Fomapan 100
View allAll Photos Tagged fomapan
Analogica, Praktica FX 2 ( 1956 ), Flektogon 35 mm F 2.4, Fomapan 200 asa, sviluppo con Rodinal. Questa vecchia Praktica ha il mirino a pozzo ( a livello vita, come lo definiscono altri ) e mi piace molto ma ha dei fori nella tendina, solo dieci foto in questo rullino sono venute senza "macchie" di luce. Proverò a riparare la tendina con una vernice nera che ho comperato...
Analogica, Fujica ST 701 ( 1970 ), Flektogon 35 mm F 2.4, Fomapan 200 asa sviluppo con Rodinal. Quello è il mio vero nome ma ormai su Flickr sono Libero Pardini
.. in the Far East, every man in the forest is a potential hunter,
and all living things are potential prey by default.
As hard as it is for me to accept, it is..
And, as they say in the children's game of hide and seek -
"...Ready or not, here I come..."
And while my prey peers into the twilight taiga on the slopes of the hills, I stand still, hiding behind the camera and don't take my eyes off from the Praktica viewfinder - in continuation of the previous conversation about photography on the road with a budget of $ 100 Max.
I used to start with a camera like this one, bought from a second-hand store, made in DDR.
And today she is good as a traveling companion, but if she is less tired than you are! ))
- lyrical drawing from Zeiss in portraits, sharp enough if you want it,
fully mechanical..
Although she slams the mirror pretty decently when taking pictures,
and the M42 slows down lens changes. However, if you are systemic,
and consciously allocated a niche for her in conjunction with other cameras - she can handle it
Fomapan 100 film
Praktica LTL Film Camera (DDR),
Carl Zeiss Jena Pancolar 50mm f/1.8 ZEBRA lens (DDR)
Epson V600 scanned
P.S.
here in Primorie, the one who goes to look for, in a game of hide and seek, says:
" кто не не спрятался - я не виноват.. "
in italy i know:
" chi non si è nascosto - non è colpa mia "
....... I'm wondering what this phrase is in other languages in the world, maybe you had it as a child? How did you say it then? )
Analogica, Zenit TTl ( 1977 ) con esposimetro fuori uso, Fujinon 55 mm 2.2 F, sviluppo con Rodinal, Fomapan 200 asa. Oggi devo andare al lavoro prima, questa sera spero di commentare le vostre foto
Camera used: Pinhole homemade camera 4X4
Camara Estenopeica, hecha en casa.
San Juan, Puerto Rico
Mi galeria en Color www.flickr.com/photos/samycolor
Mi Galeria en B&N www.flickr.com/photos/samycollazo
Fomapan Classic 100
Pinhole-28 (4X4)
Exp.12 sec.
Pinhole .3mm
F.L. 25mm
F:83
Nik Silver Efex Pro 2
LIghtroom 3
Musicon is a vibrant and creative district in Roskilde, Denmark. Known for its mix of culture, business, and housing. Built on a former industrial site, it features repurposed factory buildings, art spaces, music venues, and the Ragnarock museum.
Canon AF35ML is a point and shoot camera from around 1980
AF35ML #001 (26)
Analogica, Praktica FX 2 ( 1956 ), Takumar 55 mm F 1.8, Fomapan 200 asa, sviluppo con Rodinal. Ora torno a casa dal lavoro, questa sera commento le vostre foto
Analogica, Pentax K 1000 ( 1976 ), Pentax M 50 mm f 2, Fomapan 200 asa, sviluppo con Rodinal. Non sò ancora se vado al mare o da qualche altra parte...
Same as previous photo, but this was made on Fomapan 100 (for comparison with FP4+). The Fomapan was exposed at 50 ASA and developed in PMK.
Distinctly different tonal response/contrast, but perfectly good result.
I've just acquired a box of Fomapan 100 in 5x7 size, to test its suitability for Salted Paper printing. This is a scan of my first negative - just a technical test, really.
Exposed at 100ASA and processed in PMK pyro @ 2:4:100 for 11 minutes, 72F. The resulting negative is pretty good (could use 1/3 more exposure, so next time I meter at 80 ASA and bracket by adding a bit more time for a second sheet) and potentially suitable for Salt Printing. But I'm a bit concerned about the Base + Fog density: its more than FP4, so I'm concerned it will print through well enough We shall see.
I'm trying to work out a way to use Fomapan 400 as a Kallitype negative, but it's proving difficult to get it to work as I want with Pyro developers. With Pyrocat HD it produces lots of density but higher values are all mashed together into a flat mess. I think I will give up and stick with FP4 for making Kallitype negs.
This is the second of two identically exposed sheets of Fomapan 400, this one developed in home made Mytol, an Xtol ascorbate clone.
Deardorff 8x10 with the Kodak f4.5 Ektar lens, at f8. A six second exposure.
Taken on Fomapan Classic with Minolta X-300 MD 50mm f/1.7.
Developed in Adox Rodinal 1+25 @ 4 min.
Postprocessed with The GIMP.
Holga 120N with Fomapan 400 Action. Stand developed with Rodinal, 1:100, for 70 mins at 20º C. Negative scanned on Epson Perfection V500.
Taken April of 2021 on upper Grant Street on Telegraph Hill, San Francisco, California of a rather unique shop. Shot with Olympus OM1N, 40mm f2 Zuiko lens, Fomapan 100 and developed in Rodinal 1x50 at 20c for 9 minutes.
Ten days ago I had abdominal surgery and I've not felt up to making photographs, but yesterday I decided to just make a couple exposures "to exercise my creative brain" if nothing more.
I exposed two 5x7 sheets of Fomapan 100 @ 50 ASA and developed one in Thornton's 2-Bath developer, and another in PMK. This image is from the Thornton negative. I’ve used Fomapan sheet film for a couple years now and I find it to be a very capable product, and aside from its reciprocity characteristics, it’s a very attractive option at a remarkably good price. I buy FP4+ occasionally and have a cache of it in the fridge, but at nearly $10 a slice for 8x10 sheets of it, it’s hard to justify this price and I expect I will limit how much of it I buy in the future.
The differences between the two developers are very subtle and aside from the Pyro stain on the PMK neg, the two negatives scan almost identically. (They'd print differently in the darkroom, though) Anyway, this was a happy exercise and it felt good to make some new work.
Camera: 5x7 Intrepid with my 8.5" Kodak Commercial Ektar lens (a beautiful thing!)
Taken on Fomapan Classic shot at ISO 250 with Zenit 12XP Helios 44M4.
Developed in Adox Rodinal 1+25 @ 3 min.
Postprocessed with The GIMP.
Taken on Fomapan Classic with Minolta X-300 MD 50mm f/1.7.
Developed in Adox Rodinal 1+25 @ 4 min.
Postprocessed with The GIMP.