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The Baker's challenging workplace setting, depicted in an illustration by Henry Holiday (cut by Joseph Swain) to Lewis Carroll's The Hunting of the Snark.
This is the image which introduced me to The Hunting of the Snark. After using the image in presentations on mental workload issues (ISO 10075) for three years, I finally took the time to read Carroll's poem. Then, in December 2008, I made my first discovery.
Fit the Fifth
301 They sought it with thimbles, they sought it with care;
302 They pursued it with forks and hope;
303 They threatened its life with a railway-share;
304 They charmed it with smiles and soap.
305 Then the Butcher contrived an ingenious plan
306 For making a separate sally;
307 And had fixed on a spot unfrequented by man,
308 A dismal and desolate valley.
309 But the very same plan to the Beaver occurred:
310 It had chosen the very same place:
311 Yet neither betrayed, by a sign or a word,
312 The disgust that appeared in his face.
313 Each thought he was thinking of nothing but “Snark”
314 And the glorious work of the day;
315 And each tried to pretend that he did not remark
316 That the other was going that way.
317 But the valley grew narrow and narrower still,
318 And the evening got darker and colder,
319 Till (merely from nervousness, not from goodwill)
320 They marched along shoulder to shoulder.
321 Then a scream, shrill and high, rent the shuddering sky,
322 And they knew that some danger was near:
323 The Beaver turned pale to the tip of its tail,
324 And even the Butcher felt queer.
325 He thought of his childhood, left far far behind—
326 That blissful and innocent state—
327 The sound so exactly recalled to his mind
328 A pencil that squeaks on a slate!
329 “’Tis the voice of the Jubjub!” he suddenly cried.
330 (This man, that they used to call “Dunce.”)
331 “As the Bellman would tell you,” he added with pride,
332 “I have uttered that sentiment once.
333 “’Tis the note of the Jubjub! Keep count, I entreat;
334 You will find I have told it you twice.
335 ’Tis the song of the Jubjub! The proof is complete,
336 If only I’ve stated it thrice.”
337 The Beaver had counted with scrupulous care,
338 Attending to every word:
339 But it fairly lost heart, and outgrabe in despair,
340 When the third repetition occurred.
341 It felt that, in spite of all possible pains,
342 It had somehow contrived to lose count,
343 And the only thing now was to rack its poor brains
344 By reckoning up the amount.
345 “Two added to one—if that could but be done,”
346 It said, “with one’s fingers and thumbs!”
347 Recollecting with tears how, in earlier years,
348 It had taken no pains with its sums.
349 “The thing can be done,” said the Butcher, “I think.
350 The thing must be done, I am sure.
351 The thing shall be done! Bring me paper and ink,
352 The best there is time to procure.”
353 The Beaver brought paper,portfolio, pens,
354 And ink in unfailing supplies:
355 While strange creepy creatures came out of their dens,
356 And watched them with wondering eyes.
357 So engrossed was the Butcher, he heeded them not,
358 As he wrote with a pen in each hand,
359 And explained all the while in a popular style
360 Which the Beaver could well understand.
361 “Taking Three as the subject to reason about—
362 A convenient number to state—
363 We add Seven, and Ten, and then multiply out
364 By One Thousand diminished by Eight.
365 “The result we proceed to divide, as you see,
366 By Nine Hundred and Ninety Two:
367 Then subtract Seventeen, and the answer must be
368 Exactly and perfectly true.
369 “The method employed I would gladly explain,
370 While I have it so clear in my head,
371 If I had but the time and you had but the brain—
372 But much yet remains to be said.
373 “In one moment I’ve seen what has hitherto been
374 Enveloped in absolute mystery,
375 And without extra charge I will give you at large
376 A Lesson in Natural History.”
377 In his genial way he proceeded to say
378 (Forgetting all laws of propriety,
379 And that giving instruction, without introduction,
380 Would have caused quite a thrill in Society),
381 “As to temper the Jubjub’s a desperate bird,
382 Since it lives in perpetual passion:
383 Its taste in costume is entirely absurd—
384 It is ages ahead of the fashion:
385 “But it knows any friend it has met once before:
386 It never will look at a bribe:
387 And in charity-meetings it stands at the door,
388 And collects—though it does not subscribe.
389 “ Its flavour when cooked is more exquisite far
390 Than mutton, or oysters, or eggs:
391 (Some think it keeps best in an ivory jar,
392 And some, in mahogany kegs:)
393 “You boil it in sawdust: you salt it in glue:
394 You condense it with locusts and tape:
395 Still keeping one principal object in view—
396 To preserve its symmetrical shape.”
397 The Butcher would gladly have talked till next day,
398 But he felt that the lesson must end,
399 And he wept with delight in attempting to say
400 He considered the Beaver his friend.
401 While the Beaver confessed, with affectionate looks
402 More eloquent even than tears,
403 It had learned in ten minutes far more than all books
404 Would have taught it in seventy years.
405 They returned hand-in-hand, and the Bellman, unmanned
406 (For a moment) with noble emotion,
407 Said “This amply repays all the wearisome days
408 We have spent on the billowy ocean!”
409 Such friends, as the Beaver and Butcher became,
410 Have seldom if ever been known;
411 In winter or summer, ’twas always the same—
412 You could never meet either alone.
413 And when quarrels arose—as one frequently finds
414 Quarrels will, spite of every endeavour—
415 The song of the Jubjub recurred to their minds,
416 And cemented their friendship for ever!
Darwin did use tuning forks for experiments with spiders.
