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You can always tell the diehard Beatles fans from the casual ones. :-D This New York licnese plate appeared on a Jeep in the parking deck outside the hotel where the Beatles convention was held.
Yes, sometimes you see plates reading "28 IF."
"Get Back," of course, was the Beatles's spring 1969 single, the first to be issued in stereo in the U.S. and the last to be issued in mono in the U.K. The song, written mainly by Paul, urged a couple of curious characters to return to where they started, which is exactly what the Beatles were attempting to do when they recorded this song, along with several others, during the January 1969 Apple Studio sessions that ultimately produced the Let It Be album.
The B-side of "Get Back" was "Don't Let Me Down," a Lennon song about Yoko.
Copyright 2008 by Steven Maginnis
10 discs of outtakes gleaned from the "Get Back" sessions, aka the "Let It Be" sessions, and contains voice interludes as well as music. Only 700 copies are known to exist with this special packaging. The vinyl was pressed in various colors -- pink, red, purple, green, and different shades of blue. An 11th bonus disc "Get Back The Album" (before it was Phil Spector-ized and became the "Let It Be" album) is also included. Very rare, and even more so with the colored discs
10 discs of outtakes gleaned from the "Get Back" sessions, aka the "Let It Be" sessions, and contains voice interludes as well as music. Only 700 copies are known to exist with this special packaging. The vinyl was pressed in various colors -- pink, red, purple, green, and different shades of blue. An 11th bonus disc "Get Back The Album" (before it was Phil Spector-ized and became the "Let It Be" album) is also included. Very rare, and even more so with the colored discs
Ike & Tina Turner GET BACK record album front cover
Liberty Records LO-51156
The material on this album has been previously released.
Hyattsville MD
Friday, 10 April 2015
Elvert Barnes Photography
Demi Lovato
w/ guests Jordan Pruitt and David Archuleta
Patriot Center | Fairfax, VA | August 20th, 2009
13.12.2021_posiedzenie Zespołu ds Spółki GetBack S.A. Fot: Grzegorz Krzyzewski / Senat RP
Aleksander Pociej
Demi Lovato
w/ guests Jordan Pruitt and David Archuleta
Patriot Center | Fairfax, VA | August 20th, 2009
Ike & Tina Turner GET BACK record album front cover
Liberty Records LO-51156
The material on this album has been previously released.
Hyattsville MD
Friday, 10 April 2015
Elvert Barnes Photography
Demi Lovato
w/ guests Jordan Pruitt and David Archuleta
Patriot Center | Fairfax, VA | August 20th, 2009
Demi Lovato
w/ guests Jordan Pruitt and David Archuleta
Patriot Center | Fairfax, VA | August 20th, 2009
Demi Lovato
w/ guests Jordan Pruitt and David Archuleta
Patriot Center | Fairfax, VA | August 20th, 2009
Demi Lovato
w/ guests Jordan Pruitt and David Archuleta
Patriot Center | Fairfax, VA | August 20th, 2009
Sterling knight is my SOUL MATE!!!!
i 3 hiiiim!!!
so yah i made this one day while i was bored in school. enjoy.(:
16 chapters 90 minutes Color/ Black and White
In January of 1969 The Beatles gathered together to film and record to what become "Let It Be".....Preseneted here for the first time is every known clip, put in chronological order of events and with correct audio to the best of ability. All clips have been indentified, synched with correct audio! You will enjoy this more than you think! The rooftop concert is now a really treat - add'l audio, all in stereo and every clip of footage found - more than you think. Watching that will really impress you! All together this is the best yet! Special thanks to British Lions for their help in this project....
