View allAll Photos Tagged gumar
hay gumar granga3o last night that lit the childrens way =Pp
*my words =D
SBM♥ ©Copyrights Reserved. My photostream can not be copied, downloaded, or used in any ways without my permission.
يا البسمة العَذبة ...
عَنك الصٌبر ... كِذبه ...
وفيك العُمر موعود ...
اشتقت للحلم الصغير ...
وجدار من طين وحصير ...
وقمَرا ورا الليل الضرير ...
على الغدير ...
ان هبت النسمَة تكسر ...
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في رحلة مع مصورين الدمام أحد المصورين ^_^
ما حصل شيئ يناسب ذائقته
فحسيت انه محبط
والجو كان برررررد
moed : www.flickr.com/photos/3mar/page1/
من نتائج الرحلة الطيبة
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Proyecto: ABC-Dario
Tema: Blanco
Modelo: Gumaro :D & stuff
Letra B para nuestro proyecto Mosquetero ABC-DARIO: Lollipop : ) , Eli : ) y yo... : )
Gumaro ha sido mi compañero desde hace mucho tiempo en mi carrera de BBAA, merecía estar en una foto porque es taaaan fotogénico que me apetecía presentároslo... Lo he reclutado para ésta foto, le he dicho... eh, tú majo! a currar... que aquí todos tenemos que buscarnos las habichuelas y es que el salao estaba muy a gusto de vacaciones, más bien parado como tanta gente en España, así que hala, a posar! y bueno... aquí el de nuevo haciendo sus mejores poses ;)
© All right reserved © Todos los derechos reservados
Angie Ravelo Photography Personal Blog ~ Photography Blog ~ Website ~ Profile ~ Facebook Page
Sitting So Eagerly waiting for 2008..
Happy New Yr Ya'll And Wish You The Best..
-Have More Faith..
-Be A Better Person..
-Forget All The Pain..
-And Re-Live The Happy Moments in Your Life…
Bye Bye 2007 it was an unforgetable Year =D ...
With Love, Orangeya
" sitting so eagerly ha; Gumar 7ala :P madrow 3ana XD "
PART I
I see you lying next to me
With words I thought I'd never speak
Awake and unafraid
Asleep or dead
PART II .. gumar 7ala and I =P
hmm i still dont feel good wickedo ! :O
Another One ?
I'm home now
And I know we said goodbye
Before I knew that I could get on the plane and fly away
From the road where the cars never stop going through the night
To the real life where I can watch sunset
And take my time
I wanna see you again
I walked away and never said that I wanted to see you again
I wanna see you again
I wanna see you again.....
******************tro7een oo terje3een bisalama ya Gumar |ziman************************
I'm sure you will represent Qatar in the most respectful way in Doha debates in London
have fun and Don't worry about your Dog, its safe!!
And This Goes To The Awesome Gumar 7ala ..
I miss YOU yal :@:@:@:@: !
* ha did u check it out :P ?
* D i love u for being the first <3 haha
I Know The Shot is Typical, but there is something special about this one....
Proyecto: ABC-Dario
Tema: Colores
Modelo: Gumaro :D & My painting { Playing Matisse }
Letra C para nuestro proyecto Mosquetero ABC-DARIO: Lollipop : ) , Eli : ) y yo... : )
Henri Matisse ha sido el principal representante del Fauvismo, trabajando con la expresión colorida y revolucionando un papel importante en la pintura. El color forma parte de lo emocional.
El color es antes que nada una sensación y he aquí el reto, combinarlos entre sí de una forma equilibrada, con fuerte carga emotiva... Porque los colores son sentimiento, sensación, placer y un medio absoluto de expresión, es por ello que en éste tema de hoy COLORES me permito nombrar a mi gran admirado Henri Matisse, precursor del Siglo XX
Durante muchos años mis estudios más profundos han sido en la teoría del color, intentando conseguir sentimientos, emociones y atracción sobre los mismos...
~~~~~~~~
La tendencia dominante del color debe ser la de servir de la mejor manera posible a la expresión. Coloco mis colores sin cálculo previo. Si desde el primer momento, y casi sin que yo tenga conciencia de ello, un color me ha seducido o detenido, me apercibiré en seguida (...) El lado expresivo de los colores se me impone de una manera instintiva (..) La elección de mis colores no se basa en ninguna teoría científica, sino en la observación, sobre el sentimiento, sobre la experiencia de mi sensibilidad (...) Yo intento simplemente colocar los colores que proporcionen mi sensación.
HM & AR
© All right reserved © Todos los derechos reservados
Angie Ravelo Photography Personal Blog ~ Photography Blog ~ Website ~ Profile ~ Facebook Page
Cape en peau de possum
art des aborigènes australiens
Gumara Barranargn
Evènement collatéral : Country de la 56ème Biennale de Venise
Fondation Gervasuti avec le soutien de "l'Australian Art Council"
Commissaire Chiara Massini,
Exposition présentée dans le quartier de Cannaregio à Venise
Un travail de recherche préalable sur l'art actuel des aborigènes a été effectué par l'artiste Giorgia Severi durant deux ans en Australie afin d'identifier des artistes et des projets.