201 You may seek it with thimbles--and seek it with care;
202 You may hunt it with forks and hope;
203 You may threaten its life with a railway-share;
204 You may charm it with smiles and soap--
Illustration by Henry Holiday to the chapter The Landing in Lewis Carroll's The Hunting of the Snark (1876).
Inset: Charles Darwin, photo probably by Messrs. Maull and Fox, around 1854, see also commons.wikimedia.org/wiki/File:Charles_Darwin_aged_51.jpg.
Inset in inset: Charles Darwin's "I think" sketch of the evolutionary tree (about July 1837, 1st notebook 1837-1838, page 36) compared to a "weed" in the lower left corner of Holiday's illustration. I learned, that Darwin did not keep his notebook secret after the publication of On the Origin of Species, but I do not know of any presentation of his sketch before 1876. Thus, the resemblance between the "weed" and Darwin's evolutionary tree sketch may be purely incidental.
Remarks:
(1) This is a new version of www.flickr.com/photos/bonnetmaker/4481587379/
(2) commons.wikimedia.org/wiki/File:CharlesDarwinHuntingSnark.jpg, License as in Flickr: CC-BY-SA-3.0
(3) The person on the right side in Holiday's illustration is "The Banker". This figure has different faces in different illustrations.
(4) Henry Holiday may have been inspired by Darwin's "tree of life" sketch when he did his illustrations to Lewis Carroll's The Hunting of the Snark. However, the problem with my guess is, that (as far as I know) in and before 1876 the sketch still may not have been known to the public.
‘Parents, Tips for Talking to Older Teenagers’ that was developed by the Crisis Pregnancy Programme to help parents of older adolescents talk to teenage children about relationships and sex by providing practical tips on communication and other relevant information.
To order a copy of the supplement, parents in Ireland can Freetext TALK followed by their name and address to 50444.
For more information:
You Can Talk to Me was developed to help Irish parents talk to their children about relationships and sexuality.
In the DVD, parents and teenagers are interviewed about talking to each other about sex and relationships. There are also tips for parents on starting a conversation about sex and relationships with their child.
To order a DVD and booklet, parents in Ireland can FreeText PARENT plus their name and address to 50444.
For more information: www.crisispregnancy.ie/parentresource.html
‘The Facts’ DVD has been designed by the HSE Crisis Pregnancy Programme to help parents, teachers and youth workers to provide sex education to young people.
It contains information on contraception (including a condom demonstration), STIs, crisis pregnancy and fertility.
To order a copy, parents in Ireland can freetext FACTS followed by their name and address to 50444.
For more information: www.crisispregnancy.ie/parentresource.html
'Busy Bodies- A book about puberty for you and your parents' has been developed to provide appropriate information to 10-14 year olds in Ireland on the physical and emotional changes that they may experience during puberty.
To order a copy, parents in Ireland can FreeText BUSY followed by their name and address to 50444.
For more information: www.crisispregnancy.ie/parentresource.html
Stephanie Syjuco - Free Texts (2012)
opening Mind the System, Find the Gap
These oversized posters include tear-off tabs at the bottom for visitors to remove during their exhibition. Featured texts reflect on the predicament of art and its commodification, theories of everyday resistance, capitalism and alternate economies, the history of the commons, and ongoing discussions about open source culture. Together, these seemingly disparate topics are united by their online presence and the attempt to give these ideas a tangible shape and distribute them via a distinctly analogue medium – the public flyer.
This work is part of a larger, ever-expanding project examining the possibilities / potential of the digital commons, open source distribution, and the limits of copyright law. Many of these texts are uploaded by individuals and made available online - illicitly, since their copyright holders prohibit such sharing. The flyers are meant to be freely distributed, taken, shared, and reprinted as often as necessary. The posters can be printed at any size, and the entire collection can be downloaded in their most up-to-date form at: www.stephaniesyjuco.com/freetexts.pdf
photo: Kristof Vrancken / Z33
photo courtesy of matchroom sports
Poker Den--The Big Game... www.matchroompoker.com/promo-den.php
joining the big cash game: www.pokertube.com/ShowMovie.aspx?movieID=494aa868-0b42-41... den&OrderBy=Latest&pComIndex=1
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Stephanie Syjuco - Free Texts (2012)
opening Mind the System, Find the Gap
These oversized posters include tear-off tabs at the bottom for visitors to remove during their exhibition. Featured texts reflect on the predicament of art and its commodification, theories of everyday resistance, capitalism and alternate economies, the history of the commons, and ongoing discussions about open source culture. Together, these seemingly disparate topics are united by their online presence and the attempt to give these ideas a tangible shape and distribute them via a distinctly analogue medium – the public flyer.
