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Entered in New! Challenge 217.0 ~ Light and Shadow ~ The Award Tree ~!
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Querétaro - México.
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Wooden walkway that gives access to the Archdeacon House, on the left in the image, a building placed right next to Barcelona Cathedral, in the Gothic Quarter of the Old Town. Flamboyant Gothic in style, it has the entrance on Santa Llúcia Street, precisely what separates it from the Cathedral, as we can see in the pic. Built in the 15th century for the residence of the major archdeacons of the see, ecclesiastical dignities of high hierarchical rank, it has been, since 1919, the seat of the Historical Archive of the City.
Human silhouette using mobile phone in the Born district of Barcelona. The photograph is taken from Espaseria Street, which leads from the Gothic basilica of Santa Maria del Mar to Pla de Palau. In the background, the wall of the side nave of the basilica placed in Santa Maria Street.
Die gotische Ursulinenkirche (Kirche zum Hl. Erlöser) im Zentrum von Bruneck (Südtirol).
1411 wurde an dieser Stelle eine Kapelle errichtet, welche 1427 zur „Neukirche“ umgebaut wurde. Bei der Ansiedelung des Ursulinenordens in Bruneck kam das Gotteshaus 1742 an diesen Orden. Nach einigen Umbauten wurde die Kirche 1880-90 wieder regotisiert.
The gothic Ursuline Church of the Holy Redeemer in the center of Bruneck (Pustertal valley, South Tyrol / Val Pusteria, Alto Adige, Italy).
The Monastère de Brou, located in the town of Bourg-en-Bresse, is a stunning example of flamboyant Gothic architecture. It was constructed in the early 16th century by Marguerite d’Autriche, Duchess of Savoy, as a testament to her love for her deceased husband, Philibert le Beau.
The centerpiece of the monastery is its church, adorned with a polychrome glazed tile roof. Inside the church lie the princely burials of Philibert II of Savoy, Marguerite of Austria, and Marguerite of Bourbon. These tombs are a masterpiece of finely sculpted details, crafted by the best regional and Flemish artists of the time.
One of the remarkable features of the Monastère de Brou is the chapel of Margaret of Austria, which houses a stunning stained glass window depicting the Assumption and a white marble altarpiece portraying the Seven Joys of the Virgin. The altarpiece is adorned with seven niches, each representing a significant event in the life of the Virgin Mary, such as the Annunciation, the Nativity, and the Assumption.
The church's choir also features old stained glass windows, wooden stalls, and a rood screen, all created by master glassmakers from Lyon and other talented artists.
Aside from the church and its treasures, visitors can explore three cloisters within the monastery: the first cloister, the large cloister, and the cloister of the outbuildings. Each cloister offers unique architectural and artistic elements.
Furthermore, the monastic buildings house a municipal museum, where an impressive collection of art is presented. The art collection includes Flemish and French paintings ranging from the 15th to the 20th century, old religious sculptures, Renaissance furniture, Bressan furniture, and Meillonnas earthenware.
A visit to the Monastère de Brou promises to be a delightful experience, showcasing the rich history and artistic excellence of the region during the 16th century. The monastery serves as a testament to the love and devotion of Marguerite d’Autriche to her husband and stands as a timeless masterpiece of Gothic art.
Der Hochaltar ist ein Werk aus dem letzten Viertel des 17. Jahrhunderts. Er zeigt als Gnadenbild die Thronende Muttergottes aus der Zeit um 1430, die dem Meister von Seeon zugeschrieben wird, vor einem Altarblatt mit der Ansicht von Wasserburg am Inn.
[Wikipedia]
Night view of the Piety Street and the buttresses of the apse of Barcelona Cathedral, in the Gothic Quarter. The photograph is taken from the Palace of the Lieutenant, specifically from the intersection between the Piety Street itself, the Counts Street and the descent of Saint Clare, a night of clear sky in which the stars could be seen.
Please enlarge to see detail
The Monastère de Brou, located in the town of Bourg-en-Bresse, is a stunning example of flamboyant Gothic architecture. It was constructed in the early 16th century by Marguerite d’Autriche, Duchess of Savoy, as a testament to her love for her deceased husband, Philibert le Beau.
The centerpiece of the monastery is its church, adorned with a polychrome glazed tile roof. Inside the church lie the princely burials of Philibert II of Savoy, Marguerite of Austria, and Marguerite of Bourbon. These tombs are a masterpiece of finely sculpted details, crafted by the best regional and Flemish artists of the time.
One of the remarkable features of the Monastère de Brou is the chapel of Margaret of Austria, which houses a stunning stained glass window depicting the Assumption and a white marble altarpiece portraying the Seven Joys of the Virgin. The altarpiece is adorned with seven niches, each representing a significant event in the life of the Virgin Mary, such as the Annunciation, the Nativity, and the Assumption.
The church's choir also features old stained glass windows, wooden stalls, and a rood screen, all created by master glassmakers from Lyon and other talented artists.
Aside from the church and its treasures, visitors can explore three cloisters within the monastery: the first cloister, the large cloister, and the cloister of the outbuildings. Each cloister offers unique architectural and artistic elements.
Furthermore, the monastic buildings house a municipal museum, where an impressive collection of art is presented. The art collection includes Flemish and French paintings ranging from the 15th to the 20th century, old religious sculptures, Renaissance furniture, Bressan furniture, and Meillonnas earthenware.
A visit to the Monastère de Brou promises to be a delightful experience, showcasing the rich history and artistic excellence of the region during the 16th century. The monastery serves as a testament to the love and devotion of Marguerite d’Autriche to her husband and stands as a timeless masterpiece of Gothic art.
Cathedral of the Holy Cross and Saint Eulalia, seat of the Archdiocese of Barcelona and Gothic cathedral of the city. The cathedral of the Holy Cross and Saint Eulalia, in Gothic style as a whole, was built between the 13th and 15th centuries on the pre-existing Romanesque cathedral, built, in turn, on the previous Paleo-Christian one. However, the current facade, designed by the architect Josep Oriol Mestres, is in neo-Gothic style, because it was not built until the 19th century, on the initiative of the developer Manuel Girona on the occasion of the 1888 Universal Exhibition. Consecrated to the Holy Cross initially, around the 7th century, something unusual in Christendom, it‘s also dedicated to Saint Eulalia, a martyr of the Roman era and patron saint of Barcelona before she was the Virgin of La Mercè. The cathedral presides over the Gothic Quarter, in the Old Town, and is photographed from Passeig de Miramar, on the mountain of Montjuïc, at the height of Carlos Ibáñez Square.
West facade window / Altenberg Abbey / Odenthal / North Rhine-Westphalia / Germany
Album of Germany (the west - Bergisches Land): www.flickr.com/photos/tabliniumcarlson/albums/72157719512...
Silhouette passing under the Bishop's Bridge in the Gothic Quarter of Barcelona. This bridge connects the Palace of Generalitat -on the left in the image- with the Canonges Houses, residence of the president of Generalitat de Catalunya -on the right-, and was built in neo-Gothic style to harmonize with the context, by Joan Rubió i Bellver in 1928, in the remodeling plan for the Gothic Quarter projected on the occasion of the 1929 Universal Exposition in Barcelona.
Female figure passing under a street lamp where had to be a torch in past times placed on the stone of the walls of the Palace of the Lieutenant, in the Counts Street of the Gothic Quarter and headquarters of the Archive of the Crown of Aragon, seen from Mercy Street, at the height of the apse of the Cathedral of Barcelona.