any target at the receiving end, making the aircraft effective for strafing as well. The rate of fire was about 650 rounds per minute for the 20×110-mm cannon round (130-gram shell) at a muzzle velocity of about 2,887 ft/s (880 m/s), and for the .50-caliber machine guns (43–48-gram rounds), about 850 rpm at 2,756 ft/s (840 m/s) velocity. Combined rate of fire was over 4,000 rpm with roughly every sixth projectile a 20-mm shell. The duration of sustained firing for the 20-mm cannon and .50-caliber machine guns was approximately 14 seconds and 35 seconds, respectively.

The Lockheed design incorporated tricycle undercarriage and a bubble canopy, and featured two 1,000-hp (746 kW) turbo-supercharged 12-cylinder Allison V-1710 engines fitted with counter-rotating propellers to eliminate the effect of engine torque, with the superchargers positioned behind the engines, with the exhaust side of the units exposed along the dorsal surfaces of the booms. Counter-rotation was achieved by the use of "handed" engines, which meant that the crankshaft of each engine turned in the opposite direction of its counterpart. The V-12 engines required changing only the spark plug firing order in order for the direction of the crankshaft to be reversed, according to the General Motors Allison V-1710 Service School Handbook.

It was the first American fighter to make extensive use of stainless steel and smooth, flush-riveted butt-jointed aluminum skin panels. It was also the first fighter to fly faster than 400 mph (640 km/h).

Pacific theater

Wartime poster encouraging greater production of P-38s

The P-38 was used most extensively and successfully in the Pacific theater, where it proved ideally suited, combining excellent performance with very long range, and had the added reliability of two engines for long missions over water. The P-38 was used in a variety of roles, especially escorting bombers at altitudes between 18–25,000 ft (5,500-7,600 m). The P-38 was credited with destroying more Japanese aircraft than any other USAAF fighter. Freezing cockpits were not a problem at low altitude in the tropics. In fact, since there was no way to open a window while in flight as it caused buffeting by setting up turbulence through the tailplane, it was often too hot; pilots taking low altitude assignments would often fly stripped down to shorts, tennis shoes, and parachute. While the P-38 could not out-turn the A6M Zero and most other Japanese fighters when flying below 200 mph (320 km/h), its superior speed coupled with a good rate of climb meant that it could utilize energy tactics, making multiple high-speed passes at its target. Also, its focused firepower was even more deadly to lightly armored Japanese warplanes than to the Germans'. The concentrated, parallel stream of bullets allowed aerial victory at much longer distances than fighters carrying wing guns. It is therefore ironic that Dick Bong, the United States' highest-scoring World War II air ace (40 victories solely in P-38s), would fly directly at his targets to make sure he hit them (as he himself acknowledged his poor shooting ability), in some cases flying through the debris of his target (and on one occasion colliding with an enemy aircraft which was claimed as a "probable" victory). The twin Allison engines performed admirably in the Pacific.

Postwar operations[edit]

The end of the war left the USAAF with thousands of P-38s rendered obsolete by the jet age. The last P-38s in service with the United States Air Force were retired in 1949.[82] A total of 100 late-model P-38L and F-5 Lightnings were acquired by Italy through an agreement dated April 1946. Delivered, after refurbishing, at the rate of one per month, they finally were all sent to the AMI by 1952. The Lightnings served in 4 Stormo and other units including 3 Stormo, flying reconnaissance over the Balkans, ground attack, naval cooperation and air superiority missions. Due to unfamiliarity in operating heavy fighters, old engines, and pilot errors, a large number of P-38s were lost in at least 30 accidents, many of them fatal. Despite this, many Italian pilots liked the P-38 because of its excellent visibility on the ground and stability on takeoff. The Italian P-38s were phased out in 1956; none survived the inevitable scrapyard.

Surplus P-38s were also used by other foreign air forces with 12 sold to Honduras and 15 retained by China. Six F-5s and two unarmed black two-seater P-38s were operated by the Dominican Air Force based in San Isidro Airbase, Dominican Republic in 1947. The majority of wartime Lightnings present in the continental U.S. at the end of the war were put up for sale for US$1,200 apiece; the rest were scrapped. P-38s in distant theaters of war were bulldozed into piles and abandoned or scrapped; very few avoided that fate.

Variants:

Over 10,000 Lightnings were manufactured in all, becoming the only U.S. combat aircraft that remained in continuous production throughout the duration of American participation in World War II. The Lightning had a major effect on other aircraft; its wing, in a scaled-up form, was used on the L-049 Constellation.

Popular culture

1950 Studebaker Champion

Harley Earl arranged for several of his designers to view a YP-38 prototype shortly before World War II, and its design directly inspired the tail fins of the 1948–1949 Cadillac

The P-38 was also the inspiration for Raymond Loewy and his design team at Studebaker for the 1950 and 1951 model-year Studebakers.

The whine of the speeder bike engines in Return of the Jedi was partly achieved by recording the engine noise of a P-38, combined with that of a North American P-51 Mustang.

Studebaker Champion Convertible (1950)

Studebaker was proud to be "First by Far With a Postwar Car," but after three years on the market, its vehicles very much needed a distinctive new look for their carried-over bodies. In fact, the 1950-1951 Studebaker origins were as a counterpoint to the post-war car, when celebrated styling consultant Raymond Loewy decided his staff should look to the heavens for inspiration.

Perhaps no automaker is more identified with a single design than Studebaker with its 1950-1951 "bullet-nose" cars. The feisty South Bend independent didn't invent the "spinner" front end -- the 1948 Tucker and 1949-1950 Ford used similar themes, as have several European models. Studebaker's styling differed mainly in degree.

Ads called it "The Next Look," implying it would start a trend. It didn't, but that mattered little to company executives, who were content to chalk up sales unmatched in Studebaker's previous 48 years of auto production and in any of the next 16.

When Studebaker contracted Loewy Associates to design all-new 1947 models, Exner and Cole worked up their own proposal in secret -- with the advantage of engineering parameters not made available to the "official" Loewy team. It was this design that management ultimately chose and introduced in mid 1946. Studebaker was two years ahead of the competition -- "First by Far With a Postwar Car," as ads blared. To Exner's chagrin, advertising credited Loewy with the new styling.

Loewy promptly fired Exner for his treachery and replaced him with Bob Bourke, Exner's subordinate and friend. Bourke, who made significant contributions to the '47 design, would head Loewy's South Bend studio into 1955, after which Studebaker and Loewy parted company.

People loved the 1947 Studebakers, the little-changed '48s, and the modestly updated '49s. Though the fresh styling concealed mostly prewar mechanical concepts, refinements were made to improve longevity and reliability.

For example, the low-price Champion had arrived in spring 1939 with a lightweight L-head six of 164.3 cubic inches. This went to 169.6 cubic inches and 80 horsepower for 1941-49, then added five horsepower. The costlier Commanders used a larger six dating from Stude­baker's 1932 Rockne. By 1949, this engine was up to 245.6 cubic inches and 100 horsepower.

The 1947-1949 models were a great sales success, lifting Studebaker to eighth in the U.S. industry with a market share of 4.12 percent. Production was at record levels. So were corporate profits -- $27.56 million in calendar 1949 alone. Things looked great, and were about to get even better.

The bullet-nose idea had been on Bourke's drawing board since 1940-1941, when he first sketched several elements of the eventual 1950 Studebaker. Chief among them was a protruding nose with flanking pontoon fenders suggesting the front of an airplane.

Public reaction is what matters in the auto industry, and "The Next Look" 1950 Studebaker, featuring the company's signature "bullet-nose" look for the first time, was a winner -- more popular than even the 1947. Sales began in August 1949, nearly a month ahead of other 1950 cars.

For all this hoopla, the 1950s were identical to the 1947-49 models except for the bullet nose, minor trim, and vertical instead of horizontal taillights. However, the new front end added an inch to wheelbases, taking Champions to 113, Commanders to 120. Both lines again offered two- and four-door sedans, a convertible, and a five-passenger Starlight coupe with its distinctive panoramic rear window.

Demand for the bullet-nose '50s proved so strong that Studebaker added a third shift at its large South Bend factory and ran its Southern California and Hamilton, Ontario, assembly plants at or near capacity. A 14-month model "year" (July 15, 1949, to September 27, 1950) produced 343,164 cars -- the most for any vehicle in Studebaker's long history. By the end of 1950, company employment was up to 25,000, a peacetime record.

Text for the Lockheed P-38 Lightning has been taken from Wikipedia. Text regarding the 1950 Studebaker Champion Convertible has been reproduced from sections of the website "How Stuff Works".

This Lockheed P-38 Lightning from 1941, and 1950 Studebaker Champion Convertible has been created in Lego miniland-scale for Flickr LUGNuts 79th Build Challenge, - "LUGNuts goes Wingnuts", - featuring automotive vehicles named after, inspired by, or related to aircraft.

The Lockheed P-38 Lightning was a World War II American fighter aircraft built by Lockheed. Developed to a United States Army Air Corps requirement, the P-38 had distinctive twin booms and a single, central nacelle containing the cockpit and armament. Named "fork-tailed devil" (der Gabelschwanz-Teufel) by the Luftwaffe and "two planes, one pilot" (2飛行機、1パイロット Ni hikōki, ippairotto?) by the Japanese, the P-38 was used in a number of roles, including dive bombing, level bombing, ground-attack, night fighting, photoreconnaissance missions, and extensively as a long-range escort fighter when equipped with drop tanks under its wings.

The P-38 was used most successfully in the Pacific Theater of Operations and the China-Burma-India Theater of Operations as the mount of America's top aces, Richard Bong (40 victories) and Thomas McGuire (38 victories). In the South West Pacific theater, the P-38 was the primary long-range fighter of United States Army Air Forces until the appearance of large numbers of P-51D Mustangs toward the end of the war.

The P-38 was unusually quiet for a fighter, the exhaust muffled by the turbo-superchargers. It was extremely forgiving, and could be mishandled in many ways, but the rate of roll in the early versions was too slow for it to excel as a dogfighter. The P-38 was the only American fighter aircraft in production throughout American involvement in the war, from Pearl Harbor to Victory over Japan Day.

Design and development[edit]

Lockheed designed the P-38 in response to a February 1937 specification from the United States Army Air Corps. Circular Proposal X-608 was a set of aircraft performance goals authored by First Lieutenant Benjamin S. Kelsey (later Brigadier General) and First Lieutenant Gordon P. Saville (later General) for a twin-engine, high-altitude "interceptor" having "the tactical mission of interception and attack of hostile aircraft at high altitude." Kelsey recalled in 1977 that he and Saville drew up the specification using the word interceptor as a way to bypass the inflexible Army Air Corps requirement for pursuit aircraft to carry no more than 500 lb (227 kg) of armament including ammunition, as well as the restriction of single-seat aircraft to one engine. Kelsey was looking for a minimum of 1,000 lb (454 kg) of armament. Kelsey and Saville aimed to get a more capable fighter, better at dog-fighting and at high-altitude combat. Specifications called for a maximum airspeed of at least 360 mph (580 km/h) at altitude, and a climb to 20,000 ft (6,100 m) within six minutes, the toughest set of specifications USAAC had ever presented. The unbuilt Vultee XP1015 was designed to the same requirement, but was not advanced enough to merit further investigation. A similar single-engine proposal was issued at the same time, Circular Proposal X-609, in response to which the Bell P-39 Airacobra was designed. Both proposals required liquid-cooled Allison V-1710 engines with turbo-superchargers and gave extra points for tricycle landing gear.

The Lockheed design team, under the direction of Hall Hibbard and Clarence "Kelly" Johnson, considered a range of twin-engine configurations, including both engines in a central fuselage with push-pull propellers.

The eventual configuration was rare in terms of contemporary fighter aircraft design, with only the preceding Fokker G.1, the contemporary Focke-Wulf Fw 189 Luftwaffe reconnaissance aircraft, and the later Northrop P-61 Black Widow night fighter having a similar planform. The Lockheed team chose twin booms to accommodate the tail assembly, engines, and turbo-superchargers, with a central nacelle for the pilot and armament. The XP-38 gondola mockup was designed to mount two .50-caliber (12.7 mm) M2 Browning machine guns, with 200 rpg, two .30-caliber (7.62 mm) Brownings, with 500 rpg, and a T1 Army Ordnance 23-mm (.90 in) autocannon with a rotary magazine as a substitute for the non-existent 25-mm Hotchkiss aircraft autocannon specified by Kelsey and Saville. In the YP-38s, a larger John Browning-designed, Colt-made M9 37-mm (1.46 in) autocannon with 15 rounds replaced the T1. The 15 rounds were in three 5-round clips, an unsatisfactory arrangement according to Kelsey, and the M9 did not perform reliably in flight. Further armament experiments from March to June 1941 resulted in the P-38E combat configuration of four M2 Browning machine guns, and one Hispano 20-mm (.79 in) autocannon with 150 rounds.

P-38 armament, concentrated in the nose of the aircraft

Clustering all the armament in the nose was unlike most other U.S. aircraft, which used wing-mounted guns with trajectories set up to crisscross at one or more points in a convergence zone. Nose-mounted guns did not suffer from having their useful ranges limited by pattern convergence, meaning that good pilots could shoot much farther. A Lightning could reliably hit targets at any range up to 1,000 yd (910 m), whereas other fighters had to pick a single convergence range between 100 and 250 yd (230 m). The clustered weapons had a "buzz saw" effect on any target at the receiving end, making the aircraft effective for strafing as well. The rate of fire was about 650 rounds per minute for the 20×110-mm cannon round (130-gram shell) at a muzzle velocity of about 2,887 ft/s (880 m/s), and for the .50-caliber machine guns (43–48-gram rounds), about 850 rpm at 2,756 ft/s (840 m/s) velocity. Combined rate of fire was over 4,000 rpm with roughly every sixth projectile a 20-mm shell. The duration of sustained firing for the 20-mm cannon and .50-caliber machine guns was approximately 14 seconds and 35 seconds, respectively.

The Lockheed design incorporated tricycle undercarriage and a bubble canopy, and featured two 1,000-hp (746 kW) turbo-supercharged 12-cylinder Allison V-1710 engines fitted with counter-rotating propellers to eliminate the effect of engine torque, with the superchargers positioned behind the engines, with the exhaust side of the units exposed along the dorsal surfaces of the booms. Counter-rotation was achieved by the use of "handed" engines, which meant that the crankshaft of each engine turned in the opposite direction of its counterpart. The V-12 engines required changing only the spark plug firing order in order for the direction of the crankshaft to be reversed, according to the General Motors Allison V-1710 Service School Handbook.

It was the first American fighter to make extensive use of stainless steel and smooth, flush-riveted butt-jointed aluminum skin panels. It was also the first fighter to fly faster than 400 mph (640 km/h).

Pacific theater

Wartime poster encouraging greater production of P-38s

The P-38 was used most extensively and successfully in the Pacific theater, where it proved ideally suited, combining excellent performance with very long range, and had the added reliability of two engines for long missions over water. The P-38 was used in a variety of roles, especially escorting bombers at altitudes between 18–25,000 ft (5,500-7,600 m). The P-38 was credited with destroying more Japanese aircraft than any other USAAF fighter. Freezing cockpits were not a problem at low altitude in the tropics. In fact, since there was no way to open a window while in flight as it caused buffeting by setting up turbulence through the tailplane, it was often too hot; pilots taking low altitude assignments would often fly stripped down to shorts, tennis shoes, and parachute. While the P-38 could not out-turn the A6M Zero and most other Japanese fighters when flying below 200 mph (320 km/h), its superior speed coupled with a good rate of climb meant that it could utilize energy tactics, making multiple high-speed passes at its target. Also, its focused firepower was even more deadly to lightly armored Japanese warplanes than to the Germans'. The concentrated, parallel stream of bullets allowed aerial victory at much longer distances than fighters carrying wing guns. It is therefore ironic that Dick Bong, the United States' highest-scoring World War II air ace (40 victories solely in P-38s), would fly directly at his targets to make sure he hit them (as he himself acknowledged his poor shooting ability), in some cases flying through the debris of his target (and on one occasion colliding with an enemy aircraft which was claimed as a "probable" victory). The twin Allison engines performed admirably in the Pacific.

Postwar operations[edit]

The end of the war left the USAAF with thousands of P-38s rendered obsolete by the jet age. The last P-38s in service with the United States Air Force were retired in 1949.[82] A total of 100 late-model P-38L and F-5 Lightnings were acquired by Italy through an agreement dated April 1946. Delivered, after refurbishing, at the rate of one per month, they finally were all sent to the AMI by 1952. The Lightnings served in 4 Stormo and other units including 3 Stormo, flying reconnaissance over the Balkans, ground attack, naval cooperation and air superiority missions. Due to unfamiliarity in operating heavy fighters, old engines, and pilot errors, a large number of P-38s were lost in at least 30 accidents, many of them fatal. Despite this, many Italian pilots liked the P-38 because of its excellent visibility on the ground and stability on takeoff. The Italian P-38s were phased out in 1956; none survived the inevitable scrapyard.

Surplus P-38s were also used by other foreign air forces with 12 sold to Honduras and 15 retained by China. Six F-5s and two unarmed black two-seater P-38s were operated by the Dominican Air Force based in San Isidro Airbase, Dominican Republic in 1947. The majority of wartime Lightnings present in the continental U.S. at the end of the war were put up for sale for US$1,200 apiece; the rest were scrapped. P-38s in distant theaters of war were bulldozed into piles and abandoned or scrapped; very few avoided that fate.

Variants:

Over 10,000 Lightnings were manufactured in all, becoming the only U.S. combat aircraft that remained in continuous production throughout the duration of American participation in World War II. The Lightning had a major effect on other aircraft; its wing, in a scaled-up form, was used on the L-049 Constellation.

Popular culture

1950 Studebaker Champion

Harley Earl arranged for several of his designers to view a YP-38 prototype shortly before World War II, and its design directly inspired the tail fins of the 1948–1949 Cadillac

The P-38 was also the inspiration for Raymond Loewy and his design team at Studebaker for the 1950 and 1951 model-year Studebakers.

The whine of the speeder bike engines in Return of the Jedi was partly achieved by recording the engine noise of a P-38, combined with that of a North American P-51 Mustang.

Studebaker Champion Convertible (1950)

Studebaker was proud to be "First by Far With a Postwar Car," but after three years on the market, its vehicles very much needed a distinctive new look for their carried-over bodies. In fact, the 1950-1951 Studebaker origins were as a counterpoint to the post-war car, when celebrated styling consultant Raymond Loewy decided his staff should look to the heavens for inspiration.

Perhaps no automaker is more identified with a single design than Studebaker with its 1950-1951 "bullet-nose" cars. The feisty South Bend independent didn't invent the "spinner" front end -- the 1948 Tucker and 1949-1950 Ford used similar themes, as have several European models. Studebaker's styling differed mainly in degree.

Ads called it "The Next Look," implying it would start a trend. It didn't, but that mattered little to company executives, who were content to chalk up sales unmatched in Studebaker's previous 48 years of auto production and in any of the next 16.

When Studebaker contracted Loewy Associates to design all-new 1947 models, Exner and Cole worked up their own proposal in secret -- with the advantage of engineering parameters not made available to the "official" Loewy team. It was this design that management ultimately chose and introduced in mid 1946. Studebaker was two years ahead of the competition -- "First by Far With a Postwar Car," as ads blared. To Exner's chagrin, advertising credited Loewy with the new styling.

Loewy promptly fired Exner for his treachery and replaced him with Bob Bourke, Exner's subordinate and friend. Bourke, who made significant contributions to the '47 design, would head Loewy's South Bend studio into 1955, after which Studebaker and Loewy parted company.

People loved the 1947 Studebakers, the little-changed '48s, and the modestly updated '49s. Though the fresh styling concealed mostly prewar mechanical concepts, refinements were made to improve longevity and reliability.

For example, the low-price Champion had arrived in spring 1939 with a lightweight L-head six of 164.3 cubic inches. This went to 169.6 cubic inches and 80 horsepower for 1941-49, then added five horsepower. The costlier Commanders used a larger six dating from Stude­baker's 1932 Rockne. By 1949, this engine was up to 245.6 cubic inches and 100 horsepower.

The 1947-1949 models were a great sales success, lifting Studebaker to eighth in the U.S. industry with a market share of 4.12 percent. Production was at record levels. So were corporate profits -- $27.56 million in calendar 1949 alone. Things looked great, and were about to get even better.

The bullet-nose idea had been on Bourke's drawing board since 1940-1941, when he first sketched several elements of the eventual 1950 Studebaker. Chief among them was a protruding nose with flanking pontoon fenders suggesting the front of an airplane.

Public reaction is what matters in the auto industry, and "The Next Look" 1950 Studebaker, featuring the company's signature "bullet-nose" look for the first time, was a winner -- more popular than even the 1947. Sales began in August 1949, nearly a month ahead of other 1950 cars.

For all this hoopla, the 1950s were identical to the 1947-49 models except for the bullet nose, minor trim, and vertical instead of horizontal taillights. However, the new front end added an inch to wheelbases, taking Champions to 113, Commanders to 120. Both lines again offered two- and four-door sedans, a convertible, and a five-passenger Starlight coupe with its distinctive panoramic rear window.

Demand for the bullet-nose '50s proved so strong that Studebaker added a third shift at its large South Bend factory and ran its Southern California and Hamilton, Ontario, assembly plants at or near capacity. A 14-month model "year" (July 15, 1949, to September 27, 1950) produced 343,164 cars -- the most for any vehicle in Studebaker's long history. By the end of 1950, company employment was up to 25,000, a peacetime record.

Text for the Lockheed P-38 Lightning has been taken from Wikipedia. Text regarding the 1950 Studebaker Champion Convertible has been reproduced from sections of the website "How Stuff Works".

This Lockheed P-38 Lightning from 1941, and 1950 Studebaker Champion Convertible has been created in Lego miniland-scale for Flickr LUGNuts 79th Build Challenge, - "LUGNuts goes Wingnuts", - featuring automotive vehicles named after, inspired by, or related to aircraft.

O por do sol em Tokonami, próximo ao aeroporto de Nagoya.

The Lockheed P-38 Lightning was a World War II American fighter aircraft built by Lockheed. Developed to a United States Army Air Corps requirement, the P-38 had distinctive twin booms and a single, central nacelle containing the cockpit and armament. Named "fork-tailed devil" (der Gabelschwanz-Teufel) by the Luftwaffe and "two planes, one pilot" (2飛行機、1パイロット Ni hikōki, ippairotto?) by the Japanese, the P-38 was used in a number of roles, including dive bombing, level bombing, ground-attack, night fighting, photoreconnaissance missions, and extensively as a long-range escort fighter when equipped with drop tanks under its wings.

The P-38 was used most successfully in the Pacific Theater of Operations and the China-Burma-India Theater of Operations as the mount of America's top aces, Richard Bong (40 victories) and Thomas McGuire (38 victories). In the South West Pacific theater, the P-38 was the primary long-range fighter of United States Army Air Forces until the appearance of large numbers of P-51D Mustangs toward the end of the war.

The P-38 was unusually quiet for a fighter, the exhaust muffled by the turbo-superchargers. It was extremely forgiving, and could be mishandled in many ways, but the rate of roll in the early versions was too slow for it to excel as a dogfighter. The P-38 was the only American fighter aircraft in production throughout American involvement in the war, from Pearl Harbor to Victory over Japan Day.

Design and development[edit]

Lockheed designed the P-38 in response to a February 1937 specification from the United States Army Air Corps. Circular Proposal X-608 was a set of aircraft performance goals authored by First Lieutenant Benjamin S. Kelsey (later Brigadier General) and First Lieutenant Gordon P. Saville (later General) for a twin-engine, high-altitude "interceptor" having "the tactical mission of interception and attack of hostile aircraft at high altitude." Kelsey recalled in 1977 that he and Saville drew up the specification using the word interceptor as a way to bypass the inflexible Army Air Corps requirement for pursuit aircraft to carry no more than 500 lb (227 kg) of armament including ammunition, as well as the restriction of single-seat aircraft to one engine. Kelsey was looking for a minimum of 1,000 lb (454 kg) of armament. Kelsey and Saville aimed to get a more capable fighter, better at dog-fighting and at high-altitude combat. Specifications called for a maximum airspeed of at least 360 mph (580 km/h) at altitude, and a climb to 20,000 ft (6,100 m) within six minutes, the toughest set of specifications USAAC had ever presented. The unbuilt Vultee XP1015 was designed to the same requirement, but was not advanced enough to merit further investigation. A similar single-engine proposal was issued at the same time, Circular Proposal X-609, in response to which the Bell P-39 Airacobra was designed. Both proposals required liquid-cooled Allison V-1710 engines with turbo-superchargers and gave extra points for tricycle landing gear.

The Lockheed design team, under the direction of Hall Hibbard and Clarence "Kelly" Johnson, considered a range of twin-engine configurations, including both engines in a central fuselage with push-pull propellers.

The eventual configuration was rare in terms of contemporary fighter aircraft design, with only the preceding Fokker G.1, the contemporary Focke-Wulf Fw 189 Luftwaffe reconnaissance aircraft, and the later Northrop P-61 Black Widow night fighter having a similar planform. The Lockheed team chose twin booms to accommodate the tail assembly, engines, and turbo-superchargers, with a central nacelle for the pilot and armament. The XP-38 gondola mockup was designed to mount two .50-caliber (12.7 mm) M2 Browning machine guns, with 200 rpg, two .30-caliber (7.62 mm) Brownings, with 500 rpg, and a T1 Army Ordnance 23-mm (.90 in) autocannon with a rotary magazine as a substitute for the non-existent 25-mm Hotchkiss aircraft autocannon specified by Kelsey and Saville. In the YP-38s, a larger John Browning-designed, Colt-made M9 37-mm (1.46 in) autocannon with 15 rounds replaced the T1. The 15 rounds were in three 5-round clips, an unsatisfactory arrangement according to Kelsey, and the M9 did not perform reliably in flight. Further armament experiments from March to June 1941 resulted in the P-38E combat configuration of four M2 Browning machine guns, and one Hispano 20-mm (.79 in) autocannon with 150 rounds.

P-38 armament, concentrated in the nose of the aircraft

Clustering all the armament in the nose was unlike most other U.S. aircraft, which used wing-mounted guns with trajectories set up to crisscross at one or more points in a convergence zone. Nose-mounted guns did not suffer from having their useful ranges limited by pattern convergence, meaning that good pilots could shoot much farther. A Lightning could reliably hit targets at any range up to 1,000 yd (910 m), whereas other fighters had to pick a single convergence range between 100 and 250 yd (230 m). The clustered weapons had a "buzz saw" effect on any target at the receiving end, making the aircraft effective for strafing as well. The rate of fire was about 650 rounds per minute for the 20×110-mm cannon round (130-gram shell) at a muzzle velocity of about 2,887 ft/s (880 m/s), and for the .50-caliber machine guns (43–48-gram rounds), about 850 rpm at 2,756 ft/s (840 m/s) velocity. Combined rate of fire was over 4,000 rpm with roughly every sixth projectile a 20-mm shell. The duration of sustained firing for the 20-mm cannon and .50-caliber machine guns was approximately 14 seconds and 35 seconds, respectively.

The Lockheed design incorporated tricycle undercarriage and a bubble canopy, and featured two 1,000-hp (746 kW) turbo-supercharged 12-cylinder Allison V-1710 engines fitted with counter-rotating propellers to eliminate the effect of engine torque, with the superchargers positioned behind the engines, with the exhaust side of the units exposed along the dorsal surfaces of the booms. Counter-rotation was achieved by the use of "handed" engines, which meant that the crankshaft of each engine turned in the opposite direction of its counterpart. The V-12 engines required changing only the spark plug firing order in order for the direction of the crankshaft to be reversed, according to the General Motors Allison V-1710 Service School Handbook.

It was the first American fighter to make extensive use of stainless steel and smooth, flush-riveted butt-jointed aluminum skin panels. It was also the first fighter to fly faster than 400 mph (640 km/h).

Pacific theater

Wartime poster encouraging greater production of P-38s

The P-38 was used most extensively and successfully in the Pacific theater, where it proved ideally suited, combining excellent performance with very long range, and had the added reliability of two engines for long missions over water. The P-38 was used in a variety of roles, especially escorting bombers at altitudes between 18–25,000 ft (5,500-7,600 m). The P-38 was credited with destroying more Japanese aircraft than any other USAAF fighter. Freezing cockpits were not a problem at low altitude in the tropics. In fact, since there was no way to open a window while in flight as it caused buffeting by setting up turbulence through the tailplane, it was often too hot; pilots taking low altitude assignments would often fly stripped down to shorts, tennis shoes, and parachute. While the P-38 could not out-turn the A6M Zero and most other Japanese fighters when flying below 200 mph (320 km/h), its superior speed coupled with a good rate of climb meant that it could utilize energy tactics, making multiple high-speed passes at its target. Also, its focused firepower was even more deadly to lightly armored Japanese warplanes than to the Germans'. The concentrated, parallel stream of bullets allowed aerial victory at much longer distances than fighters carrying wing guns. It is therefore ironic that Dick Bong, the United States' highest-scoring World War II air ace (40 victories solely in P-38s), would fly directly at his targets to make sure he hit them (as he himself acknowledged his poor shooting ability), in some cases flying through the debris of his target (and on one occasion colliding with an enemy aircraft which was claimed as a "probable" victory). The twin Allison engines performed admirably in the Pacific.

Postwar operations[edit]

The end of the war left the USAAF with thousands of P-38s rendered obsolete by the jet age. The last P-38s in service with the United States Air Force were retired in 1949.[82] A total of 100 late-model P-38L and F-5 Lightnings were acquired by Italy through an agreement dated April 1946. Delivered, after refurbishing, at the rate of one per month, they finally were all sent to the AMI by 1952. The Lightnings served in 4 Stormo and other units including 3 Stormo, flying reconnaissance over the Balkans, ground attack, naval cooperation and air superiority missions. Due to unfamiliarity in operating heavy fighters, old engines, and pilot errors, a large number of P-38s were lost in at least 30 accidents, many of them fatal. Despite this, many Italian pilots liked the P-38 because of its excellent visibility on the ground and stability on takeoff. The Italian P-38s were phased out in 1956; none survived the inevitable scrapyard.