This work is part of a larger, ever-expanding project examining the possibilities / potential of the digital commons, open source distribution, and the limits of copyright law. Many of these texts are uploaded by individuals and made available online - illicitly, since their copyright holders prohibit such sharing. The flyers are meant to be freely distributed, taken, shared, and reprinted as often as necessary. The posters can be printed at any size, and the entire collection can be downloaded in their most up-to-date form at: www.stephaniesyjuco.com/freetexts.pdf
photo: Kristof Vrancken / Z33
Illustration by Henry Holiday (cut by Joseph Swain) to Lewis Carroll's The Hunting of the Snark, 1876.
Why should a peaceful activity like lace-making (see below or lines #277 to #280 of the Snark) have "proved an infringement of right"? This image may have been used to symbolize dissection in context with C. L. Dodgson's (aka Lewis Carroll's) involvement in the vivisection debate.
053 The last of the crew needs especial remark,
054 Though he looked an incredible dunce:
055 He had just one idea--but, that one being "Snark,"
056 The good Bellman engaged him at once.
057 He came as a Butcher: but gravely declared,
058 When the ship had been sailing a week,
059 He could only kill Beavers. The Bellman looked scared,
060 And was almost too frightened to speak:
061 But at length he explained, in a tremulous tone,
062 There was only one Beaver on board;
063 And that was a tame one he had of his own,
064 Whose death would be deeply deplored.
065 The Beaver, who happened to hear the remark,
066 Protested, with tears in its eyes,
067 That not even the rapture of hunting the Snark
068 Could atone for that dismal surprise!
069 It strongly advised that the Butcher should be
070 Conveyed in a separate ship:
071 But the Bellman declared that would never agree
072 With the plans he had made for the trip:
073 Navigation was always a difficult art,
074 Though with only one ship and one bell:
075 And he feared he must really decline, for his part,
076 Undertaking another as well.
077 The Beaver's best course was, no doubt, to procure
078 A second-hand dagger-proof coat--
079 So the Baker advised it-- and next, to insure
080 Its life in some Office of note:
081 This the Banker suggested, and offered for hire
082 (On moderate terms), or for sale,
083 Two excellent Policies, one Against Fire,
084 And one Against Damage From Hail.
085 Yet still, ever after that sorrowful day,
086 Whenever the Butcher was by,
087 The Beaver kept looking the opposite way,
088 And appeared unaccountably shy.
And if that was not enough:
273 The Boots and the Broker were sharpening a spade--
274 Each working the grindstone in turn:
275 But the Beaver went on making lace, and displayed
276 No interest in the concern:
277 Though the Barrister tried to appeal to its pride,
278 And vainly proceeded to cite
279 A number of cases, in which making laces
280 Had been proved an infringement of right.
421 But the Barrister, weary of proving in vain
422 That the Beaver's lace-making was wrong,
423 Fell asleep, and in dreams saw the creature quite plain
424 That his fancy had dwelt on so long.
(from Lewis Carroll's and Henry Holiday's The Hunting of the Snark, 1876)
• Eva Amsen, Alice's Adventures in Animal Experimentation, 2007-09-19, network.nature.com/people/eva/blog/2007/09/19/alices-adve....
• Lewis Carroll, Some Popular Fallacies About Vivisection, Fortnightly Review [London: 1865-1934] 23 (1875 Jun): 847-854; Online at Animal Rights History, 2003.
www.animalrightshistory.org/animal-rights-quotes/literatu...
• On the usage of lace-needles with microscopes see pg. 391 in Darwin, C. R. 1849, On the use of the microscope on board ship, in Owen, R., Zoology. In Herschel, J. F. W. ed., A manual of scientific enquiry; prepared for the use of Her Majesty's Navy, and adapted for travellers in general. London: John Murray, pp. 389-395.
darwin-online.org.uk/content/frameset?viewtype=side&i...
• Jed Mayer: The vivisection of the Snark, 2009-06-22: Victorian Poetry (Amazon etext in HTML)
www.amazon.com/vivisection-Snark-fictional-animal-Report/...
• Rod Preece: Darwinism, Christianity, and the Great Vivisection Debate , Journal of the History of Ideas - Volume 64, Number 3, July 2003, pp. 399-419
www.jstor.org/discover/10.2307/3654233
• Letters on vivisection from/to Charles Darwin: www.darwinproject.ac.uk/advanced-search?as-corresp=&a...
By the way: Among all illustrations and apart from the Bellman's map this is the only illustration without a bell. Is that so?
(Last update: 2012-03-18)
Installation view at ZERO1 Art and Technology Biennial, San Jose, CA.
Image courtesy of the artist and Catharine Clark Gallery.
FREE TEXTS is an ongoing project that offers to the public PDF links to download books, essays, and journals curated around themes of social justice, activism, open source culture, copyright, empire, capitalism, feminism, and art. Visitors are invited to pull tabs from a wall of flyers that advertise URLs to download their own copy of text, many of which have been illegally uploaded by anonymous file sharers around the world.
A cumulative work, the collection grows every time it is shown by requiring the exhibition curator to not only choose from the existing titles, but to literally contribute a selection into the master copy of PDF files. This additive process seeks to “pay forward” the knowledge-base of the distinct concerns and curatorial themes of each exhibition. In this way, each show has the ability to use FREE TEXTS as a research and reference site for the larger exhibition it is embedded in. There is no single repository that holds these digital files as they are uploaded to servers around the world, creating a dispersed and diffuse network that has the ability to evade copyright takedown notices.
