View allAll Photos Tagged formwork
View back towards the B Shredder from No.3 Diffuser Conveyor. Mill building on left engineering offices and a very old fig tree at top left.
This baby is still in the best livery. It is delivering to a I think a Mace main contractor job, with Byrne Bros Formwork Ltd as the formwork contractor.
First of the support steelwork for the head section of No.1 Diffuser Conveyor and feed chute into B Shredder is standing while the sloping floor under No.2 Diffuser Conveyor is boxed ready for pouring at bottom left.
Under construction one of many Mersey Gateway support piers for the elevated viaduct over the Sankey Canal (Widnes side Bridge approach carriageway)............. .......Please note ALL pictures on this Photostream are Copyright Protected
On March 2, 2018, crews fabricate formwork panels in the flyover work zone, and install false work to the flyover girders as part of ongoing construction for the I-405/SR 167 Interchange Direct Connector Project in Renton.
Ando's famous church in Osaka is an essay in concrete and light, nestled in a fairly typical residential neighbourhood.
"In all my works, light is an important controlling factor," says Ando. "I create enclosed spaces mainly by means of thick concrete walls. The primary reason is to create a place for the individual, a zone for oneself within society. When the external factors of a city's environment require the wall to be without openings, the interior must be especially full and satisfying... Walls are the most basic elements of architecture, but they can also be the most enriching."
"A smooth surface was achieved by adopting a dense engineering quality mix with a slump less than 15cm (6in) and by ensuring thorough vibration with a minimum cover for the reinforcing bars of 5cm (2in) to avoid weathering problems and staining. The density of the concrete results in a glass-like surface that registers the different qualities of light, and tends to dematerialize it. Because Ando's concrete is so precisely wrought, so smooth and reflective, it produces an illusion of a taut, textile surface rather than presenting it as a heavy earthbound mass. Ando has his own teams of expert carpenters to make the formwork who compete against each other; even so, his walls contain imperfections and are uneven." ("Church on the Water, Church of the Light" by Tadao Ando and Philip Drew)
A shot of construction workers preparing formwork for reinforced concrete floor slab casting.
Advanced thank you to all for the views, comments, awards and faves for the photo.
© Copyright @ris_@bdullah  2014 | All rights reserved.
Do not use, copy or edit any of my materials without my written permission.
Would appreciate not having large/animated multi invite codes.
Concrete Housing Construction in Chile using Aluminum Concrete Forms. For more information visit www.WALLTIES.com
Crews assemble formwork in preparation for sound wall construction west of the Evergreen Point Road lid on SR 520. The sound wall separates users of the 14-foot bicycle and pedestrian path from traffic in this area. These sound walls will reach all the way out onto the east approach.
A photo taken inside the impressive mould storage at the Faller factory in Gütenbach (Black Forest)
Rather heavy (and beautiful!) form work tools an necessary to create rather small and light plastic parts for the famous Faller construction kits.
The project aims to restore access to parts of the surviving walls and open up the original gatehouse. This includes excavations being carried out in the grounds of the castle as part of work to make the castle more attractive to the public. This view of the 12C gatehouse shows new concrete work to open up the gatehouse as an entrance to the castle. The gatehouse will have floors and a roof built so it can be used for events. The overall cost of the archaeological excavation work and renovations will cost about £6 million and are expected to be complete late in 2026.
Please don't use this image on websites, blogs or other media .com without my explicit permission. All rights reserved.
© rogerperriss@aol.com
Rapid high rise concrete contruction using aluminum handset concrete forms. For more information on concrete forming systems visit www.wallties.com/concrete_forming_systems.htm
Under construction one of many Mersey Gateway support piers for the elevated viaduct over the Sankey Canal (Widnes side Bridge approach carriageway)............. .......Please note ALL pictures on this Photostream are Copyright Protected
Looking down from approach to Clark Bridge.
Workers assembling formwork for top floor of Witherspoon St. parking garage.
The forms are laid out in rows separated by gaps which will form "ribs" on the underside of the concrete floor.
Metal bracing helps hold the forms in place (at center).
.
Louisville, Kentucky.
Mar. 1988.
.
file # 88c195.
35 mm Kodachrome.
Plustek OpticFilm 7600i.
Siverfast 8.
Picture Window 6.
unsharp mask (radius 1,threshold 3, 90%).
JPEG quality 95.
Ando's famous church in Osaka is an essay in concrete and light, nestled in a fairly typical residential neighbourhood.
"In all my works, light is an important controlling factor," says Ando. "I create enclosed spaces mainly by means of thick concrete walls. The primary reason is to create a place for the individual, a zone for oneself within society. When the external factors of a city's environment require the wall to be without openings, the interior must be especially full and satisfying... Walls are the most basic elements of architecture, but they can also be the most enriching."
"A smooth surface was achieved by adopting a dense engineering quality mix with a slump less than 15cm (6in) and by ensuring thorough vibration with a minimum cover for the reinforcing bars of 5cm (2in) to avoid weathering problems and staining. The density of the concrete results in a glass-like surface that registers the different qualities of light, and tends to dematerialize it. Because Ando's concrete is so precisely wrought, so smooth and reflective, it produces an illusion of a taut, textile surface rather than presenting it as a heavy earthbound mass. Ando has his own teams of expert carpenters to make the formwork who compete against each other; even so, his walls contain imperfections and are uneven." ("Church on the Water, Church of the Light" by Tadao Ando and Philip Drew)
"The Troika" building under construction, the shear wall formwork forming rows of structures under the safety netting.....the arrangement looks like a cluster of knights around a round form. The building designed by Sir Norman Foster is currently under construction.
The capture taken in the early hours in the morning at the sunrise.