Surplus P-38s were also used by other foreign air forces with 12 sold to Honduras and 15 retained by China. Six F-5s and two unarmed black two-seater P-38s were operated by the Dominican Air Force based in San Isidro Airbase, Dominican Republic in 1947. The majority of wartime Lightnings present in the continental U.S. at the end of the war were put up for sale for US$1,200 apiece; the rest were scrapped. P-38s in distant theaters of war were bulldozed into piles and abandoned or scrapped; very few avoided that fate.

Variants:

Over 10,000 Lightnings were manufactured in all, becoming the only U.S. combat aircraft that remained in continuous production throughout the duration of American participation in World War II. The Lightning had a major effect on other aircraft; its wing, in a scaled-up form, was used on the L-049 Constellation.

Popular culture

1950 Studebaker Champion

Harley Earl arranged for several of his designers to view a YP-38 prototype shortly before World War II, and its design directly inspired the tail fins of the 1948–1949 Cadillac

The P-38 was also the inspiration for Raymond Loewy and his design team at Studebaker for the 1950 and 1951 model-year Studebakers.

The whine of the speeder bike engines in Return of the Jedi was partly achieved by recording the engine noise of a P-38, combined with that of a North American P-51 Mustang.

Cadillac 1948 Series 62 Fastback.

Cadillac had been one of the leading builders of luxury cars in the US between the wars. As part of the greater General Motors Corporation, Cadillac was well placed to resume car production after the end of WW II. Not only to resume production, but to fund the development of all new models, incorporating an all-new engine (for 1949), and advanced styling influenced by developments in aviation during the war.

This new styling and bodies were first seen in 1948.

For 1948, the Series 62 was moved to the same 126 in (3,200 mm) chassis as the Series 61, making the vehicles virtually identical. The main difference, apart from extra chrome, was the availability of a convertible model. Distinguishing features included grooved bright metal front fender gravel guards, rocker panel brightwork, chevron style chrome slashes below taillights and slightly richer interior trim. Also in 1948 the first tail fins were added. Sales fell to 34,213, nevertheless accounting for a record 68% of all Cadillacs sold.

A combination of factors allowed Cadillac to firmly place itself at the forefront of the luxury market, and stay there for the next 40 years.

This Lockheed P-38 Lightning from 1941, and 1948 Cadillac Series 62 Fastback Coupe has been created in Lego miniland-scale for Flickr LUGNuts 79th Build Challenge, - "LUGNuts goes Wingnuts", - featuring automotive vehicles named after, inspired by, or related to aircraft.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

Some Background:

The Ki-38 fighter was designed by the Tachikawa Aircraft Company Limited (立川飛行機株式会社, Tachikawa Hikōki Kabushiki Kaisha) near Tokyo, an aircraft manufacturer in the Empire of Japan, specializing primarily in aircraft for the Imperial Japanese Army Air Force. The Ki-38 prototype was produced in response to a December 1937 specification for a successor to the popular fixed-gear Nakajima Ki-27 Nate. The specification called for a top speed of 500 km/h (310 mph), a climb rate of 5,000 m (16,000 ft) in five minutes and a range of 800 km (500 mi). Maneuverability was to be at least as good as that of Ki-27.

As the war progressed, however, the fighter suffered from the same weaknesses as its slower, fixed-gear Ki-27 "Nate" predecessor and the more advanced naval A6M Zero: light armor and less-than-effective self-sealing fuel tanks, which caused high casualties in combat. Its armament of four light machine guns also proved inadequate against the more heavily armored Allied aircraft. Both issues were more or less mended with improved versions, but the Ki-38 could never keep up with the enemy fighters’ development and potential. And as newer Allied aircraft were introduced, the Japanese were forced into a defensive war and most aircraft were flown by inexperienced pilots.

General characteristics:

Crew: 1

Length: 8.96 m (29 ft 4 in)

Wingspan: 10.54 m (34 ft 7 in)

Height: 3.03 m (9 ft 11 in)

Wing area: 17.32 m² (186.4 sq ft)

Empty weight: 2,158 kg (4,758 lb)

Gross weight: 2,693 kg (5,937 lb)

Max takeoff weight: 2,800 kg (6,173 lb)

Powerplant:

1× Mitsubishi Ha-102 14-cylinder air-cooled radial piston engine with 1,050hp (755 kW),

driving a 3-bladed variable-pitch propeller

Performance

Maximum speed: 509 km/h (316 mph, 275 kn)

Cruise speed: 450 km/h (280 mph, 240 kn)

Range: 600 km (370 mi, 320 nmi)

Service ceiling: 10,000 m (33,000 ft)

Time to altitude: 2,000 m (6,600 ft) in 3 minutes 24 seconds

Wing loading: 155.4 kg/m2 (31.8 lb/sq ft)

Power/mass: 0.182 hp/lb (0.299 kW/kg)

Armament:

2× 20 mm (0.787 in) Ho-5 cannon with 150 rpg

2× 7.7 mm (0.303 in) Type 89 machine guns with 500 rpg

2× underwing hardpoints for single 30 kg (66 lb) or 2 × 250 kg (550 lb) bombs

1× ventral hardpoint for a 200 l (53 US gal; 44 imp gal) drop tank

The kit and its assembly:

I always thought that the French Bloch MB 150 had some early WWII Japanese look to it, and with this idea I recently procured a relatively cheap Heller kit for this conversion project that would yield the purely fictional Tachikawa Ki-38 for the IJA – even though the Ki-38 existed as a Kawasaki project and eventually became the Ki-45, so that the 38 as kitai number was never actively used.

The Heller MB 150 is a vintage kit, and it is not a good one. You get raised panel lines, poor details (the engine is a joke) and mediocre fit. If you want a good MB 150 in 1:72, look IMHO elsewhere.

For the Ki-38 I wanted to retain most of the hull, the first basic change was the integration of a cowling from a Japanese Mitsubishi Ha-102 two-row radial (left over from an Airfix Ki-46 “Dinah”), which also received a new three-blade propeller with a different spinner on a metal axis inside. The engine also received some more interior details, even though the spinner blocks most sight.

The next, more radical move was to replace the MB 150’s spinal cockpit fairing with a bubble canopy and a lowered back – I found a very old and glue-tinted canopy from a Matchbox A6M in the spares box, and it turned out to be very suitable for the Ki-38. However, cleaning the clear piece was quite challenging, because all raised struts had to be sanded away to get rid of the old glue and paint residues, and re-polishing it back to a more or less translucent state took several turns with ever finer sandpaper, polishing paste and soft polishing mops on a mini drill. The spine was re-created with 2C-putty and the canopy was blended into it and into the fuselage with several PSR turns.

Inside, I used a different pilot figure (which would later be hard to see, though), added a fuel tank behind the seat with some supporting struts and inserted a piece of styrene sheet to separate the landing gear well from the cockpit – OOB it’s simply open.

The landing gear was basically taken OOB, I just replaced the original tail skid with a wheel and modified the wheels with hub covers, because the old kit wants you to push them onto long axis’ with knobs at their tips so that they remain turnable. Meh!

The fairings under the guns in the wings (barrels scratched from the MB 150’s OOB parts) are conformal underwing fuel tanks from a late Seafire (Special Hobby kit).

Painting and markings:

The initial plan was a simple green/grey IJA livery, but the model looked SO much like an A6M that I rather decided to give it a more elaborate paint scheme. I eventually found an interesting camouflage on a Mitsubishi Ki-51 “Sonia” attack plane, even though without indications concerning its unit, time frame or theater of operations (even though I assume that it was used in the China-Burma-India theater): an overall light grey base, onto which opaque green contrast fields/stripes had been added, and the remaining light grey upper areas were overpainted with thin sinuous lines of the same green. This was adapted onto the Ki-38 with a basis in Humbrol 167 (RAF Barley Grey) and FS 34102 (Humbrol 117) for the green cammo. I also wanted to weather the model considerably, as a measure to hide some hardware flaws, so that a partial “primer coat” with Aluminum (Revell 99) was added to several areas, to shine through later. The yellow ID markings on the wings’ leading edges were painted with Humbrol 69. The propeller blades were painted with Humbrol 180, the spinner in a slightly lighter mix of 180 and 160.

Interior surfaces were painted with a dull yellowish green, a mix of Revell 16 and 42, just the inside of the landing gear covers became grey as the outside, in a fashion very similar to early Ki-43s.

The decals came form various sources, including a Hasegawa Ki-61 sheet for the unit markings and some stencils and hinomaru in suitable sizes from a generic roundel sheet.

Some dry-brushing with light grey was done to emphasize edges and details, and some soot stains were added with graphite to the exhausts and the guns. Finally, the kit was sealed with matt acrylic varnish, some more dry-brushing with aluminum was done, esp. around the cockpit, and position lights were added with translucent paint.

An unexpected result – I was not prepared that the modified MB 150 looks THAT much like a Mitsubishi A6M or the Ki-43! There’s even an Fw 190-ish feel to it, from certain angles. O.K., the canopy actually comes from a Zero and the cowling looks very similar, too. But the overall similarity is baffling, just the tail is the most distinguishing feature! However, due to the poor basis and the almost blind canopy donor, the model is far from stellar or presentable – but some in-flight shots look pretty convincing, and even the camouflage appears to be quite effective over wooded terrain.

From Frankfurt to Milan

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

Some background:

The Yokosuka J1Y was a land-based interceptor for the Imperial Japanese Navy Air Service (IJN/大日本帝國海軍航空隊, Dai-Nippon Teikoku Kaigun Kōkū-tai) that was based upon a research aircraft and introduced into service during the final months of WWII. Work on the J1Y commenced at the Yokosuka Naval Air Technical Arsenal (海軍航空技術廠, Kaigun Kōkū Gijutsu-shō) during 1942 and 1943, in the midst of the Second World War. The J1Y was initially intended to test the benefits of different aircraft layouts in order to exploit the available engines’ potential further, albeit the aircraft had been designed from the start in a fashion that was suitable for combat and easily adaptable into a light fighter aircraft. It would eventually be developed into Yokusuka’s only fighter project.

The J1Y3 arrived at IJN units in March 1945, but only a few were operational until the end of hostilities in the PTO, probably only around 40 aircraft were eventually delivered.

General characteristics:

Crew: 1

Length: 30 ft 9 in (9.37 m)

Wingspan: 38 ft (12 m)

Height: 8 ft 10 in (2.69 m)

Wing area: 262 ft² (24.3 m²)

Empty weight: 2,839 kg (6,259 lb)

Gross weight: 3,211 kg (7,079 lb)

Powerplant:

1× Mitsubishi Kinsei 62 14 cylinder radial engine with 1,163 kW (1,560 hp)

Performance:

Maximum speed: 640 km/h (397 mph, 346 kn) at at 6,096 m (20,000 ft)

560 km/h (348 mph, 303 kn) at sea level

Cruising speed: 495 km/h (308 mph, 267 kn)

Range: 1,078 km (670 mi, 582 nmi) at 272 km/h (169 mph; 147 kn) at 457 m (1,500 ft)

Ferry range: 1,190 km (740 mi, 640 nmi)

Service ceiling: 10,200 m (33,500 ft)

Rate of climb: 15 m/s (3,000 ft/min)

Armament:

2× 20 mm belt-fed Type 99-2 Mark 4 cannon with 125 RPG and

2× 7.7 mm (.303 in) Type 97 machine guns with 250 RPG in the lower fuselage

2× hardpoints under the outer wings for 60 kg (132 lb.) bombs

or 200 l (53 US gal; 44 imp gal) drop tanks

The kit and its assembly:

This build followed a spontaneous inspiration, and it became another contribution to the “in the navy” group build at whatifmodlers.com in early 2020. I actually had the Vampire kit already stashed away for a while, and the plan to convert it into a propeller-driven aircraft with a radial engine and a pusher configuration à la Saab 21 had been there – but I lacked an idea for an operator, so that I could build the background story around it. With the “in the navy” theme, it suddenly clicked – why not the IJN? The Vampire is a rather compact and slender aircraft, so there’s IMHO some Japanese “style” in the design, and after the torturous build of HMS Cerberus I wanted some kind of relief.

The Vampire kit is the vintage Heller mold from 1979, but actually in a mid-Nineties Revell re-boxing. Like many other Heller kits, it comes with raised panels, but detail is sufficient (nice dashboard, landing gear is O.K., and the kit comes with separate air brakes) – the molds seem to be a bit worn, though, I guess a “true” old Heller kit is more crisp and would be the better choice.

At the core of the conversion plan was the implantation of a radial engine in place of the jet exhaust. I found a donor part from a Hobby Boss MC.200 Saetta – a bit vintage, but it had the right diameter and I actually liked the ring of bulges on the cowling. Internally, a styrene tube adapter was added for a freely spinning propeller.

While adding a prop to a jet seems to be an easy task, the real challenge behind such a conversion are the many other changes that have to be made to the airframe. This includes a (considerably) longer landing gear and the respective wells, but also the tail surfaces. There’s also the question how the new radial engine actually breathes, where exhausts can be located, and a cooling system is necessary, too.

Work started with the search for new landing gear struts, and I also used different wheels – for instance, the main wheels come from a Hasegawa F9F Panther, while the front wheel comes from a Frog He 162 and is probably 35 years old(!). In order to make the longer struts fit into the airframe, I elongated the wells in the wings towards the fuselage, so that the track width was reduced – but with the Vampire’s small airframe and original wide stance, this was no serious problem. From the inside, they were faired with styrene profile material, and the extended covers were scratched – esp. the parts for the wings, with their bulges for the tail boom tips, were fiddly.

In order to move the overall look a bit further away from the Vampire, I completely changed the fin arrangement. The original, rounded and rather small fins and the bullet-shaped fairings that hold the stabilizer outside of the original exhaust blast were deleted. Once the wings and the tail booms were added to the fuselage, the stabilizer was mounted between the booms, in a slightly lower position. For the new fins I wanted a layout that would, beyond a more squarish shape that would better match the wings, protect the propeller. Therefore, I used stabilizers from a KP Yak-23; each was cut into two pieces, tailored further to match the rest of the aircraft, and glued in positions above and underneath the booms. Looks quite weird, as if the aircraft had been designed upside down, but it’s a rather pragmatic solution that has already been used on some pusher designs in the past.

The six-blade propeller was scratched from a spinner, carved from a thick piece of sprue, plus a metal axis and six single blades that were taken from the rather wacky one-piece propellers of Airfix’s Ki-46 kit.

Hollow steel needles were used as barrels for the Type 99 cannons in the lower fuselage.

Painting and markings:

Once more, a rather conservative approach – and the IJN was not creative when it came to liveries. Almost every aircraft carried a typical dark green over light grey scheme, with minimal individual markings or tactical codes. I wanted to stay true to this concept but decided to simplify the scheme even more since this would be a late-war aircraft, pressed into service under rather dire supply circumstances. This resulted in a NMF livery (basis is Tamiya XF-60, which turned out soemwaht grainy, plus some Polished Aluminum Metallizer from Humbrol on top), with only the upper surfaces camouflaged with IJN Green (ModelMaster) without primer underneath, resulting in a somewhat flaky and worn look. Since they are rather slender, the tail booms were completely painted in IJN green, too.

The yellow ID markings on the wings’ leading edges were created with decal material (TL Modellbau), the cockpit interior as well as the landing gear wells were painted with a mix of silver and blue, mimicking the typical “aodake iro” protective clear lacquer of Japanese IJN aircraft. The struts were painted black, according to A6M museum exhibits. The propeller blades ware painted in a red-brown primer, a mix of Humbrol 160 and 180.

Markings were taken from a PrintScale Yokosuka N1K2 decal sheet and mixed from two aircraft. Placing the fuselage hinomaru was tricky – the natural choice would have been the tail booms, but they’d be very small, so I rather put them on the fuselage under the cockpit. With the individual aircraft number added to the meatball, it looks now like a racing aircraft, though...

Finally, the kit received some soot stains and dry-brushing with aluminum, and everything was sealed with semi-gloss acrylic varnish from Italeri - even though the result is a little too glossy for my taste, but I left it that way.

A rather quick build, but structurally not much from the Vampire was changed. The new engine was relatievly easy to integrate - the other small bits like the fins, the propeller and esp. the landing gear took more time. The result looks quite odd - the whole thing has also a certain German touch? Could have worked well with a BMW 801 engine, too!

+++ DISCLAIMER +++Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

Some background:

The Nakajima J9N Kitsuka (中島 橘花, "Orange Blossom", pronounced Kikka in Kanji used traditionally by the Japanese) was Japan's first jet aircraft. In internal IJN documents it was also called Kōkoku Nigō Heiki (皇国二号兵器, "Imperial Weapon No.2"). After the Japanese military attaché in Germany witnessed trials of the Messerschmitt Me 262 in 1942, the Imperial Japanese Navy issued a request to Nakajima to develop a similar aircraft to be used as a fast attack bomber. Among the specifications for the design were the requirements that it should be able to be built largely by unskilled labor, and that the wings should be foldable. This latter feature was not intended for potential use on aircraft carriers, but rather to enable the aircraft to be hidden in caves and tunnels around Japan as the navy began to prepare for the defense of the home islands.

The J9Ns’ overall war contribution was negligible, and after the war, several airframes (including partial airframes) were captured by Allied forces. Three airframes (including a two-seat night fighter with FD-2 radar) were brought to the U.S. for study. Today, two J9N examples survive in the National Air and Space Museum: The first is a Kikka that was taken to the Patuxent River Naval Air Base, Maryland for analysis. This aircraft is very incomplete and is believed to have been patched together from a variety of semi-completed airframes. It is currently still in storage at the Paul E. Garber Preservation, Restoration and Storage Facility in Silver Hill, MD. The second Kikka is on display at the NASM Udvar-Hazy Center in the Mary Baker Engen Restoration Hangar.

General characteristics:

Crew: 2

Length: 8.13 m (26 ft 8 in) fuselage only

10.30 m (33 ft 8¾ in) with FD-2 antenna array

Wingspan: 10 m (32 ft 10 in)

Height: 2.95 m (9 ft 8 in)

Wing area: 13.2 m² (142 sq ft)

Empty weight: 2,300 kg (5,071 lb)

Gross weight: 3,500 kg (7,716 lb)

Max takeoff weight: 4,080 kg (8,995 lb)

Powerplant:

2× Ishikawajima Ne-130 or Ne-230 axial-flow turbojet engines

each with 8.83 kN/900 kg or 8.68 kN/885 kg thrust

Performance:

Maximum speed: 785 km/h (487 mph, 426 kn)

Range: 925 km (574 mi, 502 nmi) with internal fuel

Service ceiling: 12,000 m (39,000 ft)

Rate of climb: 10.5 m/s (2,064 ft/min)

Wing loading: 265 kg/m² (54 lb/sq ft)

Thrust-to-weight ratio: 0.43

Armament:

1× 30 mm (1.181 in) Type 5 cannon with 50 rounds in the nose

1× 20 mm (0.787 in) Type Ho-2 cannon with 80 rounds, mounted obliquely behind the cockpit

1× ventral hardpoint for a 500 l drop tank or a single 500 kg (1,102 lb) bomb

The kit and its assembly:

This is in fact the second Kikka I have built, and this time it’s a two-seater from AZ Models – actually the trainer boxing, but converted into a personal night fighter interpretation. The AZ Models kit is a simple affair, but that's also its problem. In the box things look quite good, detail level is on par with a classic Matchbox kit. But unlike a Matchbox kit, the AZ Models offering does not go together well. I had to fight everywhere with poor fit, lack of locator pins, ejection marks - anything a short run model kit can throw at you! Thanks to the experience with the single-seater kit some time ago, things did not become too traumatic, but it’s still not a kit for beginners. What worked surprisingly well was the IP canopy, though, which I cut into five sections for an optional open display – even though I am not certain if the kit’s designers had put some brain into their work because the canopy’s segmentation becomes more and more dubious the further you go backwards.

The only personal mods is a slightly changed armament, with one nose gun deleted and faired over with a piece of styrene sheet, while the leftover gun was mounted obliquely onto the left flank. I initially considered a position behind the canopy but rejected this because of CoG reasons. Then I planned to mount it directly behind the 2nd seat, so that the barrel would protrude through the canopy, but this appeared unrealistic because the (utterly tiny) sliding canopy for the rear crewman could not have been opened anymore? Finally, I settled for an offset position in the aircraft’s flanks, partly inspired by “Schräge Musik” arrangements on some German Fw 190 night fighters.

The antennae come from a Jadar Model PE set for Italeri’s Me 210s, turning it either into a night fighter or a naval surveillance aircraft.

Painting and markings:

This became rather lusterless; many late IJN night fighters carried a uniform dark green livery with minimalistic, toned-down markings, e. g. hinomaru without a white high-contrast edge, just the yellow ID bands on the wings’ leading edges were retained.

For this look the model received an overall basis coat of Humbrol 75 (Bronze Green), later treated with a black ink washing, dry-brushed aluminum and post-shading with lighter shades of dark green (including Humbrol 116 and Revell 67). The only colorful highlight is a red fin tip (Humbrol 19) and a thin red stripe underneath (decal). The yellow and white ID bands were created with decal material.

The cockpit interior was painted in a yellowish-green primer (trying to simulate a typical “bamboo” shade that was used in some late-war IJN cockpits), while the landing gear wells were painted in aodake iro, a clear bluish protective lacquer. The landing gear struts themselves became semi-matt black.

The markings are fictional and were puzzled together from various sources. The hinomaru came from the AZ Models’ Kikka single seater sheet (since it offers six roundels w/o white edge), the tactical code on the fin was created with red numbers from a Fujimi Aichi B7A2 Ryusei.

Finally, the kit received a coat of matt acrylic varnish and some grinded graphite around the jet exhausts and the gun nozzles.

Well, this fictional Kikka night fighter looks quite dry, but that makes it IMHO more credible. The large antler antenna array might look “a bit too much”, and a real night fighter probably had a simpler arrangement with a single Yagi-style/arrow-shaped antenna, but a description of the FD-2 radar suggested the layout I chose – and it does not look bad. The oblique cannon in the flank is another odd detail, but it is not unplausible. However, with all the equipment and esp. the draggy antennae on board, the Kikka’s mediocre performance would surely have seriously suffered, probably beyond an effective use. But this is whifworld, after all. ;-)

New pics of an old kit, but one I hold pretty dear: because it was an accidental find (and never expected that such official merchandise existed at all!) and because I like (if not love) the manga where it comes from and in which the J7W has a brief appearance in one of the series' early stories.

I found this Hasegawa kit in a model kit shop for Japanese animation in Berlin, in a dark shop corner.

The kit itself is the standard 1:72 Hasegawa scale model of the WWII Shinden prototype. New water sliding decals and painting instructions were included, and the kit has been mostly built "out of the box".

The "paradigm" for this machine, which is supposed to be the (fictional) second Shinden prototyp which had been buried before the American invasion and lost, stems from a special edition of the "Oh, my goddess" manga, a one-shot story during the first or second series of books called "On a Wing and a Prayer", around 1997.

Actually, I was a bit suprised by the kit's colors, since the manga mentions a "green fuselage" - but this could also have been a translation error. Bit it is not: later I found out that "green" and "blue" use the same word in Japanese, so the confusion comes from the outsiders' point fo view. ;)

Hasegawa recommends white and a dark petrol blue, which is a non-standard color and has to be mixed manually. Other weird color details include the brown propeller (O.K., it's IJN primer, but looks pretty weird in the overall combo!) and the bright red landing gear insides... but since there are no other color references available (the manga is B/W), I stuck with Hasegawa's official instructions.

The kit itself is of high quality (typical Hasegawa standard) and the parts fit well.

The tricky job is the painting, though, with lots of white and the very complicated blue contrast areas with hard and straight demarcation lines, which are especially hard to paint on the fuselage, because of the air intake bulgings. I did not get it as good as I wanted to...

Another tricky part are the decals for some of the blue areas. While the idea of having some of the delicate shapes as a water decal at hand, matching the color of the printed decals and the rest of the paint is another task - you will recognize some areas with color differences ;)

Besides these troubles, some details in the cockpit and at the landing gear were added - overall a very good kit, but due to the delicate color scheme nothing for beginners or those faint at heart!

As a side note: In the meantime (well, many years have passed since I built this one), there's an 1:32 OOB offering of this specific bird from literature available, from Zoukei Moura. Funny to see that the company chose a much brighter blue, and it differs in some other details (e .g. having a white canopy framing), too.

+++ DISCLAIMER +++Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

Some background:

The Nakajima J9N Kitsuka (中島 橘花, "Orange Blossom", pronounced Kikka in Kanji used traditionally by the Japanese) was Japan's first jet aircraft. In internal IJN documents it was also called Kōkoku Nigō Heiki (皇国二号兵器, "Imperial Weapon No.2"). After the Japanese military attaché in Germany witnessed trials of the Messerschmitt Me 262 in 1942, the Imperial Japanese Navy issued a request to Nakajima to develop a similar aircraft to be used as a fast attack bomber. Among the specifications for the design were the requirements that it should be able to be built largely by unskilled labor, and that the wings should be foldable. This latter feature was not intended for potential use on aircraft carriers, but rather to enable the aircraft to be hidden in caves and tunnels around Japan as the navy began to prepare for the defense of the home islands.

The J9Ns’ overall war contribution was negligible, and after the war, several airframes (including partial airframes) were captured by Allied forces. Three airframes (including a two-seat night fighter with FD-2 radar) were brought to the U.S. for study. Today, two J9N examples survive in the National Air and Space Museum: The first is a Kikka that was taken to the Patuxent River Naval Air Base, Maryland for analysis. This aircraft is very incomplete and is believed to have been patched together from a variety of semi-completed airframes. It is currently still in storage at the Paul E. Garber Preservation, Restoration and Storage Facility in Silver Hill, MD. The second Kikka is on display at the NASM Udvar-Hazy Center in the Mary Baker Engen Restoration Hangar.

General characteristics:

Crew: 2

Length: 8.13 m (26 ft 8 in) fuselage only

10.30 m (33 ft 8¾ in) with FD-2 antenna array

Wingspan: 10 m (32 ft 10 in)

Height: 2.95 m (9 ft 8 in)

Wing area: 13.2 m² (142 sq ft)

Empty weight: 2,300 kg (5,071 lb)

Gross weight: 3,500 kg (7,716 lb)

Max takeoff weight: 4,080 kg (8,995 lb)

Powerplant:

2× Ishikawajima Ne-130 or Ne-230 axial-flow turbojet engines

each with 8.83 kN/900 kg or 8.68 kN/885 kg thrust

Performance:

Maximum speed: 785 km/h (487 mph, 426 kn)

Range: 925 km (574 mi, 502 nmi) with internal fuel

Service ceiling: 12,000 m (39,000 ft)

Rate of climb: 10.5 m/s (2,064 ft/min)

Wing loading: 265 kg/m² (54 lb/sq ft)

Thrust-to-weight ratio: 0.43

Armament:

1× 30 mm (1.181 in) Type 5 cannon with 50 rounds in the nose

1× 20 mm (0.787 in) Type Ho-2 cannon with 80 rounds, mounted obliquely behind the cockpit

1× ventral hardpoint for a 500 l drop tank or a single 500 kg (1,102 lb) bomb

The kit and its assembly:

This is in fact the second Kikka I have built, and this time it’s a two-seater from AZ Models – actually the trainer boxing, but converted into a personal night fighter interpretation. The AZ Models kit is a simple affair, but that's also its problem. In the box things look quite good, detail level is on par with a classic Matchbox kit. But unlike a Matchbox kit, the AZ Models offering does not go together well. I had to fight everywhere with poor fit, lack of locator pins, ejection marks - anything a short run model kit can throw at you! Thanks to the experience with the single-seater kit some time ago, things did not become too traumatic, but it’s still not a kit for beginners. What worked surprisingly well was the IP canopy, though, which I cut into five sections for an optional open display – even though I am not certain if the kit’s designers had put some brain into their work because the canopy’s segmentation becomes more and more dubious the further you go backwards.

The only personal mods is a slightly changed armament, with one nose gun deleted and faired over with a piece of styrene sheet, while the leftover gun was mounted obliquely onto the left flank. I initially considered a position behind the canopy but rejected this because of CoG reasons. Then I planned to mount it directly behind the 2nd seat, so that the barrel would protrude through the canopy, but this appeared unrealistic because the (utterly tiny) sliding canopy for the rear crewman could not have been opened anymore? Finally, I settled for an offset position in the aircraft’s flanks, partly inspired by “Schräge Musik” arrangements on some German Fw 190 night fighters.

The antennae come from a Jadar Model PE set for Italeri’s Me 210s, turning it either into a night fighter or a naval surveillance aircraft.

Painting and markings:

This became rather lusterless; many late IJN night fighters carried a uniform dark green livery with minimalistic, toned-down markings, e. g. hinomaru without a white high-contrast edge, just the yellow ID bands on the wings’ leading edges were retained.

For this look the model received an overall basis coat of Humbrol 75 (Bronze Green), later treated with a black ink washing, dry-brushed aluminum and post-shading with lighter shades of dark green (including Humbrol 116 and Revell 67). The only colorful highlight is a red fin tip (Humbrol 19) and a thin red stripe underneath (decal). The yellow and white ID bands were created with decal material.

The cockpit interior was painted in a yellowish-green primer (trying to simulate a typical “bamboo” shade that was used in some late-war IJN cockpits), while the landing gear wells were painted in aodake iro, a clear bluish protective lacquer. The landing gear struts themselves became semi-matt black.

The markings are fictional and were puzzled together from various sources. The hinomaru came from the AZ Models’ Kikka single seater sheet (since it offers six roundels w/o white edge), the tactical code on the fin was created with red numbers from a Fujimi Aichi B7A2 Ryusei.

Finally, the kit received a coat of matt acrylic varnish and some grinded graphite around the jet exhausts and the gun nozzles.

Well, this fictional Kikka night fighter looks quite dry, but that makes it IMHO more credible. The large antler antenna array might look “a bit too much”, and a real night fighter probably had a simpler arrangement with a single Yagi-style/arrow-shaped antenna, but a description of the FD-2 radar suggested the layout I chose – and it does not look bad. The oblique cannon in the flank is another odd detail, but it is not unplausible. However, with all the equipment and esp. the draggy antennae on board, the Kikka’s mediocre performance would surely have seriously suffered, probably beyond an effective use. But this is whifworld, after all. ;-)

The Lockheed P-38 Lightning was a World War II American fighter aircraft built by Lockheed. Developed to a United States Army Air Corps requirement, the P-38 had distinctive twin booms and a single, central nacelle containing the cockpit and armament. Named "fork-tailed devil" (der Gabelschwanz-Teufel) by the Luftwaffe and "two planes, one pilot" (2飛行機、1パイロット Ni hikōki, ippairotto?) by the Japanese, the P-38 was used in a number of roles, including dive bombing, level bombing, ground-attack, night fighting, photoreconnaissance missions, and extensively as a long-range escort fighter when equipped with drop tanks under its wings.