Originally conceived in 2012 as part of a commission for the Zero1 Biennial in San Jose, California, FREE TEXTS has traveled to Moscow, Bangkok, Romania, Poland, Germany, Singapore, Spain, and dozens of venues in the United States, picking up new titles along the way. Currently there are 280+ PDFs in the collection.
stephaniesyjuco.com/projects/free-texts-an-open-source-re...
(file name: freetexts_zero1_0070b)
Fisgard Lighthouse 150th Anniversary Celebration
Fort Rodd Hill and Fisgard Lighthouse National Historic Sites of Canada
Fisgard Lighthouse National Historic Sites (NHS) commemorates the national significance of the first lighthouse on Canada's west coast. Fisgard has been an important symbol of sovereignty-British, Colonial and Canadian-since 1860. Along with Race Rocks lighthouse, Fisgard provides a guide for mariners to Royal Roads anchorage, Esquimalt harbour and its naval base, and points the way to Victoria harbour.
YouTube Version with Audio Description
Overview
Create slideshows using your digital photos. With a single click, you can touch-up, crop, or rotate pictures. Add stunning special effects, soundtracks, and your own voice narration to your photo stories. Then, personalize them with titles and captions. Small file sizes make it easy to send your photo stories in an e-mail. Watch them on your TV, a computer, or a Windows Mobile–based portable device.
Microsoft Photo Story 3 (PS3) is a FREE application that allows users to create a show and tell presentation from their digital photos. [1] The software uses the Ken Burns Effect on digital photos and allows adding narration, effects, transitions and background music to create a Windows Media Video movie file with pan and zoom effects. Once a photo story has been made it can be played on Windows Media Player or burned to a DVD or CD. The last version is Photo Story 3.1, included with Microsoft Digital Image 2006 which brings back the ability to burn a Video CD using the Sonic Burning engine.
overview gets a menu, drops toolbars and now supports date range browsing
essentially we were running out of space. and hopefully the new version has solved that.
apart from that there is now zoom-out and zoom-in facility in the graphs and search is now using sqlite's freetext search. the latter allows to use wildcards with asterix (*) exclude terms with minus (-) and everything else that freetext search allows
photo courtesy of matchroom sports productions.
joining the big game: www.pokertube.com/ShowMovie.aspx?movieID=494aa868-0b42-41... den&OrderBy=Latest
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Detail from an Illustration by Henry Holiday (cut by Joseph Swain) to Lewis Carroll's The Hunting of the Snark, 1876.
273 The Boots and the Broker were sharpening a spade--
274 Each working the grindstone in turn:
275 But the Beaver went on making lace, and displayed
276 No interest in the concern:
277 Though the Barrister tried to appeal to its pride,
278 And vainly proceeded to cite
279 A number of cases, in which making laces
280 Had been proved an infringement of right.
Why should a peaceful activity like lace-making have "proved an infringement of right"? The Beaver's "lace-making" may have been used to symbolize dissection in context with C. L. Dodgson's (aka Lewis Carroll's) involvement in the vivisection debate.
• Eva Amsen, Alice's Adventures in Animal Experimentation, 2007-09-19, network.nature.com/people/eva/blog/2007/09/19/alices-adve....
• Lewis Carroll, Some Popular Fallacies About Vivisection, Fortnightly Review [London: 1865-1934] 23 (1875 Jun): 847-854; Online at Animal Rights History, 2003.
www.animalrightshistory.org/animal-rights-quotes/literatu...
• On the usage of lace-needles with microscopes see pg. 391 in Darwin, C. R. 1849, On the use of the microscope on board ship, in Owen, R., Zoology. In Herschel, J. F. W. ed., A manual of scientific enquiry; prepared for the use of Her Majesty's Navy, and adapted for travellers in general. London: John Murray, pp. 389-395.
darwin-online.org.uk/content/frameset?viewtype=side&i...
• Jed Mayer: The vivisection of the Snark, 2009-06-22: Victorian Poetry (Amazon etext in HTML)
www.amazon.com/vivisection-Snark-fictional-animal-Report/...
• Rod Preece: Darwinism, Christianity, and the Great Vivisection Debate , Journal of the History of Ideas - Volume 64, Number 3, July 2003, pp. 399-419
www.jstor.org/discover/10.2307/3654233
• Letters on vivisection from/to Charles Darwin: www.darwinproject.ac.uk/advanced-search?as-corresp=&a...
photo courtesy of matchroom sports
Poker Den--The Big Game... www.matchroompoker.com/promo-den.php
joining the big game: www.pokertube.com/ShowMovie.aspx?movieID=1a339de9-ce7a-42... den&OrderBy=Latest&pComIndex=1
www.pokertube.com/ShowMovie.aspx?movieID=7b9bd6ca-191b-41... den&OrderBy=Latest&pComIndex=1
One for the train buffs this week! wiki.prov.vic.gov.au/index.…/VPRS_12903_P1_Box_296/05 from the amazing online collection prov.vic.gov.au/search_results?searchid=41&format=fre...
photo courtesy of matchroom sports
Poker Den--The Big Game... www.matchroompoker.com/promo-den.php
www.pokertube.com/ShowMovie.aspx?movieID=494aa868-0b42-41... den&OrderBy=Latest&pComIndex=1
www.pokertube.com/ShowMovie.aspx?movieID=7b9bd6ca-191b-41... den&OrderBy=Latest&pComIndex=1
⚠️ It is not possible to share the original video due to copyright restrictions.
