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Organisation par l'Ifpo et par l'Université libanaise d'un séminaire intitulé :
"Archéologie funéraire au Liban"
séminaire 2
avec H. Genz, H. Sader et Z. Fani
Mardi 1er mars 2011, 18h.
Ifpo - Pavillon I - Bibliothèque Archéologie
Espace des lettres - Rue de Damas
Tel : 01420298
© Genz, Lindner / transmediale
Gabriella Coleman and Jacob Appelbaum
Panel with Jacob Appelbaum (us, image right), Gabriella Coleman (us, image left), Dana Buchzik (de) and anonymous
Moderated by Tatiana Bazzichelli (it/de)
Chaired by Krystian Woznicki (pl/de)
In the book Pranks! (Re/Search, 1987), V. Vale and Andrea Juno pointed out that pranks, tricks and ludicrous actions are functional to express a continual poetic renewal, using the elements of surprise, irony and social criticism. Since that time the strategy of anonymity, as the critique of a rigid identity, and the creation of a multi-use philosophy of sharing, has been functional in redefining art practice through disruptive interventions, as well as served as a tool to reflect on the meaning of authority. Today the strategy of anonymity is still a vehicle to question the institutional media system and has often plunged it into crises by exposing its bugs and highlighting its vulnerability. But, mixing up with contemporary social media culture, being anonymous means to produce a new aesthetics – new linguistic codes – where poetic images, disruptive strategies (such as trolling and DDoSing) intertwine with multiple possibilities for lulz and pleasure. Is anonymity a tool for distributed and viral political struggle or is it the endless trick of an intangible crowd of pranksters?
Individual Presentation Descriptions
Dana Buchzik (de)
Descriptive text on the panel presentation:
My presentation will deal with anonymity as a healthful intervention. Based on a true incident, the story is told from the perspective of a phobic girl who isn't capable of mingling with people or even leaving the house. After effectless hospital treatments, she finds her way back to life by talking to strangers on the internet. Instead of only exposing her diseased parts, she tells stories about the self she wants to be, using the potential of anonymity to create a healthier self.
New global research from CommScope underscores why Generation Z is the most technology intimate and connection dependent in history, with unique viewpoints and expectations for the devices, technologies and people they depend on for their always-on lifestyle.
© Martin Genz
Kristoffer Gansing is the artistic director of transmediale, festival for art and digital culture, Berlin. For the past 15 years he’s been working as a cultural producer, artist and media researcher at the intersection of film, net culture and urbanism. He is co-founder of The Art of the Overhead (2005) and 2007-2010 was an editorial board member of artist-run channel tv-tv in Copenhagen. Between 2001-11, he taught the theory and practice of new media at the K3, School of Arts and Communication, Malmö University.
Kristoffer Gansing ist der künstlerische Leiter des transmediale Festival für Kunst und digitale Kultur in Berlin. In den vergangenen 15 Jahren hat er bereits als Kultur-Produzent, Künstler und Medienforscher an den Schnittpunkten von Film, Netzkultur und Urbanismus gearbeitet. Er ist Mitbegründer von The Art of the Overhead (2005) und zwischen 2007 - 2010 Redaktionsmitglied von artist-run channel tv-tv in Kopenhagen. Zwischen 2001-11 lehrte er Theorie und Praxis der Neuen Medien an der K3, School of Arts and Communication, Malmö Universität. Gansings Interesse gilt den Schnittstellen zwischen Medienkultur, Kunst und Alltag.
New global research from CommScope underscores why Generation Z is the most technology intimate and connection dependent in history, with unique viewpoints and expectations for the devices, technologies and people they depend on for their always-on lifestyle.
© Genz, Lindner / transmediale
good manners bad habits
The festival architecture of transmediale 2012 in the foyer of Haus der Kulturen der Welt was conceptualized by raumlaborberlin. The spatial interventions consist of fragments, which are arranged in a manner that remind us of domestic circumstances. The objects appear as a new hybrid species that is part furniture and part construction elements. Although those fragments do create in between spaces and thereby structure the spaces, they leave the question of indoors and outside unanswered. The system is not completed.
raumlaborberlin are Andrea Hofmann, Markus Bader and Florian Stirnemann
Resident Wayne Genz receives the COVID-19 vaccination at the New Jersey Veterans Memorial Home at Menlo Park, Edison, N.J., Jan. 5, 2021. These are the first vaccinations administered at the Home under the Federal Pharmacy Program. (New Jersey Department of Military and Veterans Affairs photo by Mark C. Olsen)
Comissão de Direitos Humanos e Legislação Participativa (CDH) promove audiência pública para debater sobre: "O Estatuto do Trabalho", com foco no arcabouço fiscal, no Fundo de Manutenção e Desenvolvimento da Educação Básica (Fundeb), no piso nacional da enfermagem e nos serviços públicos.
