View allAll Photos Tagged grapheme
Custom fonts for Pimkie.
Designed for Graphèmes design agency (Lille, France) in 2006.
See more on my web site: www.typophage.com/fontes-exclusives/pimkie.html
Unlike the colour map, this image was created in a single exposure (142 seconds).
Note: The phrase used is not meant in a derogatory matter and is only intended to be perceived as a way of forwarding the concept behind the works.
thE imagE changEs iTz charactEr (coloUr prOfile),,,try iT wiD varioUs viEwin anglEs........rendErinn diz "bettEr gendEr" qUite unpredictablE rathEr unreliablE ...!!!
sO d cUrves on her (in "She") arE mEant tO sTay away wiD.......wiD dividErs....n " hE' z " oUt tO safeTy.....sO far,.. bEin lUcky.... ;)
Son of Jacob & Caroline Sauer,
died July 21 1872
Æ 6 yrs, 10 mos & 21 das.
www.lib.rochester.edu/IN/RBSCP/Databases/IMAGES/MtHope/di...
Found this at the thriftshop and was intrigued by the graphemes & ligatures of the custom typeface. Turns out this book is part of an educational series (popular in the 1960s) known as the Initial Teaching Alphabet which uses a phonemic alphabet.
Found this at the thriftshop and was intrigued by the graphemes & ligatures of the custom typeface. Turns out this book is part of an educational series (popular in the 1960s) known as the Initial Teaching Alphabet which uses a phonemic alphabet.
Custom fonts for Pimkie.
Designed for Graphèmes design agency (Lille, France) in 2006.
See more on my web site: www.typophage.com/fontes-exclusives/pimkie.html
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(Chinese: Mìjī jīngāng; Japanese: Misshaku Kongō, 密迹金剛, Agyō (阿形); Korean: Miljeok geumgang; Vietnames: Mật tích kim cương) is the guardian of the Garbhadhatu Mandala (Mandala of the Womb World) and symbolizes the power it expresses of overt violence. He is placed on the right (east) of the mountain gate with his mouth open, with the shape necessary to form the “ah” sound, and bares his teeth, representing the vocalization of the first grapheme of Sanskrit Devanāgarī (अ) which is pronounced “a”, which symbolizes the beginning of life.
He holds in his left hand a vajra mallet or “vajra-pāṇi” (a diamond club, thunderbolt stick, or sun symbol) i.e. a long staff with varja thunderbolt at each end. His right hand is lowered with fingers outspread. When painted, he is coloured red. It is equivalent to Guhyapāda vajra in Sanskrit.
Source : www.btrts.org.sg/gate-guardians
Custom fonts Pimkie in use from Italy (I've designed this typeface in 2006 for Graphèmes agency). Thanks to my friend Jean-François Porchez to send me this picture. See more at my web site about Pimkie custom fonts
Here's how I see my grapheme colors... they still aren't quite right. My D's and M's change based on surrounding letters--sometimes they're brown, sometimes they're dark blue, or purple. Q is not that light in blue, she's more of a shiny slate blue.
Found this at the thriftshop and was intrigued by the graphemes & ligatures of the custom typeface. Turns out this book is part of an educational series (popular in the 1960s) known as the Initial Teaching Alphabet which uses a phonemic alphabet.
Niō are two wrath-filled and muscular guardians of the Buddha, standing today at the entrance of many Buddhist temples in China, Japan and Korea in the form of frightening wrestler-like statues. They are manifestations of the Bodhisattva Vajrapāṇi protector deity and are part of the Mahayana pantheon. According to Japanese tradition, they travelled with the historical Buddha to protect him.
The right statue is called Naraen Kongō and has his mouth open, representing the vocalization of the first grapheme of Sanskrit Devanāgarī (अ) which is pronounced "a". The left statue is called Misshaku Kongō and has his mouth closed, representing the vocalization of the last grapheme of Devanāgarī (म) which is pronounced "hūṃ". These two characters together symbolize the birth and death of all things. (Men are supposedly born speaking the "a" sound with mouths open and die speaking an "hūṃ" and mouths closed.) Similar to Alpha and Omega in Christianity, they signify "everything" or "all creation". The contraction of both is Aum (ॐ), which is Sanskrit for The Absolute.
Bianca DiPietro's thesis presentation April 12, 2011.
_
ABSTRACT: Modern linguistic theory suggests that letterforms are arbitrary and that the relationship between the signifier and the signified has no discernible pattern. This thesis investigates the arbitrary relationship between spoken sounds and graphemes and extends that relationship to letterform design. While graphic design rarely intersects with the field of linguistics, a culturally pivotal relationship with great potential for investigation exists between the two. In this thesis, graphic design is used as a medium to explore the arbitrary nature of written signs and draws attention to this importance in visual communication.