The P-38 was used most successfully in the Pacific Theater of Operations and the China-Burma-India Theater of Operations as the mount of America's top aces, Richard Bong (40 victories) and Thomas McGuire (38 victories). In the South West Pacific theater, the P-38 was the primary long-range fighter of United States Army Air Forces until the appearance of large numbers of P-51D Mustangs toward the end of the war.

The P-38 was unusually quiet for a fighter, the exhaust muffled by the turbo-superchargers. It was extremely forgiving, and could be mishandled in many ways, but the rate of roll in the early versions was too slow for it to excel as a dogfighter. The P-38 was the only American fighter aircraft in production throughout American involvement in the war, from Pearl Harbor to Victory over Japan Day.

Design and development[edit]

Lockheed designed the P-38 in response to a February 1937 specification from the United States Army Air Corps. Circular Proposal X-608 was a set of aircraft performance goals authored by First Lieutenant Benjamin S. Kelsey (later Brigadier General) and First Lieutenant Gordon P. Saville (later General) for a twin-engine, high-altitude "interceptor" having "the tactical mission of interception and attack of hostile aircraft at high altitude." Kelsey recalled in 1977 that he and Saville drew up the specification using the word interceptor as a way to bypass the inflexible Army Air Corps requirement for pursuit aircraft to carry no more than 500 lb (227 kg) of armament including ammunition, as well as the restriction of single-seat aircraft to one engine. Kelsey was looking for a minimum of 1,000 lb (454 kg) of armament. Kelsey and Saville aimed to get a more capable fighter, better at dog-fighting and at high-altitude combat. Specifications called for a maximum airspeed of at least 360 mph (580 km/h) at altitude, and a climb to 20,000 ft (6,100 m) within six minutes, the toughest set of specifications USAAC had ever presented. The unbuilt Vultee XP1015 was designed to the same requirement, but was not advanced enough to merit further investigation. A similar single-engine proposal was issued at the same time, Circular Proposal X-609, in response to which the Bell P-39 Airacobra was designed. Both proposals required liquid-cooled Allison V-1710 engines with turbo-superchargers and gave extra points for tricycle landing gear.

The Lockheed design team, under the direction of Hall Hibbard and Clarence "Kelly" Johnson, considered a range of twin-engine configurations, including both engines in a central fuselage with push-pull propellers.

The eventual configuration was rare in terms of contemporary fighter aircraft design, with only the preceding Fokker G.1, the contemporary Focke-Wulf Fw 189 Luftwaffe reconnaissance aircraft, and the later Northrop P-61 Black Widow night fighter having a similar planform. The Lockheed team chose twin booms to accommodate the tail assembly, engines, and turbo-superchargers, with a central nacelle for the pilot and armament. The XP-38 gondola mockup was designed to mount two .50-caliber (12.7 mm) M2 Browning machine guns, with 200 rpg, two .30-caliber (7.62 mm) Brownings, with 500 rpg, and a T1 Army Ordnance 23-mm (.90 in) autocannon with a rotary magazine as a substitute for the non-existent 25-mm Hotchkiss aircraft autocannon specified by Kelsey and Saville. In the YP-38s, a larger John Browning-designed, Colt-made M9 37-mm (1.46 in) autocannon with 15 rounds replaced the T1. The 15 rounds were in three 5-round clips, an unsatisfactory arrangement according to Kelsey, and the M9 did not perform reliably in flight. Further armament experiments from March to June 1941 resulted in the P-38E combat configuration of four M2 Browning machine guns, and one Hispano 20-mm (.79 in) autocannon with 150 rounds.

P-38 armament, concentrated in the nose of the aircraft

Clustering all the armament in the nose was unlike most other U.S. aircraft, which used wing-mounted guns with trajectories set up to crisscross at one or more points in a convergence zone. Nose-mounted guns did not suffer from having their useful ranges limited by pattern convergence, meaning that good pilots could shoot much farther. A Lightning could reliably hit targets at any range up to 1,000 yd (910 m), whereas other fighters had to pick a single convergence range between 100 and 250 yd (230 m). The clustered weapons had a "buzz saw" effect on any target at the receiving end, making the aircraft effective for strafing as well. The rate of fire was about 650 rounds per minute for the 20×110-mm cannon round (130-gram shell) at a muzzle velocity of about 2,887 ft/s (880 m/s), and for the .50-caliber machine guns (43–48-gram rounds), about 850 rpm at 2,756 ft/s (840 m/s) velocity. Combined rate of fire was over 4,000 rpm with roughly every sixth projectile a 20-mm shell. The duration of sustained firing for the 20-mm cannon and .50-caliber machine guns was approximately 14 seconds and 35 seconds, respectively.

The Lockheed design incorporated tricycle undercarriage and a bubble canopy, and featured two 1,000-hp (746 kW) turbo-supercharged 12-cylinder Allison V-1710 engines fitted with counter-rotating propellers to eliminate the effect of engine torque, with the superchargers positioned behind the engines, with the exhaust side of the units exposed along the dorsal surfaces of the booms. Counter-rotation was achieved by the use of "handed" engines, which meant that the crankshaft of each engine turned in the opposite direction of its counterpart. The V-12 engines required changing only the spark plug firing order in order for the direction of the crankshaft to be reversed, according to the General Motors Allison V-1710 Service School Handbook.

It was the first American fighter to make extensive use of stainless steel and smooth, flush-riveted butt-jointed aluminum skin panels. It was also the first fighter to fly faster than 400 mph (640 km/h).

Pacific theater

Wartime poster encouraging greater production of P-38s

The P-38 was used most extensively and successfully in the Pacific theater, where it proved ideally suited, combining excellent performance with very long range, and had the added reliability of two engines for long missions over water. The P-38 was used in a variety of roles, especially escorting bombers at altitudes between 18–25,000 ft (5,500-7,600 m). The P-38 was credited with destroying more Japanese aircraft than any other USAAF fighter. Freezing cockpits were not a problem at low altitude in the tropics. In fact, since there was no way to open a window while in flight as it caused buffeting by setting up turbulence through the tailplane, it was often too hot; pilots taking low altitude assignments would often fly stripped down to shorts, tennis shoes, and parachute. While the P-38 could not out-turn the A6M Zero and most other Japanese fighters when flying below 200 mph (320 km/h), its superior speed coupled with a good rate of climb meant that it could utilize energy tactics, making multiple high-speed passes at its target. Also, its focused firepower was even more deadly to lightly armored Japanese warplanes than to the Germans'. The concentrated, parallel stream of bullets allowed aerial victory at much longer distances than fighters carrying wing guns. It is therefore ironic that Dick Bong, the United States' highest-scoring World War II air ace (40 victories solely in P-38s), would fly directly at his targets to make sure he hit them (as he himself acknowledged his poor shooting ability), in some cases flying through the debris of his target (and on one occasion colliding with an enemy aircraft which was claimed as a "probable" victory). The twin Allison engines performed admirably in the Pacific.

Postwar operations[edit]

The end of the war left the USAAF with thousands of P-38s rendered obsolete by the jet age. The last P-38s in service with the United States Air Force were retired in 1949.[82] A total of 100 late-model P-38L and F-5 Lightnings were acquired by Italy through an agreement dated April 1946. Delivered, after refurbishing, at the rate of one per month, they finally were all sent to the AMI by 1952. The Lightnings served in 4 Stormo and other units including 3 Stormo, flying reconnaissance over the Balkans, ground attack, naval cooperation and air superiority missions. Due to unfamiliarity in operating heavy fighters, old engines, and pilot errors, a large number of P-38s were lost in at least 30 accidents, many of them fatal. Despite this, many Italian pilots liked the P-38 because of its excellent visibility on the ground and stability on takeoff. The Italian P-38s were phased out in 1956; none survived the inevitable scrapyard.

Surplus P-38s were also used by other foreign air forces with 12 sold to Honduras and 15 retained by China. Six F-5s and two unarmed black two-seater P-38s were operated by the Dominican Air Force based in San Isidro Airbase, Dominican Republic in 1947. The majority of wartime Lightnings present in the continental U.S. at the end of the war were put up for sale for US$1,200 apiece; the rest were scrapped. P-38s in distant theaters of war were bulldozed into piles and abandoned or scrapped; very few avoided that fate.

Variants:

Over 10,000 Lightnings were manufactured in all, becoming the only U.S. combat aircraft that remained in continuous production throughout the duration of American participation in World War II. The Lightning had a major effect on other aircraft; its wing, in a scaled-up form, was used on the L-049 Constellation.

Popular culture

1950 Studebaker Champion

Harley Earl arranged for several of his designers to view a YP-38 prototype shortly before World War II, and its design directly inspired the tail fins of the 1948–1949 Cadillac

The P-38 was also the inspiration for Raymond Loewy and his design team at Studebaker for the 1950 and 1951 model-year Studebakers.

The whine of the speeder bike engines in Return of the Jedi was partly achieved by recording the engine noise of a P-38, combined with that of a North American P-51 Mustang.

Cadillac 1948 Series 62 Fastback.

Cadillac had been one of the leading builders of luxury cars in the US between the wars. As part of the greater General Motors Corporation, Cadillac was well placed to resume car production after the end of WW II. Not only to resume production, but to fund the development of all new models, incorporating an all-new engine (for 1949), and advanced styling influenced by developments in aviation during the war.

This new styling and bodies were first seen in 1948.

For 1948, the Series 62 was moved to the same 126 in (3,200 mm) chassis as the Series 61, making the vehicles virtually identical. The main difference, apart from extra chrome, was the availability of a convertible model. Distinguishing features included grooved bright metal front fender gravel guards, rocker panel brightwork, chevron style chrome slashes below taillights and slightly richer interior trim. Also in 1948 the first tail fins were added. Sales fell to 34,213, nevertheless accounting for a record 68% of all Cadillacs sold.

A combination of factors allowed Cadillac to firmly place itself at the forefront of the luxury market, and stay there for the next 40 years.

This Lockheed P-38 Lightning from 1941, and 1948 Cadillac Series 62 Fastback Coupe has been created in Lego miniland-scale for Flickr LUGNuts 79th Build Challenge, - "LUGNuts goes Wingnuts", - featuring automotive vehicles named after, inspired by, or related to aircraft.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

Some background

The history of Focke Wulf's Fw 190 in Japan started with a rejection: in 1943 a single FW 190 A-5 had been supplied to Japan for evaluation, but at first, the type was not put into production by the Japanese. Anyway, the results of the study by Japanese engineers were incorporated in the design of the Ki-61 fighter. This evaluation did not go unnoticed, since the type received the Allied code-name 'Fred'.

Its only drawback was - as with the original Fw 190 - that performance dropped at heights above 6.000m. This should not have posed a problem with the J2M, but that type's delay left the Allied high-altitude bomber attacks relatively unharmed, so that the J10F3 version was hastily developed, but failed to realize. In Germany, the similar situation resulted in the Fw 190 D-9 variant and finally in the superb Ta-152.

J10F1General characteristics:

Crew: 1

Length: 9.29 m (30 ft 6¾ in)

Wingspan:10.51 m (34 ft 5 in)

Height: 3.95 m (12 ft 12 in)

Wing area:18.30 m² (196.99 ft²)

Empty weight: 3,490 kg (7,694 lb)

Max. take-off weight: 4,840 kg (10,670 lb)

Performance:

Maximum speed: 656 km/h (408 mph) at 19,420 ft (5,920 m)

Rate of climb:17 m/s (3,300 ft/min)

Range: 800 km (500 mi)

Service ceiling: 12,000 m (39,370 ft)

Engine: 1 Mitsubishi MK4R Kasei 23e radial engine with 1.820hp

Armament:

2 × 13.2 mm Type 3 machine guns, 300 rpg, in the nose

4 × 20 mm two Type 99 Model 2 cannons, 200 rpg, two in the wing roots, two outside of the landing gear.

Three hardpoints, one under the fuselage (max. 500 kg/1.102 lb) and one under each wing for 250 kg/550 lb each for bombs or fuel tanks. Total external ordnance load of 1.000kg (2.205 lb).

The kit and its assembly

The 'Japanese Fw 190' is a popular what-if topic, so I wanted to add my interpretation to the plethora of whifs and replicas of the real test machine. Actually, a clean Fw 190 looks pretty Japanese with its radial engine and sleek lines. When I recently came across a similar build at britmodelers.com, I thought that painting a Fw 190 green/grey and putting some Hinomarus on is logical and simple, but there's more in the subject than just cosmetics. I wanted a bit more... And while the concept remained simple, I had enough ideas and spare parts for a twin combo! In the end, the J10F was built as a pure interceptor and as a 'special purpose' night strike aircraft.

Basically, my limiting design idea for the J10F's design was the idea that Japan would not have received the Fw 190’s original BMW 801 radial engine, so that an alternative powerplant had to be fitted. I had hoped that this would have set the 'new' plane outwardly a bit apart from its German ancestor, and also make you look twice because the result would not be a 1:1 "Japanized" Fw 190 A/F. I tried, but I suppose that the effect is not as 'powerful' as intended – but judge for yourself?

The basic kits for both conversions come from Hobby Boss. It is a simple and clean kit, but with very good fit and engraved details. In an attempt to change the plane's look a little, I tried to transplant other engines - radials, too. Donation parts for both kits come from an Italeri Ju 188, which features two pairs of engines. The radials I used are actually BMW 801’s, too, but they lack the typical cooling fan and the cowlings are 3-4mm longer because they'd carry the engine mountings on the Ju 188's wings. Actually, the fuselage is minimal longer now, maybe 4-5mm, but the shape is still very close to the original Fw 190, so I think that this mod hardly is recognizable at all?

The change was a bit tricky, due to the massive fuselage of the Hobby Boss kit, but it worked. The new cowlings received new cooling louvres and exhaust pipes. New, four-bladed propellers were added, scratch-built from leftover Mosquito NF.30 propellers from the Airfix kit and drop tank front halves.

Otherwise, though, not much was changed, the two kits just differ in equipment details and received Matchbox pilot figures in order to cover up the bleak and very deep cockpit.

The interceptor:

As an interceptor I left the plane clean, without external ordnance. I wanted to emphasize its elegant look, which makes it look like a Ki-43 on casual glance, or even an A6M. The plane carries the normal gun armament (from a Fw 190 A-8), this is supposed to be the original/standard J10F mentioned above.

The night attacker:

The J10F1-G variant saw more modifications, including a new exhaust system with flame dampers built from scratch. Other special equipment comprises an IR sight in front of the canopy, flare protectors, the fuselage hardpoint and the scratch-built Ke-Go 110 bomb. In order to cover the deleted gun access panels under the wings, I added streamlined bomb shackles for two Japanese 60kg bombs each, donated from a Matchbox Ju 87 kit.

About the Ke-Go bomb

This bomb, which looks like a penguin, is a fantasy derivate of a real Japanese development series until summer 1945. In a nutshell, the Ke-Go bomb actually was one of the first “fire and forget” weapons I have heard of. With the guidance of a bolometer seeker and a self-correcting steering mechanism, the bomb would (only) be useable against strong and clear heat sources – a ship’s kettle at night, when surrounding heat level was low, would qualify, and the bomb would be guided by deviation and correction from that heat source - if it locked on correctly, though! My Ke-Go 110 is a smaller version of the original Ke-Go bombs, suitable for lighter planes.

Painting

Being an IJN plane, paint scheme choices for the J10F were rather limited - and since it is a whif plane I stuck to my policy that I rather use a simple/subtle paint scheme.

The interceptor:

For the clean and rather conservative interceptor I settled for a simple IJN Green/Gray livery (N. 2 ‘Aomidori-iro’, a bluish, very dark green and N.10 ‘Hairyokushoku’, respectively), with Testors 2116 and 2117 as basic tones. Yellow wing leading edges were added, cut from an aftermarket decal sheet. As a design twist I painted the engine cowling black, A6M-style. The propeller spinner was painted in red brown (typical Japanese WWII primer color), with an orange tip, matching the arrow symbol decal on the tail fin. The propeller blades were painted with Testor’s ‘Rubber’, #1183.

A slightly worn look was achieved through a light wash with black ink and some dry painting with paler shades of Green (Humbrol 91 and 185) and Aluminum, plus light exhaust marks and gun smoke residues with flat black. Some bare metal spots were added, which also highlight some details and add to the worn look.

All decals for the green fighter come from a Hobby Boss A6M, only the arrows come from the Hobby Boss He 162. Finally, everything was sealed under a semi-matte varnish, for a light shine to the surface – typical IJN machines appear to be rather shiny?

The night attacker:

This variant received a more fantastic and stealthy paint scheme - I wanted to set the plane apart from the clean and shiny interceptor: a grunty, desperate strike aircraft against overwhelming sea forces.

AFAIK, there had not been specific nocturnal cammo schemes at the IJNAS, except for all-green aircraft? A bit boring, I thought, esp. with a typical green/gray sister plane.

So I made up a personal variant: In a first step, upper surfaces were painted in a brownish-grey basic tone, AFAIK called ‘Ameiro’ – it is the color which was used on early Zeroes which were based on carriers, and the tone faded quickly to a light gray. This color is very similar to RAL 7014 ‘Fenstergrau’ and reminds of B.S. ‘Hemp’. I improvised it with a mix of Humbrol 141 (60%), 83 (35%) and a bit of 155 (5%). On top of that a dense array of dark green blotches (Humbrol 185, Chrome Green, at first, and later also with Humbrol 116 for more contrast) was applied, breaking up the plane’s lines and covering the light gray tone almost completely.

Undersides originally sported ‘Ameiro’, too, but they were painted as if they had been covered with a very dark gray tone in the field (Humbrol 67), even leaving out the hinomarus and flaking off everywhere. The black engine cowling was retained.

Hinomaru and squadron emblems come from the same Mitsubishi A6M from Hobby Boss as mentioned above, featuring even less markings. As a side note: I have never seen Hinomaru with a black(!) rim before? I am not certain if this is correct or an authentic modification - it matches the night fighter role perfectly, though. This time I chose a matte varnish, except for the cowling which received some streaks with more shiny semi-matte varnish.

In both cases, cockpit interior surfaces and landing gear wells were painted in ‘Aodake Iro’, simulated with a base of Aluminium (Humbrol 56) and a coat of translucent blue lacquer on top.

All in all, these pair of rather simple model kit was built in a couple of days, taking the pictures and waiting for good light took almost the same time! I am not 100% happy, because the engine mod is not as obvious as I expected, even though the four-bladed prop and the slightly elongated fuselage give the J10F a menacing and fast look, like a “Baby Tempest”.

The Lockheed P-38 Lightning was a World War II American fighter aircraft built by Lockheed. Developed to a United States Army Air Corps requirement, the P-38 had distinctive twin booms and a single, central nacelle containing the cockpit and armament. Named "fork-tailed devil" (der Gabelschwanz-Teufel) by the Luftwaffe and "two planes, one pilot" (2飛行機、1パイロット Ni hikōki, ippairotto?) by the Japanese, the P-38 was used in a number of roles, including dive bombing, level bombing, ground-attack, night fighting, photoreconnaissance missions, and extensively as a long-range escort fighter when equipped with drop tanks under its wings.

The P-38 was used most successfully in the Pacific Theater of Operations and the China-Burma-India Theater of Operations as the mount of America's top aces, Richard Bong (40 victories) and Thomas McGuire (38 victories). In the South West Pacific theater, the P-38 was the primary long-range fighter of United States Army Air Forces until the appearance of large numbers of P-51D Mustangs toward the end of the war.

The P-38 was unusually quiet for a fighter, the exhaust muffled by the turbo-superchargers. It was extremely forgiving, and could be mishandled in many ways, but the rate of roll in the early versions was too slow for it to excel as a dogfighter. The P-38 was the only American fighter aircraft in production throughout American involvement in the war, from Pearl Harbor to Victory over Japan Day.

Design and development[edit]

Lockheed designed the P-38 in response to a February 1937 specification from the United States Army Air Corps. Circular Proposal X-608 was a set of aircraft performance goals authored by First Lieutenant Benjamin S. Kelsey (later Brigadier General) and First Lieutenant Gordon P. Saville (later General) for a twin-engine, high-altitude "interceptor" having "the tactical mission of interception and attack of hostile aircraft at high altitude." Kelsey recalled in 1977 that he and Saville drew up the specification using the word interceptor as a way to bypass the inflexible Army Air Corps requirement for pursuit aircraft to carry no more than 500 lb (227 kg) of armament including ammunition, as well as the restriction of single-seat aircraft to one engine. Kelsey was looking for a minimum of 1,000 lb (454 kg) of armament. Kelsey and Saville aimed to get a more capable fighter, better at dog-fighting and at high-altitude combat. Specifications called for a maximum airspeed of at least 360 mph (580 km/h) at altitude, and a climb to 20,000 ft (6,100 m) within six minutes, the toughest set of specifications USAAC had ever presented. The unbuilt Vultee XP1015 was designed to the same requirement, but was not advanced enough to merit further investigation. A similar single-engine proposal was issued at the same time, Circular Proposal X-609, in response to which the Bell P-39 Airacobra was designed. Both proposals required liquid-cooled Allison V-1710 engines with turbo-superchargers and gave extra points for tricycle landing gear.

The Lockheed design team, under the direction of Hall Hibbard and Clarence "Kelly" Johnson, considered a range of twin-engine configurations, including both engines in a central fuselage with push-pull propellers.

The eventual configuration was rare in terms of contemporary fighter aircraft design, with only the preceding Fokker G.1, the contemporary Focke-Wulf Fw 189 Luftwaffe reconnaissance aircraft, and the later Northrop P-61 Black Widow night fighter having a similar planform. The Lockheed team chose twin booms to accommodate the tail assembly, engines, and turbo-superchargers, with a central nacelle for the pilot and armament. The XP-38 gondola mockup was designed to mount two .50-caliber (12.7 mm) M2 Browning machine guns, with 200 rpg, two .30-caliber (7.62 mm) Brownings, with 500 rpg, and a T1 Army Ordnance 23-mm (.90 in) autocannon with a rotary magazine as a substitute for the non-existent 25-mm Hotchkiss aircraft autocannon specified by Kelsey and Saville. In the YP-38s, a larger John Browning-designed, Colt-made M9 37-mm (1.46 in) autocannon with 15 rounds replaced the T1. The 15 rounds were in three 5-round clips, an unsatisfactory arrangement according to Kelsey, and the M9 did not perform reliably in flight. Further armament experiments from March to June 1941 resulted in the P-38E combat configuration of four M2 Browning machine guns, and one Hispano 20-mm (.79 in) autocannon with 150 rounds.

P-38 armament, concentrated in the nose of the aircraft

Clustering all the armament in the nose was unlike most other U.S. aircraft, which used wing-mounted guns with trajectories set up to crisscross at one or more points in a convergence zone. Nose-mounted guns did not suffer from having their useful ranges limited by pattern convergence, meaning that good pilots could shoot much farther. A Lightning could reliably hit targets at any range up to 1,000 yd (910 m), whereas other fighters had to pick a single convergence range between 100 and 250 yd (230 m). The clustered weapons had a "buzz saw" effect on any target at the receiving end, making the aircraft effective for strafing as well. The rate of fire was about 650 rounds per minute for the 20×110-mm cannon round (130-gram shell) at a muzzle velocity of about 2,887 ft/s (880 m/s), and for the .50-caliber machine guns (43–48-gram rounds), about 850 rpm at 2,756 ft/s (840 m/s) velocity. Combined rate of fire was over 4,000 rpm with roughly every sixth projectile a 20-mm shell. The duration of sustained firing for the 20-mm cannon and .50-caliber machine guns was approximately 14 seconds and 35 seconds, respectively.

The Lockheed design incorporated tricycle undercarriage and a bubble canopy, and featured two 1,000-hp (746 kW) turbo-supercharged 12-cylinder Allison V-1710 engines fitted with counter-rotating propellers to eliminate the effect of engine torque, with the superchargers positioned behind the engines, with the exhaust side of the units exposed along the dorsal surfaces of the booms. Counter-rotation was achieved by the use of "handed" engines, which meant that the crankshaft of each engine turned in the opposite direction of its counterpart. The V-12 engines required changing only the spark plug firing order in order for the direction of the crankshaft to be reversed, according to the General Motors Allison V-1710 Service School Handbook.

It was the first American fighter to make extensive use of stainless steel and smooth, flush-riveted butt-jointed aluminum skin panels. It was also the first fighter to fly faster than 400 mph (640 km/h).

Pacific theater

Wartime poster encouraging greater production of P-38s

The P-38 was used most extensively and successfully in the Pacific theater, where it proved ideally suited, combining excellent performance with very long range, and had the added reliability of two engines for long missions over water. The P-38 was used in a variety of roles, especially escorting bombers at altitudes between 18–25,000 ft (5,500-7,600 m). The P-38 was credited with destroying more Japanese aircraft than any other USAAF fighter. Freezing cockpits were not a problem at low altitude in the tropics. In fact, since there was no way to open a window while in flight as it caused buffeting by setting up turbulence through the tailplane, it was often too hot; pilots taking low altitude assignments would often fly stripped down to shorts, tennis shoes, and parachute. While the P-38 could not out-turn the A6M Zero and most other Japanese fighters when flying below 200 mph (320 km/h), its superior speed coupled with a good rate of climb meant that it could utilize energy tactics, making multiple high-speed passes at its target. Also, its focused firepower was even more deadly to lightly armored Japanese warplanes than to the Germans'. The concentrated, parallel stream of bullets allowed aerial victory at much longer distances than fighters carrying wing guns. It is therefore ironic that Dick Bong, the United States' highest-scoring World War II air ace (40 victories solely in P-38s), would fly directly at his targets to make sure he hit them (as he himself acknowledged his poor shooting ability), in some cases flying through the debris of his target (and on one occasion colliding with an enemy aircraft which was claimed as a "probable" victory). The twin Allison engines performed admirably in the Pacific.

Postwar operations[edit]

The end of the war left the USAAF with thousands of P-38s rendered obsolete by the jet age. The last P-38s in service with the United States Air Force were retired in 1949.[82] A total of 100 late-model P-38L and F-5 Lightnings were acquired by Italy through an agreement dated April 1946. Delivered, after refurbishing, at the rate of one per month, they finally were all sent to the AMI by 1952. The Lightnings served in 4 Stormo and other units including 3 Stormo, flying reconnaissance over the Balkans, ground attack, naval cooperation and air superiority missions. Due to unfamiliarity in operating heavy fighters, old engines, and pilot errors, a large number of P-38s were lost in at least 30 accidents, many of them fatal. Despite this, many Italian pilots liked the P-38 because of its excellent visibility on the ground and stability on takeoff. The Italian P-38s were phased out in 1956; none survived the inevitable scrapyard.

Surplus P-38s were also used by other foreign air forces with 12 sold to Honduras and 15 retained by China. Six F-5s and two unarmed black two-seater P-38s were operated by the Dominican Air Force based in San Isidro Airbase, Dominican Republic in 1947. The majority of wartime Lightnings present in the continental U.S. at the end of the war were put up for sale for US$1,200 apiece; the rest were scrapped. P-38s in distant theaters of war were bulldozed into piles and abandoned or scrapped; very few avoided that fate.

Variants:

Over 10,000 Lightnings were manufactured in all, becoming the only U.S. combat aircraft that remained in continuous production throughout the duration of American participation in World War II. The Lightning had a major effect on other aircraft; its wing, in a scaled-up form, was used on the L-049 Constellation.

Popular culture

1950 Studebaker Champion

Harley Earl arranged for several of his designers to view a YP-38 prototype shortly before World War II, and its design directly inspired the tail fins of the 1948–1949 Cadillac

The P-38 was also the inspiration for Raymond Loewy and his design team at Studebaker for the 1950 and 1951 model-year Studebakers.

The whine of the speeder bike engines in Return of the Jedi was partly achieved by recording the engine noise of a P-38, combined with that of a North American P-51 Mustang.

Cadillac 1948 Series 62 Fastback.

Cadillac had been one of the leading builders of luxury cars in the US between the wars. As part of the greater General Motors Corporation, Cadillac was well placed to resume car production after the end of WW II. Not only to resume production, but to fund the development of all new models, incorporating an all-new engine (for 1949), and advanced styling influenced by developments in aviation during the war.

This new styling and bodies were first seen in 1948.

For 1948, the Series 62 was moved to the same 126 in (3,200 mm) chassis as the Series 61, making the vehicles virtually identical. The main difference, apart from extra chrome, was the availability of a convertible model. Distinguishing features included grooved bright metal front fender gravel guards, rocker panel brightwork, chevron style chrome slashes below taillights and slightly richer interior trim. Also in 1948 the first tail fins were added. Sales fell to 34,213, nevertheless accounting for a record 68% of all Cadillacs sold.

A combination of factors allowed Cadillac to firmly place itself at the forefront of the luxury market, and stay there for the next 40 years.

This Lockheed P-38 Lightning from 1941, and 1948 Cadillac Series 62 Fastback Coupe has been created in Lego miniland-scale for Flickr LUGNuts 79th Build Challenge, - "LUGNuts goes Wingnuts", - featuring automotive vehicles named after, inspired by, or related to aircraft.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

Some Background:

The Ki-38 fighter was designed by the Tachikawa Aircraft Company Limited (立川飛行機株式会社, Tachikawa Hikōki Kabushiki Kaisha) near Tokyo, an aircraft manufacturer in the Empire of Japan, specializing primarily in aircraft for the Imperial Japanese Army Air Force. The Ki-38 prototype was produced in response to a December 1937 specification for a successor to the popular fixed-gear Nakajima Ki-27 Nate. The specification called for a top speed of 500 km/h (310 mph), a climb rate of 5,000 m (16,000 ft) in five minutes and a range of 800 km (500 mi). Maneuverability was to be at least as good as that of Ki-27.