💡HOW ? 🔽
©️ How to use Music ?: lofirecords.com/pages/use-the-music
©️ How to use Video ?: creativecommons.org/licenses/by/3.0/deed.en
♾️ The links :
- For Music (🎵) = COPY & PASTE [---]
- For Video (🎥) = COPY & PASTE [~~~]
- For Music & Video (🎵) & (🎥) = COPY & PASTE [---] & [~~~]
✔️ DOWNLOAD MUSIC (Lofi Records): lofigirl.com/blogs/releases/before-its-late
✔️ DOWNLOAD (eMotion): www.dropbox.com/sh/skavsal2fi04iom/AAAUbi41LIZyzKmHSazSvx...
--- 🎵 MUSIC:
Hevi
📌 Spotify: open.spotify.com/artist/4vv1FFVqxnHyQFLmWxjizb
📌 Instagram: www.instagram.com/hevibeats
📌 Soundcloud: soundcloud.com/hevibeats
Trxxshed
📌 Spotify: open.spotify.com/artist/5H3acacLmK93wEdJWZhERU
📌 Soundcloud: soundcloud.com/trxxshed
---
~~~ 🎥 VIDEO EDITING:
Laurent Guidali
~~~
🎼Music promoted by eMotion:
📼Video Link : youtu.be/JKen3909ZUk
📋WHAT ? 🔽
🌟Hevi & Trxxshed - Yesterday
💫Lo Fi/Beat/Chill Vibes Music World
🌌Creative Common Music
✨Music Universe (🎵)
📝Type : 🎵Music (🔊 Instrumental)
🍸 Chill/Cool 🌆 Hip Hop 🔧 Lo-fi 🐨 Calm 💓 Beat
🎺 Musical Instruments : Drum Kit Percussion Glockenspiel 🎹 Synthesizer
🔊Language : ️ International (🇬🇧 description in English)
WHO ? 🔽
🎵Music by Hevi & Trxxshed
📀 Album (Before It's Late)
📡Posted by Laurent Guidali
🎥 Video eMotion by Laurent Guidali
🌅 Thumbnail by Laurent Guidali
ℹ️ Label Worx Limited
ℹ️ Producer & Composer: Emre Ataç & Etienne Jax
ℹ️ Music Publisher: ChilledCow Records
📍WHERE ? 🔽
[Music]
🇹🇷 Turkey
England
[Video Montage eMotion]
🇫🇷 France
🕓WHEN ? 🔽
🎆 2021-01-30 [Music]
🎆 2022 [Video]
💌 Contact : emotionetoilecontact@gmail.com
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***Source: Sunday Staff Picks: 5 Versatile Essentials for Summer Outdoor Pursuits
L. H. Morgan, The American Beaver, 1868
(redrawn illustration)
See also: darwin-online.org.uk/content/search-results?freetext=Morg....
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⚠️ It is not possible to share the original video due to copyright restrictions.
💡HOW ? 🔽
©️ How to use Music ?: lofirecords.com/pages/use-the-music
©️ How to use Video ?: creativecommons.org/licenses/by/3.0/deed.en
♾️ The links :
- For Music (🎵) = COPY & PASTE [---]
- For Video (🎥) = COPY & PASTE [~~~]
- For Music & Video (🎵) & (🎥) = COPY & PASTE [---] & [~~~]
✔️ DOWNLOAD MUSIC (Lofi Records): lofigirl.com/blogs/releases/before-its-late
✔️ DOWNLOAD (eMotion): www.dropbox.com/sh/skavsal2fi04iom/AAAUbi41LIZyzKmHSazSvx...
--- 🎵 MUSIC:
Hevi
📌 Spotify: open.spotify.com/artist/4vv1FFVqxnHyQFLmWxjizb
📌 Instagram: www.instagram.com/hevibeats
📌 Soundcloud: soundcloud.com/hevibeats
Trxxshed
📌 Spotify: open.spotify.com/artist/5H3acacLmK93wEdJWZhERU
📌 Soundcloud: soundcloud.com/trxxshed
---
~~~ 🎥 VIDEO EDITING:
Laurent Guidali
~~~
🎼Music promoted by eMotion:
📼Video Link : youtu.be/JKen3909ZUk
📋WHAT ? 🔽
🌟Hevi & Trxxshed - Yesterday
💫Lo Fi/Beat/Chill Vibes Music World
🌌Creative Common Music
✨Music Universe (🎵)
📝Type : 🎵Music (🔊 Instrumental)
🍸 Chill/Cool 🌆 Hip Hop 🔧 Lo-fi 🐨 Calm 💓 Beat
🎺 Musical Instruments : Drum Kit Percussion Glockenspiel 🎹 Synthesizer
🔊Language : ️ International (🇬🇧 description in English)
WHO ? 🔽
🎵Music by Hevi & Trxxshed
📀 Album (Before It's Late)
📡Posted by Laurent Guidali
🎥 Video eMotion by Laurent Guidali
🌅 Thumbnail by Laurent Guidali
ℹ️ Label Worx Limited
ℹ️ Producer & Composer: Emre Ataç & Etienne Jax
ℹ️ Music Publisher: ChilledCow Records
📍WHERE ? 🔽
[Music]
🇹🇷 Turkey
England
[Video Montage eMotion]
🇫🇷 France
🕓WHEN ? 🔽
🎆 2021-01-30 [Music]
🎆 2022 [Video]
💌 Contact : emotionetoilecontact@gmail.com
⚠️ It is not possible to share the original video due to copyright restrictions.
