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Rather than tear things apart during this month's 'Hack Session', the plan was to have participants work on some projects for the Innovation Lab. We ended up with a pretty young group of participants but went forward with the plans anyhow. These youngsters set out solving problems, designing parts and assembling items with only sporadic instructions. It was a little more chaotic than planned, but most everything came together in this gratifying evening.
Hacking Arts ignites entrepreneurship and innovation within the creative arts. We bring together creative technologists, artists, innovators and hackers at MIT to explore the future of the arts at our annual Conference, Tech Expo and Hackathon.
Hacking Arts 2016 marked the fourth annual festival held at the MIT Media Lab, fostering community and celebrating innovation in the creative industries: Design, Fashion, Film/Video, Gaming, Music, Performing Arts, Virtual/Augmented Reality and Visual Arts.
Hacking Arts is organized by the MIT Sloan School of Management Entertainment, Media & Sports Club in partnership with MIT's Center for Art, Science, and Technology and the Martin Trust Center for MIT Entrepreneurship.
Learn more at hackingarts.com/#ha2016
All photos ©Lenny Martinez
www.facebook.com/lennymartinezd/
Please ask before use
Work In Progress Pics - Hackable City Model for Mifactoris Progroam "Hackers Closing Loops" | More Info here: mifactori.de/hackable-city-model/ AND HERE: mifactori.de/category/city-hacking/
Hacked the bace of my Izon web cam to fit on a standerd 1/4 x 20 camera mount using Sugru.
steminnovation.com/section/iZON/24/
This photo is licensed under a Creative Commons license. If you use this photo, please list the photo credit as "Kent K. Barnes / kentkb" and link the credit to
Thank You...
See the blog post for more info: Yahoo! Hack Day
This photo is licensed under a Creative Commons license. If you use this photo, please list the photo credit as "Scott Beale / Laughing Squid" and link the credit to laughingsquid.com.
"Hack Sessions" in the Jocelyn H. Lee Innovation Lab are a chance for participants to take apart toys and electronics, see what makes them work and maybe find new uses for the parts. Our "kid" sessions are particularly good for giving youngsters a chance to use a variety of hand tools and test equipment in the Innovation Lab. Photo credit: James Mahon.
Taking stuff apart, repurposing the parts and having fun? Must be one of the monthly hack sessions in the Jocelyn H. Lee Innovation Lab
Op 26 februari 2016 opende HACKING HABITAT, een grootschalige internationale tentoonstelling op de grenzen van kunst, technologie en sociale verandering. Meer dan 80 internationaal bekende kunstenaars en ontwerpers toonden tot 6 juni 2016
nieuw en bekend werk in de voormalige gevangenis aan het Utrechtse Wolvenplein.
Robert Lewis "Hack" Wilson was born on April 26, 1900 in Ellwood City, Pennsylvania. He moved to Martinsburg, West Virginia in 1921 to play baseball for the Class D Martinsburg Mountaineer. His first Major League game was in 1923 and during his 11 year his Major League Career he played for the New York Giants, Chicago Cubs, Brooklyn Dodgers and Philadelphia Phillies. He retired in 1934 and was involved in a number of unsuccessful ventures that left him broke. When he died of an internal hemorrhage on November 23, 1948 he was penniless. Relatives refused to claim his body and funeral service were arranged and paid for by Ford Flick. He was inducted into the National Baseball Hall of Fame in 1979. The Granite Tombstone that Marks his grave in the Roasedale Cemetery in Martinsburg, West Virginia has a replica of his Hall of Fame Plaque affixed too it.
