View allAll Photos Tagged generativeAI
Created in Google Gemini 2.5 Flash, aka, "Nano Banana."
See more here: www.youtube.com/@journeymanplayer7459
Ho Ren Hua, Chief Executive Officer, Thai Wah Group, Singapore, Dr. Richard Jeo, Senior Vice-President, Asia-Pacific Field Division, Conservation International, Asia-Pacific Field Division,
Jonas R. Leones, Undersecretary for Policy, Planning and International Affairs, Department of Environment and Natural Resources of the Philippines, Philippines, Dany Qian, Global Vice-President, JinkoSolar, People's Republic of China
Wong Kim Yin, Group President and Chief Executive Officer, Sembcorp Industries, Singapore, Nancie Zhu, Anchor and Host, Talk with World Leaders, Phoenix Satellite Television Co., People's Republic of China speaking in the Claiming Asia's Seat at the Climate Table session at the at the Annual Meeting of the New Champions 2023 in Tianjin, People's Republic of China, 28 June 2023. Tianjin Meijiang Convention Center - Ignite Room. Copyright: World Economic Forum/Greg Beadle
Created in Google Gemini, aka, "Nano Banana."
An homage to legendary film director John Carpenter's cult classic cinematic masterpiece, "Big Trouble in Little China."
See more here: www.youtube.com/@journeymanplayer7459
See my albums list for some of my best work: www.flickr.com/photos/200044612@N04/albums/
See my main account for my photography, videos, fractal images and more here: www.flickr.com/photos/josh-rokman/
Made with Image Creator from Microsoft Designer, formerly known as the Bing Image Creator. Powered by DALL·E 3.
I think that AI image generation is similar in many ways to photography. The camera itself handles all the fine details, but the photographer is in charge of curating the types of images that will be created.
Ultimately, it is all about maximizing the probability that something good will be created.
This is very similar to AI image generation, in terms of the skills involved and what the human does vs. what the machine does.
You can't compare AI image generation to the process of actually making these images from scratch with 3D software or paint/pencils, where the human controls every detail.
However, I think the process really is very similar to that of photography, as I made the case for above. I think that DALL-E 3 is by far the most powerful AI image generation tool currently available.
- Josh
See my main account for my photography, videos, fractal images and more here: www.flickr.com/photos/josh-rokman/
Made with Image Creator from Microsoft Designer, formerly known as the Bing Image Creator. Powered by DALL·E 3.
I think that AI image generation is similar in many ways to photography. The camera itself handles all the fine details, but the photographer is in charge of curating the types of images that will be created.
Ultimately, it is all about maximizing the probability that something good will be created.
This is very similar to AI image generation, in terms of the skills involved and what the human does vs. what the machine does.
You can't compare AI image generation to the process of actually making these images from scratch with 3D software or paint/pencils, where the human controls every detail.
However, I think the process really is very similar to that of photography, as I made the case for above. I think that DALL-E 3 is by far the most powerful AI image generation tool currently available.
- Josh
Created in Google Gemini 2.5 Flash, aka, "Nano Banana."
See more here: www.youtube.com/@journeymanplayer7459
Created in Google Gemini 2.5 Flash, aka, "Nano Banana."
See more here: www.youtube.com/@journeymanplayer7459
Created in Google Gemini 2.5 Flash, aka, "Nano Banana."
See more here: www.youtube.com/@journeymanplayer7459
A bit of fantasy created with the new Photoshop 2023 Beta's generative AI tool. I couldn't get it to create an entire Roman army so I had it create one soldier and I duplicated the layer multiple times and arranged the layers to create the patrol. Then I asked for a tyrannosaurus but got several mutant dinosaurs. This one looked fierce enough, though. At least the head is pretty close. I think the AI has watched too many Jurassic World movies!! The background image is a photograph of Fort Rock, Oregon.
Opening Plenary with Li Qiang, Premier of the People's Republic of China and Klaus and Hilde Schwab at the at the Annual Meeting of the New Champions 2023 in Tianjin, People's Republic of China, 27 June 2023. Tianjin Meijiang Convention Center. Copyright: World Economic Forum/Benedikt von Loebell
Created in Google Gemini 2.5 Flash, aka, "Nano Banana."
Post production in Adobe Firefly.
