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Fragment of a statue base, showing two playful dwarf figures. India or Pakistan, c. 1st-2nd century AD.
Part of Inside Outside Open House event by Moving Architecture. 17-19 July 2009. Collaboration with printmakers Jairo Zaldua and Nicola Green. Dance: Katsura Isobe. Photo by Gigi Giannella.
Pretty assortment of shell fragments or wampum. The surf broke apart and smoothed out these shells. Ideal for jewelry making or other tropical, beachy crafts. On my etsy store - verobeachgal.
Manuscript fragment printed in Latin in Germany in late 13th, early 14th century. Includes prayer for feast of John the Baptist. On parchment.
Location: John Work Garrett Library
Call No.: Gar 27 pt. 2
Page No.: [+I]r
Font: Baskerville
Letter: "g" (regular)
Factor: Fragmenting + các kỹ thuật khác
Lưu ý, ví dụ trên chỉ thể hiện form của bài làm, không thể hiện cách làm ra sao. Các bạn có thể tự do cắt theo ý. Nhưng phải đảm bảo không phá vỡ cấu trúc của ký tự.
Làm 3 bài khác nhau với cùng 1 ký tự "g"
Picture by Gigi Giannella. Free Space Gallery, Kentish Town Health Centre, London. 21st July 2012.
Performance: Katsura Isobe
Printmaking: Jairo Zaldua & Nicola Green
3rd yr project
Fragment of Mercantile Marine Memorial, in Tower Hill, London...
....Deformed! the original Fragment with 'architectural moves' drawn from Corbusier's Curutchet House and imposed upon it.
Made out of 1mm greycard
Coral fragments in mesocosm tanks during an experiment at the Gump Biological Research Station in Moorea, French Polynesia (photo provided by Becca Maher, OSU College of Science).
FRAGMANLAR - FRAGMENTS
"(se) Représenter la ville." Interventions de Maro AVRABOU et DIMITRI XENAKIS
dans le cadre du colloque organisé par l'Institut Français de Turquie à Izmir.
"Habiter, Construire, Vivre ensemble: Questions de ville(s)". Novembre 2012
Maro AVRABOU ve Dimitri XENAKIS'in sunumu
İzmir Fransız Kültür Merkezi tarafından düzenlenen Kollokyum çerçevesinde
"Yaşamak, İnşa etmek, Korumak : Şehirlerin sorunları". Kasım 2012
Fragmento de esquisto con parte de una ciudad rectangular amurallada, semejante a la que aparece en la paleta de Narmer.
• I dinastía. Reinado del Horus Narmer (?)
• Procedencia: Abydos.
• Dimensiones:
• Material: Esquisto.
• Conservación:
Bibliografía:
Petrie, W.M.Flinders. “The royal tombs of the first dynasty”. Part II, 1901. pl. XXXII.70
Enlace:
Referencias:
Texto: Juan Rodríguez Lázaro.
Dibujo original: Petrie, W.M.Flinders. “The royal tombs of the first dynasty”. Part II, 1901. pl. XXXII.70
All Saints at Thurcaston is a mainly 14th century building with alterations made in the 15th century, from which period dates most of the fine collection of fragments of medieval glass deposited in the central light of the east window. Some of these ancient elements of glass are more complete, including heads, angels, roundels and a donor figure.
The church consists of a nave, chancel and west tower, along with a north aisle running almost the full length of the building. The interior preserves a more unspoilt, ancient atmosphere as it has not been too heavily affected by later restoration. There is an ancient wooden screen in the north aisle, originally the rood screen and one of the earliest surviving in the country (alas I failed to realise this at the time so do not have detailed shots of it). The nave roof is supported on some amusing medieval carved head corbels.
www.thurcastoncropstonhistory.org.uk/all-saints-church/
The church is well worth a visit but sadly kept locked outside of services so a phonecall may be necessary to see inside.
St John the Baptist's at Aston Cantlow preserves many antique features despite a restoration by Butterfield in 1850 (which is most evident in the south wall of the nave).
The north aisle and chancel have good Decorated tracery and the south wall of the latter leans dramatically inside. There is an attractive 15th century font, some old woodwork, fragments of 14th century glass and Victorian windows by Michael O'Connor and Charles Eamer Kempe.
These photos are from two seperate visits in 2006 and 2009 respectively; The chancel is currently (March 2010) closed whilst major restoration is undertaken, including the removal of the glazing for releading at Norgrove Studios.
St Lawrence's in Ludlow could easily claim to be the grandest parish church in Shropshire but also one of the very finest and most rewarding medieval churches in the country. It is a very large cruciform building dating mostly to the 14th & 15th centuries crowned by a soaring central tower that is a major landmark of the town. The red sandstone exterior however is otherwise somewhat elusive, being hemmed in by buildings in close proximity and thus difficult to get an overall shot of as a complete building.
The church is entered via an unusual hexagonal porch on the south side which admits access to the spacious nave and aisles. The crossing beyond is tall and narrow and adds a cathedral-like dimension to the interior, with views into the lower lantern-stage of the tower above. The chancel beyond is similarly impressive in scale and adornment with a fine 15th century wooden roof and much more.
St Lawrence's is especially famous for its interior fittings, most of all the superb medieval choir stalls with one of the best collections of misericord carvings anywhere. Less well known but equally important is the extensive collection of medieval stained glass in the eastern half of the church. Most of the glass in the chancel has either been very heavily restored or replaced entirely in replica by early 19th century restorers, but the glass in the north chapel is much more complete and despite some restoration largely retains its original appearance.
There are several notable tombs and monuments here also, including the heart burial of Henry VIII's older brother Prince Arthur (whose untimely death in Ludlow dramatically changed our history forever).
St Lawrence's is normally open to visitors on a daily basis and shouldn't be missed. The tower may also be ascended for some fine views over the town of Ludlow and beyond.