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La cape en peau de possum était un vêtement traditionnel porté par les aborigènes australiens vivant dans les régions froides du pays. Avant la naissance d'un enfant, les femmes préparaient une petite cape en peau de possum qui était agrandie régulièrement et servait à l'individu jusqu'à la mort. La technique de tannage et de décoration était très élaborée. Des dessins, spécifiques à chaque tribu d'aborigènes, étaient ajoutés en fonction des évènements et des rites de passage.
La cape traditionnelle en peau de possum est devenue le symbole du renouveau des cultures aborigènes en Australie et de l'art contemporain aborigène.
Le nouveau pavillon de l'Australie en 2015
www.australiacouncil.gov.au/strategies-and-frameworks/ven...
and then, you see such things from the Arabian Gulf, the size of which you have never known before...
أنـــــا والـصــحــاري
أنا والصحاري والمطر والفرس والطيـر
ونبت الخزامى والظبي والشعر خـلان
بنيت البيوت من الشعر والشعر تعبيـر
عن الماضي الحاضر وعما يكون وكان
أحب القنص بارض قفر ما وطاها الغير
وصهوة فرس كل الكرامه لها ميـدان
ومنظر غدير ترتعش فيه شمس عصيـر
وطعس حمر عقب المطر ما مشاه انسان
وشوف القطا سرب تواقع وسرب يطير
وفزة ظبي حذر بها غافـل الغـزلان
شمس مضت بدر ظهر والنجوم تسيـر
وريح النفل هيض شجوني وأنا ولهـان
وبالليل أشب الضو مع ضيفي التفكيـر
وبالفكر تقدح لمعة النجـم والضيـان
أقلب جمر ضوي وبي مثلهـا تجميـر
شرار و شرار وليل ومولـع حيـران
Ehda2 li Gumar iI ziman (Go-Go)
This is Coronelli's important 1690 map of Ethiopia (Abyssinia) showing the source of the Blue Nile. This map, focusing on Lake Tana (Tzana Dembea) covers the Ethiopian highlands from Derbeta on the Red Sea south as far as the tribal kingdoms of Sugame, Bahargamo and Gumar, all of which are located in modern southern Ethiopia. Europeans, Coronelli included, had a great interest in this region not only because of common conjecture regarding the source of the Nile, but also as a potential site of the Kingdom of Prester John. Though often underappreciated by historians, this is a highly significant map in the development of African cartography and, from the early 18th century on, most cartographers followed its example with regard to this important region - one of the few parts of sub-Saharan Africa to be accurately represented on maps prior to the late 19th century. Coronelli claims that this is the first map to accurately depict the sources of the Nile and, at least as regards the Blue Nile, we see no reason to dispute his claim. The cartography here is based upon the travels of Portuguese Jesuits Manuel de Almeida, Affonso Mendez, Pedro Páez, and Jerónimo Lobo, who traveled throughout Abyssinia in the mid 16th century. Coronelli correctly recognizes the importance of Lake Tana (Tzana Dembea) as well as the curious turn in the river that actually causes the Blue Nile to start it course as a southerly flowing river. The actual fonts of the Nile itself appear to the southwest of Lake Tana. The Falls of the Blue Nile, now a popular tourist destination in Ethiopia, are noted just south of the Lake. In the upper right quadrant Coronelli contrasts his perspective on the region with the traditional Ptolemaic representation of the Nile River stemming from two great lakes south of the Equator. Ironically, both perspectives are somewhat correct. Coronelli's representation of Abysinnia is highly accurate with regard to the course of the Blue Nile and its sources. On the other hand, along with the Ptolemaic theory, Coronelli seems to ignore the entire White Nile which meanders into non-existence in the extreme left hand quadrants of the map. The Ptolemaic perspective depicted on the upper right, though it is based on speculative accounts dating to antiquity, actually offers a fairly accurate representation of the White Nile's course northward from Lake Victoria, which is in fact located just below the Equator. Coronelli's map also offers much of interest beyond its intended purpose - that is to show the course of the Nile. A number of the earliest Ethiopian towns, cities, monasteriesc,and kingdoms, many of which still exist, are in evidence. These include Axum, Asmara, Gojiam, di Cafate (Kaffa), di Ganz , di Dembea (north of Lake Tana), Tigre, di Amhara (welo), Ifat, Guraghe, Damot, Balli, Dawaro, Sugamo (Sidamo?), Angot, Bagemder and Midrabahr ( Bahrmedr), among others. Curiously the map does not name the early Abyssinian capital city of Gondar, though the tent encampment of the King is roughly identified in the same location. A decorative title cartouche appears on the lower right quadrant. Another cartouche, showing a no less than six distance scales adorns the lower left.