Mesa:
secretária-geral do Sindicato dos Servidores Federais do Rio Grande do Sul (Sindiserf/RS), Eleandra Raquel da Silva Koch;
subsecretária de PolÃtica Fiscal do Ministério da Fazenda, Débora Freire;
presidente da CDH, senador Paulo Paim (PT-RS);
presidente da Confederação dos Trabalhadores no Serviço Público Municipal (Confetam), Jucelia de Jesus;
membro do Conselho deliberativo do PROIFES-Federação, Jairo Alfredo Genz Bolter;
presidente do Sindicato dos Professores de Paulista (Sinprop) e da Frente Norte e Nordeste pela Educação, Gilberto Sabino.
Foto: Jefferson Rudy/Agência Senado
Genz hoje passei o nude ameiiiiii, perfeito achei super chique e fazia tanto tempo que não usava um esmalte clarinho, perfeito e recomendo...
© Genz, Lindner / transmediale
www.transmediale.de/node/20539
Year: 2011
Duration: 9:40 min
Format: film/video
Ever since the practical value of electricity was discovered in the first half of the 19th century, close connections between the human body and electricity have unfolded a multiplicity of trajectories in our culture. There is the fantasy of reanimating dead tissue such as in case of the Frankenstein monster, experiments with stimulating brain cells to think faster and the electric chair used for execution. Costanza adds another chapter to this complex history of the electrified body. In her apartment, stripped of furniture and other everyday objects, she gets in front of the camera wearing only her underwear and touches her body with the tip of a MiniJack cable connected to an amplifier. As she moves the cable over the different parts of her skin, the current coming from the amplifier is connected to the ground through her body and the sound of this electric circuit is heard on the loudspeakers connected to the amp. When she touches her covered parts no sound is produced. The performance is reminiscent of a peepshow or a sex video on the Internet, except there is neither striping nor sex, only her body and the electricity, connected in a composed, yet tense act of intimacy.
© Genz, Lindner / transmediale
Claudia Becker is Scientific Supervisor of the _Vilém_Flusser_Archiv
The Vilém Flusser Residency programme aims to support conceptual projects and works that are towards a form of practice. The programme seeks to encourage new research approaches and further develop existing projects.
Greek philosopher and economist Georgios Papadoloulos has been selected as the first resident. In his research project Iconographies of Drachma; Speculations on Symbolic Value he addresses the economic reality of Greece and how it manifests itself in the currency Drachma.
© Genz, Lindner / transmediale
Jacob Appelbaum
Panel with Jacob Appelbaum (us, image), Gabriella Coleman (us), Dana Buchzik (de) and anonymous
Moderated by Tatiana Bazzichelli (it/de)
Chaired by Krystian Woznicki (pl/de)
In the book Pranks! (Re/Search, 1987), V. Vale and Andrea Juno pointed out that pranks, tricks and ludicrous actions are functional to express a continual poetic renewal, using the elements of surprise, irony and social criticism. Since that time the strategy of anonymity, as the critique of a rigid identity, and the creation of a multi-use philosophy of sharing, has been functional in redefining art practice through disruptive interventions, as well as served as a tool to reflect on the meaning of authority. Today the strategy of anonymity is still a vehicle to question the institutional media system and has often plunged it into crises by exposing its bugs and highlighting its vulnerability. But, mixing up with contemporary social media culture, being anonymous means to produce a new aesthetics – new linguistic codes – where poetic images, disruptive strategies (such as trolling and DDoSing) intertwine with multiple possibilities for lulz and pleasure. Is anonymity a tool for distributed and viral political struggle or is it the endless trick of an intangible crowd of pranksters?
Individual Presentation Descriptions
Dana Buchzik (de)
Descriptive text on the panel presentation:
My presentation will deal with anonymity as a healthful intervention. Based on a true incident, the story is told from the perspective of a phobic girl who isn't capable of mingling with people or even leaving the house. After effectless hospital treatments, she finds her way back to life by talking to strangers on the internet. Instead of only exposing her diseased parts, she tells stories about the self she wants to be, using the potential of anonymity to create a healthier self.
Séminaire commun Ifpo/Département Archéologie et Histoire de l’Antiquité et
Université Libanaise/Département d’Art et d’Archéologie
Séminaire Beqa’ 1
Prospections archéologiques dans la Bekaa
Bettina Fisher-Genz
Archéologue – Mission DAI Baalbek
« Comparisons between the rural environments of Heliopolis-Baalbek and Nebi Mend/Laodicaea ad Libanum in the northern Beqaa valley ».
Laure Salloum
Archéologue en charge de la région de Baalbek – Hermel
Direction Générale des Antiquités
« Les Agglomérations antiques à l’ouest de Baalbek . Bilan et perspectives ».
Paul Newson
Assistant Professor
Department of History and Archaeology - AUB
« The Niha Valley in the Biqa': Archaeological Approaches to Understanding it's Settlement History ».
Jeudi 26 mars 2015 Ã 17h00
Salle de conférence de l’Institut Français du Liban
Espace des Lettres - Rue de Damas - Beyrouth
Tél. Ifpo 01.420 291/293