View allAll Photos Tagged graph
Modelshooting
Shooting im the Studio with Softbox upper left and composite in Photoshop. The Graffiti was shot under a bridge. So don't let your model sit in the dirt ;-)
Both pictures with my Canon 70D and 24-105 4.0 L.
WEEK 49 – Union Avenue OfficeMax, Set III
This endcap claimed to be the home of graphing essentials, but if it was, all of those essentials were out the door already – and took their pricetags with them. Alternatively, perhaps the display was just now being set up… although I’d doubt that, too, since it looks to be part of the gearing up for school promotions, and that surely would have taken place long before October.
Also worth noting, even though they’re clearly trying to pass him off as such, I think that model being used for the endcap topper sign looks significantly older than a high school student (or whatever age they intend for him to be).
(c) 2021 Retail Retell
These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)
About 15000 photos tagged "sunset" taken within the last year. Compare to the previous photo, which graphs sunrises in the same way.
Their horizontal positions represent the day of the year the photo was taken. January is on the left, December is on the right. The vertical bars are the boundaries between months.
The vertical position represents the time of day the photo was taken, according to the EXIF data. The horizontal lines are hours, with the thick line in the middle representing 12 noon.
The deepest "dip" in the wave formed by the images is the Summer Solstice.
Since there was an increase in the amount of photos during the past year, I am dimming the photos proportional to the number of submissions for that day, to minimize the effect of increasing submissions and to keep the overall brightness uniform. This makes the seasonal change in sunset times more apparent.
Also note a slight echo around 5-7 am, which appears to be folks whose camera clocks are 12 hours off.--
More stuff by jbum:
Professor Alison Richard, Cambridge University Vice-Chancellor, at the Senate House. I thought the fencing made an excellent upward graph to go with this extract from her recent letter to alumni:
"With tough economic circumstances facing so many people and institutions around the world, 2009 may not seem the best of times for celebrations, and the University and Colleges are certainly not immune to the difficulties. We, too, are tightening our belts, and doing what we can to support graduating students about to enter a poor job market. The long perspective provides reassurance, however, for Cambridge has seen troubled times before. Pestilence and pandemics, the collapse of the South Sea Bubble in 1720, wars local and global: Cambridge has emerged from many storms with its flags flying, and will do so again."
Hasselblad 500cm
Carl Zeiss Planar 2.8 80mm
Kodak Portra 400
Fujicolor Type II Lustre Paper
Subject: Oscar Paneretto
Heute mal was für die Mathematiker unter uns ;-)
de.wikipedia.org/wiki/Baum_(Graphentheorie)
Today, something for the mathematicians among us ;-)
- Chị này như kiểu bị xinh ý =))
Từ đầu cứ nhìn nhầm thành Nara (Hello Venus)
Bị thích chị này từ RM tập Charlie's Angel :x
Chị này bị "say nắng" Mong Ji =)))))))
chính là nối tiếp cái graph baekkie a~ :"(
ngâm dấm từ tết rồi,giờ làm lại chả còn ý tưởng nữa
hình như hoa hoét trên đầu với áo nó kì v~ :v cơ mà quần bạn baek chót thêm hoa rồi :v
một lần nữa,vợ chồng là phải có đôi có cặp
xgrayvision is my new photo-oriented twitter account. feel free to follow.
this photo is included in the book, XGRAY VISION 2009
RailPictures is a popular target for foamer disdain, usually on account of their screening process (which I actually found to be quite helpful, and made me a much better photographer until I stopped submitting my work in 2010), although I prefer to rag on them on account of their near complete lack of innovation, dated design, and running ads for mail-order brides.
In any event, there were some comments on an Ian Hapsias shot that suggested RP was chugging along and more popular than ever... so, I hopped on the WayBack Machine and plugged their self-reported stats into Excel and found that it's not exactly the case - the average photo views per day peaked in late 2011.
I contend that most of this drop can be attributed to Flickr's increased marketshare in the railfan photo-realm, especially with respect to views coming from other rail photographers; Flickr (and a lack of time on my part) are why we abandoned plans to start a competing rail photo gallery website; I don't think there's much to be offered asides from what the existing platforms have now.
Updated March 13, 2014
Ai cũng like Tae Yeon, mình muốn vậy chứ chả phải làm texture lẹm mặt :''
su-cat.tumblr.com/post/28411839411/follow-my-new-tumblr-e...
The way is up and down, snaking & winding. Same as the graph of our lives. Up and down, swings and round abouts.
This is where 'graph café' starts.
At Chiang Mai Thailand
Photo by Sony A7mII + Sony Zeiss 55 1.8
Life can sometimes be like riding the waves in a sail boat – occasionally you get to steer and choose your course, sometimes balance, sometimes ripples. Temporary situations; moments of turbulence and times of stillness. Occasionally you need to cast out the anchor and wait, other times you need to pull up the anchor and drift, not always knowing the destination. Occasionally the tide takes you or the wind blows and you have to go with the flow. Now and then the wind calms and you can gently float, reassess and contemplate. What good is a compass when the wind blows you strongly in another direction? The compass reflects having patience to get back on course or if necessary adjust your journey. With balance and poise, when the time is right, you will have a chance to shine...
...taken at the Praça de D. Pedro IV, known as the Rossio Square...
Direct scan of a pad of vintage graph paper (color punched a bit) for your texture and layering fun! It's a big ol' file, so look at the large sizes!
Free for you to use in your projects; just don't reproduce or harvest and sell as it your own work, please!
Made from a scan of the reverse side of a sheet of graph paper on which many hundreds of felt-tip pen marks were made, and then gently wetted. This was then digitally multiplied and colour inverted.