As the war progressed, however, the fighter suffered from the same weaknesses as its slower, fixed-gear Ki-27 "Nate" predecessor and the more advanced naval A6M Zero: light armor and less-than-effective self-sealing fuel tanks, which caused high casualties in combat. Its armament of four light machine guns also proved inadequate against the more heavily armored Allied aircraft. Both issues were more or less mended with improved versions, but the Ki-38 could never keep up with the enemy fighters’ development and potential. And as newer Allied aircraft were introduced, the Japanese were forced into a defensive war and most aircraft were flown by inexperienced pilots.

General characteristics:

Crew: 1

Length: 8.96 m (29 ft 4 in)

Wingspan: 10.54 m (34 ft 7 in)

Height: 3.03 m (9 ft 11 in)

Wing area: 17.32 m² (186.4 sq ft)

Empty weight: 2,158 kg (4,758 lb)

Gross weight: 2,693 kg (5,937 lb)

Max takeoff weight: 2,800 kg (6,173 lb)

Powerplant:

1× Mitsubishi Ha-102 14-cylinder air-cooled radial piston engine with 1,050hp (755 kW),

driving a 3-bladed variable-pitch propeller

Performance

Maximum speed: 509 km/h (316 mph, 275 kn)

Cruise speed: 450 km/h (280 mph, 240 kn)

Range: 600 km (370 mi, 320 nmi)

Service ceiling: 10,000 m (33,000 ft)

Time to altitude: 2,000 m (6,600 ft) in 3 minutes 24 seconds

Wing loading: 155.4 kg/m2 (31.8 lb/sq ft)

Power/mass: 0.182 hp/lb (0.299 kW/kg)

Armament:

2× 20 mm (0.787 in) Ho-5 cannon with 150 rpg

2× 7.7 mm (0.303 in) Type 89 machine guns with 500 rpg

2× underwing hardpoints for single 30 kg (66 lb) or 2 × 250 kg (550 lb) bombs

1× ventral hardpoint for a 200 l (53 US gal; 44 imp gal) drop tank

The kit and its assembly:

I always thought that the French Bloch MB 150 had some early WWII Japanese look to it, and with this idea I recently procured a relatively cheap Heller kit for this conversion project that would yield the purely fictional Tachikawa Ki-38 for the IJA – even though the Ki-38 existed as a Kawasaki project and eventually became the Ki-45, so that the 38 as kitai number was never actively used.

The Heller MB 150 is a vintage kit, and it is not a good one. You get raised panel lines, poor details (the engine is a joke) and mediocre fit. If you want a good MB 150 in 1:72, look IMHO elsewhere.

For the Ki-38 I wanted to retain most of the hull, the first basic change was the integration of a cowling from a Japanese Mitsubishi Ha-102 two-row radial (left over from an Airfix Ki-46 “Dinah”), which also received a new three-blade propeller with a different spinner on a metal axis inside. The engine also received some more interior details, even though the spinner blocks most sight.

The next, more radical move was to replace the MB 150’s spinal cockpit fairing with a bubble canopy and a lowered back – I found a very old and glue-tinted canopy from a Matchbox A6M in the spares box, and it turned out to be very suitable for the Ki-38. However, cleaning the clear piece was quite challenging, because all raised struts had to be sanded away to get rid of the old glue and paint residues, and re-polishing it back to a more or less translucent state took several turns with ever finer sandpaper, polishing paste and soft polishing mops on a mini drill. The spine was re-created with 2C-putty and the canopy was blended into it and into the fuselage with several PSR turns.

Inside, I used a different pilot figure (which would later be hard to see, though), added a fuel tank behind the seat with some supporting struts and inserted a piece of styrene sheet to separate the landing gear well from the cockpit – OOB it’s simply open.

The landing gear was basically taken OOB, I just replaced the original tail skid with a wheel and modified the wheels with hub covers, because the old kit wants you to push them onto long axis’ with knobs at their tips so that they remain turnable. Meh!

The fairings under the guns in the wings (barrels scratched from the MB 150’s OOB parts) are conformal underwing fuel tanks from a late Seafire (Special Hobby kit).

Painting and markings:

The initial plan was a simple green/grey IJA livery, but the model looked SO much like an A6M that I rather decided to give it a more elaborate paint scheme. I eventually found an interesting camouflage on a Mitsubishi Ki-51 “Sonia” attack plane, even though without indications concerning its unit, time frame or theater of operations (even though I assume that it was used in the China-Burma-India theater): an overall light grey base, onto which opaque green contrast fields/stripes had been added, and the remaining light grey upper areas were overpainted with thin sinuous lines of the same green. This was adapted onto the Ki-38 with a basis in Humbrol 167 (RAF Barley Grey) and FS 34102 (Humbrol 117) for the green cammo. I also wanted to weather the model considerably, as a measure to hide some hardware flaws, so that a partial “primer coat” with Aluminum (Revell 99) was added to several areas, to shine through later. The yellow ID markings on the wings’ leading edges were painted with Humbrol 69. The propeller blades were painted with Humbrol 180, the spinner in a slightly lighter mix of 180 and 160.

Interior surfaces were painted with a dull yellowish green, a mix of Revell 16 and 42, just the inside of the landing gear covers became grey as the outside, in a fashion very similar to early Ki-43s.

The decals came form various sources, including a Hasegawa Ki-61 sheet for the unit markings and some stencils and hinomaru in suitable sizes from a generic roundel sheet.

Some dry-brushing with light grey was done to emphasize edges and details, and some soot stains were added with graphite to the exhausts and the guns. Finally, the kit was sealed with matt acrylic varnish, some more dry-brushing with aluminum was done, esp. around the cockpit, and position lights were added with translucent paint.

An unexpected result – I was not prepared that the modified MB 150 looks THAT much like a Mitsubishi A6M or the Ki-43! There’s even an Fw 190-ish feel to it, from certain angles. O.K., the canopy actually comes from a Zero and the cowling looks very similar, too. But the overall similarity is baffling, just the tail is the most distinguishing feature! However, due to the poor basis and the almost blind canopy donor, the model is far from stellar or presentable – but some in-flight shots look pretty convincing, and even the camouflage appears to be quite effective over wooded terrain.

The Lockheed P-38 Lightning was a World War II American fighter aircraft built by Lockheed. Developed to a United States Army Air Corps requirement, the P-38 had distinctive twin booms and a single, central nacelle containing the cockpit and armament. Named "fork-tailed devil" (der Gabelschwanz-Teufel) by the Luftwaffe and "two planes, one pilot" (2飛行機、1パイロット Ni hikōki, ippairotto?) by the Japanese, the P-38 was used in a number of roles, including dive bombing, level bombing, ground-attack, night fighting, photoreconnaissance missions, and extensively as a long-range escort fighter when equipped with drop tanks under its wings.

The P-38 was used most successfully in the Pacific Theater of Operations and the China-Burma-India Theater of Operations as the mount of America's top aces, Richard Bong (40 victories) and Thomas McGuire (38 victories). In the South West Pacific theater, the P-38 was the primary long-range fighter of United States Army Air Forces until the appearance of large numbers of P-51D Mustangs toward the end of the war.

The P-38 was unusually quiet for a fighter, the exhaust muffled by the turbo-superchargers. It was extremely forgiving, and could be mishandled in many ways, but the rate of roll in the early versions was too slow for it to excel as a dogfighter. The P-38 was the only American fighter aircraft in production throughout American involvement in the war, from Pearl Harbor to Victory over Japan Day.

Design and development[edit]

Lockheed designed the P-38 in response to a February 1937 specification from the United States Army Air Corps. Circular Proposal X-608 was a set of aircraft performance goals authored by First Lieutenant Benjamin S. Kelsey (later Brigadier General) and First Lieutenant Gordon P. Saville (later General) for a twin-engine, high-altitude "interceptor" having "the tactical mission of interception and attack of hostile aircraft at high altitude." Kelsey recalled in 1977 that he and Saville drew up the specification using the word interceptor as a way to bypass the inflexible Army Air Corps requirement for pursuit aircraft to carry no more than 500 lb (227 kg) of armament including ammunition, as well as the restriction of single-seat aircraft to one engine. Kelsey was looking for a minimum of 1,000 lb (454 kg) of armament. Kelsey and Saville aimed to get a more capable fighter, better at dog-fighting and at high-altitude combat. Specifications called for a maximum airspeed of at least 360 mph (580 km/h) at altitude, and a climb to 20,000 ft (6,100 m) within six minutes, the toughest set of specifications USAAC had ever presented. The unbuilt Vultee XP1015 was designed to the same requirement, but was not advanced enough to merit further investigation. A similar single-engine proposal was issued at the same time, Circular Proposal X-609, in response to which the Bell P-39 Airacobra was designed. Both proposals required liquid-cooled Allison V-1710 engines with turbo-superchargers and gave extra points for tricycle landing gear.

The Lockheed design team, under the direction of Hall Hibbard and Clarence "Kelly" Johnson, considered a range of twin-engine configurations, including both engines in a central fuselage with push-pull propellers.

The eventual configuration was rare in terms of contemporary fighter aircraft design, with only the preceding Fokker G.1, the contemporary Focke-Wulf Fw 189 Luftwaffe reconnaissance aircraft, and the later Northrop P-61 Black Widow night fighter having a similar planform. The Lockheed team chose twin booms to accommodate the tail assembly, engines, and turbo-superchargers, with a central nacelle for the pilot and armament. The XP-38 gondola mockup was designed to mount two .50-caliber (12.7 mm) M2 Browning machine guns, with 200 rpg, two .30-caliber (7.62 mm) Brownings, with 500 rpg, and a T1 Army Ordnance 23-mm (.90 in) autocannon with a rotary magazine as a substitute for the non-existent 25-mm Hotchkiss aircraft autocannon specified by Kelsey and Saville. In the YP-38s, a larger John Browning-designed, Colt-made M9 37-mm (1.46 in) autocannon with 15 rounds replaced the T1. The 15 rounds were in three 5-round clips, an unsatisfactory arrangement according to Kelsey, and the M9 did not perform reliably in flight. Further armament experiments from March to June 1941 resulted in the P-38E combat configuration of four M2 Browning machine guns, and one Hispano 20-mm (.79 in) autocannon with 150 rounds.

P-38 armament, concentrated in the nose of the aircraft

Clustering all the armament in the nose was unlike most other U.S. aircraft, which used wing-mounted guns with trajectories set up to crisscross at one or more points in a convergence zone. Nose-mounted guns did not suffer from having their useful ranges limited by pattern convergence, meaning that good pilots could shoot much farther. A Lightning could reliably hit targets at any range up to 1,000 yd (910 m), whereas other fighters had to pick a single convergence range between 100 and 250 yd (230 m). The clustered weapons had a "buzz saw" effect on any target at the receiving end, making the aircraft effective for strafing as well. The rate of fire was about 650 rounds per minute for the 20×110-mm cannon round (130-gram shell) at a muzzle velocity of about 2,887 ft/s (880 m/s), and for the .50-caliber machine guns (43–48-gram rounds), about 850 rpm at 2,756 ft/s (840 m/s) velocity. Combined rate of fire was over 4,000 rpm with roughly every sixth projectile a 20-mm shell. The duration of sustained firing for the 20-mm cannon and .50-caliber machine guns was approximately 14 seconds and 35 seconds, respectively.

The Lockheed design incorporated tricycle undercarriage and a bubble canopy, and featured two 1,000-hp (746 kW) turbo-supercharged 12-cylinder Allison V-1710 engines fitted with counter-rotating propellers to eliminate the effect of engine torque, with the superchargers positioned behind the engines, with the exhaust side of the units exposed along the dorsal surfaces of the booms. Counter-rotation was achieved by the use of "handed" engines, which meant that the crankshaft of each engine turned in the opposite direction of its counterpart. The V-12 engines required changing only the spark plug firing order in order for the direction of the crankshaft to be reversed, according to the General Motors Allison V-1710 Service School Handbook.

It was the first American fighter to make extensive use of stainless steel and smooth, flush-riveted butt-jointed aluminum skin panels. It was also the first fighter to fly faster than 400 mph (640 km/h).

Pacific theater

Wartime poster encouraging greater production of P-38s

The P-38 was used most extensively and successfully in the Pacific theater, where it proved ideally suited, combining excellent performance with very long range, and had the added reliability of two engines for long missions over water. The P-38 was used in a variety of roles, especially escorting bombers at altitudes between 18–25,000 ft (5,500-7,600 m). The P-38 was credited with destroying more Japanese aircraft than any other USAAF fighter. Freezing cockpits were not a problem at low altitude in the tropics. In fact, since there was no way to open a window while in flight as it caused buffeting by setting up turbulence through the tailplane, it was often too hot; pilots taking low altitude assignments would often fly stripped down to shorts, tennis shoes, and parachute. While the P-38 could not out-turn the A6M Zero and most other Japanese fighters when flying below 200 mph (320 km/h), its superior speed coupled with a good rate of climb meant that it could utilize energy tactics, making multiple high-speed passes at its target. Also, its focused firepower was even more deadly to lightly armored Japanese warplanes than to the Germans'. The concentrated, parallel stream of bullets allowed aerial victory at much longer distances than fighters carrying wing guns. It is therefore ironic that Dick Bong, the United States' highest-scoring World War II air ace (40 victories solely in P-38s), would fly directly at his targets to make sure he hit them (as he himself acknowledged his poor shooting ability), in some cases flying through the debris of his target (and on one occasion colliding with an enemy aircraft which was claimed as a "probable" victory). The twin Allison engines performed admirably in the Pacific.

Postwar operations[edit]

The end of the war left the USAAF with thousands of P-38s rendered obsolete by the jet age. The last P-38s in service with the United States Air Force were retired in 1949.[82] A total of 100 late-model P-38L and F-5 Lightnings were acquired by Italy through an agreement dated April 1946. Delivered, after refurbishing, at the rate of one per month, they finally were all sent to the AMI by 1952. The Lightnings served in 4 Stormo and other units including 3 Stormo, flying reconnaissance over the Balkans, ground attack, naval cooperation and air superiority missions. Due to unfamiliarity in operating heavy fighters, old engines, and pilot errors, a large number of P-38s were lost in at least 30 accidents, many of them fatal. Despite this, many Italian pilots liked the P-38 because of its excellent visibility on the ground and stability on takeoff. The Italian P-38s were phased out in 1956; none survived the inevitable scrapyard.

Surplus P-38s were also used by other foreign air forces with 12 sold to Honduras and 15 retained by China. Six F-5s and two unarmed black two-seater P-38s were operated by the Dominican Air Force based in San Isidro Airbase, Dominican Republic in 1947. The majority of wartime Lightnings present in the continental U.S. at the end of the war were put up for sale for US$1,200 apiece; the rest were scrapped. P-38s in distant theaters of war were bulldozed into piles and abandoned or scrapped; very few avoided that fate.

Variants:

Over 10,000 Lightnings were manufactured in all, becoming the only U.S. combat aircraft that remained in continuous production throughout the duration of American participation in World War II. The Lightning had a major effect on other aircraft; its wing, in a scaled-up form, was used on the L-049 Constellation.

Popular culture

1950 Studebaker Champion

Harley Earl arranged for several of his designers to view a YP-38 prototype shortly before World War II, and its design directly inspired the tail fins of the 1948–1949 Cadillac

The P-38 was also the inspiration for Raymond Loewy and his design team at Studebaker for the 1950 and 1951 model-year Studebakers.

The whine of the speeder bike engines in Return of the Jedi was partly achieved by recording the engine noise of a P-38, combined with that of a North American P-51 Mustang.

Cadillac 1948 Series 62 Fastback.

Cadillac had been one of the leading builders of luxury cars in the US between the wars. As part of the greater General Motors Corporation, Cadillac was well placed to resume car production after the end of WW II. Not only to resume production, but to fund the development of all new models, incorporating an all-new engine (for 1949), and advanced styling influenced by developments in aviation during the war.

This new styling and bodies were first seen in 1948.

For 1948, the Series 62 was moved to the same 126 in (3,200 mm) chassis as the Series 61, making the vehicles virtually identical. The main difference, apart from extra chrome, was the availability of a convertible model. Distinguishing features included grooved bright metal front fender gravel guards, rocker panel brightwork, chevron style chrome slashes below taillights and slightly richer interior trim. Also in 1948 the first tail fins were added. Sales fell to 34,213, nevertheless accounting for a record 68% of all Cadillacs sold.

A combination of factors allowed Cadillac to firmly place itself at the forefront of the luxury market, and stay there for the next 40 years.

This Lockheed P-38 Lightning from 1941, and 1948 Cadillac Series 62 Fastback Coupe has been created in Lego miniland-scale for Flickr LUGNuts 79th Build Challenge, - "LUGNuts goes Wingnuts", - featuring automotive vehicles named after, inspired by, or related to aircraft.

The Lockheed P-38 Lightning was a World War II American fighter aircraft built by Lockheed. Developed to a United States Army Air Corps requirement, the P-38 had distinctive twin booms and a single, central nacelle containing the cockpit and armament. Named "fork-tailed devil" (der Gabelschwanz-Teufel) by the Luftwaffe and "two planes, one pilot" (2飛行機、1パイロット Ni hikōki, ippairotto?) by the Japanese, the P-38 was used in a number of roles, including dive bombing, level bombing, ground-attack, night fighting, photoreconnaissance missions, and extensively as a long-range escort fighter when equipped with drop tanks under its wings.

The P-38 was used most successfully in the Pacific Theater of Operations and the China-Burma-India Theater of Operations as the mount of America's top aces, Richard Bong (40 victories) and Thomas McGuire (38 victories). In the South West Pacific theater, the P-38 was the primary long-range fighter of United States Army Air Forces until the appearance of large numbers of P-51D Mustangs toward the end of the war.

The P-38 was unusually quiet for a fighter, the exhaust muffled by the turbo-superchargers. It was extremely forgiving, and could be mishandled in many ways, but the rate of roll in the early versions was too slow for it to excel as a dogfighter. The P-38 was the only American fighter aircraft in production throughout American involvement in the war, from Pearl Harbor to Victory over Japan Day.

Design and development[edit]

Lockheed designed the P-38 in response to a February 1937 specification from the United States Army Air Corps. Circular Proposal X-608 was a set of aircraft performance goals authored by First Lieutenant Benjamin S. Kelsey (later Brigadier General) and First Lieutenant Gordon P. Saville (later General) for a twin-engine, high-altitude "interceptor" having "the tactical mission of interception and attack of hostile aircraft at high altitude." Kelsey recalled in 1977 that he and Saville drew up the specification using the word interceptor as a way to bypass the inflexible Army Air Corps requirement for pursuit aircraft to carry no more than 500 lb (227 kg) of armament including ammunition, as well as the restriction of single-seat aircraft to one engine. Kelsey was looking for a minimum of 1,000 lb (454 kg) of armament. Kelsey and Saville aimed to get a more capable fighter, better at dog-fighting and at high-altitude combat. Specifications called for a maximum airspeed of at least 360 mph (580 km/h) at altitude, and a climb to 20,000 ft (6,100 m) within six minutes, the toughest set of specifications USAAC had ever presented. The unbuilt Vultee XP1015 was designed to the same requirement, but was not advanced enough to merit further investigation. A similar single-engine proposal was issued at the same time, Circular Proposal X-609, in response to which the Bell P-39 Airacobra was designed. Both proposals required liquid-cooled Allison V-1710 engines with turbo-superchargers and gave extra points for tricycle landing gear.

The Lockheed design team, under the direction of Hall Hibbard and Clarence "Kelly" Johnson, considered a range of twin-engine configurations, including both engines in a central fuselage with push-pull propellers.

The eventual configuration was rare in terms of contemporary fighter aircraft design, with only the preceding Fokker G.1, the contemporary Focke-Wulf Fw 189 Luftwaffe reconnaissance aircraft, and the later Northrop P-61 Black Widow night fighter having a similar planform. The Lockheed team chose twin booms to accommodate the tail assembly, engines, and turbo-superchargers, with a central nacelle for the pilot and armament. The XP-38 gondola mockup was designed to mount two .50-caliber (12.7 mm) M2 Browning machine guns, with 200 rpg, two .30-caliber (7.62 mm) Brownings, with 500 rpg, and a T1 Army Ordnance 23-mm (.90 in) autocannon with a rotary magazine as a substitute for the non-existent 25-mm Hotchkiss aircraft autocannon specified by Kelsey and Saville. In the YP-38s, a larger John Browning-designed, Colt-made M9 37-mm (1.46 in) autocannon with 15 rounds replaced the T1. The 15 rounds were in three 5-round clips, an unsatisfactory arrangement according to Kelsey, and the M9 did not perform reliably in flight. Further armament experiments from March to June 1941 resulted in the P-38E combat configuration of four M2 Browning machine guns, and one Hispano 20-mm (.79 in) autocannon with 150 rounds.

P-38 armament, concentrated in the nose of the aircraft

Clustering all the armament in the nose was unlike most other U.S. aircraft, which used wing-mounted guns with trajectories set up to crisscross at one or more points in a convergence zone. Nose-mounted guns did not suffer from having their useful ranges limited by pattern convergence, meaning that good pilots could shoot much farther. A Lightning could reliably hit targets at any range up to 1,000 yd (910 m), whereas other fighters had to pick a single convergence range between 100 and 250 yd (230 m). The clustered weapons had a "buzz saw" effect on any target at the receiving end, making the aircraft effective for strafing as well. The rate of fire was about 650 rounds per minute for the 20×110-mm cannon round (130-gram shell) at a muzzle velocity of about 2,887 ft/s (880 m/s), and for the .50-caliber machine guns (43–48-gram rounds), about 850 rpm at 2,756 ft/s (840 m/s) velocity. Combined rate of fire was over 4,000 rpm with roughly every sixth projectile a 20-mm shell. The duration of sustained firing for the 20-mm cannon and .50-caliber machine guns was approximately 14 seconds and 35 seconds, respectively.

The Lockheed design incorporated tricycle undercarriage and a bubble canopy, and featured two 1,000-hp (746 kW) turbo-supercharged 12-cylinder Allison V-1710 engines fitted with counter-rotating propellers to eliminate the effect of engine torque, with the superchargers positioned behind the engines, with the exhaust side of the units exposed along the dorsal surfaces of the booms. Counter-rotation was achieved by the use of "handed" engines, which meant that the crankshaft of each engine turned in the opposite direction of its counterpart. The V-12 engines required changing only the spark plug firing order in order for the direction of the crankshaft to be reversed, according to the General Motors Allison V-1710 Service School Handbook.

It was the first American fighter to make extensive use of stainless steel and smooth, flush-riveted butt-jointed aluminum skin panels. It was also the first fighter to fly faster than 400 mph (640 km/h).

Pacific theater

Wartime poster encouraging greater production of P-38s

The P-38 was used most extensively and successfully in the Pacific theater, where it proved ideally suited, combining excellent performance with very long range, and had the added reliability of two engines for long missions over water. The P-38 was used in a variety of roles, especially escorting bombers at altitudes between 18–25,000 ft (5,500-7,600 m). The P-38 was credited with destroying more Japanese aircraft than any other USAAF fighter. Freezing cockpits were not a problem at low altitude in the tropics. In fact, since there was no way to open a window while in flight as it caused buffeting by setting up turbulence through the tailplane, it was often too hot; pilots taking low altitude assignments would often fly stripped down to shorts, tennis shoes, and parachute. While the P-38 could not out-turn the A6M Zero and most other Japanese fighters when flying below 200 mph (320 km/h), its superior speed coupled with a good rate of climb meant that it could utilize energy tactics, making multiple high-speed passes at its target. Also, its focused firepower was even more deadly to lightly armored Japanese warplanes than to the Germans'. The concentrated, parallel stream of bullets allowed aerial victory at much longer distances than fighters carrying wing guns. It is therefore ironic that Dick Bong, the United States' highest-scoring World War II air ace (40 victories solely in P-38s), would fly directly at his targets to make sure he hit them (as he himself acknowledged his poor shooting ability), in some cases flying through the debris of his target (and on one occasion colliding with an enemy aircraft which was claimed as a "probable" victory). The twin Allison engines performed admirably in the Pacific.

Postwar operations[edit]

The end of the war left the USAAF with thousands of P-38s rendered obsolete by the jet age. The last P-38s in service with the United States Air Force were retired in 1949.[82] A total of 100 late-model P-38L and F-5 Lightnings were acquired by Italy through an agreement dated April 1946. Delivered, after refurbishing, at the rate of one per month, they finally were all sent to the AMI by 1952. The Lightnings served in 4 Stormo and other units including 3 Stormo, flying reconnaissance over the Balkans, ground attack, naval cooperation and air superiority missions. Due to unfamiliarity in operating heavy fighters, old engines, and pilot errors, a large number of P-38s were lost in at least 30 accidents, many of them fatal. Despite this, many Italian pilots liked the P-38 because of its excellent visibility on the ground and stability on takeoff. The Italian P-38s were phased out in 1956; none survived the inevitable scrapyard.

Surplus P-38s were also used by other foreign air forces with 12 sold to Honduras and 15 retained by China. Six F-5s and two unarmed black two-seater P-38s were operated by the Dominican Air Force based in San Isidro Airbase, Dominican Republic in 1947. The majority of wartime Lightnings present in the continental U.S. at the end of the war were put up for sale for US$1,200 apiece; the rest were scrapped. P-38s in distant theaters of war were bulldozed into piles and abandoned or scrapped; very few avoided that fate.

Variants:

Over 10,000 Lightnings were manufactured in all, becoming the only U.S. combat aircraft that remained in continuous production throughout the duration of American participation in World War II. The Lightning had a major effect on other aircraft; its wing, in a scaled-up form, was used on the L-049 Constellation.

Popular culture

1950 Studebaker Champion

Harley Earl arranged for several of his designers to view a YP-38 prototype shortly before World War II, and its design directly inspired the tail fins of the 1948–1949 Cadillac

The P-38 was also the inspiration for Raymond Loewy and his design team at Studebaker for the 1950 and 1951 model-year Studebakers.

The whine of the speeder bike engines in Return of the Jedi was partly achieved by recording the engine noise of a P-38, combined with that of a North American P-51 Mustang.

Cadillac 1948 Series 62 Fastback.

Cadillac had been one of the leading builders of luxury cars in the US between the wars. As part of the greater General Motors Corporation, Cadillac was well placed to resume car production after the end of WW II. Not only to resume production, but to fund the development of all new models, incorporating an all-new engine (for 1949), and advanced styling influenced by developments in aviation during the war.

This new styling and bodies were first seen in 1948.

For 1948, the Series 62 was moved to the same 126 in (3,200 mm) chassis as the Series 61, making the vehicles virtually identical. The main difference, apart from extra chrome, was the availability of a convertible model. Distinguishing features included grooved bright metal front fender gravel guards, rocker panel brightwork, chevron style chrome slashes below taillights and slightly richer interior trim. Also in 1948 the first tail fins were added. Sales fell to 34,213, nevertheless accounting for a record 68% of all Cadillacs sold.

A combination of factors allowed Cadillac to firmly place itself at the forefront of the luxury market, and stay there for the next 40 years.

This Lockheed P-38 Lightning from 1941, and 1948 Cadillac Series 62 Fastback Coupe has been created in Lego miniland-scale for Flickr LUGNuts 79th Build Challenge, - "LUGNuts goes Wingnuts", - featuring automotive vehicles named after, inspired by, or related to aircraft.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

Some background:

The Messerschmitt Me 262 Schwalbe or Sturmvogel (English: "Swallow"/ "Storm Bird") was the world's second operational jet-powered fighter aircraft. Design work started before World War II began, but engine problems and top-level interference kept the aircraft from operational status with the Luftwaffe until mid-1944.

Anyway, only about 20 Me 262 G-1 were delivered to NJG 6 at all, and probably less than a dozen were operational when Germany surrendered. The G-3 recce variant remained on the drawing board, while two prototypes with radomes for the FuG 240 were under construction and underwent wind tunnel tests.

General characteristics:

Crew: 2

Length overall: 11.67 m (38 ft 3 in)

Wingspan: 12.60 m (41 ft 6 in)

Height: 3.50 m (11 ft 6 in)

Wing area: 21.7 m² (234 ft²)

Empty weight: 3,795 kg[101] (8,366 lb)

Loaded weight: 6,473 kg[101] (14,272 lb)

Max. takeoff weight: 7,130 kg[101] (15,720 lb)

Powerplant:

Aspect ratio: 7.32

Powerplant:

2× Junkers Jumo 004 B-1 turbojets, 8.8 kN (1,980 lbf) each

Performance:

Maximum speed: 900 km/h (559 mph)

Range: 1,050 km (652 mi)

Service ceiling: 11,450 m (37,565 ft)

Rate of climb: 1,200 m/min (At max weight of 7,130 kg) (3,900 ft/min)

Thrust/weight: 0.28

Armament:

2x 30mm MK 103 cannon in the lower front fuselage with 120 RPG

2x 30mm MK 108 cannon "Schräge Musik" installation with 80 RPG,

angled 70° upwards, between the cockpits

2x hardpoints under the wings, each able to carry up to 250kg (550lb), including bombs, drop tanks or unguided missiles (rarely used)

The kit and its assembly:

Connoisseurs will immediately recognize this kitbash - and the Me 262 G was spawned from the thought that the Japanese Ki-46 was such an elegant aircraft - wouldn't a jet version somehow make sense? So, initially this was supposed to become a Hikoki '46 model, but when I held some Me 262 parts next to the Ki-46's fuselage the idea of a Luftwaffe night fighter was born.

And this actually worked better than expected. This whif is a kitbash of an Airfix Ki-46 fuselage with wings, tail, engines, landing gear and Hirschgeweih from a Revell Me 262 B-1a.

Mating the parts went pretty straightforward, even though I made a mistake when I measured the position of the wing under the fuselage. Somehow it ended up 4-5mm too close to the nose - while the flaw was acceptable I decided to add a 5mm plug behind the pilot cockpit to compensate... And the added length just underlines the elegant Ki-46 lines.

In order to keep the model on its three feet lots of lead beads were hidden in the fuselage, the nose tip and even the front ends of the engine nacelles. Since the Ki-46 fuselage is considerably smaller than the Me 262's I had to fill the wing roots with putty, but that was a rather easy task.

Painting and markings:

I wanted something different from other German night fighters/bombers I had already built, yet a simple livery. Since many German night fighters left the factories in an overall RLM 76 finish I used this as a basis and just added mottles in RLM 75 on the upper surfaces - inspired by a Ta 154 Moskito night fighter prototype.

