View allAll Photos Tagged gojira
Created from reverse-engineering stolen blueprints of the FGM-148 Javelin and a number of other launchers from around the world, the People's Republic of China developed the GXM Gojira anti-tank launcher. The only "home" developed improvement is a larger IR sensor array. The larger sensor reduces the time taken to lock on to a target, and also allows it to "spot" targets at greater distances. Designed to be the main infantry-deployed anti-tank system, it is set to be utilized well into the coming decades.
Paradoxically cacophonous and melodic, thunderous but halcyon, aggressive but controlled and calm, all describe the great Gojira!
¡Paradojicamente cacofónico y melódico, estruendoso y calmado, agresivo pero controlado, todo describe al fantástico Gojira!
My interpretation of how i see myself. I made this in after effects, and a good visualization of what i was trying to put together. I felt the atomic bomb in the background felt appropriate to fit the tone i was trying to go for.
B&W edit of Godzilla Attacks some H0 1:87 scale people on my desk.
(Godzilla x Kong: The New Empire - Gojira Evolved - POP! Movies (1539) - POP! Vinyl - Funko Toys)
You could always count on a Godzilla marathon on WPIX channel 11 when I was growing up. Here's my interpretation.
Brush pen, India ink on bristol board. Painted in Photoshop
An alternate version of my recent Gojira illustration, sans the city background.
I've always been a fan of Godzilla movies. Well-written dramas with Oscar™ winning actors are fine, but now and then you just want to watch a guy in a rubber suit fight a big moth on a string.
The very first Godzilla movie was actually quite serious and somber, and commented on the legacy of the atomic bombings of Japan. As the series progressed though, things got quite a bit sillier.
I think Godzilla movies were the first to teach me of the evils of pan & scan. When I was a kid and watched Godzilla movies on TV I noticed that the battles often seemed poorly framed and hard to follow, and much of the action took place off-screen. I wasn't imagining it; most of the films were shot in 2.35:1 aspect ratio, meaning the image was 2.35 times as wide as it was tall. When the movies were shown on TV, they were usually chopped down to 1.33:1 in order to fit the home screen. That means we were missing almost half the picture! No wonder they looked bad.
Do yourself a favor and check out the original Japanese language versions of the films if you can. They're presented in their proper 2.35:1 aspect ratio and are much more coherent than the appalling Americanized versions, with their atrocious dubbing and crude editing (that quite often changed the plot!).
This is a vector drawing, drawn all in InDesign. The text was hand drawn.
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Pentax ME Super, Fuji Acros
Image ©Philip Krayna, BoxxCarr, all rights reserved. This image is not in the public domain. Please contact me for permission to download, license, reproduce, or otherwise use this image, or to just say "hello". I value your input and comments. See more at www.boxxcarr.com.
Fotos del Festival de Graspop 2014 para REVOLVER España.
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