💡HOW ? 🔽
©️ How to use Music ?: lofirecords.com/pages/use-the-music
©️ How to use Video ?: creativecommons.org/licenses/by/3.0/deed.en
♾️ The links :
- For Music (🎵) = COPY & PASTE [---]
- For Video (🎥) = COPY & PASTE [~~~]
- For Music & Video (🎵) & (🎥) = COPY & PASTE [---] & [~~~]
✔️ DOWNLOAD MUSIC (Lofi Records): lofigirl.com/blogs/releases/before-its-late
✔️ DOWNLOAD (eMotion): www.dropbox.com/sh/skavsal2fi04iom/AAAUbi41LIZyzKmHSazSvx...
--- 🎵 MUSIC:
Hevi
📌 Spotify: open.spotify.com/artist/4vv1FFVqxnHyQFLmWxjizb
📌 Instagram: www.instagram.com/hevibeats
📌 Soundcloud: soundcloud.com/hevibeats
Trxxshed
📌 Spotify: open.spotify.com/artist/5H3acacLmK93wEdJWZhERU
📌 Soundcloud: soundcloud.com/trxxshed
---
~~~ 🎥 VIDEO EDITING:
Laurent Guidali
~~~
🎼Music promoted by eMotion:
📼Video Link : youtu.be/JKen3909ZUk
📋WHAT ? 🔽
🌟Hevi & Trxxshed - Yesterday
💫Lo Fi/Beat/Chill Vibes Music World
🌌Creative Common Music
✨Music Universe (🎵)
📝Type : 🎵Music (🔊 Instrumental)
🍸 Chill/Cool 🌆 Hip Hop 🔧 Lo-fi 🐨 Calm 💓 Beat
🎺 Musical Instruments : Drum Kit Percussion Glockenspiel 🎹 Synthesizer
🔊Language : ️ International (🇬🇧 description in English)
WHO ? 🔽
🎵Music by Hevi & Trxxshed
📀 Album (Before It's Late)
📡Posted by Laurent Guidali
🎥 Video eMotion by Laurent Guidali
🌅 Thumbnail by Laurent Guidali
ℹ️ Label Worx Limited
ℹ️ Producer & Composer: Emre Ataç & Etienne Jax
ℹ️ Music Publisher: ChilledCow Records
📍WHERE ? 🔽
[Music]
🇹🇷 Turkey
England
[Video Montage eMotion]
🇫🇷 France
🕓WHEN ? 🔽
🎆 2021-01-30 [Music]
🎆 2022 [Video]
💌 Contact : emotionetoilecontact@gmail.com
"FREE TEXTS: An Open Source Reading Room," 2012.
Installation view at ZERO1 Art and Technology Biennial, San Jose, CA.
Image courtesy of the artist and Catharine Clark Gallery.
FREE TEXTS is an ongoing project that offers to the public PDF links to download books, essays, and journals curated around themes of social justice, activism, open source culture, copyright, empire, capitalism, feminism, and art. Visitors are invited to pull tabs from a wall of flyers that advertise URLs to download their own copy of text, many of which have been uploaded by anonymous file sharers around the world.
A cumulative work, the collection grows every time it is shown by requiring the exhibition curator to not only choose from the existing titles, but to literally contribute a selection into the master copy of PDF files. This additive process seeks to “pay forward” the knowledge-base of the distinct concerns and curatorial themes of each exhibition. In this way, each show has the ability to use FREE TEXTS as a research and reference site for the larger exhibition it is embedded in. There is no single repository that holds these digital files as they are uploaded to servers around the world, creating a dispersed and diffuse network that has the ability to evade copyright takedown notices.
Originally conceived in 2012 as part of a commission for the Zero1 Biennial in San Jose, California, FREE TEXTS has traveled to Moscow, Bangkok, Romania, Poland, Germany, Singapore, Spain, and dozens of venues in the United States, picking up new titles along the way. Currently there are 280+ PDFs in the collection.
stephaniesyjuco.com/projects/free-texts-an-open-source-re...
⚠️ It is not possible to share the original video due to copyright restrictions.
