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'voronoi flow' generative lampshade designed and 3d printed by parametric | art
using Gigamax3D filaments
Man, am I a dork. I set up a web-cam to watch my fish, them wrote a program that places them in a 3D space and generates compositions resulting from their movement & colours. These are some of the early results...
Non-lieu ("non-place" or "nonplace" in English) is a concept, introduced by French anthropologist Marc Augé. It describes transient spaces where people maintain anonymity and which lack the cultural or historical significance to be considered true "places" in anthropological terms. Augé contrasts this concept with "anthropological places," which are spaces that reinforce identity and facilitate meaningful social interactions among individuals with shared cultural references. Non-places, however, do not serve as meeting points or foster a sense of community. In essence, a non-place is an area we pass through rather than inhabit, where individuals remain detached, unnamed, and lonely.
Instagram: www.instagram.com/stanislavlvovsky/
Threads: www.threads.net/@stanislavlvovsky
Bluesky: bsky.app/profile/stanislavlvovsky.bsky.social
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The fully peeled plottermusic 001. This one will probably end up on my fridge.
Vinyl Cutting by Aytm.
Non-lieu ("non-place" or "nonplace" in English) is a concept, introduced by French anthropologist Marc Augé. It describes transient spaces where people maintain anonymity and which lack the cultural or historical significance to be considered true "places" in anthropological terms. Augé contrasts this concept with "anthropological places," which are spaces that reinforce identity and facilitate meaningful social interactions among individuals with shared cultural references. Non-places, however, do not serve as meeting points or foster a sense of community. In essence, a non-place is an area we pass through rather than inhabit, where individuals remain detached, unnamed, and lonely.
Instagram: www.instagram.com/stanislavlvovsky/
Threads: www.threads.net/@stanislavlvovsky
Bluesky: bsky.app/profile/stanislavlvovsky.bsky.social
Buy this and other images as prints (PM me!):
Non-lieu ("non-place" or "nonplace" in English) is a concept, introduced by French anthropologist Marc Augé. It describes transient spaces where people maintain anonymity and which lack the cultural or historical significance to be considered true "places" in anthropological terms. Augé contrasts this concept with "anthropological places," which are spaces that reinforce identity and facilitate meaningful social interactions among individuals with shared cultural references. Non-places, however, do not serve as meeting points or foster a sense of community. In essence, a non-place is an area we pass through rather than inhabit, where individuals remain detached, unnamed, and lonely.
Non-lieu ("non-place" or "nonplace" in English) is a concept, introduced by French anthropologist Marc Augé. It describes transient spaces where people maintain anonymity and which lack the cultural or historical significance to be considered true "places" in anthropological terms. Augé contrasts this concept with "anthropological places," which are spaces that reinforce identity and facilitate meaningful social interactions among individuals with shared cultural references. Non-places, however, do not serve as meeting points or foster a sense of community. In essence, a non-place is an area we pass through rather than inhabit, where individuals remain detached, unnamed, and lonely.
This studio aimed to develop and further a students' understanding of architecture by studying the intersection of at, design and materials science. Three primary exercises helped develop student’s techniques of drawing, making and organizing structures. This course was specifically created to play off students' non-architectural education by introducing a domain of investigation whereby students learned to design through the lens of cross-disciplinary experimentation.
Throughout the semester students investigated generative art, design and materials science through the lens of “pattern formation” and attempted to extract principles, learned techniques and developed strategies for design. By studying the formation of materials students explored both the fundamental science as well as new advances in research to understand the building blocks of matter, organizational patterns, processes of material creation and micro-to-macro material behavior. To draw comparison, students also researched both contemporary and historic works of generative art and design to understand the rules, logic and components of the work and how high-level patterns emerge from local interaction. These seemingly opposite fields converged and become precedents for three exercises: 1. Generative drawings, 2. New material formations and 3. Living objects / growing structures.
Learn more at arts.mit.edu
All photos ©L. Barry Hetherington
lbarryhetherington.com/
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'voronoi flow' generative lampshade designed and 3d printed by parametric | art
using Gigamax3D filaments
Available for purchase store.nickhardeman.com
From the Scarf Series. Created on an HP7475 pen plotter. Generative designs from custom OpenFrameworks software.
The vertices of a layered graph representing paths for the Collatz problem are used to construct a Voronoi diagram.
Check out: my Abstract Set.
Go to matre.com/abstracts for print availability. These look great on canvas and can be printed up to six-feet wide.
'voronoi flow' generative lampshade designed and 3d printed by parametric | art
using Gigamax3D filaments