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The type "Illyrian" helmet originated in the Peloponnese at 7th century bc and is Greek . The term "illyrian" is conventional just like all terms for helms.
Terms such as Illyrian and attic are used in archeology for convenience to denote a particular type of helmet and do not imply its origin.
Page 60 Peter Connoly,
Greece & Rome at War
* ISBN-10: 185367303X
* ISBN-13: 978-1853673030
German postcard by Ross Verlag, no. 3350/1. Photo: Ams-Film.
German actress Brigitte Helm (1908-1996) is a legend because of her dual role as Maria and her double the evil Maria in the silent SF classic Metropolis. After Metropolis she made a string of over 30 films in which she almost always had the starring role. She easily made the transition to sound films, before she abruptly retired in 1935.
For more postcards, a bio and clips check out our blog European Film Star Postcards.
KFM 189T and OPL 216R were parked up between school duties at Helms' yard in Eastham on March 20th 1998. KFM 189T a Northern Counties bodied Leyland Fleetline FE30AGR was new to Chester City Transport (89) in February 1979 whilst OPL 216R was an ECW bodied Bristol VRT/SL3/6LXB new to Alder Valley (940) in February 1977.
French postcard. Europe, No. 1102. Photo Studio Lorelle.
German actress Brigitte Helm (1908-1996) is still famous for her dual role as Maria and her double, the evil robot Maria, in the silent SF classic Metropolis (Fritz Lang, 1927). After Metropolis she made a string of over 30 films in which she almost always had the starring role. She easily made the transition to sound films, before she abruptly retired in 1935.
Culver City, LA
From Wikipedia:
The Helms Bakery in Culver City, California was a notable industrial bakery of Southern California that operated from 1931 to 1969.
In 1926, Paul Helms of New York took an early retirement for health reasons and moved his family to Southern California and its mild climate. Helms started construction on a building between Washington and Venice Boulevards in 1930 and, on March 2, 1931, the Helms Bakery opened with 32 employees and 11 delivery coaches (trucks).
By the next year, the Helms Bakery had become the "official baker" of the 1932 Summer Olympics when Paul Helms won a contract to supply bread for the 1932 games in Los Angeles. His slogan was "Olympic Games Bakers - Choice of Olympic Champions."
Four years later in time for the 1936 Summer Olympics Germany asked Helms for his bread recipes to feed to the German Olympic team. His relationship with Olympians continued in later years, the U.S. teams at London and Helsinki requested his bread be served. Early Helms vehicles sported the Olympic symbol, and it also appeared on, and was mentioned in, the Helms logo on the bread wrappers, the company logo and sign.
Despite never being sold in stores, Helms baked products soon became known to millions of consumers. The Helms motto was "Daily at Your Door" and every weekday morning, from both the Culver City facility and a second Helms Bakery site in Montebello, dozens of Helms trucks, painted in a unique two-tone scheme, would leave the bakery for various parts of the Los Angeles Basin, some going as far as the eastern San Gabriel Valley. This is remarkable because the network of freeways had not yet been built, so the trip might take an hour or more. One of these trucks is on display at the Peterson Automotive Museum in Los Angeles.
Each truck would travel through its assigned neighborhoods, with the driver periodically pulling (twice) on a large handle which sounded a distinctive whistle or stop at a house where a Helms sign, a blue placard with an "H" on it, was displayed in their windows.
Customers would come out and wave the truck down, or sometimes chase the trucks to adjacent streets. Wooden drawers in the back of the truck were stocked with fresh donuts, cookies, pastries and candies, while the center section of the truck carried dozens of loaves of freshly baked bread. Products often reached the buyers still warm from the oven. Helms trucks were manufactured by Divco, an example of which may be found at the Peterson Automotive Museum in Los Angeles. Helms' Divco trucks were powered by various engines, including motors purchased from Nash and Studebaker.
more:
German collectors card in the Unsere Bunten Filmbilder series by Ross Verlag, no. 5 (of 275). Photo: Ufa. The card was a supplement to 'Salem Zigaretten', Dresden.
German actress Brigitte Helm (1908-1996) is still famous for her dual role as Maria and her double the evil Maria, the Maschinenmensch, in the silent SF classic Metropolis (Fritz Lang, 1927). After Metropolis she made a string of over 30 films in which she almost always had the starring role. She easily made the transition to sound films, before she abruptly retired in 1935.