💡HOW ? 🔽
©️ How to use Music ?: lofirecords.com/pages/use-the-music
©️ How to use Video ?: creativecommons.org/licenses/by/3.0/deed.en
♾️ The links :
- For Music (🎵) = COPY & PASTE [---]
- For Video (🎥) = COPY & PASTE [~~~]
- For Music & Video (🎵) & (🎥) = COPY & PASTE [---] & [~~~]
✔️ DOWNLOAD MUSIC (Lofi Records): lofigirl.com/blogs/releases/before-its-late
✔️ DOWNLOAD (eMotion): www.dropbox.com/sh/skavsal2fi04iom/AAAUbi41LIZyzKmHSazSvx...
--- 🎵 MUSIC:
Hevi
📌 Spotify: open.spotify.com/artist/4vv1FFVqxnHyQFLmWxjizb
📌 Instagram: www.instagram.com/hevibeats
📌 Soundcloud: soundcloud.com/hevibeats
Trxxshed
📌 Spotify: open.spotify.com/artist/5H3acacLmK93wEdJWZhERU
📌 Soundcloud: soundcloud.com/trxxshed
---
~~~ 🎥 VIDEO EDITING:
Laurent Guidali
~~~
🎼Music promoted by eMotion:
📼Video Link : youtu.be/JKen3909ZUk
📋WHAT ? 🔽
🌟Hevi & Trxxshed - Yesterday
💫Lo Fi/Beat/Chill Vibes Music World
🌌Creative Common Music
✨Music Universe (🎵)
📝Type : 🎵Music (🔊 Instrumental)
🍸 Chill/Cool 🌆 Hip Hop 🔧 Lo-fi 🐨 Calm 💓 Beat
🎺 Musical Instruments : Drum Kit Percussion Glockenspiel 🎹 Synthesizer
🔊Language : ️ International (🇬🇧 description in English)
WHO ? 🔽
🎵Music by Hevi & Trxxshed
📀 Album (Before It's Late)
📡Posted by Laurent Guidali
🎥 Video eMotion by Laurent Guidali
🌅 Thumbnail by Laurent Guidali
ℹ️ Label Worx Limited
ℹ️ Producer & Composer: Emre Ataç & Etienne Jax
ℹ️ Music Publisher: ChilledCow Records
📍WHERE ? 🔽
[Music]
🇹🇷 Turkey
England
[Video Montage eMotion]
🇫🇷 France
🕓WHEN ? 🔽
🎆 2021-01-30 [Music]
🎆 2022 [Video]
💌 Contact : emotionetoilecontact@gmail.com
NIH Reporter: projectreporter.nih.gov/reporter.cfm
A new year and change is in the air. This is actually not a new
change, although it was new to me. This replaces the CRISP database
and some other information sources from NIH about what they are doing
with their funds.
"The information found in RePORTER is drawn from several extant
databases–eRA databases, Medline, PubMed Central, the NIH Intramural
Database, and iEdison–using newly-formed linkages among these
disparate data sources. The comprehensiveness of these databases
varies, as does the quality of the linkages formed among them. We
expect that the quality of RePORTER data will improve over time as a
result of changes in both data collection (e.g., implementation of the
NIH Public Access policy) and the increased ability to identify
missing information that comes from making these data accessible to
more people."
I don't like it. Near as I can find out, there is no good way to do an
advanced search or a freetext search. It looks as if you can combine
terms with Boolean logic, but it sure as heck did NOT work when I
tried. I ended up having to do about 20 individual searches for each
of the terms of interest, and I have no idea if there are duplicates.
In addition to not liking the searching interface, I also didn't like
the data output. I ended up copying manually (cut and paste) almost a
thousand citations, which were not available in a structured form to
integrate with a database. Altogether, it was a frustrating
experience.
Anyway, it looks like what I was trying to do should have worked, so
perhaps the folks at NIH think it does? What I really really wanted to
be able to do was push a search from PubMed or the NCBI databases
directly into Reporter and get back meaningful relevant results. Now,
THAT would be blissful! Uh, um, useful. :)
Stephanie Syjuco - Free Texts (2012)
These oversized posters include tear-off tabs at the bottom for visitors to remove during their exhibition. Featured texts reflect on the predicament of art and its commodification, theories of everyday resistance, capitalism and alternate economies, the history of the commons, and ongoing discussions about open source culture. Together, these seemingly disparate topics are united by their online presence and the attempt to give these ideas a tangible shape and distribute them via a distinctly analogue medium – the public flyer.
This work is part of a larger, ever-expanding project examining the possibilities / potential of the digital commons, open source distribution, and the limits of copyright law. Many of these texts are uploaded by individuals and made available online - illicitly, since their copyright holders prohibit such sharing. The flyers are meant to be freely distributed, taken, shared, and reprinted as often as necessary. The posters can be printed at any size, and the entire collection can be downloaded in their most up-to-date form at: www.stephaniesyjuco.com/freetexts.pdf
photo: Kristof Vrancken / Z33
Stephanie Syjuco - Free Texts (2012)
These oversized posters include tear-off tabs at the bottom for visitors to remove during their exhibition. Featured texts reflect on the predicament of art and its commodification, theories of everyday resistance, capitalism and alternate economies, the history of the commons, and ongoing discussions about open source culture. Together, these seemingly disparate topics are united by their online presence and the attempt to give these ideas a tangible shape and distribute them via a distinctly analogue medium – the public flyer.