The cockpits were painted in very dark grey (RLM 66) while the landing gear and the respective wells were painted with RLM 02. Everything very conventional.

The markings were puzzled together - the national markings and stencils come from the Revell Me 262 B-1a sheet while the registration was created from single aftermarket letters, matching a hypothetical aircraft from 4. Staffel, II./NJG 6 in code and colors.

The kit received a light black in wash and some dry-brushing to emphasize panel lines. On the fuselage, however, I painted some panel lines with a pencil, since the Airfix Ki-46 is completely bare of details. Some soot stains around the guns were added with graphite and finally everything sealed under matt acrylic varnish.

A simple kitbashing project, and I am amazed how plausible the Ki-46/Me 262 mix looks, despite the mistake I made with the wing position. I wonder how a Ki-46 III with its streamlined cockpit would look in this case?

The Lockheed P-38 Lightning was a World War II American fighter aircraft built by Lockheed. Developed to a United States Army Air Corps requirement, the P-38 had distinctive twin booms and a single, central nacelle containing the cockpit and armament. Named "fork-tailed devil" (der Gabelschwanz-Teufel) by the Luftwaffe and "two planes, one pilot" (2飛行機、1パイロット Ni hikōki, ippairotto?) by the Japanese, the P-38 was used in a number of roles, including dive bombing, level bombing, ground-attack, night fighting, photoreconnaissance missions, and extensively as a long-range escort fighter when equipped with drop tanks under its wings.

The P-38 was used most successfully in the Pacific Theater of Operations and the China-Burma-India Theater of Operations as the mount of America's top aces, Richard Bong (40 victories) and Thomas McGuire (38 victories). In the South West Pacific theater, the P-38 was the primary long-range fighter of United States Army Air Forces until the appearance of large numbers of P-51D Mustangs toward the end of the war.

The P-38 was unusually quiet for a fighter, the exhaust muffled by the turbo-superchargers. It was extremely forgiving, and could be mishandled in many ways, but the rate of roll in the early versions was too slow for it to excel as a dogfighter. The P-38 was the only American fighter aircraft in production throughout American involvement in the war, from Pearl Harbor to Victory over Japan Day.

Design and development[edit]

Lockheed designed the P-38 in response to a February 1937 specification from the United States Army Air Corps. Circular Proposal X-608 was a set of aircraft performance goals authored by First Lieutenant Benjamin S. Kelsey (later Brigadier General) and First Lieutenant Gordon P. Saville (later General) for a twin-engine, high-altitude "interceptor" having "the tactical mission of interception and attack of hostile aircraft at high altitude." Kelsey recalled in 1977 that he and Saville drew up the specification using the word interceptor as a way to bypass the inflexible Army Air Corps requirement for pursuit aircraft to carry no more than 500 lb (227 kg) of armament including ammunition, as well as the restriction of single-seat aircraft to one engine. Kelsey was looking for a minimum of 1,000 lb (454 kg) of armament. Kelsey and Saville aimed to get a more capable fighter, better at dog-fighting and at high-altitude combat. Specifications called for a maximum airspeed of at least 360 mph (580 km/h) at altitude, and a climb to 20,000 ft (6,100 m) within six minutes, the toughest set of specifications USAAC had ever presented. The unbuilt Vultee XP1015 was designed to the same requirement, but was not advanced enough to merit further investigation. A similar single-engine proposal was issued at the same time, Circular Proposal X-609, in response to which the Bell P-39 Airacobra was designed. Both proposals required liquid-cooled Allison V-1710 engines with turbo-superchargers and gave extra points for tricycle landing gear.

The Lockheed design team, under the direction of Hall Hibbard and Clarence "Kelly" Johnson, considered a range of twin-engine configurations, including both engines in a central fuselage with push-pull propellers.

The eventual configuration was rare in terms of contemporary fighter aircraft design, with only the preceding Fokker G.1, the contemporary Focke-Wulf Fw 189 Luftwaffe reconnaissance aircraft, and the later Northrop P-61 Black Widow night fighter having a similar planform. The Lockheed team chose twin booms to accommodate the tail assembly, engines, and turbo-superchargers, with a central nacelle for the pilot and armament. The XP-38 gondola mockup was designed to mount two .50-caliber (12.7 mm) M2 Browning machine guns, with 200 rpg, two .30-caliber (7.62 mm) Brownings, with 500 rpg, and a T1 Army Ordnance 23-mm (.90 in) autocannon with a rotary magazine as a substitute for the non-existent 25-mm Hotchkiss aircraft autocannon specified by Kelsey and Saville. In the YP-38s, a larger John Browning-designed, Colt-made M9 37-mm (1.46 in) autocannon with 15 rounds replaced the T1. The 15 rounds were in three 5-round clips, an unsatisfactory arrangement according to Kelsey, and the M9 did not perform reliably in flight. Further armament experiments from March to June 1941 resulted in the P-38E combat configuration of four M2 Browning machine guns, and one Hispano 20-mm (.79 in) autocannon with 150 rounds.

P-38 armament, concentrated in the nose of the aircraft

Clustering all the armament in the nose was unlike most other U.S. aircraft, which used wing-mounted guns with trajectories set up to crisscross at one or more points in a convergence zone. Nose-mounted guns did not suffer from having their useful ranges limited by pattern convergence, meaning that good pilots could shoot much farther. A Lightning could reliably hit targets at any range up to 1,000 yd (910 m), whereas other fighters had to pick a single convergence range between 100 and 250 yd (230 m). The clustered weapons had a "buzz saw" effect on any target at the receiving end, making the aircraft effective for strafing as well. The rate of fire was about 650 rounds per minute for the 20×110-mm cannon round (130-gram shell) at a muzzle velocity of about 2,887 ft/s (880 m/s), and for the .50-caliber machine guns (43–48-gram rounds), about 850 rpm at 2,756 ft/s (840 m/s) velocity. Combined rate of fire was over 4,000 rpm with roughly every sixth projectile a 20-mm shell. The duration of sustained firing for the 20-mm cannon and .50-caliber machine guns was approximately 14 seconds and 35 seconds, respectively.

The Lockheed design incorporated tricycle undercarriage and a bubble canopy, and featured two 1,000-hp (746 kW) turbo-supercharged 12-cylinder Allison V-1710 engines fitted with counter-rotating propellers to eliminate the effect of engine torque, with the superchargers positioned behind the engines, with the exhaust side of the units exposed along the dorsal surfaces of the booms. Counter-rotation was achieved by the use of "handed" engines, which meant that the crankshaft of each engine turned in the opposite direction of its counterpart. The V-12 engines required changing only the spark plug firing order in order for the direction of the crankshaft to be reversed, according to the General Motors Allison V-1710 Service School Handbook.

It was the first American fighter to make extensive use of stainless steel and smooth, flush-riveted butt-jointed aluminum skin panels. It was also the first fighter to fly faster than 400 mph (640 km/h).

Pacific theater

Wartime poster encouraging greater production of P-38s

The P-38 was used most extensively and successfully in the Pacific theater, where it proved ideally suited, combining excellent performance with very long range, and had the added reliability of two engines for long missions over water. The P-38 was used in a variety of roles, especially escorting bombers at altitudes between 18–25,000 ft (5,500-7,600 m). The P-38 was credited with destroying more Japanese aircraft than any other USAAF fighter. Freezing cockpits were not a problem at low altitude in the tropics. In fact, since there was no way to open a window while in flight as it caused buffeting by setting up turbulence through the tailplane, it was often too hot; pilots taking low altitude assignments would often fly stripped down to shorts, tennis shoes, and parachute. While the P-38 could not out-turn the A6M Zero and most other Japanese fighters when flying below 200 mph (320 km/h), its superior speed coupled with a good rate of climb meant that it could utilize energy tactics, making multiple high-speed passes at its target. Also, its focused firepower was even more deadly to lightly armored Japanese warplanes than to the Germans'. The concentrated, parallel stream of bullets allowed aerial victory at much longer distances than fighters carrying wing guns. It is therefore ironic that Dick Bong, the United States' highest-scoring World War II air ace (40 victories solely in P-38s), would fly directly at his targets to make sure he hit them (as he himself acknowledged his poor shooting ability), in some cases flying through the debris of his target (and on one occasion colliding with an enemy aircraft which was claimed as a "probable" victory). The twin Allison engines performed admirably in the Pacific.

Postwar operations[edit]

The end of the war left the USAAF with thousands of P-38s rendered obsolete by the jet age. The last P-38s in service with the United States Air Force were retired in 1949.[82] A total of 100 late-model P-38L and F-5 Lightnings were acquired by Italy through an agreement dated April 1946. Delivered, after refurbishing, at the rate of one per month, they finally were all sent to the AMI by 1952. The Lightnings served in 4 Stormo and other units including 3 Stormo, flying reconnaissance over the Balkans, ground attack, naval cooperation and air superiority missions. Due to unfamiliarity in operating heavy fighters, old engines, and pilot errors, a large number of P-38s were lost in at least 30 accidents, many of them fatal. Despite this, many Italian pilots liked the P-38 because of its excellent visibility on the ground and stability on takeoff. The Italian P-38s were phased out in 1956; none survived the inevitable scrapyard.

Surplus P-38s were also used by other foreign air forces with 12 sold to Honduras and 15 retained by China. Six F-5s and two unarmed black two-seater P-38s were operated by the Dominican Air Force based in San Isidro Airbase, Dominican Republic in 1947. The majority of wartime Lightnings present in the continental U.S. at the end of the war were put up for sale for US$1,200 apiece; the rest were scrapped. P-38s in distant theaters of war were bulldozed into piles and abandoned or scrapped; very few avoided that fate.

Variants:

Over 10,000 Lightnings were manufactured in all, becoming the only U.S. combat aircraft that remained in continuous production throughout the duration of American participation in World War II. The Lightning had a major effect on other aircraft; its wing, in a scaled-up form, was used on the L-049 Constellation.

Popular culture

1950 Studebaker Champion

Harley Earl arranged for several of his designers to view a YP-38 prototype shortly before World War II, and its design directly inspired the tail fins of the 1948–1949 Cadillac

The P-38 was also the inspiration for Raymond Loewy and his design team at Studebaker for the 1950 and 1951 model-year Studebakers.

The whine of the speeder bike engines in Return of the Jedi was partly achieved by recording the engine noise of a P-38, combined with that of a North American P-51 Mustang.

Cadillac 1948 Series 62 Fastback.

Cadillac had been one of the leading builders of luxury cars in the US between the wars. As part of the greater General Motors Corporation, Cadillac was well placed to resume car production after the end of WW II. Not only to resume production, but to fund the development of all new models, incorporating an all-new engine (for 1949), and advanced styling influenced by developments in aviation during the war.

This new styling and bodies were first seen in 1948.

For 1948, the Series 62 was moved to the same 126 in (3,200 mm) chassis as the Series 61, making the vehicles virtually identical. The main difference, apart from extra chrome, was the availability of a convertible model. Distinguishing features included grooved bright metal front fender gravel guards, rocker panel brightwork, chevron style chrome slashes below taillights and slightly richer interior trim. Also in 1948 the first tail fins were added. Sales fell to 34,213, nevertheless accounting for a record 68% of all Cadillacs sold.

A combination of factors allowed Cadillac to firmly place itself at the forefront of the luxury market, and stay there for the next 40 years.

This Lockheed P-38 Lightning from 1941, and 1948 Cadillac Series 62 Fastback Coupe has been created in Lego miniland-scale for Flickr LUGNuts 79th Build Challenge, - "LUGNuts goes Wingnuts", - featuring automotive vehicles named after, inspired by, or related to aircraft.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

Some background:

The Nakajima J9N Kitsuka (中島 橘花, "Orange Blossom", pronounced Kikka in Kanji used traditionally by the Japanese) was Japan's first jet aircraft. In internal IJN documents it was also called Kōkoku Nigō Heiki (皇国二号兵器, "Imperial Weapon No.2"). After the Japanese military attaché in Germany witnessed trials of the Messerschmitt Me 262 in 1942, the Imperial Japanese Navy issued a request to Nakajima to develop a similar aircraft to be used as a fast attack bomber. Among the specifications for the design were the requirements that it should be able to be built largely by unskilled labor, and that the wings should be foldable. This latter feature was not intended for potential use on aircraft carriers, but rather to enable the aircraft to be hidden in caves and tunnels around Japan as the navy began to prepare for the defense of the home islands.

The second Kikka is on display at the NASM Udvar-Hazy Center in the Mary Baker Engen Restoration Hangar.

General characteristics:

Crew: 1

Length: 8.125 m (26 ft 8 in)

Wingspan: 10 m (32 ft 10 in)

Height: 2.95 m (9 ft 8 in)

Wing area: 13.2 m² (142 sq ft)

Empty weight: 2,300 kg (5,071 lb)

Gross weight: 3,500 kg (7,716 lb)

Max takeoff weight: 4,080 kg (8,995 lb)

Powerplant:

2× Ishikawajima Ne-130 or Ne-230 axial-flow turbojet engines

with 8.83 kN/900 kg or 8.68 kN/885 kg thrust, respectively

Performance:

Maximum speed: 812 km/h (505 mph, 438 kn)

Range: 980 km (610 mi, 530 nmi) with internal fuel

Service ceiling: 12,000 m (39,000 ft)

Rate of climb: 12.9 m/s (2,540 ft/min)

Wing loading: 265 kg/m² (54 lb/sq ft)

Thrust-to-weight ratio: 0.43

Armament:

2× 30 mm (1.181 in) Type 5 cannon with 50 RPG in the nose

1× ventral hardpoint for a 500 l drop tank or a single 500 kg (1,102 lb) or 800 kg (1,764 lb) bomb

The kit and its assembly:

This is submission #4 for the “Captured!” group build at whatifmodellers.com in late 2020. Loot from WWII certainly makes a good theme, and I remembered a real world J2M3 that I had built some time ago – in RAF markings and tested by the ATAIU-SEA in Singapore in late the 1945. For a more whiffy touch I delved through The Stash™ for options and found an AZ Models Nakajima “Kikka” single seater – as Japan’s first jet fighter, a suitable contender, even more so because no aircraft of this type made it in time to frontline units.

The AZ Models kit is a simple affair, but that's also its problem. In the box things looked quite good, detail level is on par with a classic Matchbox kit. But unlike a Matchbox kit, the AZ Models offering does not go together... I had to fight everywhere with poor fit, lack of locator pins, ejection marks - anything a short run model kit can throw at you! Things turned out really bad: One upper wing half was bent so much that I tried to counter the flaw with force - and the part broke! Furthermore, PSR was necessary almost everywhere – but especially around the wing/engine pod intersection and the area where the wings are inserted into the fuselage. Huh! What worked surprisingly well is the IP canopy, though.

Personal additions are lowered flaps (easy to realize) and some additional struts for the landing gear.

Painting and markings:

The captured aircraft theme was settled from the start, but I wanted to offer more than just a “rebadging” with RAF roundels on an IJN green/grey airframe. In order to add some visual spice, my idea became to present an irregular "one-aircraft-made-from-two-wrecks" finish, with parts in differing tones and even some primed or bare metal areas.

I gave the model an overall coat of aluminum (with Red Stars added, this would have made another interesting whif!) and started adding cloudy shades of IJN Green (ModelMaster and Tamiya) and sections with RAF Dark Green to the upper surfaces, and light grey underneath, with the aluminum underneath shining through here and there. One engine was furthermore painted in a shaggy Japanese primer red brown. I furthermore added overpainted IJN markings with U.S. olive drab for some more contrast, even though would later be at least partly hidden under decals.

The cockpit was painted in a greenish yellow primer (trying to simulate a typical “bamboo” shade that was used in some late-war IJN cockpits), while the landing gear and the flaps’ interior was painted in dull aluminum (Humbrol 56).

A black ink washing was applied for more weathering and contrast. the yellow leading edge markings were created with decal material. RAF roundels came from the scrap box, the “FE 269” code was created with single white 3mm letters. The “ATAIU-SEA” titles were painted with a thin brush and white acrylic paint, and sanded down a bit once dry, for a weathered look.

Finally, the kit received a mixed coat of semi-gloss and matt acrylic varnish.

I had the Kikka earmarked for a different build, but I think this ATAIU livery adds an interesting twist to the model, it looks pretty plausible. Besides, the Kitsuka is a pretty, elegant aircraft, and it's relatively small (even petit) when compared with a contemporary Me 262 or a Meteor!

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

Some background:

The Nakajima J9N Kitsuka (中島 橘花, "Orange Blossom", pronounced Kikka in Kanji used traditionally by the Japanese) was Japan's first jet aircraft. In internal IJN documents it was also called Kōkoku Nigō Heiki (皇国二号兵器, "Imperial Weapon No.2"). After the Japanese military attaché in Germany witnessed trials of the Messerschmitt Me 262 in 1942, the Imperial Japanese Navy issued a request to Nakajima to develop a similar aircraft to be used as a fast attack bomber. Among the specifications for the design were the requirements that it should be able to be built largely by unskilled labor, and that the wings should be foldable. This latter feature was not intended for potential use on aircraft carriers, but rather to enable the aircraft to be hidden in caves and tunnels around Japan as the navy began to prepare for the defense of the home islands.

The second Kikka is on display at the NASM Udvar-Hazy Center in the Mary Baker Engen Restoration Hangar.

General characteristics:

Crew: 1

Length: 8.125 m (26 ft 8 in)

Wingspan: 10 m (32 ft 10 in)

Height: 2.95 m (9 ft 8 in)

Wing area: 13.2 m² (142 sq ft)

Empty weight: 2,300 kg (5,071 lb)

Gross weight: 3,500 kg (7,716 lb)

Max takeoff weight: 4,080 kg (8,995 lb)

Powerplant:

2× Ishikawajima Ne-130 or Ne-230 axial-flow turbojet engines

with 8.83 kN/900 kg or 8.68 kN/885 kg thrust, respectively

Performance:

Maximum speed: 812 km/h (505 mph, 438 kn)

Range: 980 km (610 mi, 530 nmi) with internal fuel

Service ceiling: 12,000 m (39,000 ft)

Rate of climb: 12.9 m/s (2,540 ft/min)

Wing loading: 265 kg/m² (54 lb/sq ft)

Thrust-to-weight ratio: 0.43

Armament:

2× 30 mm (1.181 in) Type 5 cannon with 50 RPG in the nose

1× ventral hardpoint for a 500 l drop tank or a single 500 kg (1,102 lb) or 800 kg (1,764 lb) bomb

The kit and its assembly:

This is submission #4 for the “Captured!” group build at whatifmodellers.com in late 2020. Loot from WWII certainly makes a good theme, and I remembered a real world J2M3 that I had built some time ago – in RAF markings and tested by the ATAIU-SEA in Singapore in late the 1945. For a more whiffy touch I delved through The Stash™ for options and found an AZ Models Nakajima “Kikka” single seater – as Japan’s first jet fighter, a suitable contender, even more so because no aircraft of this type made it in time to frontline units.

The AZ Models kit is a simple affair, but that's also its problem. In the box things looked quite good, detail level is on par with a classic Matchbox kit. But unlike a Matchbox kit, the AZ Models offering does not go together... I had to fight everywhere with poor fit, lack of locator pins, ejection marks - anything a short run model kit can throw at you! Things turned out really bad: One upper wing half was bent so much that I tried to counter the flaw with force - and the part broke! Furthermore, PSR was necessary almost everywhere – but especially around the wing/engine pod intersection and the area where the wings are inserted into the fuselage. Huh! What worked surprisingly well is the IP canopy, though.

Personal additions are lowered flaps (easy to realize) and some additional struts for the landing gear.

Painting and markings:

The captured aircraft theme was settled from the start, but I wanted to offer more than just a “rebadging” with RAF roundels on an IJN green/grey airframe. In order to add some visual spice, my idea became to present an irregular "one-aircraft-made-from-two-wrecks" finish, with parts in differing tones and even some primed or bare metal areas.

I gave the model an overall coat of aluminum (with Red Stars added, this would have made another interesting whif!) and started adding cloudy shades of IJN Green (ModelMaster and Tamiya) and sections with RAF Dark Green to the upper surfaces, and light grey underneath, with the aluminum underneath shining through here and there. One engine was furthermore painted in a shaggy Japanese primer red brown. I furthermore added overpainted IJN markings with U.S. olive drab for some more contrast, even though would later be at least partly hidden under decals.

The cockpit was painted in a greenish yellow primer (trying to simulate a typical “bamboo” shade that was used in some late-war IJN cockpits), while the landing gear and the flaps’ interior was painted in dull aluminum (Humbrol 56).

A black ink washing was applied for more weathering and contrast. the yellow leading edge markings were created with decal material. RAF roundels came from the scrap box, the “FE 269” code was created with single white 3mm letters. The “ATAIU-SEA” titles were painted with a thin brush and white acrylic paint, and sanded down a bit once dry, for a weathered look.

Finally, the kit received a mixed coat of semi-gloss and matt acrylic varnish.

I had the Kikka earmarked for a different build, but I think this ATAIU livery adds an interesting twist to the model, it looks pretty plausible. Besides, the Kitsuka is a pretty, elegant aircraft, and it's relatively small (even petit) when compared with a contemporary Me 262 or a Meteor!

The Lockheed P-38 Lightning was a World War II American fighter aircraft built by Lockheed. Developed to a United States Army Air Corps requirement, the P-38 had distinctive twin booms and a single, central nacelle containing the cockpit and armament. Named "fork-tailed devil" (der Gabelschwanz-Teufel) by the Luftwaffe and "two planes, one pilot" (2飛行機、1パイロット Ni hikōki, ippairotto?) by the Japanese, the P-38 was used in a number of roles, including dive bombing, level bombing, ground-attack, night fighting, photoreconnaissance missions, and extensively as a long-range escort fighter when equipped with drop tanks under its wings.

The P-38 was used most successfully in the Pacific Theater of Operations and the China-Burma-India Theater of Operations as the mount of America's top aces, Richard Bong (40 victories) and Thomas McGuire (38 victories). In the South West Pacific theater, the P-38 was the primary long-range fighter of United States Army Air Forces until the appearance of large numbers of P-51D Mustangs toward the end of the war.

The P-38 was unusually quiet for a fighter, the exhaust muffled by the turbo-superchargers. It was extremely forgiving, and could be mishandled in many ways, but the rate of roll in the early versions was too slow for it to excel as a dogfighter. The P-38 was the only American fighter aircraft in production throughout American involvement in the war, from Pearl Harbor to Victory over Japan Day.

Design and development[edit]

Lockheed designed the P-38 in response to a February 1937 specification from the United States Army Air Corps. Circular Proposal X-608 was a set of aircraft performance goals authored by First Lieutenant Benjamin S. Kelsey (later Brigadier General) and First Lieutenant Gordon P. Saville (later General) for a twin-engine, high-altitude "interceptor" having "the tactical mission of interception and attack of hostile aircraft at high altitude." Kelsey recalled in 1977 that he and Saville drew up the specification using the word interceptor as a way to bypass the inflexible Army Air Corps requirement for pursuit aircraft to carry no more than 500 lb (227 kg) of armament including ammunition, as well as the restriction of single-seat aircraft to one engine. Kelsey was looking for a minimum of 1,000 lb (454 kg) of armament. Kelsey and Saville aimed to get a more capable fighter, better at dog-fighting and at high-altitude combat. Specifications called for a maximum airspeed of at least 360 mph (580 km/h) at altitude, and a climb to 20,000 ft (6,100 m) within six minutes, the toughest set of specifications USAAC had ever presented. The unbuilt Vultee XP1015 was designed to the same requirement, but was not advanced enough to merit further investigation. A similar single-engine proposal was issued at the same time, Circular Proposal X-609, in response to which the Bell P-39 Airacobra was designed. Both proposals required liquid-cooled Allison V-1710 engines with turbo-superchargers and gave extra points for tricycle landing gear.

The Lockheed design team, under the direction of Hall Hibbard and Clarence "Kelly" Johnson, considered a range of twin-engine configurations, including both engines in a central fuselage with push-pull propellers.

The eventual configuration was rare in terms of contemporary fighter aircraft design, with only the preceding Fokker G.1, the contemporary Focke-Wulf Fw 189 Luftwaffe reconnaissance aircraft, and the later Northrop P-61 Black Widow night fighter having a similar planform. The Lockheed team chose twin booms to accommodate the tail assembly, engines, and turbo-superchargers, with a central nacelle for the pilot and armament. The XP-38 gondola mockup was designed to mount two .50-caliber (12.7 mm) M2 Browning machine guns, with 200 rpg, two .30-caliber (7.62 mm) Brownings, with 500 rpg, and a T1 Army Ordnance 23-mm (.90 in) autocannon with a rotary magazine as a substitute for the non-existent 25-mm Hotchkiss aircraft autocannon specified by Kelsey and Saville. In the YP-38s, a larger John Browning-designed, Colt-made M9 37-mm (1.46 in) autocannon with 15 rounds replaced the T1. The 15 rounds were in three 5-round clips, an unsatisfactory arrangement according to Kelsey, and the M9 did not perform reliably in flight. Further armament experiments from March to June 1941 resulted in the P-38E combat configuration of four M2 Browning machine guns, and one Hispano 20-mm (.79 in) autocannon with 150 rounds.

P-38 armament, concentrated in the nose of the aircraft

Clustering all the armament in the nose was unlike most other U.S. aircraft, which used wing-mounted guns with trajectories set up to crisscross at one or more points in a convergence zone. Nose-mounted guns did not suffer from having their useful ranges limited by pattern convergence, meaning that good pilots could shoot much farther. A Lightning could reliably hit targets at any range up to 1,000 yd (910 m), whereas other fighters had to pick a single convergence range between 100 and 250 yd (230 m). The clustered weapons had a "buzz saw" effect on any target at the receiving end, making the aircraft effective for strafing as well. The rate of fire was about 650 rounds per minute for the 20×110-mm cannon round (130-gram shell) at a muzzle velocity of about 2,887 ft/s (880 m/s), and for the .50-caliber machine guns (43–48-gram rounds), about 850 rpm at 2,756 ft/s (840 m/s) velocity. Combined rate of fire was over 4,000 rpm with roughly every sixth projectile a 20-mm shell. The duration of sustained firing for the 20-mm cannon and .50-caliber machine guns was approximately 14 seconds and 35 seconds, respectively.

The Lockheed design incorporated tricycle undercarriage and a bubble canopy, and featured two 1,000-hp (746 kW) turbo-supercharged 12-cylinder Allison V-1710 engines fitted with counter-rotating propellers to eliminate the effect of engine torque, with the superchargers positioned behind the engines, with the exhaust side of the units exposed along the dorsal surfaces of the booms. Counter-rotation was achieved by the use of "handed" engines, which meant that the crankshaft of each engine turned in the opposite direction of its counterpart. The V-12 engines required changing only the spark plug firing order in order for the direction of the crankshaft to be reversed, according to the General Motors Allison V-1710 Service School Handbook.

It was the first American fighter to make extensive use of stainless steel and smooth, flush-riveted butt-jointed aluminum skin panels. It was also the first fighter to fly faster than 400 mph (640 km/h).

Pacific theater

Wartime poster encouraging greater production of P-38s

The P-38 was used most extensively and successfully in the Pacific theater, where it proved ideally suited, combining excellent performance with very long range, and had the added reliability of two engines for long missions over water. The P-38 was used in a variety of roles, especially escorting bombers at altitudes between 18–25,000 ft (5,500-7,600 m). The P-38 was credited with destroying more Japanese aircraft than any other USAAF fighter. Freezing cockpits were not a problem at low altitude in the tropics. In fact, since there was no way to open a window while in flight as it caused buffeting by setting up turbulence through the tailplane, it was often too hot; pilots taking low altitude assignments would often fly stripped down to shorts, tennis shoes, and parachute. While the P-38 could not out-turn the A6M Zero and most other Japanese fighters when flying below 200 mph (320 km/h), its superior speed coupled with a good rate of climb meant that it could utilize energy tactics, making multiple high-speed passes at its target. Also, its focused firepower was even more deadly to lightly armored Japanese warplanes than to the Germans'. The concentrated, parallel stream of bullets allowed aerial victory at much longer distances than fighters carrying wing guns. It is therefore ironic that Dick Bong, the United States' highest-scoring World War II air ace (40 victories solely in P-38s), would fly directly at his targets to make sure he hit them (as he himself acknowledged his poor shooting ability), in some cases flying through the debris of his target (and on one occasion colliding with an enemy aircraft which was claimed as a "probable" victory). The twin Allison engines performed admirably in the Pacific.

Postwar operations[edit]

The end of the war left the USAAF with thousands of P-38s rendered obsolete by the jet age. The last P-38s in service with the United States Air Force were retired in 1949.[82] A total of 100 late-model P-38L and F-5 Lightnings were acquired by Italy through an agreement dated April 1946. Delivered, after refurbishing, at the rate of one per month, they finally were all sent to the AMI by 1952. The Lightnings served in 4 Stormo and other units including 3 Stormo, flying reconnaissance over the Balkans, ground attack, naval cooperation and air superiority missions. Due to unfamiliarity in operating heavy fighters, old engines, and pilot errors, a large number of P-38s were lost in at least 30 accidents, many of them fatal. Despite this, many Italian pilots liked the P-38 because of its excellent visibility on the ground and stability on takeoff. The Italian P-38s were phased out in 1956; none survived the inevitable scrapyard.

Surplus P-38s were also used by other foreign air forces with 12 sold to Honduras and 15 retained by China. Six F-5s and two unarmed black two-seater P-38s were operated by the Dominican Air Force based in San Isidro Airbase, Dominican Republic in 1947. The majority of wartime Lightnings present in the continental U.S. at the end of the war were put up for sale for US$1,200 apiece; the rest were scrapped. P-38s in distant theaters of war were bulldozed into piles and abandoned or scrapped; very few avoided that fate.

Variants:

Over 10,000 Lightnings were manufactured in all, becoming the only U.S. combat aircraft that remained in continuous production throughout the duration of American participation in World War II. The Lightning had a major effect on other aircraft; its wing, in a scaled-up form, was used on the L-049 Constellation.

Popular culture

1950 Studebaker Champion

Harley Earl arranged for several of his designers to view a YP-38 prototype shortly before World War II, and its design directly inspired the tail fins of the 1948–1949 Cadillac

The P-38 was also the inspiration for Raymond Loewy and his design team at Studebaker for the 1950 and 1951 model-year Studebakers.