Brigitte Helm was born as Brigitte Eva Gisela Schittenhelm in Berlin, Germany, in 1906 (some sources say 1908). Her father was a Prussian army officer, who left his wife a widow not long after. Brigitte gained her acting experience in school productions but never thought of acting classes. After her school exams, she wanted to be an astronomer. But then she was discovered by the famous director Fritz Lang for the lead in Metropolis (Fritz Lang, 1927), then the most expensive German film ever made. Her mother had sent a photograph of her beautiful 16-years-old daughter to Lang's wife, scriptwriter Thea von Harbou. Helm was invited to the set of Die Nibelungen and was given a screen test. She got the double role of the noble and virginal Maria and her evil and sensual twin, the Maschinenmensch, a robot created to urge the workers in revolting and destroy their own city. In their 1996 obituary in The New York Times, Robert McThomas and Peter Herzog note: "The film depicts the world of 2006, a time, Lang envisioned, when a ruling class lives in decadent luxury in the loft heights of skyscrapers linked by aerial railways, while beneath the streets slave-like workers toll in unbearable conditions to sustain their masters. But for all the steam and special effects, for many who have seen the movie in its various incarnations, including a tinted version and one accompanied by music, the most compelling lingering image is neither the towers above nor the hellish factories below. It is the staring transformation of Ms. Helm from an idealistic young woman into a barely clad creature performing a lascivious dance in a brothel." Metropolis made Brigitte Helm a star overnight.
UFA gave Brigitte Helm a contract, and over the next 10 years, she acted in 29 German, French, and English films. She was cast as the evil but oh so seductive protagonist in the Sci-Fi-horror film Alraune. First in the silent version of 1928, directed by Henrik Galeen. Hal Erickson at AllMovie: "Hanns Heinz Ewers' grim science-fiction novel 'Alraune' has already been filmed twice when this version was assembled in 1928. In another of his 'mad doctor' roles, Paul Wegener plays Professor Brinken, the sociopathic scientist who combines the genes of an executed murderer with those of a prostitute. The result is a beautiful young woman named Alraune (Brigitte Helm), who is incapable of feeling any real emotions - least of all guilt or regret. Upon attaining adulthood, Alraune sets about to seduce and destroy every male who crosses her path. Ultimately, Professor Brinken is hoist on his own petard when he falls hopelessly in love with Alraune himself." Two years later Helm also starred in the sound version, Alraune/A Daughter of Destiny (Richard Oswald, 1930), for which the Dutch postcard lower in this post was made.
Brigitte Helm played a helpless blind woman who is seduced by a rogue in the wartime melodrama Die Liebe der Jeanne Ney/The Love of Jeanne Ney (G.W. Pabst, 1927). It was Brigitte Helm's first project with Georg Wilhelm Pabst, the director who could - better than any other director - bring out her mysterious adaptability. In his films Abwege/The Devious Path (1928) and L’Atlantide/Die Herrin von Atlantis/Queen of Atlantis (1932) she proved that she could perform more restrained and emotionally expressive characters. In Abwege, she portrays a spoilt woman of the world who from sheer boredom almost destroys her own life. In L'Atlantide (1932), Helm plays a goddess, the mere sight of whom makes men crazy. Werner Sudendorff wrote in his obituary of Helm in The Independent: "Her power is not of this world, but incomprehensible, magical. This was Helm's last really great role, a legendary mysterious sphinx of the German cinema." These films and Marcel L'Herbier's late silent film L'Argent/The Money (Marcel L’ Herbier, 1928) allowed Helm to act outside the tired cliches she was later often subjected to by scriptwriters and producers.
Brigitte Helm's first sound film was the musical Die singende Stadt/City of Song (Carmine Gallone, 1930) with Jan Kiepura. She also appeared in the French and English versions of her German films. Werner Sudendorff: "In her films of the early 1930s, Brigitte Helm became the embodiment of the down-to-earth, affluent modern woman. With her slim figure and austere pre-Raphaelite profile, she seems unapproachable, a model fashion-conscious woman, under whose ice-cold outer appearance criminal energies flicker." However, her sound films, like Gloria (Hans Behrendt, 1931), The Blue Danube (Herbert Wilcox, 1932), and Gold/L’Or (Karl Hartl, 1934), do not have the artistic cachet of her best silent films. Her relationship with the Ufa happened to be very rocky. While the studio had made her a star and kept increasing her pay, the actress was unhappy with the material the Ufa offered her and she was annoyed about the restrictive clauses dictating her weight.
