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Rabari woman on the way to Chobari.
The region of Gujarat has played host to many a tribal culture and nourished them from the very earliest periods of history. One such tribe here, the Rabaris, still pursue a pastoral lifestyle—much in the same way as they did ages ago.
The Rabaris are a semi-nomadic tribe—pursuing a pre-agrarian, pastoral lifestyle—found mainly in the Kutch and Saurashtra regions of Gujarat. Though living today in permanent settlements, they are believed to have originally migrated from Baluchistan more than a millennium ago.
But over these thousand and more years, the Rabaris have undergone many changes and have been widely influenced by the local cultures with which they came in contact. Not only are they divided into distinct clans, they also prefer to trace their origin to Hindu Gods and even the Rajputs.
Without delving into the garbled clues provided by folk lore about their origin, a closer look at the Rabari today leads one into his quaint, colourful and rugged lifestyle.
By no means are the Rabaris an isolated people. The men are on the move—almost 10 out of the 12 months—in search of grazing pastures for their livestock; while the women and children remain in their villages. These villages are normally small, devoid of more than superficial amenities and, almost always, set in bleak, barren suroundings.
In a typical village, their rectangular houses, called vandhas, are built in rows. The white-washed mud walls and tiled roofs may have an appearance of starkness when viewed from outside. But within each house, the Rabari’s fondness for patterns is easily visible from the many geometric patterns that adorn its interiors. The tiny mirrors embedded into these mud-plaster patterns only enhance their beauty as they catch the faint glimmer of light streaming in from a small window or a low doorway. A home usually consists of two rooms, and an extended enclosure in the verandah which forms the kitchen.
The room at the back is normally used as a storehouse—a virtual treasure house of embroidered clothes and quilts kept in carved wooden pataras (chests); and the kothis and kothlas (granaries) made of mud and cowdung. The other room is mainly a living room decorated with embroidered torans or decorated doorways, while the doors are covered with brass foil etched in a myriad patterns. Often, the only piece of furniture that one might find is a carved, wooden cradle.
The community’s main stay is milk and milk produce from their livestock in order to purchase commodities that they trade in various forms at the local village or town markets.
Much of the handiwork seen in their decorated homes is that of their women. In fact, Rabari women are famous for their embroidery work, called bharat kaam, from which they make numerous traditional garments and furnishings. The kediyun, a gathered jacket with an embroidered smock, worn by young Rabari men and children, skirts and blouses for the women and girls—are al dexterously embroidered. Interestingly, the Rabari girl, completes over the years, her entire dowry which includes clothes as well as beautiful quilts or derkee.
Kokulashtami, after the rains, is marriage time. The men are back from their wanderings for this al important occasion. All marriages take place on this one day. Since child marriage is still very much in vogue within this tribe, outsiders are distrusted. Again, the Rabari marries only within the tribe and often into families which are closely located. Marrying outside the fold leads to social castigation and is very rare. While Rabari couples are probably the most exotically dressed, the marriage is a simple ritual performed by a Brahmin priest.
Rabaris, by and large, and ardent followers and worshippers of the Mother Goddess. Each clan has its own tribal goddess as the patron deity, though their homes often have pictures of other gods and goddesses as well. Strong tendencies of deifying and invoking the dead are still prevalent—a pointer to the community’s old world origin.
Another old world custom that has persisted is the custom of tattooing and there is a marked similarity In the motifs used in their embroideries and tattoos.
As an outsider it is difficult to communicate with these people since they speak a dialect which is a mixture of Marwari and Gujarati. But once they understand the visitor’s innocent curiosity, they exude the warmth and friendship that has always been a part of their make-up.
Old Ahmedabad (Kalupur).
With both a booming economy and population, much of Ahmedabad is filled with new buildings and businesses. But like most Indian cities, Ahmedabad’s true colors shine through in the old city center, a bustling maze of streets, food carts, and shoppers.