The whine of the speeder bike engines in Return of the Jedi was partly achieved by recording the engine noise of a P-38, combined with that of a North American P-51 Mustang.

Studebaker Champion Convertible (1950)

Studebaker was proud to be "First by Far With a Postwar Car," but after three years on the market, its vehicles very much needed a distinctive new look for their carried-over bodies. In fact, the 1950-1951 Studebaker origins were as a counterpoint to the post-war car, when celebrated styling consultant Raymond Loewy decided his staff should look to the heavens for inspiration.

Perhaps no automaker is more identified with a single design than Studebaker with its 1950-1951 "bullet-nose" cars. The feisty South Bend independent didn't invent the "spinner" front end -- the 1948 Tucker and 1949-1950 Ford used similar themes, as have several European models. Studebaker's styling differed mainly in degree.

Ads called it "The Next Look," implying it would start a trend. It didn't, but that mattered little to company executives, who were content to chalk up sales unmatched in Studebaker's previous 48 years of auto production and in any of the next 16.

When Studebaker contracted Loewy Associates to design all-new 1947 models, Exner and Cole worked up their own proposal in secret -- with the advantage of engineering parameters not made available to the "official" Loewy team. It was this design that management ultimately chose and introduced in mid 1946. Studebaker was two years ahead of the competition -- "First by Far With a Postwar Car," as ads blared. To Exner's chagrin, advertising credited Loewy with the new styling.

Loewy promptly fired Exner for his treachery and replaced him with Bob Bourke, Exner's subordinate and friend. Bourke, who made significant contributions to the '47 design, would head Loewy's South Bend studio into 1955, after which Studebaker and Loewy parted company.

People loved the 1947 Studebakers, the little-changed '48s, and the modestly updated '49s. Though the fresh styling concealed mostly prewar mechanical concepts, refinements were made to improve longevity and reliability.

For example, the low-price Champion had arrived in spring 1939 with a lightweight L-head six of 164.3 cubic inches. This went to 169.6 cubic inches and 80 horsepower for 1941-49, then added five horsepower. The costlier Commanders used a larger six dating from Stude­baker's 1932 Rockne. By 1949, this engine was up to 245.6 cubic inches and 100 horsepower.

The 1947-1949 models were a great sales success, lifting Studebaker to eighth in the U.S. industry with a market share of 4.12 percent. Production was at record levels. So were corporate profits -- $27.56 million in calendar 1949 alone. Things looked great, and were about to get even better.

The bullet-nose idea had been on Bourke's drawing board since 1940-1941, when he first sketched several elements of the eventual 1950 Studebaker. Chief among them was a protruding nose with flanking pontoon fenders suggesting the front of an airplane.

Public reaction is what matters in the auto industry, and "The Next Look" 1950 Studebaker, featuring the company's signature "bullet-nose" look for the first time, was a winner -- more popular than even the 1947. Sales began in August 1949, nearly a month ahead of other 1950 cars.

For all this hoopla, the 1950s were identical to the 1947-49 models except for the bullet nose, minor trim, and vertical instead of horizontal taillights. However, the new front end added an inch to wheelbases, taking Champions to 113, Commanders to 120. Both lines again offered two- and four-door sedans, a convertible, and a five-passenger Starlight coupe with its distinctive panoramic rear window.

Demand for the bullet-nose '50s proved so strong that Studebaker added a third shift at its large South Bend factory and ran its Southern California and Hamilton, Ontario, assembly plants at or near capacity. A 14-month model "year" (July 15, 1949, to September 27, 1950) produced 343,164 cars -- the most for any vehicle in Studebaker's long history. By the end of 1950, company employment was up to 25,000, a peacetime record.

Text for the Lockheed P-38 Lightning has been taken from Wikipedia. Text regarding the 1950 Studebaker Champion Convertible has been reproduced from sections of the website "How Stuff Works".

This Lockheed P-38 Lightning from 1941, and 1950 Studebaker Champion Convertible has been created in Lego miniland-scale for Flickr LUGNuts 79th Build Challenge, - "LUGNuts goes Wingnuts", - featuring automotive vehicles named after, inspired by, or related to aircraft.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

Some background:

In the summer of 1941, Kogiken (a contraction of Kokugijutsu Kenkyujo) formed a design group under the leadership of Ando Sheigo. The task was to study Japanese aviation technology in terms of what was possible at present and in the near future. Additionally, some effort was to be spent on reviewing the aircraft technology of other countries. From the results the group was to assemble and draft proposals for aircraft to fill various pre-determined roles: heavy fighter, light bomber, heavy bomber and reconnaissance. For a bigger idea pool, IJA's main aircraft providers, Kawasaki and Tachikawa, were invited to join the group, too.

An overall assessment of the effectiveness of the Ki-124 rated it highly in agility, and a well-handled Ki-124 was able to outmanoeuvre any American fighter, including the formidable P-51D Mustangs and the P-47N Thunderbolts which were escorting the B-29 raids over Japan by that time. Furthermore, the Ki-124, which received the code name ‘Ike’ from the USAF, was comparable in speed, especially at medium altitudes. In the hands of an experienced pilot, the Ki-124 was a deadly opponent and, together with the Army's Ki-84, Ki-100 and the Navy's Kawanishi N1K-J, the only other Japanese fighters being able to defeat the latest Allied types.

General characteristics

Crew: 1

Length: 30 ft 2.5 in (9.22 m)

Wingspan: 32 ft 0 in (9.77 m)

Height: 12 ft 1 ¾ in (3.70 m)

Empty weight: 2.238 kg (4.934 lb)

Loaded weight: 2.950 kg (6.504 lb),

Powerplant:

1× Kawasaki Ha-40 twelve-cylinder liquid-cooled supercharged 60° inverted Vee aircraft piston engine, rated at 1.175 PS (864 kW) at sea-level with 2,500 rpm

Performance:

Maximum speed: 620 km/h (385 mph) at 5.000 m (16.405 ft)

Service ceiling: 39,100 ft (11,900 m)

Range: 580 km (360 mi)

Rate of climb: 15.2 m/s (2,983 ft/min)

Time to altitude: 6.2 min to 5.000 m (16.405 ft)

Armament:

1× 37mm Ho-204 cannon with 30 RPG

2× 20mm Ho-5 with 100 RPG

The kit and its assembly

This fantasy aircraft is the outcome when you look at a crappy kit and ask, "What CAN you actually make from it...?". The kit in question is Amodel's Soviet Ticheranovov Ti-302 rocket interceptor in 1:72 - a “short run” (= appalling) quality kit. Nothing fits together, the material is questionable, best thing is that the injected canopy actually is actually clear and that the inside of the main landing gear covers HAVE a structure. But the rest...(*shudder*)?

Anyway, I got that kit for cheap some years ago and never had an idea what to do with it, until... I wondered if I could not turn the tail-sitter TI-302 into ‘something’ with a tricycle undercarriage? The lines are almost there, but propulsion was the next issue. A jet, maybe? And who would have made/used it?

Inspiration struck when I read about the innovative Kogiken planning group under Ando Sheigo, and with its compact size I was certain that it would become something Japanese. Since the jet age was during WWII not as far progressed as in Europe, I decided to make a propeller aircraft from it, keeping the jet-like cockpit, though. But instead of a pull arrangement (P-39 style) I wanted to try an exotic pusher layout.

The TI-302 airframe was basically kept, but had to be modified accordingly for the totally new propulsion concept. Biggest issue was the much longer tricycle landing gear - while the nose wheel and its well found a neat place under the cockpit, the main landing gear had to be moved back.

I found a simple solution: I just reversed the lower part of the wing, so that the original TI-302 landing gear well ended up at the wings’ trailing egde. The track had to be widened in order to accept the longer struts, though, but that was a simple task. The new front wheel was puzzled together from spare parts, the main landing gear struts come from a P-51.

Fitting the propeller was not much of an issue - it took the place of the original TI-302 rocket engine, in a slightly shortened fuselage. The new propeller was built from scratch, it is a massive 1:100 750lb bomb, cut to size and with single propeller blades glued to it in 72° angles, and is mounted with a metal axis, so that it can turn freely. In order to protect the propeller from ground contact I also added a fin under the lower rear fuselage, which comes from a Matchbox Supermarine Spitfire.

The original cockpit is non-existent, so I added a pilot figure in order to conceal the bleak interior and the tons of lead in the nose. The cockpit is rather tiny, anyway, so that it was - together with the added floor for the front gear well - pretty difficult to get the pilot into it!

The radiator comes IIRC from a Hawker Hurricane, and some added parts on the flanks like exhaust stubs, carburetor intake or simple covers enhance the otherwise bleak surface of the kit.

All in all, nothing fancy and no structural modifications - just external cosmetics. But the result is convincing!

Painting

While the tones are authentic, the paint scheme is fantasy, and I wanted to keep things rather simple and subtle.

In an initial step, the whole model was painted in Aluminum with Revell Aqua Color, as a kind of primer. On top of that, a thin and uneven coat of enamels were applied with a brush: IJA Green on the top sides, and IJN Grey on the lower sides (Testors 2114 and 2115, respectively). In order to add some unusual style, the waterline was raised and received a very wavy shape.

After anything had dried thoroughly, I wet-sanded the upper coat, so that more of the Aluminum could shimmer through, for a worn/flaky look. The result is surprisingly good.

All interior surfaces were painted with Testors 2119, "Aodake Iro", the distinctive translucent corrosion protection varnish you find on/in many Japanese WWII aircraft.

Markings were puzzled together. Most of them come from a very old MicroScale sheet for various IJA types. The yellow ID bands on the wings' leading edges were cut from decal sheet - a convenient alternative to masking and painting by hand.

Finally, the kit received some painted panel lines, done with RLM 70 and FS 34096 (both Testors, too) on the upper sides and Sky "S" on the grey areas. Some soot stains were added to the exhausts and the guns, too, as well as some silver on the leading edges.

A simple conversion, quick but effective, done in a couple of days as a ‘side dish’. Reminds a bit of the German He 162 jet fighter, but it breathes a whiffy, Japanese aura. And while the finish is not perfect and some details like the pretty cramped cockpit don’t look THAT good (after all, the original TI-302 does NOT have anything under the pilot's seat...), overall look and impression are better than expected.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

Some background:

The Yokosuka J1Y was a land-based interceptor for the Imperial Japanese Navy Air Service (IJN/大日本帝國海軍航空隊, Dai-Nippon Teikoku Kaigun Kōkū-tai) that was based upon a research aircraft and introduced into service during the final months of WWII. Work on the J1Y commenced at the Yokosuka Naval Air Technical Arsenal (海軍航空技術廠, Kaigun Kōkū Gijutsu-shō) during 1942 and 1943, in the midst of the Second World War. The J1Y was initially intended to test the benefits of different aircraft layouts in order to exploit the available engines’ potential further, albeit the aircraft had been designed from the start in a fashion that was suitable for combat and easily adaptable into a light fighter aircraft. It would eventually be developed into Yokusuka’s only fighter project.

The J1Y3 arrived at IJN units in March 1945, but only a few were operational until the end of hostilities in the PTO, probably only around 40 aircraft were eventually delivered.

General characteristics:

Crew: 1

Length: 30 ft 9 in (9.37 m)

Wingspan: 38 ft (12 m)

Height: 8 ft 10 in (2.69 m)

Wing area: 262 ft² (24.3 m²)

Empty weight: 2,839 kg (6,259 lb)

Gross weight: 3,211 kg (7,079 lb)

Powerplant:

1× Mitsubishi Kinsei 62 14 cylinder radial engine with 1,163 kW (1,560 hp)

Performance:

Maximum speed: 640 km/h (397 mph, 346 kn) at at 6,096 m (20,000 ft)

560 km/h (348 mph, 303 kn) at sea level

Cruising speed: 495 km/h (308 mph, 267 kn)

Range: 1,078 km (670 mi, 582 nmi) at 272 km/h (169 mph; 147 kn) at 457 m (1,500 ft)

Ferry range: 1,190 km (740 mi, 640 nmi)

Service ceiling: 10,200 m (33,500 ft)

Rate of climb: 15 m/s (3,000 ft/min)

Armament:

2× 20 mm belt-fed Type 99-2 Mark 4 cannon with 125 RPG and

2× 7.7 mm (.303 in) Type 97 machine guns with 250 RPG in the lower fuselage

2× hardpoints under the outer wings for 60 kg (132 lb.) bombs

or 200 l (53 US gal; 44 imp gal) drop tanks

The kit and its assembly:

This build followed a spontaneous inspiration, and it became another contribution to the “in the navy” group build at whatifmodlers.com in early 2020. I actually had the Vampire kit already stashed away for a while, and the plan to convert it into a propeller-driven aircraft with a radial engine and a pusher configuration à la Saab 21 had been there – but I lacked an idea for an operator, so that I could build the background story around it. With the “in the navy” theme, it suddenly clicked – why not the IJN? The Vampire is a rather compact and slender aircraft, so there’s IMHO some Japanese “style” in the design, and after the torturous build of HMS Cerberus I wanted some kind of relief.

The Vampire kit is the vintage Heller mold from 1979, but actually in a mid-Nineties Revell re-boxing. Like many other Heller kits, it comes with raised panels, but detail is sufficient (nice dashboard, landing gear is O.K., and the kit comes with separate air brakes) – the molds seem to be a bit worn, though, I guess a “true” old Heller kit is more crisp and would be the better choice.

At the core of the conversion plan was the implantation of a radial engine in place of the jet exhaust. I found a donor part from a Hobby Boss MC.200 Saetta – a bit vintage, but it had the right diameter and I actually liked the ring of bulges on the cowling. Internally, a styrene tube adapter was added for a freely spinning propeller.

While adding a prop to a jet seems to be an easy task, the real challenge behind such a conversion are the many other changes that have to be made to the airframe. This includes a (considerably) longer landing gear and the respective wells, but also the tail surfaces. There’s also the question how the new radial engine actually breathes, where exhausts can be located, and a cooling system is necessary, too.

Work started with the search for new landing gear struts, and I also used different wheels – for instance, the main wheels come from a Hasegawa F9F Panther, while the front wheel comes from a Frog He 162 and is probably 35 years old(!). In order to make the longer struts fit into the airframe, I elongated the wells in the wings towards the fuselage, so that the track width was reduced – but with the Vampire’s small airframe and original wide stance, this was no serious problem. From the inside, they were faired with styrene profile material, and the extended covers were scratched – esp. the parts for the wings, with their bulges for the tail boom tips, were fiddly.

In order to move the overall look a bit further away from the Vampire, I completely changed the fin arrangement. The original, rounded and rather small fins and the bullet-shaped fairings that hold the stabilizer outside of the original exhaust blast were deleted. Once the wings and the tail booms were added to the fuselage, the stabilizer was mounted between the booms, in a slightly lower position. For the new fins I wanted a layout that would, beyond a more squarish shape that would better match the wings, protect the propeller. Therefore, I used stabilizers from a KP Yak-23; each was cut into two pieces, tailored further to match the rest of the aircraft, and glued in positions above and underneath the booms. Looks quite weird, as if the aircraft had been designed upside down, but it’s a rather pragmatic solution that has already been used on some pusher designs in the past.

The six-blade propeller was scratched from a spinner, carved from a thick piece of sprue, plus a metal axis and six single blades that were taken from the rather wacky one-piece propellers of Airfix’s Ki-46 kit.

Hollow steel needles were used as barrels for the Type 99 cannons in the lower fuselage.

Painting and markings:

Once more, a rather conservative approach – and the IJN was not creative when it came to liveries. Almost every aircraft carried a typical dark green over light grey scheme, with minimal individual markings or tactical codes. I wanted to stay true to this concept but decided to simplify the scheme even more since this would be a late-war aircraft, pressed into service under rather dire supply circumstances. This resulted in a NMF livery (basis is Tamiya XF-60, which turned out soemwaht grainy, plus some Polished Aluminum Metallizer from Humbrol on top), with only the upper surfaces camouflaged with IJN Green (ModelMaster) without primer underneath, resulting in a somewhat flaky and worn look. Since they are rather slender, the tail booms were completely painted in IJN green, too.

The yellow ID markings on the wings’ leading edges were created with decal material (TL Modellbau), the cockpit interior as well as the landing gear wells were painted with a mix of silver and blue, mimicking the typical “aodake iro” protective clear lacquer of Japanese IJN aircraft. The struts were painted black, according to A6M museum exhibits. The propeller blades ware painted in a red-brown primer, a mix of Humbrol 160 and 180.

Markings were taken from a PrintScale Yokosuka N1K2 decal sheet and mixed from two aircraft. Placing the fuselage hinomaru was tricky – the natural choice would have been the tail booms, but they’d be very small, so I rather put them on the fuselage under the cockpit. With the individual aircraft number added to the meatball, it looks now like a racing aircraft, though...

Finally, the kit received some soot stains and dry-brushing with aluminum, and everything was sealed with semi-gloss acrylic varnish from Italeri - even though the result is a little too glossy for my taste, but I left it that way.

A rather quick build, but structurally not much from the Vampire was changed. The new engine was relatievly easy to integrate - the other small bits like the fins, the propeller and esp. the landing gear took more time. The result looks quite odd - the whole thing has also a certain German touch? Could have worked well with a BMW 801 engine, too!

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

Some background

The history of Focke Wulf's Fw 190 in Japan started with a rejection: in 1943 a single FW 190 A-5 had been supplied to Japan for evaluation, but at first, the type was not put into production by the Japanese. Anyway, the results of the study by Japanese engineers were incorporated in the design of the Ki-61 fighter. This evaluation did not go unnoticed, since the type received the Allied code-name 'Fred'.

Its only drawback was - as with the original Fw 190 - that performance dropped at heights above 6.000m. This should not have posed a problem with the J2M, but that type's delay left the Allied high-altitude bomber attacks relatively unharmed, so that the J10F3 version was hastily developed, but failed to realize. In Germany, the similar situation resulted in the Fw 190 D-9 variant and finally in the superb Ta-152.

J10F1General characteristics:

Crew: 1

Length: 9.29 m (30 ft 6¾ in)

Wingspan:10.51 m (34 ft 5 in)

Height: 3.95 m (12 ft 12 in)

Wing area:18.30 m² (196.99 ft²)

Empty weight: 3,490 kg (7,694 lb)

Max. take-off weight: 4,840 kg (10,670 lb)

Performance:

Maximum speed: 656 km/h (408 mph) at 19,420 ft (5,920 m)

Rate of climb:17 m/s (3,300 ft/min)

Range: 800 km (500 mi)

Service ceiling: 12,000 m (39,370 ft)

Engine: 1 Mitsubishi MK4R Kasei 23e radial engine with 1.820hp

Armament:

2 × 13.2 mm Type 3 machine guns, 300 rpg, in the nose

4 × 20 mm two Type 99 Model 2 cannons, 200 rpg, two in the wing roots, two outside of the landing gear.

Three hardpoints, one under the fuselage (max. 500 kg/1.102 lb) and one under each wing for 250 kg/550 lb each for bombs or fuel tanks. Total external ordnance load of 1.000kg (2.205 lb).

The kit and its assembly

The 'Japanese Fw 190' is a popular what-if topic, so I wanted to add my interpretation to the plethora of whifs and replicas of the real test machine. Actually, a clean Fw 190 looks pretty Japanese with its radial engine and sleek lines. When I recently came across a similar build at britmodelers.com, I thought that painting a Fw 190 green/grey and putting some Hinomarus on is logical and simple, but there's more in the subject than just cosmetics. I wanted a bit more... And while the concept remained simple, I had enough ideas and spare parts for a twin combo! In the end, the J10F was built as a pure interceptor and as a 'special purpose' night strike aircraft.

Basically, my limiting design idea for the J10F's design was the idea that Japan would not have received the Fw 190’s original BMW 801 radial engine, so that an alternative powerplant had to be fitted. I had hoped that this would have set the 'new' plane outwardly a bit apart from its German ancestor, and also make you look twice because the result would not be a 1:1 "Japanized" Fw 190 A/F. I tried, but I suppose that the effect is not as 'powerful' as intended – but judge for yourself?

The basic kits for both conversions come from Hobby Boss. It is a simple and clean kit, but with very good fit and engraved details. In an attempt to change the plane's look a little, I tried to transplant other engines - radials, too. Donation parts for both kits come from an Italeri Ju 188, which features two pairs of engines. The radials I used are actually BMW 801’s, too, but they lack the typical cooling fan and the cowlings are 3-4mm longer because they'd carry the engine mountings on the Ju 188's wings. Actually, the fuselage is minimal longer now, maybe 4-5mm, but the shape is still very close to the original Fw 190, so I think that this mod hardly is recognizable at all?

The change was a bit tricky, due to the massive fuselage of the Hobby Boss kit, but it worked. The new cowlings received new cooling louvres and exhaust pipes. New, four-bladed propellers were added, scratch-built from leftover Mosquito NF.30 propellers from the Airfix kit and drop tank front halves.

Otherwise, though, not much was changed, the two kits just differ in equipment details and received Matchbox pilot figures in order to cover up the bleak and very deep cockpit.

The interceptor:

As an interceptor I left the plane clean, without external ordnance. I wanted to emphasize its elegant look, which makes it look like a Ki-43 on casual glance, or even an A6M. The plane carries the normal gun armament (from a Fw 190 A-8), this is supposed to be the original/standard J10F mentioned above.

The night attacker:

The J10F1-G variant saw more modifications, including a new exhaust system with flame dampers built from scratch. Other special equipment comprises an IR sight in front of the canopy, flare protectors, the fuselage hardpoint and the scratch-built Ke-Go 110 bomb. In order to cover the deleted gun access panels under the wings, I added streamlined bomb shackles for two Japanese 60kg bombs each, donated from a Matchbox Ju 87 kit.

About the Ke-Go bomb

This bomb, which looks like a penguin, is a fantasy derivate of a real Japanese development series until summer 1945. In a nutshell, the Ke-Go bomb actually was one of the first “fire and forget” weapons I have heard of. With the guidance of a bolometer seeker and a self-correcting steering mechanism, the bomb would (only) be useable against strong and clear heat sources – a ship’s kettle at night, when surrounding heat level was low, would qualify, and the bomb would be guided by deviation and correction from that heat source - if it locked on correctly, though! My Ke-Go 110 is a smaller version of the original Ke-Go bombs, suitable for lighter planes.

Painting

Being an IJN plane, paint scheme choices for the J10F were rather limited - and since it is a whif plane I stuck to my policy that I rather use a simple/subtle paint scheme.

The interceptor:

For the clean and rather conservative interceptor I settled for a simple IJN Green/Gray livery (N. 2 ‘Aomidori-iro’, a bluish, very dark green and N.10 ‘Hairyokushoku’, respectively), with Testors 2116 and 2117 as basic tones. Yellow wing leading edges were added, cut from an aftermarket decal sheet. As a design twist I painted the engine cowling black, A6M-style. The propeller spinner was painted in red brown (typical Japanese WWII primer color), with an orange tip, matching the arrow symbol decal on the tail fin. The propeller blades were painted with Testor’s ‘Rubber’, #1183.

A slightly worn look was achieved through a light wash with black ink and some dry painting with paler shades of Green (Humbrol 91 and 185) and Aluminum, plus light exhaust marks and gun smoke residues with flat black. Some bare metal spots were added, which also highlight some details and add to the worn look.

All decals for the green fighter come from a Hobby Boss A6M, only the arrows come from the Hobby Boss He 162. Finally, everything was sealed under a semi-matte varnish, for a light shine to the surface – typical IJN machines appear to be rather shiny?

The night attacker:

This variant received a more fantastic and stealthy paint scheme - I wanted to set the plane apart from the clean and shiny interceptor: a grunty, desperate strike aircraft against overwhelming sea forces.

AFAIK, there had not been specific nocturnal cammo schemes at the IJNAS, except for all-green aircraft? A bit boring, I thought, esp. with a typical green/gray sister plane.

So I made up a personal variant: In a first step, upper surfaces were painted in a brownish-grey basic tone, AFAIK called ‘Ameiro’ – it is the color which was used on early Zeroes which were based on carriers, and the tone faded quickly to a light gray. This color is very similar to RAL 7014 ‘Fenstergrau’ and reminds of B.S. ‘Hemp’. I improvised it with a mix of Humbrol 141 (60%), 83 (35%) and a bit of 155 (5%). On top of that a dense array of dark green blotches (Humbrol 185, Chrome Green, at first, and later also with Humbrol 116 for more contrast) was applied, breaking up the plane’s lines and covering the light gray tone almost completely.

Undersides originally sported ‘Ameiro’, too, but they were painted as if they had been covered with a very dark gray tone in the field (Humbrol 67), even leaving out the hinomarus and flaking off everywhere. The black engine cowling was retained.

Hinomaru and squadron emblems come from the same Mitsubishi A6M from Hobby Boss as mentioned above, featuring even less markings. As a side note: I have never seen Hinomaru with a black(!) rim before? I am not certain if this is correct or an authentic modification - it matches the night fighter role perfectly, though. This time I chose a matte varnish, except for the cowling which received some streaks with more shiny semi-matte varnish.

In both cases, cockpit interior surfaces and landing gear wells were painted in ‘Aodake Iro’, simulated with a base of Aluminium (Humbrol 56) and a coat of translucent blue lacquer on top.

All in all, these pair of rather simple model kit was built in a couple of days, taking the pictures and waiting for good light took almost the same time! I am not 100% happy, because the engine mod is not as obvious as I expected, even though the four-bladed prop and the slightly elongated fuselage give the J10F a menacing and fast look, like a “Baby Tempest”.

The Lockheed P-38 Lightning was a World War II American fighter aircraft built by Lockheed. Developed to a United States Army Air Corps requirement, the P-38 had distinctive twin booms and a single, central nacelle containing the cockpit and armament. Named "fork-tailed devil" (der Gabelschwanz-Teufel) by the Luftwaffe and "two planes, one pilot" (2飛行機、1パイロット Ni hikōki, ippairotto?) by the Japanese, the P-38 was used in a number of roles, including dive bombing, level bombing, ground-attack, night fighting, photoreconnaissance missions, and extensively as a long-range escort fighter when equipped with drop tanks under its wings.

The P-38 was used most successfully in the Pacific Theater of Operations and the China-Burma-India Theater of Operations as the mount of America's top aces, Richard Bong (40 victories) and Thomas McGuire (38 victories). In the South West Pacific theater, the P-38 was the primary long-range fighter of United States Army Air Forces until the appearance of large numbers of P-51D Mustangs toward the end of the war.

The P-38 was unusually quiet for a fighter, the exhaust muffled by the turbo-superchargers. It was extremely forgiving, and could be mishandled in many ways, but the rate of roll in the early versions was too slow for it to excel as a dogfighter. The P-38 was the only American fighter aircraft in production throughout American involvement in the war, from Pearl Harbor to Victory over Japan Day.

Design and development[edit]

Lockheed designed the P-38 in response to a February 1937 specification from the United States Army Air Corps. Circular Proposal X-608 was a set of aircraft performance goals authored by First Lieutenant Benjamin S. Kelsey (later Brigadier General) and First Lieutenant Gordon P. Saville (later General) for a twin-engine, high-altitude "interceptor" having "the tactical mission of interception and attack of hostile aircraft at high altitude." Kelsey recalled in 1977 that he and Saville drew up the specification using the word interceptor as a way to bypass the inflexible Army Air Corps requirement for pursuit aircraft to carry no more than 500 lb (227 kg) of armament including ammunition, as well as the restriction of single-seat aircraft to one engine. Kelsey was looking for a minimum of 1,000 lb (454 kg) of armament. Kelsey and Saville aimed to get a more capable fighter, better at dog-fighting and at high-altitude combat. Specifications called for a maximum airspeed of at least 360 mph (580 km/h) at altitude, and a climb to 20,000 ft (6,100 m) within six minutes, the toughest set of specifications USAAC had ever presented. The unbuilt Vultee XP1015 was designed to the same requirement, but was not advanced enough to merit further investigation. A similar single-engine proposal was issued at the same time, Circular Proposal X-609, in response to which the Bell P-39 Airacobra was designed. Both proposals required liquid-cooled Allison V-1710 engines with turbo-superchargers and gave extra points for tricycle landing gear.

The Lockheed design team, under the direction of Hall Hibbard and Clarence "Kelly" Johnson, considered a range of twin-engine configurations, including both engines in a central fuselage with push-pull propellers.

The eventual configuration was rare in terms of contemporary fighter aircraft design, with only the preceding Fokker G.1, the contemporary Focke-Wulf Fw 189 Luftwaffe reconnaissance aircraft, and the later Northrop P-61 Black Widow night fighter having a similar planform. The Lockheed team chose twin booms to accommodate the tail assembly, engines, and turbo-superchargers, with a central nacelle for the pilot and armament. The XP-38 gondola mockup was designed to mount two .50-caliber (12.7 mm) M2 Browning machine guns, with 200 rpg, two .30-caliber (7.62 mm) Brownings, with 500 rpg, and a T1 Army Ordnance 23-mm (.90 in) autocannon with a rotary magazine as a substitute for the non-existent 25-mm Hotchkiss aircraft autocannon specified by Kelsey and Saville. In the YP-38s, a larger John Browning-designed, Colt-made M9 37-mm (1.46 in) autocannon with 15 rounds replaced the T1. The 15 rounds were in three 5-round clips, an unsatisfactory arrangement according to Kelsey, and the M9 did not perform reliably in flight. Further armament experiments from March to June 1941 resulted in the P-38E combat configuration of four M2 Browning machine guns, and one Hispano 20-mm (.79 in) autocannon with 150 rounds.

P-38 armament, concentrated in the nose of the aircraft

Clustering all the armament in the nose was unlike most other U.S. aircraft, which used wing-mounted guns with trajectories set up to crisscross at one or more points in a convergence zone. Nose-mounted guns did not suffer from having their useful ranges limited by pattern convergence, meaning that good pilots could shoot much farther. A Lightning could reliably hit targets at any range up to 1,000 yd (910 m), whereas other fighters had to pick a single convergence range between 100 and 250 yd (230 m). The clustered weapons had a "buzz saw" effect on any target at the receiving end, making the aircraft effective for strafing as well. The rate of fire was about 650 rounds per minute for the 20×110-mm cannon round (130-gram shell) at a muzzle velocity of about 2,887 ft/s (880 m/s), and for the .50-caliber machine guns (43–48-gram rounds), about 850 rpm at 2,756 ft/s (840 m/s) velocity. Combined rate of fire was over 4,000 rpm with roughly every sixth projectile a 20-mm shell. The duration of sustained firing for the 20-mm cannon and .50-caliber machine guns was approximately 14 seconds and 35 seconds, respectively.

