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Eric Burdon and Jimmy Witherspoon / Guilty!
Tracks:
- "I've Been Driftin' / Once Upon a Time"
(Jimmy Witherspoon, Eric Burdon)
- "Steam Roller" (James Taylor)
- "The Laws Must Change" (John Mayall)
- "Have Mercy Judge" (Chuck Berry)
- "Going Down Slow" (Live) (St. Louis Jimmy Oden)
- "Soledad" (Burdon, John Sterling)
- "Home Dream" (Burdon)
- "Wicked, Wicked Man" (Burdon)
- "Headin' for Home" (Burdon, John Sterling, Kim Kesterson)
- "The Time Has Come" (Witherspoon, Teddy Edwards)
Eric Burdon - vocals, design
Jimmy Witherspoon - vocals
Howard Scott, John Sterling - guitar
B.B. Dickerson, Kim Kesterson - bass
Lonnie Jordan, Terry Ryan - piano, organ
George Suranovich, Harold Brown - drums
Papa Dee Allen - congas
Bob Mercereau, Lee Oskar - harmonica
Charles Miller - tenor saxophone
Studio: MGM Studios, Wally Heider Studios, John Phillips Studio and with the Far Out Mobile Unit (July - September, 1971)
sleeve design: cover photo by Michael Strauss; Art Director: Howard Miller; Album Design: Eric Burdon
Label: MGM Records, United Artists / 1971
ex Vinyl-Collection MTP
I love his guilty face. He was pretty young in this picture. Probably about 3 months old. He was pretending to chew on his toy, but instead had the drawstring to my pants.
I realized after I uploaded this that I already had a similar one on here already. I like this one better. :)
Day 268 of 365 - November 28th, 2012
This is our Tree Bandit. We have to rehang ornaments on a weekly basis; at least the ones we can find.
View on Black - Press "L"
Sigma 30mm f/1.4 EX DC HSM
Hmmm...yeahh, that Han was pretty good looking. I couldn't resist a tushie squeeze. Dina was all like, "Oh, snap! You went there!"
Auschwitz, also known as Auschwitz-Birkenau, opened in 1940 and was the largest of the Nazi concentration and death camps. Located in southern Poland, Auschwitz initially served as a detention center for political prisoners. However, it evolved into a network of camps where Jewish people and other perceived enemies of the Nazi state were exterminated, often in gas chambers, or used as slave labor. Some prisoners were also subjected to barbaric medical experiments led by Josef Mengele (1911-79). During World War II (1939-45), more than 1 million people, by some accounts, lost their lives at Auschwitz. In January 1945, with the Soviet army approaching, Nazi officials ordered the camp abandoned and sent an estimated 60,000 prisoners on a forced march to other locations. When the Soviets entered Auschwitz, they found thousands of emaciated detainees and piles of corpses left behind.
Happy weekend everyone!
I'll be indulging in a whole bag of these during the Euro 2008 final tomorrow!! :)
I sure wish I could make a real painting look like this, I have no idea how though, nothing seems to work and I'm getting frustrated....so back to digital art.
Vogelsang IP
The former Nazi “Ordensburg” Vogelsang is not only one of the largest constructions of National Socialism, but also an expression of its arrogance and contempt for mankind. Through the military use as "Camp Vogelsang" after the Second World War, the location also reflects the path from the "Cold War" to the Europe of today. Since 2006, a new location has been developing here: Vogelsang IP as an "international place" for tolerance, diversity and peaceful coexistence. The lessons from history are seen as both a duty and an opportunity. Appreciation, dialogue and openness are attitudes to which all facilities at the location are dedicated.
The permanent exhibition at Vogelsang IP focuses on the young men who were selected to be moulded into a future leadership elite of the National Socialist regime. The example of Vogelsang demonstrates the large extent to which architecture was used to document power and control of the Party.
The Ordensburgen were always both training centres and stages for the self-projection of the NSDAP leaders. At the same time, they were characterized by an air of incompleteness and haste: many things appeared to be improvised and driven by restlessness. This applies above all for the educational curricula of the courses, which were constantly changed and criticised within the Party.
Nevertheless, the Ordensjunker, (knights of the Order), as they called themselves, were presented to the German people as the new party elite. Many of them actually felt as if they were just that. With their entry into the Ordensburgen they believed that they had found a way to achieve social advancement and a professional career. The male association into which they were accepted promised them safety and protection and the comradeship of like-minded men.
Their minds were ideologically moulded by lectures and seminars but also by physical training with military drills and many kinds of sports. Particularly in the courses on “racial studies”, the image of their alleged superiority was constantly reinforced. A National Socialist substitute religion with rites and solemn ceremonies helped the Ordensjunker believe that they were participating in the creation of a “new race” of the future.
With this ideological background, the men of the Ordensburgen initially went as soldiers into a war which was, particularly in the east, a war of racial extermination. Several hundred of them were deployed to Poland, the Baltic States, Belarus and the Ukraine like modern colonisers. Many of them were involved in the National Socialist crimes in these regions. It took a very long time before post-war society and ultimately the judicial system began to take an interest in individual perpetrators.
At the conclusion of the exhibition, questions remain that deliberately reach beyond the history of National Socialism: What would we have thought ourselves? How would we have acted had we been alive in a similar time and given a similar task? Are there any comparable situations in the today’s world? What do democracy and plurality mean to us in our society today?
Photography: Shiro Ang
Photo Assistants: Marcus Montague, Etine Kyra
Inori: Onnies
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© Shiro Ang
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Cut Cover CD Slipcase for Guilty Ghosts with full colour single sided insert with artwork lining up with the cut out. Run of 100.
For more information check out www.acdsleeve.com
Version 1: I was experimenting with some paint brushes and I decided to make this :D This is my 2nd cover for Ashley Tisdale's album Guilty Pleasure. I sort of made it in the same style as my Avril Lavigne cover. Im really happy with how it turned out but I kinda struggled on cutting the hair lol
Version 2: This is the same as my 2nd Ashley Tisdale cover that I've made except that I've done a different background. I used some paint brushes but not as much as my other cover :D
Version 1: img140.imageshack.us/img140/1945/ashleytisdaleguiltypleal...
Version 2: img27.imageshack.us/img27/8884/ashleytisdaleguiltypleau.png
