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Part of "Psynesthesia", an art project blending photography, generative-art/NFTs and psychology.
Participate on Psynesthesia.net !
Microworld Arcadia was a group art show organised by Genetic Moo at the Arcadecardiff gallery in the Queens Arcade shopping mall for two weeks in May 2013. The show consisted of interactive and generative artworks by different artists. The art works responded to the audience, the gallery and importantly to each other, so the space was constantly changing in pixels, sound, colour and motion. Each day different works were brought together in different combinations.
On the first day you can see The Virus & Comb Jellies by Genetic Moo, Chromatic Play sculptures by Tine Bech and Primordial sound and generative visuals by Jockel Liess.
Microworld Arcadia was a big success breaking attendance records for the gallery and we plan to take the show on tour in the future, working with different sets of local artists each time to create interactive digital Microworlds around the UK and beyond.
For more information about the show see www.geneticmoo.com
Available for purchase store.nickhardeman.com
From the Scarf Series. Created on an HP7475 pen plotter. Generative designs from custom OpenFrameworks software.
Man, am I a dork. I set up a web-cam to watch my fish, them wrote a program that places them in a 3D space and generates compositions resulting from their movement & colours. These are some of the early results...
une installation (discrètement) interactive sur la dissémination des idées dans la société et le chemin qui nous a conduit à l'état d'urgence. Les visuels moirés obtenus par combinaison pointilliste d'images en ligne font écho aux hastags polysémiques pour nous offrir un terrain vague médiatique. Le visiteur se reflète presqu'imperceptiblement dans les images moirés, contribution discète à la narration sociale qui se déroule devant elle/lui.
Narrowing down the print candidates. It's a lot like photography, and selecting which frames to print from a roll of film's contact sheet.
Beard and braid generators were made to create the lines sent to the pen plotter. More information in this blog post: nickhardeman.com/718/pen-plotter-portrait-bruce/
Beard and braid generators were made to create the lines sent to the pen plotter. More information in this blog post: nickhardeman.com/718/pen-plotter-portrait-bruce/
Non-lieu ("non-place" or "nonplace" in English) is a concept, introduced by French anthropologist Marc Augé. It describes transient spaces where people maintain anonymity and which lack the cultural or historical significance to be considered true "places" in anthropological terms. Augé contrasts this concept with "anthropological places," which are spaces that reinforce identity and facilitate meaningful social interactions among individuals with shared cultural references. Non-places, however, do not serve as meeting points or foster a sense of community. In essence, a non-place is an area we pass through rather than inhabit, where individuals remain detached, unnamed, and lonely.
Non-lieu ("non-place" or "nonplace" in English) is a concept, introduced by French anthropologist Marc Augé. It describes transient spaces where people maintain anonymity and which lack the cultural or historical significance to be considered true "places" in anthropological terms. Augé contrasts this concept with "anthropological places," which are spaces that reinforce identity and facilitate meaningful social interactions among individuals with shared cultural references. Non-places, however, do not serve as meeting points or foster a sense of community. In essence, a non-place is an area we pass through rather than inhabit, where individuals remain detached, unnamed, and lonely.
Non-lieu ("non-place" or "nonplace" in English) is a concept, introduced by French anthropologist Marc Augé. It describes transient spaces where people maintain anonymity and which lack the cultural or historical significance to be considered true "places" in anthropological terms. Augé contrasts this concept with "anthropological places," which are spaces that reinforce identity and facilitate meaningful social interactions among individuals with shared cultural references. Non-places, however, do not serve as meeting points or foster a sense of community. In essence, a non-place is an area we pass through rather than inhabit, where individuals remain detached, unnamed, and lonely.
Man, am I a dork. I set up a web-cam to watch my fish, them wrote a program that places them in a 3D space and generates compositions resulting from their movement & colours. These are some of the early results...
Available for purchase:
store.nickhardeman.com
Squids are created using a custom squid generator application I wrote in OpenFrameworks. Each squid is randomly generated, and therefore unique. Squids are printed on a pen plotter and then water colored by hand.
Non-lieu ("non-place" or "nonplace" in English) is a concept, introduced by French anthropologist Marc Augé. It describes transient spaces where people maintain anonymity and which lack the cultural or historical significance to be considered true "places" in anthropological terms. Augé contrasts this concept with "anthropological places," which are spaces that reinforce identity and facilitate meaningful social interactions among individuals with shared cultural references. Non-places, however, do not serve as meeting points or foster a sense of community. In essence, a non-place is an area we pass through rather than inhabit, where individuals remain detached, unnamed, and lonely.