The Lockheed design incorporated tricycle undercarriage and a bubble canopy, and featured two 1,000-hp (746 kW) turbo-supercharged 12-cylinder Allison V-1710 engines fitted with counter-rotating propellers to eliminate the effect of engine torque, with the superchargers positioned behind the engines, with the exhaust side of the units exposed along the dorsal surfaces of the booms. Counter-rotation was achieved by the use of "handed" engines, which meant that the crankshaft of each engine turned in the opposite direction of its counterpart. The V-12 engines required changing only the spark plug firing order in order for the direction of the crankshaft to be reversed, according to the General Motors Allison V-1710 Service School Handbook.

It was the first American fighter to make extensive use of stainless steel and smooth, flush-riveted butt-jointed aluminum skin panels. It was also the first fighter to fly faster than 400 mph (640 km/h).

Pacific theater

Wartime poster encouraging greater production of P-38s

The P-38 was used most extensively and successfully in the Pacific theater, where it proved ideally suited, combining excellent performance with very long range, and had the added reliability of two engines for long missions over water. The P-38 was used in a variety of roles, especially escorting bombers at altitudes between 18–25,000 ft (5,500-7,600 m). The P-38 was credited with destroying more Japanese aircraft than any other USAAF fighter. Freezing cockpits were not a problem at low altitude in the tropics. In fact, since there was no way to open a window while in flight as it caused buffeting by setting up turbulence through the tailplane, it was often too hot; pilots taking low altitude assignments would often fly stripped down to shorts, tennis shoes, and parachute. While the P-38 could not out-turn the A6M Zero and most other Japanese fighters when flying below 200 mph (320 km/h), its superior speed coupled with a good rate of climb meant that it could utilize energy tactics, making multiple high-speed passes at its target. Also, its focused firepower was even more deadly to lightly armored Japanese warplanes than to the Germans'. The concentrated, parallel stream of bullets allowed aerial victory at much longer distances than fighters carrying wing guns. It is therefore ironic that Dick Bong, the United States' highest-scoring World War II air ace (40 victories solely in P-38s), would fly directly at his targets to make sure he hit them (as he himself acknowledged his poor shooting ability), in some cases flying through the debris of his target (and on one occasion colliding with an enemy aircraft which was claimed as a "probable" victory). The twin Allison engines performed admirably in the Pacific.

Postwar operations[edit]

The end of the war left the USAAF with thousands of P-38s rendered obsolete by the jet age. The last P-38s in service with the United States Air Force were retired in 1949.[82] A total of 100 late-model P-38L and F-5 Lightnings were acquired by Italy through an agreement dated April 1946. Delivered, after refurbishing, at the rate of one per month, they finally were all sent to the AMI by 1952. The Lightnings served in 4 Stormo and other units including 3 Stormo, flying reconnaissance over the Balkans, ground attack, naval cooperation and air superiority missions. Due to unfamiliarity in operating heavy fighters, old engines, and pilot errors, a large number of P-38s were lost in at least 30 accidents, many of them fatal. Despite this, many Italian pilots liked the P-38 because of its excellent visibility on the ground and stability on takeoff. The Italian P-38s were phased out in 1956; none survived the inevitable scrapyard.

Surplus P-38s were also used by other foreign air forces with 12 sold to Honduras and 15 retained by China. Six F-5s and two unarmed black two-seater P-38s were operated by the Dominican Air Force based in San Isidro Airbase, Dominican Republic in 1947. The majority of wartime Lightnings present in the continental U.S. at the end of the war were put up for sale for US$1,200 apiece; the rest were scrapped. P-38s in distant theaters of war were bulldozed into piles and abandoned or scrapped; very few avoided that fate.

Variants:

Over 10,000 Lightnings were manufactured in all, becoming the only U.S. combat aircraft that remained in continuous production throughout the duration of American participation in World War II. The Lightning had a major effect on other aircraft; its wing, in a scaled-up form, was used on the L-049 Constellation.

Popular culture

1950 Studebaker Champion

Harley Earl arranged for several of his designers to view a YP-38 prototype shortly before World War II, and its design directly inspired the tail fins of the 1948–1949 Cadillac

The P-38 was also the inspiration for Raymond Loewy and his design team at Studebaker for the 1950 and 1951 model-year Studebakers.

The whine of the speeder bike engines in Return of the Jedi was partly achieved by recording the engine noise of a P-38, combined with that of a North American P-51 Mustang.

Studebaker Champion Convertible (1950)

Studebaker was proud to be "First by Far With a Postwar Car," but after three years on the market, its vehicles very much needed a distinctive new look for their carried-over bodies. In fact, the 1950-1951 Studebaker origins were as a counterpoint to the post-war car, when celebrated styling consultant Raymond Loewy decided his staff should look to the heavens for inspiration.

Perhaps no automaker is more identified with a single design than Studebaker with its 1950-1951 "bullet-nose" cars. The feisty South Bend independent didn't invent the "spinner" front end -- the 1948 Tucker and 1949-1950 Ford used similar themes, as have several European models. Studebaker's styling differed mainly in degree.

Ads called it "The Next Look," implying it would start a trend. It didn't, but that mattered little to company executives, who were content to chalk up sales unmatched in Studebaker's previous 48 years of auto production and in any of the next 16.

When Studebaker contracted Loewy Associates to design all-new 1947 models, Exner and Cole worked up their own proposal in secret -- with the advantage of engineering parameters not made available to the "official" Loewy team. It was this design that management ultimately chose and introduced in mid 1946. Studebaker was two years ahead of the competition -- "First by Far With a Postwar Car," as ads blared. To Exner's chagrin, advertising credited Loewy with the new styling.

Loewy promptly fired Exner for his treachery and replaced him with Bob Bourke, Exner's subordinate and friend. Bourke, who made significant contributions to the '47 design, would head Loewy's South Bend studio into 1955, after which Studebaker and Loewy parted company.

People loved the 1947 Studebakers, the little-changed '48s, and the modestly updated '49s. Though the fresh styling concealed mostly prewar mechanical concepts, refinements were made to improve longevity and reliability.

For example, the low-price Champion had arrived in spring 1939 with a lightweight L-head six of 164.3 cubic inches. This went to 169.6 cubic inches and 80 horsepower for 1941-49, then added five horsepower. The costlier Commanders used a larger six dating from Stude­baker's 1932 Rockne. By 1949, this engine was up to 245.6 cubic inches and 100 horsepower.

The 1947-1949 models were a great sales success, lifting Studebaker to eighth in the U.S. industry with a market share of 4.12 percent. Production was at record levels. So were corporate profits -- $27.56 million in calendar 1949 alone. Things looked great, and were about to get even better.

The bullet-nose idea had been on Bourke's drawing board since 1940-1941, when he first sketched several elements of the eventual 1950 Studebaker. Chief among them was a protruding nose with flanking pontoon fenders suggesting the front of an airplane.

Public reaction is what matters in the auto industry, and "The Next Look" 1950 Studebaker, featuring the company's signature "bullet-nose" look for the first time, was a winner -- more popular than even the 1947. Sales began in August 1949, nearly a month ahead of other 1950 cars.

For all this hoopla, the 1950s were identical to the 1947-49 models except for the bullet nose, minor trim, and vertical instead of horizontal taillights. However, the new front end added an inch to wheelbases, taking Champions to 113, Commanders to 120. Both lines again offered two- and four-door sedans, a convertible, and a five-passenger Starlight coupe with its distinctive panoramic rear window.

Demand for the bullet-nose '50s proved so strong that Studebaker added a third shift at its large South Bend factory and ran its Southern California and Hamilton, Ontario, assembly plants at or near capacity. A 14-month model "year" (July 15, 1949, to September 27, 1950) produced 343,164 cars -- the most for any vehicle in Studebaker's long history. By the end of 1950, company employment was up to 25,000, a peacetime record.

Text for the Lockheed P-38 Lightning has been taken from Wikipedia. Text regarding the 1950 Studebaker Champion Convertible has been reproduced from sections of the website "How Stuff Works".

This Lockheed P-38 Lightning from 1941, and 1950 Studebaker Champion Convertible has been created in Lego miniland-scale for Flickr LUGNuts 79th Build Challenge, - "LUGNuts goes Wingnuts", - featuring automotive vehicles named after, inspired by, or related to aircraft.

The Lockheed P-38 Lightning was a World War II American fighter aircraft built by Lockheed. Developed to a United States Army Air Corps requirement, the P-38 had distinctive twin booms and a single, central nacelle containing the cockpit and armament. Named "fork-tailed devil" (der Gabelschwanz-Teufel) by the Luftwaffe and "two planes, one pilot" (2飛行機、1パイロット Ni hikōki, ippairotto?) by the Japanese, the P-38 was used in a number of roles, including dive bombing, level bombing, ground-attack, night fighting, photoreconnaissance missions, and extensively as a long-range escort fighter when equipped with drop tanks under its wings.

The P-38 was used most successfully in the Pacific Theater of Operations and the China-Burma-India Theater of Operations as the mount of America's top aces, Richard Bong (40 victories) and Thomas McGuire (38 victories). In the South West Pacific theater, the P-38 was the primary long-range fighter of United States Army Air Forces until the appearance of large numbers of P-51D Mustangs toward the end of the war.

The P-38 was unusually quiet for a fighter, the exhaust muffled by the turbo-superchargers. It was extremely forgiving, and could be mishandled in many ways, but the rate of roll in the early versions was too slow for it to excel as a dogfighter. The P-38 was the only American fighter aircraft in production throughout American involvement in the war, from Pearl Harbor to Victory over Japan Day.

Design and development[edit]

Lockheed designed the P-38 in response to a February 1937 specification from the United States Army Air Corps. Circular Proposal X-608 was a set of aircraft performance goals authored by First Lieutenant Benjamin S. Kelsey (later Brigadier General) and First Lieutenant Gordon P. Saville (later General) for a twin-engine, high-altitude "interceptor" having "the tactical mission of interception and attack of hostile aircraft at high altitude." Kelsey recalled in 1977 that he and Saville drew up the specification using the word interceptor as a way to bypass the inflexible Army Air Corps requirement for pursuit aircraft to carry no more than 500 lb (227 kg) of armament including ammunition, as well as the restriction of single-seat aircraft to one engine. Kelsey was looking for a minimum of 1,000 lb (454 kg) of armament. Kelsey and Saville aimed to get a more capable fighter, better at dog-fighting and at high-altitude combat. Specifications called for a maximum airspeed of at least 360 mph (580 km/h) at altitude, and a climb to 20,000 ft (6,100 m) within six minutes, the toughest set of specifications USAAC had ever presented. The unbuilt Vultee XP1015 was designed to the same requirement, but was not advanced enough to merit further investigation. A similar single-engine proposal was issued at the same time, Circular Proposal X-609, in response to which the Bell P-39 Airacobra was designed. Both proposals required liquid-cooled Allison V-1710 engines with turbo-superchargers and gave extra points for tricycle landing gear.

The Lockheed design team, under the direction of Hall Hibbard and Clarence "Kelly" Johnson, considered a range of twin-engine configurations, including both engines in a central fuselage with push-pull propellers.

The eventual configuration was rare in terms of contemporary fighter aircraft design, with only the preceding Fokker G.1, the contemporary Focke-Wulf Fw 189 Luftwaffe reconnaissance aircraft, and the later Northrop P-61 Black Widow night fighter having a similar planform. The Lockheed team chose twin booms to accommodate the tail assembly, engines, and turbo-superchargers, with a central nacelle for the pilot and armament. The XP-38 gondola mockup was designed to mount two .50-caliber (12.7 mm) M2 Browning machine guns, with 200 rpg, two .30-caliber (7.62 mm) Brownings, with 500 rpg, and a T1 Army Ordnance 23-mm (.90 in) autocannon with a rotary magazine as a substitute for the non-existent 25-mm Hotchkiss aircraft autocannon specified by Kelsey and Saville. In the YP-38s, a larger John Browning-designed, Colt-made M9 37-mm (1.46 in) autocannon with 15 rounds replaced the T1. The 15 rounds were in three 5-round clips, an unsatisfactory arrangement according to Kelsey, and the M9 did not perform reliably in flight. Further armament experiments from March to June 1941 resulted in the P-38E combat configuration of four M2 Browning machine guns, and one Hispano 20-mm (.79 in) autocannon with 150 rounds.

P-38 armament, concentrated in the nose of the aircraft

Clustering all the armament in the nose was unlike most other U.S. aircraft, which used wing-mounted guns with trajectories set up to crisscross at one or more points in a convergence zone. Nose-mounted guns did not suffer from having their useful ranges limited by pattern convergence, meaning that good pilots could shoot much farther. A Lightning could reliably hit targets at any range up to 1,000 yd (910 m), whereas other fighters had to pick a single convergence range between 100 and 250 yd (230 m). The clustered weapons had a "buzz saw" effect on any target at the receiving end, making the aircraft effective for strafing as well. The rate of fire was about 650 rounds per minute for the 20×110-mm cannon round (130-gram shell) at a muzzle velocity of about 2,887 ft/s (880 m/s), and for the .50-caliber machine guns (43–48-gram rounds), about 850 rpm at 2,756 ft/s (840 m/s) velocity. Combined rate of fire was over 4,000 rpm with roughly every sixth projectile a 20-mm shell. The duration of sustained firing for the 20-mm cannon and .50-caliber machine guns was approximately 14 seconds and 35 seconds, respectively.

The Lockheed design incorporated tricycle undercarriage and a bubble canopy, and featured two 1,000-hp (746 kW) turbo-supercharged 12-cylinder Allison V-1710 engines fitted with counter-rotating propellers to eliminate the effect of engine torque, with the superchargers positioned behind the engines, with the exhaust side of the units exposed along the dorsal surfaces of the booms. Counter-rotation was achieved by the use of "handed" engines, which meant that the crankshaft of each engine turned in the opposite direction of its counterpart. The V-12 engines required changing only the spark plug firing order in order for the direction of the crankshaft to be reversed, according to the General Motors Allison V-1710 Service School Handbook.

It was the first American fighter to make extensive use of stainless steel and smooth, flush-riveted butt-jointed aluminum skin panels. It was also the first fighter to fly faster than 400 mph (640 km/h).

Pacific theater

Wartime poster encouraging greater production of P-38s

The P-38 was used most extensively and successfully in the Pacific theater, where it proved ideally suited, combining excellent performance with very long range, and had the added reliability of two engines for long missions over water. The P-38 was used in a variety of roles, especially escorting bombers at altitudes between 18–25,000 ft (5,500-7,600 m). The P-38 was credited with destroying more Japanese aircraft than any other USAAF fighter. Freezing cockpits were not a problem at low altitude in the tropics. In fact, since there was no way to open a window while in flight as it caused buffeting by setting up turbulence through the tailplane, it was often too hot; pilots taking low altitude assignments would often fly stripped down to shorts, tennis shoes, and parachute. While the P-38 could not out-turn the A6M Zero and most other Japanese fighters when flying below 200 mph (320 km/h), its superior speed coupled with a good rate of climb meant that it could utilize energy tactics, making multiple high-speed passes at its target. Also, its focused firepower was even more deadly to lightly armored Japanese warplanes than to the Germans'. The concentrated, parallel stream of bullets allowed aerial victory at much longer distances than fighters carrying wing guns. It is therefore ironic that Dick Bong, the United States' highest-scoring World War II air ace (40 victories solely in P-38s), would fly directly at his targets to make sure he hit them (as he himself acknowledged his poor shooting ability), in some cases flying through the debris of his target (and on one occasion colliding with an enemy aircraft which was claimed as a "probable" victory). The twin Allison engines performed admirably in the Pacific.

Postwar operations[edit]

The end of the war left the USAAF with thousands of P-38s rendered obsolete by the jet age. The last P-38s in service with the United States Air Force were retired in 1949.[82] A total of 100 late-model P-38L and F-5 Lightnings were acquired by Italy through an agreement dated April 1946. Delivered, after refurbishing, at the rate of one per month, they finally were all sent to the AMI by 1952. The Lightnings served in 4 Stormo and other units including 3 Stormo, flying reconnaissance over the Balkans, ground attack, naval cooperation and air superiority missions. Due to unfamiliarity in operating heavy fighters, old engines, and pilot errors, a large number of P-38s were lost in at least 30 accidents, many of them fatal. Despite this, many Italian pilots liked the P-38 because of its excellent visibility on the ground and stability on takeoff. The Italian P-38s were phased out in 1956; none survived the inevitable scrapyard.

Surplus P-38s were also used by other foreign air forces with 12 sold to Honduras and 15 retained by China. Six F-5s and two unarmed black two-seater P-38s were operated by the Dominican Air Force based in San Isidro Airbase, Dominican Republic in 1947. The majority of wartime Lightnings present in the continental U.S. at the end of the war were put up for sale for US$1,200 apiece; the rest were scrapped. P-38s in distant theaters of war were bulldozed into piles and abandoned or scrapped; very few avoided that fate.

Variants:

Over 10,000 Lightnings were manufactured in all, becoming the only U.S. combat aircraft that remained in continuous production throughout the duration of American participation in World War II. The Lightning had a major effect on other aircraft; its wing, in a scaled-up form, was used on the L-049 Constellation.

Popular culture

1950 Studebaker Champion

Harley Earl arranged for several of his designers to view a YP-38 prototype shortly before World War II, and its design directly inspired the tail fins of the 1948–1949 Cadillac

The P-38 was also the inspiration for Raymond Loewy and his design team at Studebaker for the 1950 and 1951 model-year Studebakers.

The whine of the speeder bike engines in Return of the Jedi was partly achieved by recording the engine noise of a P-38, combined with that of a North American P-51 Mustang.

Cadillac 1948 Series 62 Fastback.

Cadillac had been one of the leading builders of luxury cars in the US between the wars. As part of the greater General Motors Corporation, Cadillac was well placed to resume car production after the end of WW II. Not only to resume production, but to fund the development of all new models, incorporating an all-new engine (for 1949), and advanced styling influenced by developments in aviation during the war.

This new styling and bodies were first seen in 1948.

For 1948, the Series 62 was moved to the same 126 in (3,200 mm) chassis as the Series 61, making the vehicles virtually identical. The main difference, apart from extra chrome, was the availability of a convertible model. Distinguishing features included grooved bright metal front fender gravel guards, rocker panel brightwork, chevron style chrome slashes below taillights and slightly richer interior trim. Also in 1948 the first tail fins were added. Sales fell to 34,213, nevertheless accounting for a record 68% of all Cadillacs sold.

A combination of factors allowed Cadillac to firmly place itself at the forefront of the luxury market, and stay there for the next 40 years.

This Lockheed P-38 Lightning from 1941, and 1948 Cadillac Series 62 Fastback Coupe has been created in Lego miniland-scale for Flickr LUGNuts 79th Build Challenge, - "LUGNuts goes Wingnuts", - featuring automotive vehicles named after, inspired by, or related to aircraft.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

Some background:

The Nakajima Ki-104 was a further development of the Ki-87; the latter was a Japanese high-altitude fighter-interceptor of World War II, a single seat, exhaust-driven turbo-supercharged engined, low-wing monoplane with a conventional undercarriage.

The first operational Ki-104s reached this unit in spring 1945 and saw limited use against the incoming streams of B-29 bombers (2 unconfirmed downings in the Tokyo region). After these initial contacts that left a serious impression the new type received the USAF code name "Cooper", but the hostilities' soon end however stopped any further work and serial production. No Ki-104 survived the war.

General characteristics:

Crew: 1

Length: 12 m (39 ft 4 in)

Wingspan: 14 m (45 ft 11 in)

Height: 4.65 m (15 ft 3 in)

Wing area: 28 m² (301.388 ft²)

Airfoil: Tatsuo Hasegawa airfoil

Empty weight: 4,637 kg (10,337 lb)

Loaded weight: 6.450 kg (14.220 lb)

Powerplant:

1× Nakajima Ha219 [Ha-44-12] 18-cylinder air-cooled radial engine, 1,835 kW (2,461 hp)

Performance

Maximum speed: 712 km/h (385 kn, 443 mph)

Cruise speed: 440 km/h (237 kn, 273 mph)

Range: 2,100 km (1,305 mi)

Service ceiling: 14,680 m (48,170 ft)

Wing loading: 230.4 kg/m² (47.2 lb/ft²)

Power/mass: 0.28 kW/kg (0.17 hp/lb)

Climb to 5,000 m (16,400 ft): 5 min 9 sec;

Climb to 10,000 m (32,800 ft): 17 min 38 sec;

Climb to 13,000 m (42,640 ft): 21 min 03 sec

Armament

4× 30 mm (1.18 in) Ho-155-II cannons in the wings

Underwing hardpoints and centerline pylon for up to 3× 250 kg (551 lb) bombs

or a single 300l drop tank under the fuselage

The kit and its assembly:

This whif is the result of many ideas and occasions. First of all, I had a leftover six-blade propeller from a Hasegawa J7W Shinden in stock. Then I recently had an eye on kits of late Japanese high altitude fighters with turbosuperchargers, like the Ki-91-II or the Ki-106. These are available from RS Models, but rare and rather costly. And I wondered how a P-47 might look like without its deep belly? All this was finally thrown into a big idea stew, and the Ki-104 is the home-made hardware result!

As a side note: the Ki-104 was a real IJA project, AFAIK based/related to the Tachikawa Ki-94-I twin-boom/push-pull high altitude fighter, a re-worked, more conventional design. Information is sparese and it never reached any hardware stage and remained a paper project as the Rikugun Kogiken Ki-104; I just "revived" the number for my whif, but maybe the real Ki-104 could have looked like it... ;-)

The kit is a bashing of various parts and pieces:

- Fuselage and wing roots from an Academy P-47-25

- Wings from an Ark Model Supermarine Attacker (ex Novo)

- Tail fin is a modified part of a Matchbox Ju 188 stabilizer

- The stabilizers are outer sections from a Matchbox Douglas F3D Skyknight

- Cowling comes from an ART Model Grumman F8F Bearcat, the engine was scratched

- Propeller from a Hasegawa J7W Shinden

- Main wheels from a Matchbox F6F Hellcat

My choice fell onto the Academy Thunderbolt because it has engraved panel lines, offers the bubble canopy as well as good fit and detail. The belly duct had simply been sliced off, and the opening later faired over with styrene sheet and putty.

The Bearcat cowling was chosen because it had very good fitting width in order to match with the P-47 fuselage, and it turned out to be a very good choice - even though I had to add a dorsal connection, a simple styrene wedge, to create a good profile.

Inside, the engine consists of a reversed Hobby Boss F6F engine, with a fan dummy that covers any view on non-existent interior details... A styrene tube was added, into which a metal axis can be inserted. The latter holds the propeller, so that it can spin with little hindrance.

The Attacker wings were chosen because of their "modern" laminar profile - the Novo kit is horrible, but acceptable for donations. And the risen panel lines and rivets should later do great work during the weathering process... OOB, the Attacker wings had too little span for the big P-47, so I decided to mount the Thunderbolt's OOB wings and cut them at a suitable point: maybe 0.5", just where the large wheel fairings for the main landing gear ends.

The intersection with the Attacker wings is almost perfect in depth and width, relatively little putty work was necessary. I just had to cut out new landing gear well parts.

With the new wing shape, the tail surfaces had to be changed accordingly, with parts from a Matchbox Skyknight and a highly modified piece from a Matchbox Ju 188 stabilizer.

The OOB cockpit and landing gear was retained, I just replaced the main wheels with slightly more delicate alternatives from a Matchbox F6F Hellcat.

Once the basic bodywork was done I added the exhaust arrangement under the fuselage; the outlets are oil cooler parts from a Fw 190A, the air scoop once belonged to a Martin Marauder and the long ducts are actually HO scale roof rails. The oil cooler under the engine comes from a Hobby Boss La-7.

Pretty wild mix, but it works surprisingly well!

Painting and markings:

Even though this was supposed to become a late WWII IJA fighter, I did neither want the stereotype NMF look nor the classic green/grey livery or a respective mottled scheme. What I finally settled upon, though, took a long while to manifest, and it looks ...odd.

I wanted a camouflage scheme, but none of the more exotic real world options was fine for me; there had been fighters with black upper surfaces, bright blue ones, or blue mottle on top of NMF. But all this did not convince me, and I eventually created an experimental scheme. And the paint was supposed to look heavily worn, as if the paint had been applied directly onto the bare metal, without primer, so that it chips and flakes off easily.

The tones were supposed to be suitable for high altitudes, but not the classic IJA colors - nothing even close. eventuelly I came up with an all-around turquoise green (ModelMaster Fulcrum Grey Green) plus a pale grey-green (ModelMaster RAF Dark Slate Grey) as contrast for the upper sides. Sick combination, yes, esp. with the Aluminum shining through, which was applied first as a kind of acrylic primer. The camouflage paint was carefully brushed on top of that, with panel-wise strokes from back to front. Tedious, but effective.

The black tail was applied similarly, it is a free interpretation of real IJA markings; for instance, the 244th Sentai arcraft bore all-red tail sections. Black is an uncommon color, but since I wanted to create fictional squadron markings, too, this was a suitable concept. And it looks cool and mysterious...

The cockpit interior was painted with Aodake Iro (Modelmaster), the section behind the pilot's seat and where the sliding canopy moves on the outside, were painted with IJA Dark Green - just an odd idea. In front of the cockpit a black anti glare panel was added. The landing gear and the respective wells were painted with Steel Metallizer (just to set them apart from the lighter Aluminum all around). The propeller was painted in reddish brown tones, the spinner in Humbrol 160 and the blades in 173.

After this basic painting the kit received a black ink wash, and decals were applied. These were taken from various aftermarket sheets, including generic, white and yellow sheet for the Home Defence markings on wings and fuselage, the white fuselage trim or the yellow ID markings on the wings' leading edges.

As next step the complete kit was carefully wet-sanded, primarily from front to back, so that more of the aluminum primer showed through, the decals (esp. the Hinomaru) were worn out and the camouflage paint on top lost some of its hard edges.

The sanding residues had to be cleaned away thoroughly (with a soft toothbrush and lots of water), and then, repairs, e .g. where the bare plastic came through, as well as extra effects with dry-painted, lighter camouflage tones were done. Final cosmetics also include oil and dirt stains with Tamiya"Smoke", also applied by brush.

Once everything was dry and clean (despite the kit's look), everything was sealed under a coat of varnish - a 3:1 mix of matt and gloss Revell Acrylics.

A complex and lengthy painting process, but I think the effort paid out because the procedure mimicks the structure and look of a worn paint job instead of trying to look like it when you paint a cammo scheme and add metal effects "on top". This works for small chips, but not for the flaked look I had been looking for.

The Ki-104 turned out to be a very conclusive kitbashing - I think that the P-47-with-Attacker-wings-and-new-cowling bears more potential, and I might try it again, e. g. for a naval Thunderbolt development?

New pics of an old kit, but one I hold pretty dear: because it was an accidental find (and never expected that such official merchandise existed at all!) and because I like (if not love) the manga where it comes from and in which the J7W has a brief appearance in one of the series' early stories.

I found this Hasegawa kit in a model kit shop for Japanese animation in Berlin, in a dark shop corner.

The kit itself is the standard 1:72 Hasegawa scale model of the WWII Shinden prototype. New water sliding decals and painting instructions were included, and the kit has been mostly built "out of the box".

The "paradigm" for this machine, which is supposed to be the (fictional) second Shinden prototyp which had been buried before the American invasion and lost, stems from a special edition of the "Oh, my goddess" manga, a one-shot story during the first or second series of books called "On a Wing and a Prayer", around 1997.

Actually, I was a bit suprised by the kit's colors, since the manga mentions a "green fuselage" - but this could also have been a translation error. Bit it is not: later I found out that "green" and "blue" use the same word in Japanese, so the confusion comes from the outsiders' point fo view. ;)

Hasegawa recommends white and a dark petrol blue, which is a non-standard color and has to be mixed manually. Other weird color details include the brown propeller (O.K., it's IJN primer, but looks pretty weird in the overall combo!) and the bright red landing gear insides... but since there are no other color references available (the manga is B/W), I stuck with Hasegawa's official instructions.

The kit itself is of high quality (typical Hasegawa standard) and the parts fit well.

The tricky job is the painting, though, with lots of white and the very complicated blue contrast areas with hard and straight demarcation lines, which are especially hard to paint on the fuselage, because of the air intake bulgings. I did not get it as good as I wanted to...

Another tricky part are the decals for some of the blue areas. While the idea of having some of the delicate shapes as a water decal at hand, matching the color of the printed decals and the rest of the paint is another task - you will recognize some areas with color differences ;)

Besides these troubles, some details in the cockpit and at the landing gear were added - overall a very good kit, but due to the delicate color scheme nothing for beginners or those faint at heart!

As a side note: In the meantime (well, many years have passed since I built this one), there's an 1:32 OOB offering of this specific bird from literature available, from Zoukei Moura. Funny to see that the company chose a much brighter blue, and it differs in some other details (e .g. having a white canopy framing), too.

The Lockheed P-38 Lightning was a World War II American fighter aircraft built by Lockheed. Developed to a United States Army Air Corps requirement, the P-38 had distinctive twin booms and a single, central nacelle containing the cockpit and armament. Named "fork-tailed devil" (der Gabelschwanz-Teufel) by the Luftwaffe and "two planes, one pilot" (2飛行機、1パイロット Ni hikōki, ippairotto?) by the Japanese, the P-38 was used in a number of roles, including dive bombing, level bombing, ground-attack, night fighting, photoreconnaissance missions, and extensively as a long-range escort fighter when equipped with drop tanks under its wings.

The P-38 was used most successfully in the Pacific Theater of Operations and the China-Burma-India Theater of Operations as the mount of America's top aces, Richard Bong (40 victories) and Thomas McGuire (38 victories). In the South West Pacific theater, the P-38 was the primary long-range fighter of United States Army Air Forces until the appearance of large numbers of P-51D Mustangs toward the end of the war.

