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// HACKPACT

 

// Showcase of 20 brief experiments (sound machines) we coded during november (MMXI).

 

// All of them explore the sound/graphic co-relation.

 

// Built with Processing and almost all of the audio with SuperCollider

 

// More info/detail about our codes here: www.realitat.com/HACKPACT

toxiclibs DLA study

100.000 particles

 

continousGrowthRatio = 1

stickiness = .1

curveSpeed = 0

curveAlign = 0

 

changing the stickiness doesn't seem to change much in this setup

An inage I generated by writing code in the Processing programming language.

toxiclibs DLA study

 

curveSpeed: 0.002

spawnRadius: 12

// HACKPACT

 

// Showcase of 20 brief experiments (sound machines) we coded during november (MMXI).

 

// All of them explore the sound/graphic co-relation.

 

// Built with Processing and almost all of the audio with SuperCollider

 

// More info/detail about our codes here: www.realitat.com/HACKPACT

Generative art piece built with Processing. View the applet at justinlivi.net/dancingsine/

Projektion auf Fassade bei der Abschiedsfete der Willner Brauerei Berlin 14-16.12.2017

Generative art sculpture experiment. Composed of 9 objects, a turned plywood form, a spun metal shape formed over the plywood (more on metal spinning later), and an ice piece cast inside the hollow of the spun metal form. One piece could not be made without the previous. Then times that all by three.

 

blightdesign.com/unfinished/?p=286

Abstract generative art processing

Butterfly silhouette filled with a random set of circle patterns, amazingly reproducing a python head

Thanks to Javier Graciá Carpio

for the following code: www.openprocessing.org/sketch/51571

One of many unused iterations of my "twill" print, which became the cover to my book. I have hundreds of these.

 

The final cover can be seen at abandonedart.org/?page_id=485

A screen cap from my generative animation Dancing Wu Wei.

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