1. JANUARY 2, 1969 Thursday
Set Up
Tuning/ Dialogue
Don't Let Me Down
Dialogue
I've Got a Feeling
Two Of Us
2. JANUARY 3, 1969 Friday
Adios For Strings
Don't Let Me Down
All Things Must Pass Rehearsals
Feedback
All Things Must Pass
Maxwell's Silver Hammer
3. JANUARY 6, 1969 Monday
Oh Darling
Dialogue
Don't Let Me Down Rehearsals
Dialogue
Don't Let Me Down
Dialogue - The Fight
Two Of Us
4. JANUARY 7, 1969 Tuesday
Get Back
Dialogue
Maxwell's Silver Hammer
Across the Universe
Dig a Pony
5. JANUARY 8, 1969 Wednesday
I Me Mine
Two Of Us
I've Got a Feeling
All Things Must Pass Rehearsals
I Me Mine
Goodbyes
6. JANUARY 9, 1969 Thursday
Two of Us
Suzy Parker
I've Got a Feeling
One After 909
Get Back
Tennessee
House of the Rising Sun
Commonwealth
Goodnight
7. JANUARY 10, 1969 Friday
Get Back
I'm Talking About You - George Quits
Jamming With Yoko
8. JANUARY 13, 1969 Monday
Dialogue on filming
9. JANUARY 14, 1969 Tuesday
Piano Boogie
John and Yoko Interview for the CBC
Peter Sellers Visits
Mal Tears Down Equipment
10. JANUARY 21, 1969 Tuesday
John Films Rock'n'Roll Circus Introduction
My Baby Left Me
Dig a Pony Playback
Dig a Pony
Dialogue
Don't Let Me Down
12. JANUARY 22, 1969 Wednesday
Dig a Pony
Dialogue
Billy Preston Arrives
13. JANUARY 23, 1969 Thursday
Beatles Arrive at Apple
Billy Preston Arrives
Jamming with Yoko
Billy's Original
Get Back Rehearsal
14.Get Back Rehearsal
15.Get Back Rehearsal
16.Get Back Rehearsal
I'll Get You
GetBack
I've Got a Feeling
Help!
Please Please Me
Help!
Paul McCartney.
Some people arrive at the station, and some people build the tracks. Paul McCartney was one of those guys laying down rails while everyone else was still arguing about where the train ought to go.
You hear a lot of things said about him. Folks call him a craftsman, a perfectionist, a melody merchant. Sometimes they say it like it's a compliment, sometimes they say it like it's an accusation. There was a time (about 32 years to be exact) I wasn't sure what to make of him myself. From a distance, he seemed almost too polished, too certain of his gifts, too eager to steer the ship. The kind of guy who always had an answer before anyone else had finished asking the question. Maybe that's why I thought he was pretentious.
Then I watched “Get Back”. And suddenly the picture changed. There he was, not sitting on a throne, not handing down commandments from a mountain, but standing in a room full of uncertainty, half-finished songs, cold mornings, cigarettes, jokes, and deadlines. While everyone else seemed lost in the fog, McCartney was the one striking matches.
You can actually see it happen. The engine sputters, the wheels hesitate, and he's the one leaning forward, hand on the controls, putting gas on the pedal. Not because he wanted to dominate the band, but because somebody had to keep the thing moving. Somebody had to believe there was another song on the other side of the silence.
It's easy to mistake momentum for ego. But watching those sessions, what looked from afar like control started looking more like responsibility. The burden of being the guy who couldn't stop caring. The guy who woke up every morning determined to drag a miracle into existence, whether anyone else felt like making one that day or not. And maybe that's one of the lonelier jobs in music.
The Beatles weren't just four musicians. They were four directions of the compass pulling against each other. John had the storm clouds, George had the horizon, Ringo had the heartbeat. Paul was the engine room. The rhythm of work itself. The belief that inspiration isn't something you wait for—it's something you chase down the street until it finally turns around and introduces itself. That's what I saw in “Get Back”. Not a pretentious man. A working musician. A believer in songs. A guy trying, sometimes desperately, to keep the lights on in one of the greatest bands the world has ever seen. And when you watch closely, you realize that some people aren't pushing because they want attention. They're pushing because they can already hear the music coming down the tracks.
That’s McCartney.
ink, watercolor on paper
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