The P-38 was unusually quiet for a fighter, the exhaust muffled by the turbo-superchargers. It was extremely forgiving, and could be mishandled in many ways, but the rate of roll in the early versions was too slow for it to excel as a dogfighter. The P-38 was the only American fighter aircraft in production throughout American involvement in the war, from Pearl Harbor to Victory over Japan Day.

Design and development[edit]

Lockheed designed the P-38 in response to a February 1937 specification from the United States Army Air Corps. Circular Proposal X-608 was a set of aircraft performance goals authored by First Lieutenant Benjamin S. Kelsey (later Brigadier General) and First Lieutenant Gordon P. Saville (later General) for a twin-engine, high-altitude "interceptor" having "the tactical mission of interception and attack of hostile aircraft at high altitude." Kelsey recalled in 1977 that he and Saville drew up the specification using the word interceptor as a way to bypass the inflexible Army Air Corps requirement for pursuit aircraft to carry no more than 500 lb (227 kg) of armament including ammunition, as well as the restriction of single-seat aircraft to one engine. Kelsey was looking for a minimum of 1,000 lb (454 kg) of armament. Kelsey and Saville aimed to get a more capable fighter, better at dog-fighting and at high-altitude combat. Specifications called for a maximum airspeed of at least 360 mph (580 km/h) at altitude, and a climb to 20,000 ft (6,100 m) within six minutes, the toughest set of specifications USAAC had ever presented. The unbuilt Vultee XP1015 was designed to the same requirement, but was not advanced enough to merit further investigation. A similar single-engine proposal was issued at the same time, Circular Proposal X-609, in response to which the Bell P-39 Airacobra was designed. Both proposals required liquid-cooled Allison V-1710 engines with turbo-superchargers and gave extra points for tricycle landing gear.

The Lockheed design team, under the direction of Hall Hibbard and Clarence "Kelly" Johnson, considered a range of twin-engine configurations, including both engines in a central fuselage with push-pull propellers.

The eventual configuration was rare in terms of contemporary fighter aircraft design, with only the preceding Fokker G.1, the contemporary Focke-Wulf Fw 189 Luftwaffe reconnaissance aircraft, and the later Northrop P-61 Black Widow night fighter having a similar planform. The Lockheed team chose twin booms to accommodate the tail assembly, engines, and turbo-superchargers, with a central nacelle for the pilot and armament. The XP-38 gondola mockup was designed to mount two .50-caliber (12.7 mm) M2 Browning machine guns, with 200 rpg, two .30-caliber (7.62 mm) Brownings, with 500 rpg, and a T1 Army Ordnance 23-mm (.90 in) autocannon with a rotary magazine as a substitute for the non-existent 25-mm Hotchkiss aircraft autocannon specified by Kelsey and Saville. In the YP-38s, a larger John Browning-designed, Colt-made M9 37-mm (1.46 in) autocannon with 15 rounds replaced the T1. The 15 rounds were in three 5-round clips, an unsatisfactory arrangement according to Kelsey, and the M9 did not perform reliably in flight. Further armament experiments from March to June 1941 resulted in the P-38E combat configuration of four M2 Browning machine guns, and one Hispano 20-mm (.79 in) autocannon with 150 rounds.

P-38 armament, concentrated in the nose of the aircraft

Clustering all the armament in the nose was unlike most other U.S. aircraft, which used wing-mounted guns with trajectories set up to crisscross at one or more points in a convergence zone. Nose-mounted guns did not suffer from having their useful ranges limited by pattern convergence, meaning that good pilots could shoot much farther. A Lightning could reliably hit targets at any range up to 1,000 yd (910 m), whereas other fighters had to pick a single convergence range between 100 and 250 yd (230 m). The clustered weapons had a "buzz saw" effect on any target at the receiving end, making the aircraft effective for strafing as well. The rate of fire was about 650 rounds per minute for the 20×110-mm cannon round (130-gram shell) at a muzzle velocity of about 2,887 ft/s (880 m/s), and for the .50-caliber machine guns (43–48-gram rounds), about 850 rpm at 2,756 ft/s (840 m/s) velocity. Combined rate of fire was over 4,000 rpm with roughly every sixth projectile a 20-mm shell. The duration of sustained firing for the 20-mm cannon and .50-caliber machine guns was approximately 14 seconds and 35 seconds, respectively.

The Lockheed design incorporated tricycle undercarriage and a bubble canopy, and featured two 1,000-hp (746 kW) turbo-supercharged 12-cylinder Allison V-1710 engines fitted with counter-rotating propellers to eliminate the effect of engine torque, with the superchargers positioned behind the engines, with the exhaust side of the units exposed along the dorsal surfaces of the booms. Counter-rotation was achieved by the use of "handed" engines, which meant that the crankshaft of each engine turned in the opposite direction of its counterpart. The V-12 engines required changing only the spark plug firing order in order for the direction of the crankshaft to be reversed, according to the General Motors Allison V-1710 Service School Handbook.

It was the first American fighter to make extensive use of stainless steel and smooth, flush-riveted butt-jointed aluminum skin panels. It was also the first fighter to fly faster than 400 mph (640 km/h).

Pacific theater

Wartime poster encouraging greater production of P-38s

The P-38 was used most extensively and successfully in the Pacific theater, where it proved ideally suited, combining excellent performance with very long range, and had the added reliability of two engines for long missions over water. The P-38 was used in a variety of roles, especially escorting bombers at altitudes between 18–25,000 ft (5,500-7,600 m). The P-38 was credited with destroying more Japanese aircraft than any other USAAF fighter. Freezing cockpits were not a problem at low altitude in the tropics. In fact, since there was no way to open a window while in flight as it caused buffeting by setting up turbulence through the tailplane, it was often too hot; pilots taking low altitude assignments would often fly stripped down to shorts, tennis shoes, and parachute. While the P-38 could not out-turn the A6M Zero and most other Japanese fighters when flying below 200 mph (320 km/h), its superior speed coupled with a good rate of climb meant that it could utilize energy tactics, making multiple high-speed passes at its target. Also, its focused firepower was even more deadly to lightly armored Japanese warplanes than to the Germans'. The concentrated, parallel stream of bullets allowed aerial victory at much longer distances than fighters carrying wing guns. It is therefore ironic that Dick Bong, the United States' highest-scoring World War II air ace (40 victories solely in P-38s), would fly directly at his targets to make sure he hit them (as he himself acknowledged his poor shooting ability), in some cases flying through the debris of his target (and on one occasion colliding with an enemy aircraft which was claimed as a "probable" victory). The twin Allison engines performed admirably in the Pacific.

Postwar operations[edit]

The end of the war left the USAAF with thousands of P-38s rendered obsolete by the jet age. The last P-38s in service with the United States Air Force were retired in 1949.[82] A total of 100 late-model P-38L and F-5 Lightnings were acquired by Italy through an agreement dated April 1946. Delivered, after refurbishing, at the rate of one per month, they finally were all sent to the AMI by 1952. The Lightnings served in 4 Stormo and other units including 3 Stormo, flying reconnaissance over the Balkans, ground attack, naval cooperation and air superiority missions. Due to unfamiliarity in operating heavy fighters, old engines, and pilot errors, a large number of P-38s were lost in at least 30 accidents, many of them fatal. Despite this, many Italian pilots liked the P-38 because of its excellent visibility on the ground and stability on takeoff. The Italian P-38s were phased out in 1956; none survived the inevitable scrapyard.

Surplus P-38s were also used by other foreign air forces with 12 sold to Honduras and 15 retained by China. Six F-5s and two unarmed black two-seater P-38s were operated by the Dominican Air Force based in San Isidro Airbase, Dominican Republic in 1947. The majority of wartime Lightnings present in the continental U.S. at the end of the war were put up for sale for US$1,200 apiece; the rest were scrapped. P-38s in distant theaters of war were bulldozed into piles and abandoned or scrapped; very few avoided that fate.

Variants:

Over 10,000 Lightnings were manufactured in all, becoming the only U.S. combat aircraft that remained in continuous production throughout the duration of American participation in World War II. The Lightning had a major effect on other aircraft; its wing, in a scaled-up form, was used on the L-049 Constellation.

Popular culture

1950 Studebaker Champion

Harley Earl arranged for several of his designers to view a YP-38 prototype shortly before World War II, and its design directly inspired the tail fins of the 1948–1949 Cadillac

The P-38 was also the inspiration for Raymond Loewy and his design team at Studebaker for the 1950 and 1951 model-year Studebakers.

The whine of the speeder bike engines in Return of the Jedi was partly achieved by recording the engine noise of a P-38, combined with that of a North American P-51 Mustang.

Studebaker Champion Convertible (1950)

Studebaker was proud to be "First by Far With a Postwar Car," but after three years on the market, its vehicles very much needed a distinctive new look for their carried-over bodies. In fact, the 1950-1951 Studebaker origins were as a counterpoint to the post-war car, when celebrated styling consultant Raymond Loewy decided his staff should look to the heavens for inspiration.

Perhaps no automaker is more identified with a single design than Studebaker with its 1950-1951 "bullet-nose" cars. The feisty South Bend independent didn't invent the "spinner" front end -- the 1948 Tucker and 1949-1950 Ford used similar themes, as have several European models. Studebaker's styling differed mainly in degree.

Ads called it "The Next Look," implying it would start a trend. It didn't, but that mattered little to company executives, who were content to chalk up sales unmatched in Studebaker's previous 48 years of auto production and in any of the next 16.

When Studebaker contracted Loewy Associates to design all-new 1947 models, Exner and Cole worked up their own proposal in secret -- with the advantage of engineering parameters not made available to the "official" Loewy team. It was this design that management ultimately chose and introduced in mid 1946. Studebaker was two years ahead of the competition -- "First by Far With a Postwar Car," as ads blared. To Exner's chagrin, advertising credited Loewy with the new styling.

Loewy promptly fired Exner for his treachery and replaced him with Bob Bourke, Exner's subordinate and friend. Bourke, who made significant contributions to the '47 design, would head Loewy's South Bend studio into 1955, after which Studebaker and Loewy parted company.

People loved the 1947 Studebakers, the little-changed '48s, and the modestly updated '49s. Though the fresh styling concealed mostly prewar mechanical concepts, refinements were made to improve longevity and reliability.

For example, the low-price Champion had arrived in spring 1939 with a lightweight L-head six of 164.3 cubic inches. This went to 169.6 cubic inches and 80 horsepower for 1941-49, then added five horsepower. The costlier Commanders used a larger six dating from Stude­baker's 1932 Rockne. By 1949, this engine was up to 245.6 cubic inches and 100 horsepower.

The 1947-1949 models were a great sales success, lifting Studebaker to eighth in the U.S. industry with a market share of 4.12 percent. Production was at record levels. So were corporate profits -- $27.56 million in calendar 1949 alone. Things looked great, and were about to get even better.

The bullet-nose idea had been on Bourke's drawing board since 1940-1941, when he first sketched several elements of the eventual 1950 Studebaker. Chief among them was a protruding nose with flanking pontoon fenders suggesting the front of an airplane.

Public reaction is what matters in the auto industry, and "The Next Look" 1950 Studebaker, featuring the company's signature "bullet-nose" look for the first time, was a winner -- more popular than even the 1947. Sales began in August 1949, nearly a month ahead of other 1950 cars.

For all this hoopla, the 1950s were identical to the 1947-49 models except for the bullet nose, minor trim, and vertical instead of horizontal taillights. However, the new front end added an inch to wheelbases, taking Champions to 113, Commanders to 120. Both lines again offered two- and four-door sedans, a convertible, and a five-passenger Starlight coupe with its distinctive panoramic rear window.

Demand for the bullet-nose '50s proved so strong that Studebaker added a third shift at its large South Bend factory and ran its Southern California and Hamilton, Ontario, assembly plants at or near capacity. A 14-month model "year" (July 15, 1949, to September 27, 1950) produced 343,164 cars -- the most for any vehicle in Studebaker's long history. By the end of 1950, company employment was up to 25,000, a peacetime record.

Text for the Lockheed P-38 Lightning has been taken from Wikipedia. Text regarding the 1950 Studebaker Champion Convertible has been reproduced from sections of the website "How Stuff Works".

This Lockheed P-38 Lightning from 1941, and 1950 Studebaker Champion Convertible has been created in Lego miniland-scale for Flickr LUGNuts 79th Build Challenge, - "LUGNuts goes Wingnuts", - featuring automotive vehicles named after, inspired by, or related to aircraft.

The Lockheed P-38 Lightning was a World War II American fighter aircraft built by Lockheed. Developed to a United States Army Air Corps requirement, the P-38 had distinctive twin booms and a single, central nacelle containing the cockpit and armament. Named "fork-tailed devil" (der Gabelschwanz-Teufel) by the Luftwaffe and "two planes, one pilot" (2飛行機、1パイロット Ni hikōki, ippairotto?) by the Japanese, the P-38 was used in a number of roles, including dive bombing, level bombing, ground-attack, night fighting, photoreconnaissance missions, and extensively as a long-range escort fighter when equipped with drop tanks under its wings.

The P-38 was used most successfully in the Pacific Theater of Operations and the China-Burma-India Theater of Operations as the mount of America's top aces, Richard Bong (40 victories) and Thomas McGuire (38 victories). In the South West Pacific theater, the P-38 was the primary long-range fighter of United States Army Air Forces until the appearance of large numbers of P-51D Mustangs toward the end of the war.

The P-38 was unusually quiet for a fighter, the exhaust muffled by the turbo-superchargers. It was extremely forgiving, and could be mishandled in many ways, but the rate of roll in the early versions was too slow for it to excel as a dogfighter. The P-38 was the only American fighter aircraft in production throughout American involvement in the war, from Pearl Harbor to Victory over Japan Day.

Design and development[edit]

Lockheed designed the P-38 in response to a February 1937 specification from the United States Army Air Corps. Circular Proposal X-608 was a set of aircraft performance goals authored by First Lieutenant Benjamin S. Kelsey (later Brigadier General) and First Lieutenant Gordon P. Saville (later General) for a twin-engine, high-altitude "interceptor" having "the tactical mission of interception and attack of hostile aircraft at high altitude." Kelsey recalled in 1977 that he and Saville drew up the specification using the word interceptor as a way to bypass the inflexible Army Air Corps requirement for pursuit aircraft to carry no more than 500 lb (227 kg) of armament including ammunition, as well as the restriction of single-seat aircraft to one engine. Kelsey was looking for a minimum of 1,000 lb (454 kg) of armament. Kelsey and Saville aimed to get a more capable fighter, better at dog-fighting and at high-altitude combat. Specifications called for a maximum airspeed of at least 360 mph (580 km/h) at altitude, and a climb to 20,000 ft (6,100 m) within six minutes, the toughest set of specifications USAAC had ever presented. The unbuilt Vultee XP1015 was designed to the same requirement, but was not advanced enough to merit further investigation. A similar single-engine proposal was issued at the same time, Circular Proposal X-609, in response to which the Bell P-39 Airacobra was designed. Both proposals required liquid-cooled Allison V-1710 engines with turbo-superchargers and gave extra points for tricycle landing gear.

The Lockheed design team, under the direction of Hall Hibbard and Clarence "Kelly" Johnson, considered a range of twin-engine configurations, including both engines in a central fuselage with push-pull propellers.

The eventual configuration was rare in terms of contemporary fighter aircraft design, with only the preceding Fokker G.1, the contemporary Focke-Wulf Fw 189 Luftwaffe reconnaissance aircraft, and the later Northrop P-61 Black Widow night fighter having a similar planform. The Lockheed team chose twin booms to accommodate the tail assembly, engines, and turbo-superchargers, with a central nacelle for the pilot and armament. The XP-38 gondola mockup was designed to mount two .50-caliber (12.7 mm) M2 Browning machine guns, with 200 rpg, two .30-caliber (7.62 mm) Brownings, with 500 rpg, and a T1 Army Ordnance 23-mm (.90 in) autocannon with a rotary magazine as a substitute for the non-existent 25-mm Hotchkiss aircraft autocannon specified by Kelsey and Saville. In the YP-38s, a larger John Browning-designed, Colt-made M9 37-mm (1.46 in) autocannon with 15 rounds replaced the T1. The 15 rounds were in three 5-round clips, an unsatisfactory arrangement according to Kelsey, and the M9 did not perform reliably in flight. Further armament experiments from March to June 1941 resulted in the P-38E combat configuration of four M2 Browning machine guns, and one Hispano 20-mm (.79 in) autocannon with 150 rounds.

P-38 armament, concentrated in the nose of the aircraft

Clustering all the armament in the nose was unlike most other U.S. aircraft, which used wing-mounted guns with trajectories set up to crisscross at one or more points in a convergence zone. Nose-mounted guns did not suffer from having their useful ranges limited by pattern convergence, meaning that good pilots could shoot much farther. A Lightning could reliably hit targets at any range up to 1,000 yd (910 m), whereas other fighters had to pick a single convergence range between 100 and 250 yd (230 m). The clustered weapons had a "buzz saw" effect on any target at the receiving end, making the aircraft effective for strafing as well. The rate of fire was about 650 rounds per minute for the 20×110-mm cannon round (130-gram shell) at a muzzle velocity of about 2,887 ft/s (880 m/s), and for the .50-caliber machine guns (43–48-gram rounds), about 850 rpm at 2,756 ft/s (840 m/s) velocity. Combined rate of fire was over 4,000 rpm with roughly every sixth projectile a 20-mm shell. The duration of sustained firing for the 20-mm cannon and .50-caliber machine guns was approximately 14 seconds and 35 seconds, respectively.

The Lockheed design incorporated tricycle undercarriage and a bubble canopy, and featured two 1,000-hp (746 kW) turbo-supercharged 12-cylinder Allison V-1710 engines fitted with counter-rotating propellers to eliminate the effect of engine torque, with the superchargers positioned behind the engines, with the exhaust side of the units exposed along the dorsal surfaces of the booms. Counter-rotation was achieved by the use of "handed" engines, which meant that the crankshaft of each engine turned in the opposite direction of its counterpart. The V-12 engines required changing only the spark plug firing order in order for the direction of the crankshaft to be reversed, according to the General Motors Allison V-1710 Service School Handbook.

It was the first American fighter to make extensive use of stainless steel and smooth, flush-riveted butt-jointed aluminum skin panels. It was also the first fighter to fly faster than 400 mph (640 km/h).

Pacific theater

Wartime poster encouraging greater production of P-38s

The P-38 was used most extensively and successfully in the Pacific theater, where it proved ideally suited, combining excellent performance with very long range, and had the added reliability of two engines for long missions over water. The P-38 was used in a variety of roles, especially escorting bombers at altitudes between 18–25,000 ft (5,500-7,600 m). The P-38 was credited with destroying more Japanese aircraft than any other USAAF fighter. Freezing cockpits were not a problem at low altitude in the tropics. In fact, since there was no way to open a window while in flight as it caused buffeting by setting up turbulence through the tailplane, it was often too hot; pilots taking low altitude assignments would often fly stripped down to shorts, tennis shoes, and parachute. While the P-38 could not out-turn the A6M Zero and most other Japanese fighters when flying below 200 mph (320 km/h), its superior speed coupled with a good rate of climb meant that it could utilize energy tactics, making multiple high-speed passes at its target. Also, its focused firepower was even more deadly to lightly armored Japanese warplanes than to the Germans'. The concentrated, parallel stream of bullets allowed aerial victory at much longer distances than fighters carrying wing guns. It is therefore ironic that Dick Bong, the United States' highest-scoring World War II air ace (40 victories solely in P-38s), would fly directly at his targets to make sure he hit them (as he himself acknowledged his poor shooting ability), in some cases flying through the debris of his target (and on one occasion colliding with an enemy aircraft which was claimed as a "probable" victory). The twin Allison engines performed admirably in the Pacific.

Postwar operations[edit]

The end of the war left the USAAF with thousands of P-38s rendered obsolete by the jet age. The last P-38s in service with the United States Air Force were retired in 1949.[82] A total of 100 late-model P-38L and F-5 Lightnings were acquired by Italy through an agreement dated April 1946. Delivered, after refurbishing, at the rate of one per month, they finally were all sent to the AMI by 1952. The Lightnings served in 4 Stormo and other units including 3 Stormo, flying reconnaissance over the Balkans, ground attack, naval cooperation and air superiority missions. Due to unfamiliarity in operating heavy fighters, old engines, and pilot errors, a large number of P-38s were lost in at least 30 accidents, many of them fatal. Despite this, many Italian pilots liked the P-38 because of its excellent visibility on the ground and stability on takeoff. The Italian P-38s were phased out in 1956; none survived the inevitable scrapyard.

Surplus P-38s were also used by other foreign air forces with 12 sold to Honduras and 15 retained by China. Six F-5s and two unarmed black two-seater P-38s were operated by the Dominican Air Force based in San Isidro Airbase, Dominican Republic in 1947. The majority of wartime Lightnings present in the continental U.S. at the end of the war were put up for sale for US$1,200 apiece; the rest were scrapped. P-38s in distant theaters of war were bulldozed into piles and abandoned or scrapped; very few avoided that fate.

Variants:

Over 10,000 Lightnings were manufactured in all, becoming the only U.S. combat aircraft that remained in continuous production throughout the duration of American participation in World War II. The Lightning had a major effect on other aircraft; its wing, in a scaled-up form, was used on the L-049 Constellation.

Popular culture

1950 Studebaker Champion

Harley Earl arranged for several of his designers to view a YP-38 prototype shortly before World War II, and its design directly inspired the tail fins of the 1948–1949 Cadillac

The P-38 was also the inspiration for Raymond Loewy and his design team at Studebaker for the 1950 and 1951 model-year Studebakers.

The whine of the speeder bike engines in Return of the Jedi was partly achieved by recording the engine noise of a P-38, combined with that of a North American P-51 Mustang.

Studebaker Champion Convertible (1950)

Studebaker was proud to be "First by Far With a Postwar Car," but after three years on the market, its vehicles very much needed a distinctive new look for their carried-over bodies. In fact, the 1950-1951 Studebaker origins were as a counterpoint to the post-war car, when celebrated styling consultant Raymond Loewy decided his staff should look to the heavens for inspiration.

Perhaps no automaker is more identified with a single design than Studebaker with its 1950-1951 "bullet-nose" cars. The feisty South Bend independent didn't invent the "spinner" front end -- the 1948 Tucker and 1949-1950 Ford used similar themes, as have several European models. Studebaker's styling differed mainly in degree.

Ads called it "The Next Look," implying it would start a trend. It didn't, but that mattered little to company executives, who were content to chalk up sales unmatched in Studebaker's previous 48 years of auto production and in any of the next 16.

When Studebaker contracted Loewy Associates to design all-new 1947 models, Exner and Cole worked up their own proposal in secret -- with the advantage of engineering parameters not made available to the "official" Loewy team. It was this design that management ultimately chose and introduced in mid 1946. Studebaker was two years ahead of the competition -- "First by Far With a Postwar Car," as ads blared. To Exner's chagrin, advertising credited Loewy with the new styling.

Loewy promptly fired Exner for his treachery and replaced him with Bob Bourke, Exner's subordinate and friend. Bourke, who made significant contributions to the '47 design, would head Loewy's South Bend studio into 1955, after which Studebaker and Loewy parted company.

People loved the 1947 Studebakers, the little-changed '48s, and the modestly updated '49s. Though the fresh styling concealed mostly prewar mechanical concepts, refinements were made to improve longevity and reliability.

For example, the low-price Champion had arrived in spring 1939 with a lightweight L-head six of 164.3 cubic inches. This went to 169.6 cubic inches and 80 horsepower for 1941-49, then added five horsepower. The costlier Commanders used a larger six dating from Stude­baker's 1932 Rockne. By 1949, this engine was up to 245.6 cubic inches and 100 horsepower.

The 1947-1949 models were a great sales success, lifting Studebaker to eighth in the U.S. industry with a market share of 4.12 percent. Production was at record levels. So were corporate profits -- $27.56 million in calendar 1949 alone. Things looked great, and were about to get even better.

The bullet-nose idea had been on Bourke's drawing board since 1940-1941, when he first sketched several elements of the eventual 1950 Studebaker. Chief among them was a protruding nose with flanking pontoon fenders suggesting the front of an airplane.

Public reaction is what matters in the auto industry, and "The Next Look" 1950 Studebaker, featuring the company's signature "bullet-nose" look for the first time, was a winner -- more popular than even the 1947. Sales began in August 1949, nearly a month ahead of other 1950 cars.

For all this hoopla, the 1950s were identical to the 1947-49 models except for the bullet nose, minor trim, and vertical instead of horizontal taillights. However, the new front end added an inch to wheelbases, taking Champions to 113, Commanders to 120. Both lines again offered two- and four-door sedans, a convertible, and a five-passenger Starlight coupe with its distinctive panoramic rear window.

Demand for the bullet-nose '50s proved so strong that Studebaker added a third shift at its large South Bend factory and ran its Southern California and Hamilton, Ontario, assembly plants at or near capacity. A 14-month model "year" (July 15, 1949, to September 27, 1950) produced 343,164 cars -- the most for any vehicle in Studebaker's long history. By the end of 1950, company employment was up to 25,000, a peacetime record.

Text for the Lockheed P-38 Lightning has been taken from Wikipedia. Text regarding the 1950 Studebaker Champion Convertible has been reproduced from sections of the website "How Stuff Works".

This Lockheed P-38 Lightning from 1941, and 1950 Studebaker Champion Convertible has been created in Lego miniland-scale for Flickr LUGNuts 79th Build Challenge, - "LUGNuts goes Wingnuts", - featuring automotive vehicles named after, inspired by, or related to aircraft.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!

Some background:

The Nakajima J9N Kitsuka (中島 橘花, "Orange Blossom", pronounced Kikka in Kanji used traditionally by the Japanese) was Japan's first jet aircraft. In internal IJN documents it was also called Kōkoku Nigō Heiki (皇国二号兵器, "Imperial Weapon No.2"). After the Japanese military attaché in Germany witnessed trials of the Messerschmitt Me 262 in 1942, the Imperial Japanese Navy issued a request to Nakajima to develop a similar aircraft to be used as a fast attack bomber. Among the specifications for the design were the requirements that it should be able to be built largely by unskilled labor, and that the wings should be foldable. This latter feature was not intended for potential use on aircraft carriers, but rather to enable the aircraft to be hidden in caves and tunnels around Japan as the navy began to prepare for the defense of the home islands.

The second Kikka is on display at the NASM Udvar-Hazy Center in the Mary Baker Engen Restoration Hangar.

General characteristics:

Crew: 1

Length: 8.125 m (26 ft 8 in)

Wingspan: 10 m (32 ft 10 in)

Height: 2.95 m (9 ft 8 in)

Wing area: 13.2 m² (142 sq ft)

Empty weight: 2,300 kg (5,071 lb)

Gross weight: 3,500 kg (7,716 lb)

Max takeoff weight: 4,080 kg (8,995 lb)

Powerplant:

2× Ishikawajima Ne-130 or Ne-230 axial-flow turbojet engines

with 8.83 kN/900 kg or 8.68 kN/885 kg thrust, respectively

Performance:

Maximum speed: 812 km/h (505 mph, 438 kn)

Range: 980 km (610 mi, 530 nmi) with internal fuel

Service ceiling: 12,000 m (39,000 ft)

Rate of climb: 12.9 m/s (2,540 ft/min)

Wing loading: 265 kg/m² (54 lb/sq ft)

Thrust-to-weight ratio: 0.43

Armament:

2× 30 mm (1.181 in) Type 5 cannon with 50 RPG in the nose

1× ventral hardpoint for a 500 l drop tank or a single 500 kg (1,102 lb) or 800 kg (1,764 lb) bomb

The kit and its assembly:

This is submission #4 for the “Captured!” group build at whatifmodellers.com in late 2020. Loot from WWII certainly makes a good theme, and I remembered a real world J2M3 that I had built some time ago – in RAF markings and tested by the ATAIU-SEA in Singapore in late the 1945. For a more whiffy touch I delved through The Stash™ for options and found an AZ Models Nakajima “Kikka” single seater – as Japan’s first jet fighter, a suitable contender, even more so because no aircraft of this type made it in time to frontline units.

The AZ Models kit is a simple affair, but that's also its problem. In the box things looked quite good, detail level is on par with a classic Matchbox kit. But unlike a Matchbox kit, the AZ Models offering does not go together... I had to fight everywhere with poor fit, lack of locator pins, ejection marks - anything a short run model kit can throw at you! Things turned out really bad: One upper wing half was bent so much that I tried to counter the flaw with force - and the part broke! Furthermore, PSR was necessary almost everywhere – but especially around the wing/engine pod intersection and the area where the wings are inserted into the fuselage. Huh! What worked surprisingly well is the IP canopy, though.

Personal additions are lowered flaps (easy to realize) and some additional struts for the landing gear.

Painting and markings:

The captured aircraft theme was settled from the start, but I wanted to offer more than just a “rebadging” with RAF roundels on an IJN green/grey airframe. In order to add some visual spice, my idea became to present an irregular "one-aircraft-made-from-two-wrecks" finish, with parts in differing tones and even some primed or bare metal areas.

I gave the model an overall coat of aluminum (with Red Stars added, this would have made another interesting whif!) and started adding cloudy shades of IJN Green (ModelMaster and Tamiya) and sections with RAF Dark Green to the upper surfaces, and light grey underneath, with the aluminum underneath shining through here and there. One engine was furthermore painted in a shaggy Japanese primer red brown. I furthermore added overpainted IJN markings with U.S. olive drab for some more contrast, even though would later be at least partly hidden under decals.

The cockpit was painted in a greenish yellow primer (trying to simulate a typical “bamboo” shade that was used in some late-war IJN cockpits), while the landing gear and the flaps’ interior was painted in dull aluminum (Humbrol 56).

A black ink washing was applied for more weathering and contrast. the yellow leading edge markings were created with decal material. RAF roundels came from the scrap box, the “FE 269” code was created with single white 3mm letters. The “ATAIU-SEA” titles were painted with a thin brush and white acrylic paint, and sanded down a bit once dry, for a weathered look.

Finally, the kit received a mixed coat of semi-gloss and matt acrylic varnish.

I had the Kikka earmarked for a different build, but I think this ATAIU livery adds an interesting twist to the model, it looks pretty plausible. Besides, the Kitsuka is a pretty, elegant aircraft, and it's relatively small (even petit) when compared with a contemporary Me 262 or a Meteor!