The production of visual artifacts—a book specimen relating speech to written form and a typeface that investigates the arbitrary design of letterforms while also demonstrating existing multiple connotative implications within letterforms—are informed by a theoretical and historical investigation. This thesis demonstrates that similar to letterforms having multiple speech sound associations, a typeface can have multiple connotative associations.
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the irony is in the double-meaning. obviously i'm asking if you received my physical letters that i sent to you in the post (implying that you never replied to them or you've been ignoring me or not talking to me) (therefore there is an imbalance in that i care more about you than you do about me which would suggest insecurity but also a helplessness/needy feeling towards you because i'm asking you if you got my letters) but the iroNNY lies in the fact that the actual letters of the writing ie the 'graphemes' (english student) are really hard to read - did u get it? do u understand? the letters were formed by dropping 4 random blobs of cobalt blue paint on a page and fingerpainting the words. which are hard to read. maybe thats why you didn't reply to my letters?? because you couldn't understand them?
i swear down i'm literally a genius
(im joking)
A funky way to expose your child and students to the blending of sounds into words. Great introduction to phonemic awareness, reading and spelling skills.
Includes double consonant graphemes ss, ck and tt. Be sure to point those out!
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For a synaesthete, letters may have an specific colour, texture, smell, sound, etc.
This is the way i perceive the letter G.
Oh but i have to say, only the colour. That's the colour i get with the G.
It's a 5 minutes sketch i made in PS. I'm starting to realize that i'm a 5 minutes artist... ¿?
chrisbeckstrom.com/stream/wp-content/uploads/2018/09/wind...
This is a generative piece I built just before my daughter was born. I envisioned something that would soothe a baby, like a mobile but with sound. Like wind chimes but smoother. As it turns out, once she was born I forgot about most everything, including this project. Much later I rediscovered it and found it soothing myself!
Generative means I didn’t compose any music, I created a structure or set of rules, through which the computer will make (random?) choices. I didn’t tell the computer what notes to play, when to play them, or how loud they should be – I just built a contraption that makes its own music, “deciding” for itself. Each time “Windchimes” is run, the output will be different.
If you listen to this and think it sounds strange, or at least different from other music, you’re not wrong. As an experiment, I used a different tuning system than the “regular” one most Western music uses. It’s called just intonation and I think it sounds very pretty! The 5-second pitch is that it makes notes more in tune than they normally are. Really!
The video above is forty-some minutes of Pure Data, a graphical programming environment, interpreting the code and generating music. The colors of the blocks you see correspond to the letters of my daughter’s name, according to my grapheme-color synesthesia.
If you’d like, you can download the audio here in mp3 format: Windchimes 2018-09-12 42 minutes
And if you want to check out the code and/or run this yourself, you can get everything here: windchimes_2018-09-13.zip
I also recorded almost 90 minutes to cassette tape, which I think sounds really nice. Once I get that uploaded I’ll share it here as well.
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(original: chrisbeckstrom.com/2018/09/14/windchimes-some-code-that-g...)
Found this at the thriftshop and was intrigued by the graphemes & ligatures of the custom typeface. Turns out this book is part of an educational series (popular in the 1960s) known as the Initial Teaching Alphabet which uses a phonemic alphabet.
This is the third volume in a set of books written by William Murray intended to teach preschool children the basics of phonics: a method for teaching the correspondence between the sounds that make up English words (called phonemes) and their written letter counterparts (called graphemes). This volume culminates in a bizarre bonfire ritual at a farm wherein an adult couple, Peter and Jane, conscript two small children and a dog named Pat to help in the construction of a massive outdoor fire for the benefit of the adults using tree branches and what appear to be boxes of gelignite. While the fire blazes, the adults force the children and dog to watch, insisting that there will be no danger. Though some of the children ask questions that reveal their obvious discomfort at what appears to be abuse if not outright lawbreaking, we are expected to believe that ‘All the children like the big fire’ (p. 46).
Niō are two wrath-filled and muscular guardians of the Buddha, standing today at the entrance of many Buddhist temples in China, Japan and Korea in the form of frightening wrestler-like statues. They are manifestations of the Bodhisattva Vajrapāṇi protector deity and are part of the Mahayana pantheon. According to Japanese tradition, they travelled with the historical Buddha to protect him.
The right statue is called Naraen Kongō and has his mouth open, representing the vocalization of the first grapheme of Sanskrit Devanāgarī (अ) which is pronounced "a". The left statue is called Misshaku Kongō and has his mouth closed, representing the vocalization of the last grapheme of Devanāgarī (म) which is pronounced "hūṃ". These two characters together symbolize the birth and death of all things. (Men are supposedly born speaking the "a" sound with mouths open and die speaking an "hūṃ" and mouths closed.) Similar to Alpha and Omega in Christianity, they signify "everything" or "all creation". The contraction of both is Aum (ॐ), which is Sanskrit for The Absolute.