En Aliste, estas edificaciones son casetas o pariciones para encerrar las ovejas, son corrales hechos con pared de piedra seca , sin barro , de un metro y medio o dos de altura de forma cuadrada, o redonda, y un trozo cubierto con pizarra o teja, pero la mayor parte sin cubrir, facilitando así la ventilación y aireado del ganado. La parte superior de la pared, le ponían una gran bardiza de zarzas para evitar los ataques de las manadas de los hambrientos lobos que por toda la comarca se escondían durante todo el año. Estos corrales solían estar en cualquier parte del término de los pueblos, reduciendo así el camino a las ovejas, y nada más salir del corral podían empezar a pastorear.
Texto sacado de:
www.aliste.info/Pueblos.asp?Subrayar=&Titulo=Lober&am... por Gumaro
Just around the corner from Skandi Arctic, Gumar Da Vincie, also new, also just after sunrise. Port of Leith, Monday 26/Mar/12.
It may only be co-incidence, but there were two "stingers" (or parts for one big stinger) and stacks of steel pipe between these two ships. There was also a substantial stockpile of even larger pipe at the Subsea 7 spool-base a basin away.
A Ordem Premonstratense, ou dos cônegos regulares Premonstratenses (O. Præm), é uma instituição derivada da ordem dos cônegos regulares de Santo Agostinho.
Foi fundada na Idade Média, em 1119, na região de Prémontré, na diocese de Laon, França. O fundador, São Norberto, era conde de Gennep, nascido em Xanten, no Baixo Reno.
Em fins do século XIX, o então bispo de São Paulo, D. Joaquim Arcoverde Cavalcanti, dirigiu-se ao prelado da Abadia de Averbode (Bélgica), solicitando sacerdotes para trabalho em sua diocese.
Após aceitar o convite, D. Gumaro Crets, no capítulo da abadia, nomeou os primeiros cônegos destinados à nova fundação.
Assim, no ano de 1896, dois religiosos premonstratenses chegaram ao Brasil, e iniciaram seu apostolado em Pirapora, lugarejo localizado às margens do outrora límpido rio Tietê.
Na época, já havia no local o Santuário do Bom Jesus, que atraía romeiros das redondezas e de outras cidades do Estado de São Paulo, até de vários outros estados do Brasil.
O trabalho desses pioneiros foi marcado por muitas dificuldades, mas já no ano seguinte – 1897 – lançaram a pedra fundamental do futuro Seminário Premonstratense.
A capela do seminário foi construída entre 1926 e 1928, e foi inaugurada e benzida na mesma época, por Dom Duarte Leopoldo e Silva, então Arcebispo de São Paulo.
Na entrada da capela, há uma cripta onde são depositados os restos mortais dos cônegos e irmãos falecidos.
Atualmente, as atividades do seminário foram transferidas para outra cidade, e os cônegos premonstratenses decidiram abrir a capela e demais áreas para visitação pública.
Os altares, Via Sacra, púlpitos e estalas, todos em estilo gótico, foram feitos pelo irmão premonstratense José Withofs, belga, que viveu no Brasil de 1905 até o ano de sua morte, em 1959. Os vitrais foram feitos pela Casa Conrado, com vidros importados da Bélgica e Alemanha.
Os vitrais da igreja representam cenas da vida de Cristo e da Virgem Maria, e também vários santos da ordem premonstratense. Há ainda vários outros representando fatos ocorridos na vida do fundador, São Norberto.
Os vitrais da Capela do Seminário Premonstratense foram colocados no ano da sua inauguração, 1928, pela firma "Officina da Casa Conrado" de São Paulo. O vidro veio da Bélgica e Alemanha.
Atrás do baldaquino estão localizados os vitrais que representam os sete sacramentos com a eucaristia no centro.
Perto do altar de São Norberto estão os vitrais que apresentam São Norberto com o apóstolo da eucaristia vencendo na Antuérpia a heresia de Tanquilino, que não acreditava na presença real de Jesus na eucaristia. Nas duas laterais vemos a conversão de São Norberto, quando derrubado de seu cavalo e a entrega da regra por Santo Agostinho.
Na fachada do seminário, uma cena na qual Maria e o Menino Jesus recebem uma nova vocação para a ordem.
A solar system will be installed on the roof.
Read all about Bill's time in Ethiopia at the following url:http://www.clearlycreative.net/nichols_to_ethiopia
Colonel Richard Francey, commander of the 41st Fires Brigade, Sheikh Ali Ne'mah Gumar al Maksosi, sheikh of the al Maksosi tribe from al Kut, Col. Peter Baker, commander of the 214th Fires Brigade and Mr. Awikam Odisho, a Department of Defense translator, pose for a photo with the certificate of achievement presented to Maksosi at the 214th Fires Brigade farewell dinner on FOB Delta June 19. (U.S. Army photo by Sgt. 1st Class Stacy Niles)