First DevCamp to bring hacks & hackers together to build iPad apps. May 22 at KQED. Photos by @Deifell
St Peter
Church. Chancel arch Cll or earlier; early C12 south arcade; late C12 north arcade, tower and tower arch; C15 spire, chancel, clerestory, battlements and gables; early C17 vestry and window to north chapel. Aisles rebuilt and porch added during restoration of c1870 (on rainwater heads). Roughly- dressed sandstone and sandstone ashlar, with slate roofs. West tower: 3-bay, aisled nave with clerestory; south porch; chancel, north chapel and vestry. 3-stage, embattled tower on tall chamfered plinth, with staircase vice at south-west corner. Angle buttresses to north-west and south-east, the latter with gablets. Lancets to south and west, and slits to vice. Bell-openings are paired pointed lights with shafts beneath round arches and hood-moulds. Chamfered bands to each stage. Plain parapet and recessed octagonal spire. To south, gabled and buttressed porch with pointed opening encloses rebuilt doorway. Rebuilt window to east. Restored clerestory windows of paired pointed foiled lights with chamfered mullions beneath square arches. Embattled parapet. North aisle windows rebuilt. Original clerestory windows similar to those on south. Embattled parapet. 2 windows to south wall of chancel, of paired square-arched lights with reticulated tracery. Third, later inserted, window to west of central buttress with offsets and crocketed gablets which rises through embattled parapet. On the north side are 2 windows with chamfered mullions, one of 5 segment-arched lights and one of 3 square-arched lights. East end has clasping buttresses with crocketed gablets and pinnacles. Restored 3-light window with panel tracery and pointed hood-mould. Coped gable to porch and crow-stepped gables to nave and chancel. Gabled bellcote with round-arched opening to nave east end. Interior: tower arch of 3 orders to each face, the centre one filleted, with moulded bell capitals, square abaci and hood-mould. South arcade of 2 round arches beneath chamfered hood-moulds, on cylindrical piers and responds with scalloped capitals and square abaci. North arcade of 3 double chamfered pointed arches on cylindrical piers with attached shafts. Piers have moulded bell capitals, columns waterleaf capitals and square abaci. Western pier has cable-moulded base. North side of eastern respond has round-arched niche with incised floral carving at rear. Round chancel arch on chamfered responds with stops. Imposts chamfered on lower edge, the north one with interlace carving. In the south aisle are 2 pieces of an Anglo-Saxon cross, probably dating to the C9. Approximately 1.75 metres high, they are finely carved with interlace, foliage scrolls, a head and the lower parts of 2 griffins. Misericords, probably C15, one to north, and 7 to south, carved with a variety of motifs, including vines, a mask and grotesques. Fine C15 font cover, restored in 1947, in the form of a tall octagonal canopy with buttresses and crockets, carved Perpendicular tracery and 8 figures around the base. C19 octagonal font with carved panels. Octagonal Jacobean font. William and Mary hatchment over the chancel arch. Monuments. North aisle: swathed cartouche, inscribed in Latin, erected in 1682 to Sir Thomas-Posthumous Hoby (d 1640). Chancel, south wall: wall monument to Lady van den Bempde-Johnstone (d 1853). A standing female figure by Matthew Noble. Sanctuary, north wall: wall monument of nearly life-size figures in high relief to Margaret Anne Johnstone (d 1819). By Chantry. Elaborate cartouche to Arthur Dakyns (d 1592) erected by Sir Thomas Posthumous Hoby and his wife, Margaret, who "repayred" the chancel in 1597. South wall: alabaster wall tablet with fulsome tribute to Margaret Hoby (d 1633). N Pevsner, The Buildings of England; Yorkshire, the North Riding, 1966; p 180. J J Winterbotham, Hackness in the Middle Ages, 2nd edn, 1985.
Listing NGR: SE9690990556
historicengland.org.uk/listing/the-list/list-entry/129656...
First DevCamp to bring hacks & hackers together to build iPad apps. May 22 at KQED. Photos by @Deifell
From 8-10 May, 2015, Waag Society and The Netherlands Institute for Sound and Vision hosted the first of six Europeana Space hackathons. This was the main objective: come up with appealing ideas and applications to bring the rich archive of digitized European cultural heritage to the public.
The Europeana Space Project seeks prove that digitized cultural heritage material can be used in creative ways, and new business and sustainability models can be developed around these innovations.
My old PC case, featuring some practical hacks. This is the new power input, placed at floor level to reduce cable tangling.
Hacking Arts ignites entrepreneurship and innovation within the creative arts. We bring together creative technologists, artists, innovators and hackers at MIT to explore the future of the arts at our annual Conference, Tech Expo and Hackathon.
Hacking Arts 2016 marked the fourth annual festival held at the MIT Media Lab, fostering community and celebrating innovation in the creative industries: Design, Fashion, Film/Video, Gaming, Music, Performing Arts, Virtual/Augmented Reality and Visual Arts.
Hacking Arts is organized by the MIT Sloan School of Management Entertainment, Media & Sports Club in partnership with MIT's Center for Art, Science, and Technology and the Martin Trust Center for MIT Entrepreneurship.
Learn more at hackingarts.com/#ha2016
All photos ©Lenny Martinez
www.facebook.com/lennymartinezd/
Please ask before use
From 8-10 May, 2015, Waag Society and The Netherlands Institute for Sound and Vision hosted the first of six Europeana Space hackathons. This was the main objective: come up with appealing ideas and applications to bring the rich archive of digitized European cultural heritage to the public.
The Europeana Space Project seeks prove that digitized cultural heritage material can be used in creative ways, and new business and sustainability models can be developed around these innovations.