Fomapan 100
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.. in the Far East, every man in the forest is a potential hunter,
and all living things are potential prey by default.
As hard as it is for me to accept, it is..
And, as they say in the children's game of hide and seek -
"...Ready or not, here I come..."
And while my prey peers into the twilight taiga on the slopes of the hills, I stand still, hiding behind the camera and don't take my eyes off from the Praktica viewfinder - in continuation of the previous conversation about photography on the road with a budget of $ 100 Max.
I used to start with a camera like this one, bought from a second-hand store, made in DDR.
And today she is good as a traveling companion, but if she is less tired than you are! ))
- lyrical drawing from Zeiss in portraits, sharp enough if you want it,
fully mechanical..
Although she slams the mirror pretty decently when taking pictures,
and the M42 slows down lens changes. However, if you are systemic,
and consciously allocated a niche for her in conjunction with other cameras - she can handle it
Fomapan 100 film
Praktica LTL Film Camera (DDR),
Carl Zeiss Jena Pancolar 50mm f/1.8 ZEBRA lens (DDR)
Epson V600 scanned
P.S.
here in Primorie, the one who goes to look for, in a game of hide and seek, says:
" кто не не спрятался - я не виноват.. "
in italy i know:
" chi non si è nascosto - non è colpa mia "
....... I'm wondering what this phrase is in other languages in the world, maybe you had it as a child? How did you say it then? )
Hasselblad 500cm on Fomapan 400, developed in CaffenolCL semistand.
Film came out (once again) very bad. Still one left.
Photo information:
Film type: 135.
Film name: Fomapan 100@200.
Developer: FX-39 II.
Developer maker: Adox.
Developer dilution: 1+19.
Developing time: 14'.
Filter(s) used: no.
Scanner manufacturer: Epson.
Scanner model: Perfection V550 Photo.
A young lady performing a Mexican folk dance as a cultural celebration in a local parade, Abilene, Texas, USA.
Camera: Nikkormat FTN with F1:3.8 85-205mm Auto Vivitar Tele-Zoom lens.
Film: Fomapan 200
Developing: Kodak HC-110
Ten days ago I had abdominal surgery and I've not felt up to making photographs, but yesterday I decided to just make a couple exposures "to exercise my creative brain" if nothing more.
I exposed two 5x7 sheets of Fomapan 100 @ 50 ASA and developed one in Thornton's 2-Bath developer, and another in PMK. This image is from the Thornton negative. I’ve used Fomapan sheet film for a couple years now and I find it to be a very capable product, and aside from its reciprocity characteristics, it’s a very attractive option at a remarkably good price. I buy FP4+ occasionally and have a cache of it in the fridge, but at nearly $10 a slice for 8x10 sheets of it, it’s hard to justify this price and I expect I will limit how much of it I buy in the future.
The differences between the two developers are very subtle and aside from the Pyro stain on the PMK neg, the two negatives scan almost identically. (They'd print differently in the darkroom, though) Anyway, this was a happy exercise and it felt good to make some new work.
Camera: 5x7 Intrepid with my 8.5" Kodak Commercial Ektar lens (a beautiful thing!)
I've just acquired a box of Fomapan 100 in 5x7 size, to test its suitability for Salted Paper printing. This is a scan of my first negative - just a technical test, really.
Exposed at 100ASA and processed in PMK pyro @ 2:4:100 for 11 minutes, 72F. The resulting negative is pretty good (could use 1/3 more exposure, so next time I meter at 80 ASA and bracket by adding a bit more time for a second sheet) and potentially suitable for Salt Printing. But I'm a bit concerned about the Base + Fog density: its more than FP4, so I'm concerned it will print through well enough We shall see.
Holga 120N with Fomapan 100. Semi-stand with Rodinal, 1:100, for 70 mins. Negative scanned on Epson Perfection V500.
Photographed on Fomapan 100 at 50 ASA, developed in FA-1027, 1:14, 9 minutes.
Lens: Wollensak Verito 9", at f5.6 and a pinch.
Almost every boat we see is the culmination and fulfilment of someone's life-long dream.
Voigtlander Bessa camera from 1937, Skopar lens
Fomapan 400 film
00000926
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film: Fomapan 400 BW
develop: Caffenol C-L salty stand, (coffee)
cam : Rolleicord IV
place: Amsterdam, wing shaped concrete staircase