See more here: www.youtube.com/@journeymanplayer7459
This collection offers a cinematic exploration of the natural world's most captivating phenomena and diverse ecosystems. The series contrasts the raw, untamed power of the Earth with its quiet, intricate details. It spans from the ethereal glow of bioluminescent shores and the celestial display of the aurora borealis over frozen landscapes, to the destructive yet mesmerizing force of an active stratovolcano and a lightning-veined supercell storm over a golden wheat field. The visual journey also delves into specific biomes, capturing the vibrant geothermal gradients of a prismatic spring, the vast and textured solitude of desert dunes, the towering canopy of a dense bamboo forest, and the frozen stillness of a glacial ice cave. Intimate macro perspectives, such as a dew-drenched spiderweb catching the morning light and the intense, focused gaze of a jaguar resting in the undergrowth, ground the collection in realistic biological detail. Together, these pieces function as a visual storyboard for a nature documentary, emphasizing atmospheric lighting, high-fidelity textures, and dynamic compositions.
These images were generated by Artificial Intelligence.
Created in Leonardo AI using Google Gemini 2.5 Flash, aka, "Nano Banana."
See more here: www.youtube.com/@journeymanplayer7459
Created in Google Gemini 2.5 Flash, aka, "Nano Banana."
See more here: www.youtube.com/@journeymanplayer7459
Liming Chen, Chair of Greater China, Member of the Executive Committee, World Economic Forum at the „Farewell Reception“ session at the Annual Meeting of the New Champions 2023 in Tianjin, People's Republic of China, 29 June 2023. Tianjin Meijiang Convention Center "The Village" Copyright: World Economic Forum/Jakob Polacsek
Created in Google Gemini 2.5 Flash, aka, "Nano Banana."
See more here: www.youtube.com/@journeymanplayer7459
In my opinion, this image (and this batch of images), would be essentially impossible to create without AI, due to the cost of staging this as a real photo.
An image like this could really only exist as a still frame from a big budget motion picture.
My main goal with AI has been to create images that would be effectively impossible (often due to extreme costs) to create without it.
This allows for the creation of new types of images - and I think this is AI image generation at its best.
Created in Google Gemini 2.5, aka, "Nano Banana."
See more here: www.youtube.com/@journeymanplayer7459
Created in Google Gemini 2.5 Flash, aka, "Nano Banana."
See more here: www.youtube.com/@journeymanplayer7459
Created in Google Gemini 2.5 Flash, aka, "Nano Banana."
See more here: www.youtube.com/@journeymanplayer7459
Created in Google Gemini 2.5 Flash, aka, "Nano Banana."
Based on the sensor array terraforming improvement from the legendary strategy game, "Sid Meier's Alpha Centauri."
See more here: www.youtube.com/@journeymanplayer7459
Created in DALL-E 3.
My website: davidmanhire.com/
See more here: www.youtube.com/@journeymanplayer7459
Created in Google Gemini 2.5 Flash, aka, "Nano Banana."
See more here: www.youtube.com/@journeymanplayer7459
More on promptus.fr/
Promptus is a visual prompt library for images, videos, Character Sheets, and storyboards. Save your creations in your personal library, explore shared entries, and quickly find the prompts that inspire you.
Gen with Krea 2 for free on promptus.fr/
Create an ultra-photorealistic cinematic erotic-horror image of a fiercely sensual adult female mummy emerging from the pitch-black entrance of an ancient Egyptian tomb. Vertical full-body composition, centered in the doorway, lunging directly toward the camera with predatory desire. Her torso pitches forward aggressively while one leg remains behind and the other takes a powerful, hip-driven stride toward the viewer. Both arms reach toward the camera, elbows slightly bent, hands spread in a clawing yet inviting gesture, fingers tense and slightly curled as if about to seize and pull the viewer in. Dramatic foreshortening makes her hands appear larger and closer than her face and body.
Her body is extremely voluptuous and erotic: heavy full natural breasts barely contained by the remaining bandages, deep soft cleavage, soft defined waist, wide hips, thick juicy thighs and a round, firm, prominent ass that flexes with every step. Warm bronze-tan skin covered in a fine layer of ancient dust mixed with a light sheen of sweat that makes every curve shine. Realistic pores, subtle imperfections, natural highlights. Long dark brunette hair uncovered in places, tangled, dusty, naturally wavy and disheveled, loose strands flying backward from the movement and catching the warm light.
Her expression is intense, hungry, and sexually charged rather than purely terrifying. Luminous metallic golden-amber eyes with realistic pupils, irises, moisture and reflections. Dark brows slightly drawn, full lips parted in a sensual, almost moaning expression, revealing a glimpse of tongue and teeth. She looks directly at the viewer with pure predatory lust.
