FP4 in Tanol,

Foma Retrobrom, 2nd pass lith,

+ f-stop 0,7 Meritol, Copper bleach, Easy Lith 2,5+2,5+500ml hot 2 minutes

Just an attempt of Glycin after Lith. A 2nd developer is not necessary with this paper, because the lights come out with enough density. But Polychrome is always a must in my experimental run with new papers.

Lith 50+50+1000+20ml D

Siena 30ml +900ml water +15ml AmCloride + 15ml Carbonate + 6ml !!! (1+4 diluted) Lith D to prevent border fog.

Foma Retrobrom

1st SE5 Lith A+B+D+water 50+50+30+900ml 9 mins

2nd 800ml water + 10 Lith G + 20ml Ammonium chloride 20% + 2ml Lith D + 10ml Lith B 3 mins

Holga neopan

Lith print on old Foma neobrom

Camera: Toyo Field 45A

Lens: Rodenstock Sironar-N 150mm f:5.6 (yellowgreen filter)

Exposure: 1/4 @ F/32

Film: Foma Retropan 320 4x5" hand developed in Xtol Replenished

This is a Salt Print made this morning, using a 5x7 dry plate negative (home-made, using the Foma Emulsion), on Bergger COT 160 paper. I used the technique described in the 2019 edition of Chemical Pictures. (Quinn Jacobson)

The print is gold chloride toned.

test-3

Rolleicord Va

Foma Ortho 400

Ricoh +1 close-up lens

Olympus XA

Fomapan (200?)

Fomadon LQN

Foma 100. Rodinal.

Ondu Pinhole 6X6.

Nikon FE with HP5 in rodinal

Moersch Easy lith,

Paper: Foma variant 123

Foma 100

Mamiya Super 23 Sekor 100mm f3.5 Fomapan 100 R09

Nikon FE2

Nikon 28-70mm f/3.5-4.5

Foma 400

Red filter

LC-29 1+19

Helsinki, Finland.

Nikon FE

Foma 200 - Kodak Xtol 7min

Berlin-Spandau

Rolleicord Va

Foma Retropan 320

Foma Retro Special Stock @20C

Exposed and processed according to manufacturer's instructions

Free ferry crossing of the Missouri River in Montana. There's very little reason to cross here. But you should.

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'Exposition'

Camera: Mamiya RB67

Lens: Mamiya-Sekor 3.8/90mm

Film: Fomapan 100

Process: Foma Retro Special; 4min

Montana

July 2021

Foma 100.

Rodinal.

Ondu Pinhole 6X6

Foma 400 Rodinal

Holga 120 FN 6X4.5

Double exposure.

Dunes on Foma 100.

I shot a second roll, different film. Honestly, I like these better. They scan much easier. They don't have the deep shadows and huge contrast, but with a little work in post it's good, as well. At least much easier as trying to tame the Adox 20. But probably this is what you would expect from a special film versus an universal use film.

#forlì

#forlimarittima

Agfa Isolette 1 medium format

Fomapan 400

Dev'd in Rodinal 1+50

Scanned with Nikon D700

Processed with Affinity Photo

An alternative version of the previous photograph, but made with Fomapan 100 this time, developed in PMK. Different tonal rendering, but equally pleasing results.

Camera: Intrepid 5x7 camera with the 9" Wollensak Verito lens, at f4.5

Nettar 518/16, foma 100, ilford glossy paper

Foma Retrobrom in SE5 Lith 50+50+30+1000ml A+B+D+water +3,8 f-stops 10 minutes followed by Lith B/Omega mix 1 minute

Holga 120/same process

Foma 100. Rodinal.

Ondu Pinhole 6X6.

Foma 400 Rodinal

Holga 120 FN 6X4.5

Triptych

Vanishing point - the coastal road to Elsinore

Camera: ONDU MultiFormat Mk I pinhole camera @ 6x12

Pinhole: f/160

"Focal length": 40mm

Exposure: 150 secs

Film: Foma Fomapan 100 Classic developed in Kodak Xtol Replenished

Pomerania project

Yashica Mat 124 | Fomapan 200

Foma 200 in Rodinal

Mini sténopé 5*5cm/ mini pinhole

(camera : boîte de thé/box of tea)

papier Foma RC brillant 311

Rollleiflex

Foma 100

Camera: Toyo Field 45A

Lens: Fujinon-W 135mm f:5.6 (yellow filter)

Exposure: 1/8 @ F/22

Film: Foma Fomapan 100 Classic 4x5" hand developed in Xtol Replenished

Mini sténopé 5*5cm/ mini pinhole

(camera : boîte de thé/box of tea)

papier Foma RC brillant 311

Holga with Foma 400 in Rodinal

Captured during a recent trip to South Dakota and Wyoming with my Kodak Brownie No. 2 Model F box camera, circa 1924. Foma 100 film developed with Xtol at 1:1. It never ceases to amaze me how sharp Brownie Box cameras can render images. The key is to keep the camera steady and make sure there's plenty of light.