This work is part of a larger, ever-expanding project examining the possibilities / potential of the digital commons, open source distribution, and the limits of copyright law. Many of these texts are uploaded by individuals and made available online - illicitly, since their copyright holders prohibit such sharing. The flyers are meant to be freely distributed, taken, shared, and reprinted as often as necessary. The posters can be printed at any size, and the entire collection can be downloaded in their most up-to-date form at: www.stephaniesyjuco.com/freetexts.pdf
photo: Kristof Vrancken / Z33
This is to give you a hint of the part number I used for the 10uF monolythic cap.
www.jameco.com/webapp/wcs/stores/servlet/ProductDisplay?l...
www.jameco.com/Jameco/catalogs/c294/P54.pdf
Look for
920157
Stephanie Syjuco - Free Texts (2012)
These oversized posters include tear-off tabs at the bottom for visitors to remove during their exhibition. Featured texts reflect on the predicament of art and its commodification, theories of everyday resistance, capitalism and alternate economies, the history of the commons, and ongoing discussions about open source culture. Together, these seemingly disparate topics are united by their online presence and the attempt to give these ideas a tangible shape and distribute them via a distinctly analogue medium – the public flyer.
This work is part of a larger, ever-expanding project examining the possibilities / potential of the digital commons, open source distribution, and the limits of copyright law. Many of these texts are uploaded by individuals and made available online - illicitly, since their copyright holders prohibit such sharing. The flyers are meant to be freely distributed, taken, shared, and reprinted as often as necessary. The posters can be printed at any size, and the entire collection can be downloaded in their most up-to-date form at: www.stephaniesyjuco.com/freetexts.pdf
photo: Kristof Vrancken / Z33
"FREE TEXTS: An Open Source Reading Room," 2012.
detail view at ZERO1 Art and Technology Biennial, San Jose, CA.
Image courtesy of the artist and Catharine Clark Gallery.
FREE TEXTS is an ongoing project that offers to the public PDF links to download books, essays, and journals curated around themes of social justice, activism, open source culture, copyright, empire, capitalism, feminism, and art. Visitors are invited to pull tabs from a wall of flyers that advertise URLs to download their own copy of text, many of which have been illegally uploaded by anonymous file sharers around the world.
A cumulative work, the collection grows every time it is shown by requiring the exhibition curator to not only choose from the existing titles, but to literally contribute a selection into the master copy of PDF files. This additive process seeks to “pay forward” the knowledge-base of the distinct concerns and curatorial themes of each exhibition. In this way, each show has the ability to use FREE TEXTS as a research and reference site for the larger exhibition it is embedded in. There is no single repository that holds these digital files as they are uploaded to servers around the world, creating a dispersed and diffuse network that has the ability to evade copyright takedown notices.
Originally conceived in 2012 as part of a commission for the Zero1 Biennial in San Jose, California, FREE TEXTS has traveled to Moscow, Bangkok, Romania, Poland, Germany, Singapore, Spain, and dozens of venues in the United States, picking up new titles along the way. Currently there are 280+ PDFs in the collection.
stephaniesyjuco.com/projects/free-texts-an-open-source-re...
*** NO REPRODUCTION FEE **** DUBLIN : 27/10/2014 : Helping to raise awareness about the success of organ donation was Pól MacConleitreach from Randalstown in Antrim. By taking part Dublin City Marathon 2014 Pól will have clocked up a staggering 26 marathons since receiving a kidney transplant last year. Pól and his wife Catherine were involved in a paired exchange kidney transplant in the UK in February 2013. The process involved Catherine, who was not a suitable donor for Pól, donating a kidney to a stranger and Pól received a kidney from an unknown donor in return. For an organ donor card Freetext the word DONOR to 50050 or visit website www.ika.ie It is also possible to download an organ donor card on smartphones by searching for ‘Donor ECard’ at the iphone store or Google Play Store. Your wishes to be an organ donor can also be included on the new format driving licence which is represented by Code 115. Picture Conor McCabe Photography.
MEDIA CONTACT : Gwen O’Donoghue, Publicity, IKA. mob. 086 8241447 email. gwenodonoghue1@gmail.com
*** NO REPRODUCTION FEE **** DUBLIN : 27/10/2014 : Helping to raise awareness about the success of organ donation was Pól MacConleitreach from Randalstown in Antrim. By taking part Dublin City Marathon 2014 Pól will have clocked up a staggering 26 marathons since receiving a kidney transplant last year. Pól and his wife Catherine were involved in a paired exchange kidney transplant in the UK in February 2013. The process involved Catherine, who was not a suitable donor for Pól, donating a kidney to a stranger and Pól received a kidney from an unknown donor in return. For an organ donor card Freetext the word DONOR to 50050 or visit website www.ika.ie It is also possible to download an organ donor card on smartphones by searching for ‘Donor ECard’ at the iphone store or Google Play Store. Your wishes to be an organ donor can also be included on the new format driving licence which is represented by Code 115. Picture Conor McCabe Photography.
MEDIA CONTACT : Gwen O’Donoghue, Publicity, IKA. mob. 086 8241447 email. gwenodonoghue1@gmail.com