© Jean Marie Boyer-Toute reproduction sans autorisation est interdite
© "Copyright Jean Marie Boyer " All rights reserved
blog.digitalphoto.fr/2018/02/06/itw-jean-marie-boyer/
Jeune femme Meghwal dans le village de Hodka
L'une des tribus cachées dans le Gujarat (Inde).
Les femmes des villages, brodent surement les plus beaux tissus de l’Inde. Elles semblent être vêtues pour une grande festivité et pourtant c’est leur accoutrement quotidien. Leur bijoux grandioses et imposants parent toutes parties de leurs corps.
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Little Rann of Kutch, Zainabad, Gujarat, India
Contact me on jono_dashper@hotmail.com for use of this image.
Aina Mahal is an 18th-century palace in Bhuj, Gujarat, India. It is located next to the Prag Mahal. It was built by Rao Lakhpatji in 1761. The chief architect and designer of Aina Mahal was Ram Singh Malam who was assisted by local builder community (Mistris of Kutch) in construction. It was constructed with marble walls adorned with gold lace and glass. The walls of the palace are of white marble covered with mirrors separated by gilded ornaments with shades of Venetian glass. (Source: Wikipedia)
The Jat - one of the hidden tribes in Gujarat (India).
Dhaneta Jat girl.
The Jats who live in Kutch are particularly conscious of their identity as a group and their sense of unity comes from a perception of shared historical traditions and a belief in common ancestry.
Originally the Jats were herders who lived in an area called Half in Iran. Five hundred years ago these shepherds migrated from Half and came to Sindh and Kutch to search for new grazing lands. They crossed the Rann of Kutch and settled there taking up farming, they became known as Dhaneta Jats. Some have devted themselves to the study of the Koran and are known as the Fakirani Jats. All the Jats in Kutch are Muslims and have similar marriage and dowry customs.
The Dhanetas are the largest of the Jat Communities. They live throughtout north western Kutch. The Dhanetas live in the Banni, herd cattle. The men care for the animals and women remain in camp looking after their families.
Bhuj - Gujarat - India
In Dhamadka kijken we naar het block printen van stoffen door de Katri bevolking.
Onderweg Rabari mannen. De Katchi Rabari zijn zwarte mannen.
We zien de Baroth Rabari (vrouwen) van Rajasthan met grote gevulde waterpotten op het hoofd.
Weven zien we in de Bhujodi village door de Vankar bevolking.
Op verschillende plaatsen zien we het weefproces gedaan door mannen en ook een ketting scheren door een vrouw.
In New Dhaneti zien we fijn borduurwerk waarin spiegeltjes zijn verwerkt, gemaakt door de Ahir bevolking.
Holi est le festival hindou qui accueille le Printemps et célèbre la nouvelle vie et l'énergie de la saison. Bien que Holi ait des racines religieuses, pas beaucoup d'activité religieuse est impliquée dans sa célébration.
les Gens célèbrent le festival en s'entachant avec la peinture et en lançant coloré de la poudre et un colorant autour de dans une atmosphère de grande bonne humeur.
Holi is the Hindu festival that welcomes the Spring and celebrates the new life and energy of the season. Although Holi has religious roots, not much religious activity is involved in its celebration.
People celebrate the festival by smearing each other with paint, and throwing coloured powder and dye around in an atmosphere of great good humour.
© Jean Marie Boyer-Toute reproduction sans autorisation est interdite
© "Copyright Jean Marie Boyer " All rights reserved
© Jean Marie Boyer-Toute reproduction sans autorisation est interdite
© "Copyright Jean Marie Boyer " All rights reserved
blog.digitalphoto.fr/2018/02/06/itw-jean-marie-boyer/
Jeune femme Meghwal dans le village de Hodka
L'une des tribus cachées dans le Gujarat (Inde).
Les femmes des villages, brodent surement les plus beaux tissus de l’Inde. Elles semblent être vêtues pour une grande festivité et pourtant c’est leur accoutrement quotidien. Leur bijoux grandioses et imposants parent toutes parties de leurs corps.