Reportedly Brigitte Helm was Josef Von Sternberg's original choice for the starring role of Der Blaue Engel/The Blue Angel (1930), but the part went to Marlene Dietrich. Helm was also James Whale's first choice for his Bride of Frankenstein (1935), but reportedly she refused to go to America. In 1935, angered by the Nazi control of the German film industry, she didn’t extend her contract with the Ufa. Perhaps another reason for her decision were the negative press reports about her many traffic accidents and the short prison sentence as a result of it. Her last film was Ein Idealer Gatte/An Ideal Husband (Herbert Selpin, 1935), an adaptation of the play by Oscar Wilde.
In private, Brigitte Helm was a timid, modest, and not very ambitious personality. In 1935, after a short but prolific career of 32 films, she married Dr. Hugo Von Kunheim, a German industrialist of Jewish descent, and retired. Bruce Eder at AllMovie: "in addition to no longer needing to pursue her acting, with which she was never 100-percent comfortable, she was repelled by the takeover of the German movie industry by the Hitler government. Her marital status, coupled with her anti-Nazi political views, made it impossible for Helm to continue working in movies or living in Germany. From 1935 onward, the couple lived in Switzerland. After the war, they divided their time between Germany and Switzerland, but Helm chose to live quietly and remain anonymous." The pair would raise four children. In 1968 Helm received the Filmband in Gold for “continued outstanding individual contributions to German film over the years". She steadfastly refused to appear in a film again, nor even grant an interview about her film career, but she always answered requests from her old fans for her signature. Brigitte Helm died in 1996 in Ascona, Switzerland. In particular, her Evil Maria won't be forgotten. Apt for her is the Mae West line: "When I am good, I am very good; but when I am bad, I am better."
Sources: Vittorio Martinelli (Le dive del silenzio), Robert McThomas and Peter Herzog (The New York Times), Werner Sudendorff (The Independent), Bruce Eder (AllMovie), Hal Erickson (AllMovie), Thomas Staedeli (Cyranos), Film Reference, Lenin Imports, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
German postcard. Ross Verlag, No. 4876/2. UFA.
German actress Brigitte Helm (1908-1996) is still famous for her dual role as Maria and her double, the evil robot Maria, in the silent SF classic Metropolis (Fritz Lang, 1927). After Metropolis she made a string of over 30 films in which she almost always had the starring role. She easily made the transition to sound films, before she abruptly retired in 1935.
L2SLT originally R465LGH Dennis Dart/Plaxton. This bus was renumbered 112 but donated its registration to a Volvo B6 upon sale. Seen here in as acquired condition at Waverton turning circle now used by only one journey per day
HLCX SD40-2 #6313, an ex-NdeM unit and wearing a rare Helm paint scheme, sits at Cragin at the north end of the BRC with tonight's T001. The train on the left is one of the CP 240 trains for Toronto, it's rear end clearing up the Cicero West switch; the T001 will get a signal to proceed onto Metra rails shortly.
The helm-stick (topright) is connected to the rudder of this VOC cargoship by this wood and rope mechanism. The original ship sailed in 1624 This replica was build in Lelystad, the Netherlands.
Helms of Eastham Volvo B10B / Wright N597CKA undergoing maintenance in the yard.
New to Merseyside in 1995 and latterly with Arriva North West.
An alternative to the LotR Helms Deep. The Knights of the Nexoconic Order like happy colors, pointy bits, and reflectorific elements that stun enemies like the sun at midday.
(Yes, I am having fun with my Nexo Knights accessories and photo/retouch ideas)
Launch: September 9, 1994
Landing: September 20, 1994, Edwards Air Force Base, CA
Space Shuttle: Discovery
Crew: Richard N. Richards, L. Blaine Hammond Jr., Jerry M. Linenger, Susan J. Helms, Carl J. Meade and Mark C. Lee
LITE instrument operated for 53 hours, yielding more than 43 hours of high-rate data. Unprecedented views were obtained of cloud structures, storm systems, dust clouds, pollutants, forest burning and surface reflectance.
Credit: NASA
Image Number: sts064-s-001
Date: July 1995
French postcard. Studio Lorelle, Paris. J.R.P.R., Paris, No. 336. This dates from the time Helm acted in the late French silent film L'Argent (1929) by Marcel L'Herbier.
German actress Brigitte Helm (1908-1996) is still famous for her dual role as Maria and her double, the evil robot Maria, in the silent SF classic Metropolis (Fritz Lang, 1927). After Metropolis she made a string of over 30 films in which she almost always had the starring role. She easily made the transition to sound films, before she abruptly retired in 1935.