The last of the KIEV and CZJ Sonnar 180/2.8 series - finishing the last roll before returning to Mr.Qorun. I am going to miss this equipments!!
KIEV 88CM, Carl Zeiss Jena Sonnar 180mm F2.8, Kodak Ektacolor Pro 160, Wide Open
Ando's famous church in Osaka is an essay in concrete and light, nestled in a fairly typical residential neighbourhood.
"In all my works, light is an important controlling factor," says Ando. "I create enclosed spaces mainly by means of thick concrete walls. The primary reason is to create a place for the individual, a zone for oneself within society. When the external factors of a city's environment require the wall to be without openings, the interior must be especially full and satisfying... Walls are the most basic elements of architecture, but they can also be the most enriching."
"A smooth surface was achieved by adopting a dense engineering quality mix with a slump less than 15cm (6in) and by ensuring thorough vibration with a minimum cover for the reinforcing bars of 5cm (2in) to avoid weathering problems and staining. The density of the concrete results in a glass-like surface that registers the different qualities of light, and tends to dematerialize it. Because Ando's concrete is so precisely wrought, so smooth and reflective, it produces an illusion of a taut, textile surface rather than presenting it as a heavy earthbound mass. Ando has his own teams of expert carpenters to make the formwork who compete against each other; even so, his walls contain imperfections and are uneven." ("Church on the Water, Church of the Light" by Tadao Ando and Philip Drew)
Concrete construction in Venezuela using aluminum concrete formwork. For more information on formwork visit www.wallties.com
The small pump proved to be inadequate for removal of the water - milky slush in the bottom. A larger portable irrigation pump (top left) was used almost 24 hours a day to try and maintain a suitable working area. Note the slump behind the corrugated iron - far side.
Looking E from approach to Clark Bridge.
Work continues on Witherspoon St. parking garage.
Here we see the forms in place for the pouring of concrete for the second level.
Rebar is being placed in the troughs which will form "ribs" under the floor, and more rebar will be laid on top of the forms before the concrete is poured.
.
Louisville, Kentucky.
Mar. 1988.
.
file # 88c111.
35 mm Kodachrome.
Plustek OpticFilm 7600i.
Siverfast 8.
Picture Window 6.
unsharp mask (radius 1,threshold 3, 75%).
JPEG quality 95.
Ando's famous church in Osaka is an essay in concrete and light, nestled in a fairly typical residential neighbourhood.
"In all my works, light is an important controlling factor," says Ando. "I create enclosed spaces mainly by means of thick concrete walls. The primary reason is to create a place for the individual, a zone for oneself within society. When the external factors of a city's environment require the wall to be without openings, the interior must be especially full and satisfying... Walls are the most basic elements of architecture, but they can also be the most enriching."
"A smooth surface was achieved by adopting a dense engineering quality mix with a slump less than 15cm (6in) and by ensuring thorough vibration with a minimum cover for the reinforcing bars of 5cm (2in) to avoid weathering problems and staining. The density of the concrete results in a glass-like surface that registers the different qualities of light, and tends to dematerialize it. Because Ando's concrete is so precisely wrought, so smooth and reflective, it produces an illusion of a taut, textile surface rather than presenting it as a heavy earthbound mass. Ando has his own teams of expert carpenters to make the formwork who compete against each other; even so, his walls contain imperfections and are uneven." ("Church on the Water, Church of the Light" by Tadao Ando and Philip Drew)
This formwork was installed at Sheep Bridge, and with the placement of concrete, the project achieved a milestone by creating the first of many bridge supporting columns to be installed for Phase 4.
A view from the top of the 57m high eastern chimney looking southeast towards the outer formwork for the B Shredder. Freshwater tank is at bottom right.
Looking ENE from approach to Clark Bridge.
Workers assembling formwork for top floor of Witherspoon St. parking garage.
A small forklift is used to hoist lumber up to the platforms on which the forms will be assembled .
.
Louisville, Kentucky.
Mar. 1988.
.
file # 88c190.
35 mm Kodachrome.
Plustek OpticFilm 7600i.
Siverfast 8.
Picture Window 6.
unsharp mask (radius 1,threshold 3, 90%).
JPEG quality 95.
In this photo there is an almost full view of the formwork in the enormous casting basin on Oct. 16, 2013. Once assembled, this formwork will be used to construct six new concrete pontoons for the State Route 520 floating bridge.
Construction crews are underway on the fourth cycle of SR 520 bridge pontoons in Aberdeen. In this cycle, crews will build six total pontoons:
• Four longitudinal pontoons (360 ft. x 75 ft. x 29 ft.)
• Two supplemental stability pontoons (98 ft. x 60 ft. x 28 ft.)
On Feb. 20, 2018, crews fabricate formwork panels on the flyover work zone as part of ongoing construction for the I-405/SR 167 Interchange Direct Connector Project in Renton.
On March 5, 2018, crews fabricate formwork panels in the flyover work zone as part of ongoing construction for the I-405/SR 167 Interchange Direct Connector Project in Renton.
Looking ENE from approach to Clark Bridge.
Pouring last section (SW corner) of top floor of Witherspoon Street parking garage. This is an example of a post-tensioned slab.
At left, man in plaid shirt controls position of placing boom and rate of concrete flow via remote box connected by cable to concrete pump.
Workers use 2x4s, shovels and "bull floats" to smooth surface of fresh concrete. (See "Placing and Finishing Concrete".)
I-64 and JFK Bridge in distance.
.
Louisville, Kentucky.
April 1988.
.
file # 88d106.
35 mm Kodachrome.
Plustek OpticFilm 7600i.
Siverfast 8.
Picture Window 6.
unsharp mask (radius 1,threshold 3, 100%).
JPEG quality 95.