The Jat - one of the hidden tribes in Gujarat (India).
Dhaneta Jat girl.
The Jats who live in Kutch are particularly conscious of their identity as a group and their sense of unity comes from a perception of shared historical traditions and a belief in common ancestry.
Originally the Jats were herders who lived in an area called Half in Iran. Five hundred years ago these shepherds migrated from Half and came to Sindh and Kutch to search for new grazing lands. They crossed the Rann of Kutch and settled there taking up farming, they became known as Dhaneta Jats. Some have devted themselves to the study of the Koran and are known as the Fakirani Jats. All the Jats in Kutch are Muslims and have similar marriage and dowry customs.
The Dhanetas are the largest of the Jat Communities. They live throughtout north western Kutch. The Dhanetas live in the Banni, herd cattle. The men care for the animals and women remain in camp looking after their families.
May village - Waga Dia and Machhukanah Rabari tribal people.
The region of Gujarat has played host to many a tribal culture and nourished them from the very earliest periods of history. One such tribe here, the Rabaris, still pursue a pastoral lifestyle—much in the same way as they did ages ago.
The Rabaris are a semi-nomadic tribe—pursuing a pre-agrarian, pastoral lifestyle—found mainly in the Kutch and Saurashtra regions of Gujarat. Though living today in permanent settlements, they are believed to have originally migrated from Baluchistan more than a millennium ago.
But over these thousand and more years, the Rabaris have undergone many changes and have been widely influenced by the local cultures with which they came in contact. Not only are they divided into distinct clans, they also prefer to trace their origin to Hindu Gods and even the Rajputs.
Without delving into the garbled clues provided by folk lore about their origin, a closer look at the Rabari today leads one into his quaint, colourful and rugged lifestyle.
By no means are the Rabaris an isolated people. The men are on the move—almost 10 out of the 12 months—in search of grazing pastures for their livestock; while the women and children remain in their villages. These villages are normally small, devoid of more than superficial amenities and, almost always, set in bleak, barren suroundings.
In a typical village, their rectangular houses, called vandhas, are built in rows. The white-washed mud walls and tiled roofs may have an appearance of starkness when viewed from outside. But within each house, the Rabari’s fondness for patterns is easily visible from the many geometric patterns that adorn its interiors. The tiny mirrors embedded into these mud-plaster patterns only enhance their beauty as they catch the faint glimmer of light streaming in from a small window or a low doorway. A home usually consists of two rooms, and an extended enclosure in the verandah which forms the kitchen.
The room at the back is normally used as a storehouse—a virtual treasure house of embroidered clothes and quilts kept in carved wooden pataras (chests); and the kothis and kothlas (granaries) made of mud and cowdung. The other room is mainly a living room decorated with embroidered torans or decorated doorways, while the doors are covered with brass foil etched in a myriad patterns. Often, the only piece of furniture that one might find is a carved, wooden cradle.
The community’s main stay is milk and milk produce from their livestock in order to purchase commodities that they trade in various forms at the local village or town markets.
Much of the handiwork seen in their decorated homes is that of their women. In fact, Rabari women are famous for their embroidery work, called bharat kaam, from which they make numerous traditional garments and furnishings. The kediyun, a gathered jacket with an embroidered smock, worn by young Rabari men and children, skirts and blouses for the women and girls—are al dexterously embroidered. Interestingly, the Rabari girl, completes over the years, her entire dowry which includes clothes as well as beautiful quilts or derkee.
Kokulashtami, after the rains, is marriage time. The men are back from their wanderings for this al important occasion. All marriages take place on this one day. Since child marriage is still very much in vogue within this tribe, outsiders are distrusted. Again, the Rabari marries only within the tribe and often into families which are closely located. Marrying outside the fold leads to social castigation and is very rare. While Rabari couples are probably the most exotically dressed, the marriage is a simple ritual performed by a Brahmin priest.