Dress her in extremely minimal, heavily deteriorated ancient dusty beige mummy wrappings — brittle, handmade, weathered, torn, stained, frayed and irregular. Thin overlapping linen strips loosely cross over her full breasts, leaving deep cleavage and the outer curves of her tits almost completely exposed. Large sections of her soft abdomen, lower belly and the curve of her waist are fully bare. Around her hips and upper thighs the bandages are reduced to shredded, gaping layers that barely cover anything, with wide irregular openings revealing dusty skin and the full roundness of her ass. Long shredded linen strips trail from her arms, shoulders, waist, hips and legs, whipping through the air, some sliding between her thighs or across her breasts. Every strip shows visible fibers, torn edges, holes, folds and realistic shadows. The wrappings look one movement away from falling off completely.
Massive ancient Egyptian sandstone doorway covered with deeply carved hieroglyphics, figures and weathered reliefs. Dark brown and ochre stone with cracks, chipped edges, erosion and dust. Almost complete blackness beyond the doorway. Subtle dried roots or vines near the upper entrance.
Dramatic warm amber-gold light enters from outside the tomb, grazing across her face, the heavy curves of her breasts, her exposed abdomen, thighs and forward leg. Deep sculptural shadows carve into every soft fold of flesh and every gap in the torn linen. Subtle rim lighting on her hair, the outer curves of her body, fingertips and the floating dust. Fine golden volumetric haze clings to her skin.
Camera positioned directly in front of the tomb at a slightly low-to-mid angle that emphasizes the swing of her hips, the weight of her breasts and the power of her stride. Moderately wide 28–35mm cinematic lens. Sharp focus on her glowing golden eyes, parted lips and the sensual intensity of her face, with slight natural depth-of-field softness on the closest fingertips. Freeze her body sharply while allowing subtle motion in flying hair, shredded linen and floating dust particles.
Extreme detail in skin texture, linen fibers, the soft weight of her breasts, the curve of her hips, individual hair strands, sandstone and hieroglyphs. Cinematic HDR, rich earth tones (bronze, amber, ochre, dusty beige, brown and deep black), filmic contrast, realistic global illumination.
Visual priority: her hungry golden eyes and parted lips, the heavy exposed curves of her body, the almost non-existent flying mummy wrappings, and the monumental dark tomb behind her. Photorealistic, intensely erotic, ancient, dusty, atmospheric and dangerously seductive — the instant a sexually charged female mummy steps out of the darkness, golden eyes locked on the viewer, body barely covered, radiating pure ancient lust.
The Eternal Pulse of the Amazon
This collection captures the primordial essence of the Amazon rainforest, presented as a visual journey through the heart of the world's most vital ecosystem. From the serpentine rivers shrouded in dawn's ethereal mist to the dramatic play of "God rays" piercing the deep emerald canopy, each frame explores a different facet of the jungle's soul.
The series highlights the rhythmic flight of scarlet macaws, the solitary majesty of birds of prey soaring over the clouds, and the ancestral harmony of indigenous settlements nestled in lush clearings. Through a lens that balances the stillness of flooded forests with the raw power of tropical storms, these images offer a panoramic tribute to biodiversity and the delicate balance of nature.
These images were generated by Artificial Intelligence.
See my main account for my photography, videos, fractal images and more here: www.flickr.com/photos/josh-rokman/
Made with Image Creator from Microsoft Designer, formerly known as the Bing Image Creator. Powered by DALL·E 3.
I think that AI image generation is similar in many ways to photography. The camera itself handles all the fine details, but the photographer is in charge of curating the types of images that will be created.
Ultimately, it is all about maximizing the probability that something good will be created.
This is very similar to AI image generation, in terms of the skills involved and what the human does vs. what the machine does.
You can't compare AI image generation to the process of actually making these images from scratch with 3D software or paint/pencils, where the human controls every detail.
However, I think the process really is very similar to that of photography, as I made the case for above. I think that DALL-E 3 is by far the most powerful AI image generation tool currently available.
- Josh
The Soul of the Machine: A Gran Turismo Inspired Study
This visual series explores the intersection of high-performance engineering and cinematic automotive photography. The collection moves from the serene, mist-covered circuits at dawn to the visceral intensity of the track, focusing on the textures that define the racing experience: the weave of carbon fiber, the heat-stained metal of an exhaust, and the tactile grip of leather racing gloves.
Each frame seeks to capture a specific "moment" within racing culture—whether it’s the lonely precision of a perfect apex viewed from above, the chaotic sparks of a suspension under load, or the neon-drenched nostalgia of a modified street icon in the rain. The set balances technical macro shots with high-speed wide angles, emphasizing the contrast between the stillness of the machine and the blur of terminal velocity.
All images in this set were generated using Artificial Intelligence.
Created in Google Gemini 2.5 Flash, aka, "Nano Banana."
See more here: www.youtube.com/@journeymanplayer7459