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High Gloss Agnes sunlight & shadows

edited by Charlotte Huck.

 

New York, Greenwillow Books, [september] 1993. issued in 2 variants:

a) ISBN o-688-11669-8, "trade edition" (paper?), uninspected;

b) ISBN o-688-1167o-1, "library binding" as depicted/described.

 

9 x 11-15/16, 8 sheets white claycoat folded individually to 32 pp & machine-japanese-sewn in plain goldenrod wove endpapers & glued into 9-3/16 x 12-1/4 highgloss paper-covered boards in like dustjacket with 3-3/4" flaps, all except p.4 & dustjacket verso printed 4-colour process offset.

 

cover graphic by Lindsay Barrett George.

18 contributors ID'd:

Dorothy Aldis, Byrd Baylor, Gwendolyn Brooks, Rose Burgunder, Marchette Chute, Elizabeth Coatsworth, Rachel Field, Aileen Fisher, Lindsay Barrett-George, Charlotte Huck, Karla Kuskin, Claudia Lewis, Myra Cohn Livingston, David McCord, A.A.Milne, bpNichol, Lois Simmie, Nancy Dingman Watson.

 

Nichol contributes:

i) A Path to the Moon (poem, p.8)

 

also includes:

ii) "A PATH TO THE MOON, by Lindsay Barrett George (painting, pp.8/9; illustration to Nichol's poem (i) above)

High Gloss Agnes sunlight & shadows

In today’s flat screen world, nothing better than a TV stand that follow the same minimalistic approach to your TV/ Family room. The shore TV bench was design within this mind frame and therefore sports simple geometric lines positioned in a way where functionality is maximized.

 

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High Gloss Agnes sunlight & shadows - star filter

#Bright #bathroom, with innovative #highgloss #ceramic #wood #tiles.

Finally got my holy grail!!! Thx David!!!

 

Rearend of a newly painted (Atomic Orange) 72 Corvette. What better to do with sun on the rear in the highgloss paint but take a portrait picture of myself.

  

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High Gloss Agnes sunlight & shadows

High Gloss Agnes sunlight & shadows - star filter

Slitting to processing high gloss and prepainted steel. Coils of 25 ton, with strip's width of 1500 mm and maximum thickness of 4 mm. Movable tensioning device. Scrap baller. Automatic change of tooling in the slitter. Computerized control.

 

Línea de corte longitudinal para procesar acero de alta calidad superficial y pintado. Bobinas de hasta 25 toneladas, con ancho de banda de 1500 mm y espesor máximo de 4 mm. Tensor móvil, recogerdor de chatarra, cambio automático de cuchillas en la cizalla circular. Control por ordenador.

  

Slitting to processing high gloss, painted steel and non ferric metals Coils of 20 ton, with strip's width of 1800 mm and maximum thickness of 4 mm. Movable tensioning device. Scrap baller. Automatic change of tooling in the slitter. Computerized control.

 

Línea de corte longitudinal para procesar acero pintado y metales no férricos . Bobinas de hasta 20 toneladas, con ancho de banda de 1800 mm y espesor máximo de 4 mm. Tensor móvil, recogerdor de chatarra, cambio automático de cuchillas en la cizalla circular. Control por ordenador.

 

High Gloss Agnes sunlight & shadows

SUBTERFUGE.

 

edited by Jim Francis, James Gray & Karl Jirgens.

 

Toronto, 1988.

 

6 x 15-9/16, 44 sheets white highgloss perfectbound into white rectogloss card wrappers, all printed black offset with 3-colour process addition to outside covers & unique black rubberstamp additions to pp.44/45.

 

cover graphic by Ulrich Tarlatt.

7o contributors ID'd:

Kathy Acker, Miekal And, Fortner Anderson, Heidi Arnold, Arno Arts, Gil Aufray, Thomas Baer, R.Bartkowech, Guy R.Beining, François Bergeron, John Berndt, Jake Berry, Bill Bissett, Michel Boulanger, George Bowering, Misha Chocholak, Dennis Cooley, Elaine L.Corts, E.J.Cullen, Sheila Davies, Guiillermo Deisler, Paul Dutton, Jim Francis, Cola Franzen, Ken Gangemi, Richard Gessner, Rich Gold, LeRoy Gorman, Joanna Gunderson, Michael Heckert, Karl Jirgens, Pierre Joris, W.Pope L, Ralph La Charity, Marina De Bellagente LaPalma, Louis Lapointe, Mark Layner, Karen MacCormack, Annette Mangaard, Richard Martel, Pauline Martin, Christof Migone, Frank Moorehouse, Robert Morgan, Opal Louis Nations, Ann Noël, Kirby Olson, Dennis Oppenheim, Andrea O'Rielly, John Oughton, Derek Pell, Geza Perneczky, Andras Petocz, Harry Polkinhorn, William A.Reid, Alain-Martin Richard, Dominque Robert, Stan Rogal, James Sallis, Waldemar B.Schwauss, Philippe Sollers, Ron Stanko, John Stickney, Ronald Sukenick, Balint Szombathy, Ulrich Tarlatt, Lisa Teasley, D.G.Tenenbaum, Western Cell Division, Saul Yurkievich.

 

includes:

i) PERSISTENT PATTERN, by Paul Dutton (prose review of Dick Higgins' Pattern Poetry with reference to bpNichol)

ii) PUBLICATIONS RECEIVED – Journals & Magazines, by [Jim Francis & Karl Jirgens?] (prose reviews include references to Nichol in paragraphs on Tracing The Paths, Line 12 & Open Letter)

Slitting to processing high gloss and prepainted steel. Coils of 35 ton, with strip's width of 1600 mm and maximum thickness of 4 mm. Movable tensioning device. Scrap baller. Automatic change of tooling in the slitter. Computerized control.

 

Línea de corte longitudinal para procesar acero de alta calidad superficial y pintado. Bobinas de hasta 35 toneladas, con ancho de banda de 1600 mm y espesor máximo de 4 mm. Tensor móvil, recogerdor de chatarra, cambio automático de cuchillas en la cizalla circular. Control por ordenador.

  

High Gloss Agnes sunlight & shadows

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Sandberg California JM-5, swamp ash body, natural highgloss w/ block inlays

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A minimalist accent to the Aurora collection, this night table is the right complement to the Aurora bed. It features two deep drawers for added storage.

 

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