Rabaris, by and large, and ardent followers and worshippers of the Mother Goddess. Each clan has its own tribal goddess as the patron deity, though their homes often have pictures of other gods and goddesses as well. Strong tendencies of deifying and invoking the dead are still prevalent—a pointer to the community’s old world origin.
Another old world custom that has persisted is the custom of tattooing and there is a marked similarity In the motifs used in their embroideries and tattoos.
As an outsider it is difficult to communicate with these people since they speak a dialect which is a mixture of Marwari and Gujarati. But once they understand the visitor’s innocent curiosity, they exude the warmth and friendship that has always been a part of their make-up.
Old Ahmedabad (Kalupur).
With both a booming economy and population, much of Ahmedabad is filled with new buildings and businesses. But like most Indian cities, Ahmedabad’s true colors shine through in the old city center, a bustling maze of streets, food carts, and shoppers.
The Great Rann - sometimes called the White Desert - has been shaped by a number of geological processes. It is believed that the GR was a shallow extension of the Arabian Sea until geological uplift shut out the sea, creating a vast lake that was navigable until the time of Alexander the Great. But silting over the centuries created a vast saline mudflat which becomes flooded during the monsoon before drying out during the long dry season. This is one of the hottest areas in India.
Driving towards the GR, the landscape is bleak and arid until quite suddenly the terrain takes on a lunar appearance and becomes an endless white expanse shimmering all the way to the horizon. Car parked, I crunched across the eerie, crystalline expanse into the mirage morphing, mind-bending whiteness. Apart from a small number of Indian tourists there was nothing to focus on and my eyes started to dance with little pinpricks of light!! Surreal!
.Lakshmi Vilas Palace
Vadodara (Gujarati : વડોદરા, Hindi/Marathi : बडौदे), aussi appelé Baroda, est la troisième ville la plus peuplée de l’État de Gujarat après Ahmedabad et Surat. Elle se situe au bord du Vishwamitri river, à 110 km au sud-est de Ahmedabad et à 358 km au nord de Bombay. Elle reste connue comme étant la capitale culturelle du Gujarat. Peuplée de plus de 1 490 000 d’habitants, elle regorge de multiple richesses architecturales telles que le magnifique Lakshmi Vilas Palace et la Maharaja Sayajirao University of Baroda (M.S.U.) qui jouit d’une prestigieuse réputation dans les domaines tant artistiques, médicaux que scientifiques et techniques. Grâce à un taux d’illettrisme largement inférieur à la moyenne nationale et voisinant les 22%, la ville est parvenue à développer un tissu économique fort dans les domaines pétrochimiques, pharmaceutique et industriel.
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The term Maharaja Palace actually refers to a series of palaces in Vadodara, India, constructed since the Gaekwad family started ruling the Vadodara State. The first one was a building known as the Sarkar Wada. This building, not really a palace, was given up for the Nazarbaug Palace built in old classical style. This once a magnificent building is now in a dilapidated state.
After this the Lakshmi Vilas Palace, an extravagant building of the Indo-Saracenic school, was built by Maharaja Sayajirao Gaekwad III in 1890 at a cost of GBP180,000. Major Charles Mant was the architect.
It is reputed to have been the largest private dwelling built in the nineteenth century and four times the size of Buckingham Palace. At the time of construction it boasted the most modern amenities such as elevators and the interior is reminiscent of a large European country house. It remains the residence of the Royal Family, who continue to be held in high esteem by the residents of Baroda.
Darbar Hall featuring the Rajas Throne
Darbar hall featuring the Ornate artworkIts ornate Darbar Hall, which is sometimes the venue of music concerts and other cultural events, has a Venetian mosaic floor, Belgium stained glass windows and walls with intricate mosaic decorations. Outside of the Darbar Hall is an Italinate courtyard of water fountains. The palace houses a remarkable collection of old armoury and sculptures in bronze, marble & terracotta by Fellici. The grounds were landscaped by William Goldring, a specialist from Kew Gardens. The palace is open to the public and an audio tour is available.